CARUSO, Enrico (1873 - 1921)Biblio.com
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334945framed. Studio portrait of Italian tenor Enrico Caruso with bold signature. Photographed by Herman Mishkin known as the official photographer for the Metropolitan Opera in New York from 1910 to 1932. He documented the "Golden Age" of opera taking iconic portraits of stars like Enrico Caruso and Mary Garden specializing in dramatic theatrical portraits and costumes. Photograph of Caruso in costume possibly in the role of Mario Cavadossi from Puccini's Tosca. Circa 1903. Ornate decorative frame. Please inquire for more information.<br/> <br/> Enrico Caruso was an Italian operatic tenor who sang to great acclaim at the major opera houses of Europe and the Americas appearing in a wide variety of roles that ranged from the lyric to the dramatic. Generally recognized as the first international recording star Caruso made around 250 commercially released recordings from 1902 to 1920.<br/> <br/> unknown
2005__0470014652John Wiley & Sons Inc 2005. Hardcover. New. 1st edition. 1458 pages. 9.75x7.50x3.50 inches. John Wiley & Sons Inc hardcover
94985N. D. Circa 1910. . Caruso seated with right hand holding cigarette and leaning on cane signed boldly and diagonally upwards 85 x 140mm 3 1/4 x 5 1/2 ins mounted 240 x 1295 mm 9 1/2 x 11 1/2 ins near-fine. <br /> Enrico Caruso 1873-1921 the most admired Italian operatic tenor of the early 20th century and one of the first musicians to document his voice on gramophone recordings.<br /> N. D. [Circa 1910.] unknown
567701845-1913 in his bold black crayon showing the king's head three quarter face with his pointed moustache and strong eyebrows with Caruso's autograph identification in Italian 'Giorgio Re di Grecia' on the verso 14" x 8½" on mount 14¼" x 9½" no place lightly laid down on thin card unknown
2004L3 box174 aNew book.<br /> Wiley-VCH hardcover
6255945John Wiley & Sons pp. 1458 . Hardback. New. John Wiley & Sons hardcover
202122082Santa Fe: The Press at the Palace of the Governors 2021. Limited edition. Wraps. Fine. Folio. Translated by Lynn Sures. Illustrated with Caruso's line drawings. Finely printed on a hand press by Tom Leech with Bembo type on paper he and Lynn Sures made in ITaly using watermarks replicating marks used by Fabriano early in its history. The plates used to print Caruso's drawings were made by James Bourland. Sewn wraps. A fine sopy in a fine clamshell case. One of 100 copies; this is No. 26.<br /> <p>. The Press at the Palace of the Governors unknown
2014ABE-1665144632465Dark Regions Press LLC 2014 One of the rarest and most limited editions by Lansdale. 52 copies only. Lettered 'V' and signed by Lansdale and the brilliant artist Santiago Caruso. Full leather binding. Brilliantly designed and decorated slipcase. Illus. by Caruso Santiago. Signed by Author. Limited Edition. Hardcover. New. Dark Regions Press, LLC hardcover
2003__0471492140John Wiley & Sons Inc 2003. Hardcover. New. 1st edition. 670 pages. 9.75x7.50x1.50 inches. John Wiley & Sons Inc hardcover
2004L3 676 gw<p>Colloids and Colloid Assemblies: Synthesis Modification Organization and Utilization of Colloid Particles. Edited by Frank Caruso. Published by Wiley-VCH Verlag GmbH & Co. in 2004. Hardcover 603 pages.</p> Wiley-VCH Verlag GmbH & Co hardcover
1995149323Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film each demonstrating the film's true aspect ratio. With manuscript pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. <br /> <br /> Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s.<br /> <br /> Set and shot on location in Las Vegas with casino scenes shot at the Riviera.<br /> <br /> 10 x 8 inches. Fine. <br /> <br /> Spicer US Neo-Noir. Universal Pictures unknown
2024Adhya-9781789247336CABI 2024. Hardcover. New. CABI hardcover
2024Adhya-9781789247336CABI 2024. Hardcover. New. CABI hardcover
41831showing him half length full face 5½" x 3½" no place but Berlin no date circa Rudolf Dührkoop 1848-1918 was a German portrait photographer and one of the leading early representatives of pictorialism. unknown
23549189 x 149 mm 7.5 x 5.75". Dated 1913. Blue pen and wash. <br /> <br /> Slightly worn and foxed especially to verso; creased at upper edge and central fold; remnants of adhesive to upper corners of verso.<br /> <br /> Together with:<br /> A handsome postcard photograph of Caruso seated stylishly dressed with cigarette and cane in hand. 136 x 84 mm. with the name of the photographer's studio Brogi printed to lower right edge of recto the name and London address of the publisher Breitkopf and Härtel and "Printed in Germany" printed to verso. Slightly browned; remnants of adhesive to verso. While Caruso's self-caricatures are possibly the most desirable to opera collectors his often insightful drawings of composers singers conductors etc. are also valuable iconographical records. See Sisca: Caruso's Caricatures NY Dover 1977 for a comprehensive overview of the caricatures.<br /> <br /> "The famous tenor Caruso was a skilled amateur caricaturist who portrayed himself in operatic roles and drew humorous portraits of friends as a release from his stressful professional life. Since 1903 Caruso had lived in New York for part of each year while performing at the Metropolitan Opera and sent opera-related caricatures to La Follia a local Italian-language newspaper." Website of The Metropolitan Opera New York<br /> <br /> "With his original treatment of traditional forms his highly inventive approach to musical drama and his importance as a teacher and writer Paul Dukas occupies a central position in French musical history. Dukas was not only an influence on many French 20th-century composers and others such as Zemlinsky and Berg but also remains important in his own right. His reputation rests on only a small number of compositions notably the Piano Sonata Ariane et Barbe-bleue the ballet La Péri and L'apprenti sorcier. Dukas's influence as a critic from 1892 to 1932 can be compared with Debussy's; his informed opinions reveal great sensitivity to the musical and aesthetic changes that took place during the period." Manuela Schwartz and G.W. Hopkins in Grove Music Online. unknown
BIB-12142215Original Hardcover. Publisher: Arkitektur förlag 1997 Original Hardcover 92 p. ; ill. vissa i färg ; 26 cm Nice condition with evidence of age and use. --- Information regarding the book: Ur innehållet: S 8-40 Church of St Mark Markuskyrkan i Björkhagen utanför Stockholm; S 44-55 Basic Lewerentz; S 59-92 Church of St Peter S.t Petri Kyrka i Klippan hardcover
1976158764<p>Toronto: Seripress 1976. Edition of 20 numbered copies of which this is copy no. 16. Fine. 8 serigraphs numbered and signed by artist. Tissue guard for each print. Title and series page. In black card folder and white card slipcase. 26 cm. <br /><br />Seripress was intended solely for the publication of concrete and visual poetry. Most of the titles were silkscreened throughout which enabled the artist to use colour if required. When colours were used Caruso mixed them herself. She also cut letters by hand. The hand-cut images and letters were placed on profilm sheets a lacquer gel on plastic to make a stencil which would then be fixed to the silk screen of the press. The pages were hand-printed; Caruso didn't use photo-silkscreen methods. After each title was printed the profilm stencil was dissolved from the screen ensuring the title couldn't be printed again using that plate. Even the folders were handmade by the artist.</p> Seripress
202171409Santa Fe: The Press at the Palace of the Governors 2021. Very limited edition. Fine. Quarto 32 cm Sewn wraps and leaves of paper pulp made at the Museum of Paper and Watermark. In a salmon-colored cloth covered clamshell box in very good condition with light shelfwear. An exquisite fine press book printed in New Mexico. "La Mano dell'Uomo" celebrates the strengths of the human hand in combination with the human mind's capacity for creativity invention tradition and even harm. Number 17 in an edition limited to only 100 copies.<br /> <br /> From the Introduction-<br /> <br /> "Celebrated in Italy Bruno Caruso 1927-2018 was a Sicilian painter etcher illustrator and writer. A courageous and outspoken stance on social issues of the 20th century earned him worldwide respect. His prolific body of art and writing was arresting in its quality and extent. Caruso's art and books are represented in dozens of American museum and library collections. His 1965 'La Mano dell'Uomo' was published as his New Year greeting. Rare in American collections here it is presented in translation and in reimagined form."<br /> <br /> From the Palace Press website:<br /> <br /> "Palace Press curator Thomas Leech and Lynn Sures an internationally recognized paper artist collaborated on the making of this distinctive limited edition. Following the book to its origin the artists returned to Fabriano Italy a birthplace of European papermaking to produce the sheets required for the edition. During their 2019 residency at the Museo della Carta e della Filigrana The Museum of Paper and Watermark the artists made 900 sheets of paper by hand. Those papers bear historic watermarks from Fabriano's celebrated past. The Press at the Palace of the Governors unknown
1909324828New York: The Metropolitan Company 1909. Hardcover. Good. First edition. Gray printed paper over boards. Bottom inch of the fragile spine lacking offsetting from a clipping on the title page else a very good copy. Scarce. The Metropolitan Company hardcover
196884843c.1968. Original engraving. Printed in black on Fabbiano mold-made paper; sheet size 50cm x 70cm ca 20" x 27"; image area 35cm x 36cm ca. 14" x 14-1/2". Signed in pencil lower right; additionally inscribed "A Giovanni i Gebbe Scianna" i.e. Jonathan & Jean Shahn; titled illegibly lower left. Faint foxing and soil to margins well away from printed area; Near Fine. Edition not stated. <br /> <br /> A striking image by Sicilian painter illustrator and printmaker Bruno Caruso 1927-1918. Much of Caruso's work during the late 1960s and early 1970s was intensely political inspired by social justice movements around the world including anti-colonial movements in Africa the civil rights movement in the U.S. and as here opposition to the Vietnam War. unknown
2016759631L'Erma di Bretschneider 2016. 1st. paperback. New. 108x20x144. L'Erma di Bretschneider paperback
2015Adhya-9783527335893John Wiley 2015. Paperback. New. John Wiley paperback
2015Adhya-9783527335893John Wiley 2015. Paperback. New. John Wiley paperback
197848730Toronto: Seripress 1978. First Edition. Softcover. Very Good. Collaborative interarts book by pioneering Canadian sound poet bpNichol and visual artist/printer Barbara Caruso. Issued in an edition of 100 copies this is number 77 signed by bpNichol. The work consists of ten loose leaves seven of which represent a day of the week with 4 blue squares with the blue getting progressively darker each day until getting lighter again by Sunday. The sheets are protected by tissue guards and housed in a white portfolio-style folder with black printed titling. Printing and colouring by Barbara Caruso. Minor water staining to inner flap and top edge with a couple of light spots to the front cover and faint spot to titlepage. Seripress unknown
19711484<p>Large quarto un paginated 54 pages printed only on the right-hand page illustrated throughout. Half cloth with stiff wrappers. Tiny bump to top and bottom right corners otherwise fine.</p><p>- First edition. One of 49 numbered and signed copies with a tipped in original signed collage 25x125 cm.</p> La Nuova Foglio s.p.a. hardcover
