132 résultats
1952mon0000052157Werner Laurie 1952-01-01. Hardcover. Good. in x in x in. Ex-library book usual markings. Hardback rebound by library. Minor wear and markings to book covers due to age. Clean text sound binding. Werner Laurie hardcover
1996DBS-9780134430119Prentice Hall 1996. 1st. Paperback. New. Prentice Hall paperback
1996DBS-9780134430119Prentice Hall 1996. 1st. Paperback. New. Prentice Hall paperback
19091705230041The Metropolitan Company 1/1/1909. Hardcover. Good. 0x0x0. Hardcover. No dust jacket. Hinges cracked. Spine missing. Pencil markings throughout. 71 pages 24 cm. The Metropolitan Company hardcover
1995Q-1566393841Temple University Press 1995-10-25. Hardcover. New. In shrink wrap. Looks like an interesting title! Temple University Press hardcover
19772092902138100646Franca May Edizioni 1977. Soft Cover. Fine. Size: 34.5cmx24.5cm Number of books: 1 Franca May Edizioni paperback
1939363403NY: La Follia 1939. 1st. Softcover. Fair/None. Softcover 8.25" x 11"; 175 pages. As well as being one of the best known voices of his time Mr Caruso was also a talented hand at the art of caricature and this volume reproduces hundreds of them from the worlds of entertainment music and politics. 276 caricatures organized in five sections: Auto-caricatures including family; Evolutions and Transformations; Composers and Conductors; Sketches of Some Operas; and Rulers of the World and Celebrities with photo of the artist on cover in his role as Pagliacci. Includes facsimile and transcript of last letter sent by Caruso to the publisher Marziale Sisca two days before he died with English translation. Covers soiled chipped. Backstrip gone upper and lower covers are detached and upper cover is damaged. Record # 363403 La Follia paperback
198227372Hollywood Calif.: Hal Sloane Associates . Very Good. 1982. Plastic comb binding. modest wear to edges and corners plastic-comb binding fully intact. B&W and color graphics facsimiles Remember this incredible multi-faceted extravaganza that virtually dominated the musical consciousness of Hollywood over a five-day period in the Fall of 1982 No Well don't feel too bad because neither does anybody else: it never happened. What we have here is a prospectus/proposal for the event which was designed to be a Very Big Deal indeed with no fewer than ten count 'em ten individual elements: R.A.V.E. International Rock Art Video Expo; The Museum of Rock Art an art show "compiled from the holdings of the world's only museum dedicated to the art of Rock N' Roll" which had been founded a year or so earlier by co-promoter Paul S. Caruso; the Great Rock N' Roll Time Machine a multimedia presentation; the first-ever auction of "art and memorabilia associated with Rock N' Roll and it's sic heroes"; The Great American Rock N' Roll Supermarket a shopping bazaar for rock memorabilia; the World's Greatest Video Arcade this was the 80s after all; live musical performances; the Great American Rock N' Roll Sweepstakes; a "Battle of the Bands"; and last but not least the Great American Rock N' Roll Midway "consisting of the newest thrill rides from around the world." You certainly can't accuse the promoters and prospective producers of thinking small nor of not having the chops to pull it off even though they ultimately didn't: Hal Sloane 1924-2010 was an entertainment industry veteran whose varied resume included the production of a series of "Teen-Age Fairs" during the 1960s a fictionalized version of one such event which figures in Paul Thomas Anderson's recent film LICORICE PIZZA; Paul Caruso was a young entrepreneur who in 1981 opened the Museum of Rock Art on Sunset Blvd. in Hollywood an enterprise that claimed to have "the world's largest collection of rock posters . . . as well as original artwork album covers concert tickets photographs sculpture and a fast-growing videotape library." The Museum closed at one point for earthquake retrofit reopening in a Hollywood Blvd. location in 1985 where it remained until circa 1989 I've found no press documenting its demise. Now more than thirty years later it still has an online presence of sorts with Mr. Caruso and presumably his personal collection which always formed the Museum's core having apparently resettled in Maine. This approximately 30-page prospectus rather crudely designed has background information on Caruso's and Sloane's previous achievements promotional descriptions of the Expo's various elements the most interesting perhaps being the description of "The Great Rock & Roll Time Machine" a blank contract for prospective advertisers/sponsors and a detailed budget for the project projecting a net profit of $211250. The latter is formatted with a parallel column giving the corresponding line-item budget figures for the 1968 edition of the Teen-Age Fair. It's a curiosity for sure albeit a fascinating one -- the only remaining trace perhaps of a Big Rock 'n' Roll Dream that never made it off the drawing board. . Hal Sloane Associates [?] unknown
1911H2515Boston: Richard G. Badger 1911. First printing. Hardcover. Very Good. First edition 1911 very good inscribed to a Mrs. Stevenson Burke with a 12-line poem that begins 'Perhaps within these sprightly rhymes / Some favorite singer of the times / with pleasure you may meet.' inscription is fully signed and dated December 1913. VG no jacket 108 pp the caricatures by Caruso are quite charming. Richard G. Badger hardcover
19991-0865777624George Thieme Verlag 1999. Hardcover. New. 1st edition. 408 pages. 10.25x7.50x1.00 inches. George Thieme Verlag hardcover
197547792New York: Metropolitan Opera Guild Inc 1975. First Edition; First Printing. Softcover. Very Good- in wrappers. Wrappers show light rubbing and creasing. Roughly 1/5 of rear panel has been cut/torn off. ; Small 4to 9" - 11" tall. Metropolitan Opera Guild, Inc unknown
198050750Roma: Edizione a cura dell'Artista 1980. Quartini sciolti in cartelletta loose as issued in original portfolio. Ottimo Fine. Un'acquaforte originale numerata e firmata cm 244 x 15 esemplare 23/100 e cinque disegni al tratto di <strong>Bruno Caruso</strong>. 4to. pp. 20 nn. Ottimo Fine. Ed. di 100 es. numerati e firmati dall'Artista. <em><strong>L'acquaforte firmata di Bruno Caruso presenra diffuse fioriture. Si aggiunge pertanto a compensazione una seconda acquaforte uguale senza fioriture ma non firmata</strong></em> Edizione a cura dell'Artista, unknown
1990Q-0931340241Amadeus Press 1990-07-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Amadeus Press hardcover
1992255114PN. New. 1992. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2000061072Oswego NY: Speedway Press 2000. First Edition . Hardcover. Good/Good. An ex-library copy of this large photo-illustrated hardcover in a protected dust jacket with a spine label and a small chip at the bottom edge of the rear panel. The usual ex-libris markings and brief ink underlining but no card pocket. <br/> <br/> Speedway Press hardcover
1991244354PN. New. 1991. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1969144472Editorial Anagrama S.A. 1969. Tapa blanda. 2ª Mano. . cubierta algo deslucida rozada en bordes. . . . 130 p. 20x13 cm. tapa blanda Editorial Anagrama, S.A. unknown
1977237860Venezia: La Biennale di Venezia - Marsilio 1977. Brossura wrappers. Molto buono Very Good. Catalogo della mostra organizzata in collaborazione dalla Calcografia/Istituto Nazionale per la Grafica con Biennale di Venezia Archivio storico delle arti contemporanee Ca' Corner della Regina 15 ottoobre - 20 novembre 1977. Testo introduttivo di Luciano Caruso e Stelio Maria Martini. Elenco delle opere in mostra e numerose illustrazioni in b/n. Allegato anche il cartoncino dell'evento. Cm 23x15. pp. 98. Molto buono Very Good. . <em>La mostra esponeva 205 documenti originali integrati da 60 gigantografie e da una registrazione di onomatopee futuriste offrendo un vasto spaccato sull'immagine espressiva della parola come simbolo grafico.</em> <em>".le tavole e i plastici paroliberi vanno considerati la massima invenzione futurista rafforzata dalla consapevolezza evidente nella pratica di una <strong>editoria underground</strong> e soprattutto nelle teorizzazioni parallele dei manifesti: invenzione che restituisce al fare poietico la sua vera dimensione immediata individuale comune" dal testo introduttico.</em> La Biennale di Venezia - Marsilio, unknown
1977Q-0486235289Dover Publications 1977-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1993170709Santa Monica CA: Steven Bochco Productions 1993. Draft script for Season 1 Episode 9 of the 1993-2005 television series.<br /> <br /> The popular television series ran for 12 seasons and followed the detective squad of Manhattan's fictional 15th precinct. In this episode Janice is blackmailed by the mob while Martinez' father decides to seek out the drug dealer responsible for his son's death. Originally aired on November 30 1993 on ABC. <br /> <br /> White pictorial titled wrappers noted as copy No. 9 on the front wrapper. Title page present dated Sept. 15 1993 noted as Script No. 9 with credits for director Dennis Dugan screenwriter W.K. Scott Meyer and others. 65 leaves with last page of text numbered 62. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good with a bruise to the front wrapper bound with two gold brads. Steven Bochco Productions unknown
1974749392PN. New. 1974. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1993263848PN. New. 1993. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2000Q-0312206925Bedford/St Martins 2000-08-01. Spiral-bound. New. In shrink wrap. Looks like an interesting title! Bedford/St Martins unknown