312 résultats
This detailed account of the islands of the Venetian Lagoon was originally published in Padua by Liviana 1978. Using historic documents and illustrations it relates their history, as well as their negelct and deterioration over the ages as shown in photographs past and present. This new edition updates the situation, as rising waters and other problems continue to affect the Venetian lagoon and the city.Text in Italian and English 239p. Illus [some col] maps,Heavy volume weighing over 1kg. Book
A clean, unmarked book with a tight binding. 48 pages. Oblong format: 10 1/8"w x 8 1/4"h. Catalogue made for the Georgian pavilion at the 52nd International Art Exhibition in Venice.
A clean, unmarked book with a tight binding. 8 5/8"w x 11"h. 102 pages. Text in Spanish and English.
in-4° 222 pp abondamment illustre de superbes photos en couleurs, biblio, table des recettes, relie pleine toile ed., jaquette illustree plastifiee. Tres bel exemplaire. [QU-4]
Veduta dell'interno del Battistero, tratta dall'opera di Camillo Mapei " Italy / Classical, Historical and Picturesque "
xiv + 465pp., 1st edition, publisher's hardcover, illustrated dustwrapper, 24cm., copy from the collection of the belgian byzantinist prof. Justin Mossay (with stamp), text and interior clean and bright, good condition, ISBN 0-521-34157-4, X103521
Book is in excellent condition with a little shelf wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows very slight edge and corner wear, no tears. 109 pages of full page photos, about a thrid of which are in color, almost all of these being mosaics very rich in gold, detail, the Last Supper, etc. The b&w photos are of Venice proper, sculpture, bridges, canals, boats, facades, architectural detail.
Mm 280x330 Collana "Grandi Libri d'Arte". Volume rilegato in tela, sopracoperta originale, cofanetto editoriale protettivo, 386 pagine con 300 illustrazioni in nero e a colori nel testo. Libro in perfette condizioni di nuovo - brand new in original shrinkwrap; spedizione in 24 ore dalla conferma dell'ordine.
pp. ix, 320. XLib bookplate. 8vo. Original full cloth binding. Gilt lettered spine slightly faded. Hardbound. This is the first book written by Charles Eliot Norton (1827-1908), the famed American scholar and educator. As professor of the history of art at Harvard (1875-98) and as a man of letters he had a stimulating influence on his time. This account of his Italian travels (1855-1857) in journal form was first published in 1859. Concentrating on Italian history and art, it covers: the Italian Riviera; Genoa; Florence; Rome; Naples; Etc. Norton also has some unkind things to say about the Roman Church and Papal Government. Though XLib, this is still a nice copy. TRAVEL/2
8vo., First Edition, with 8 coloured plates, and 240 monochrome photographs and 13 plans (a number full-page) in the text; original pictorial boards, upper board and backstrip blocked and lettered in red, a near fine copy in unclipped dustwrapper, the latter lightly rubbed at extremities and with minor loss at head and tail of backstrip. A remarkably well-preserved copy of this famous guide. EXTREMELY SCARCE IN THIS CONDITION.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Italian. 464 p. Turco - Venetta.
293pp., 25cm., softcover, in the series "Fonti e studi di storia veneta" volume 8, ex.library copy (few stamps, two libr.labels), text and interior very good, Text in Italian, R78680
In 16. Dim. 16x11 cm. Pp. (10)+118+(2). Edizione del 1911 di questa monografia sulla Chiesa e il Convento di Santo Stefano in Venezia di Ferdinando Apollonio. Accurata descrizione architettonica e storia della Chiesa. Numerose planches fotografiche coperte da velina. In discrete condizioni. Copertina editoriale in discrete condizioni generali con usure e parti mancanti ai margini e dorso. Legatura in discrete condizioni con rotture. All'interno le pagine si presentano in buone condizioni con fioriture.Edition of 1911 of this monography about the Church and Convent of Santo Stefano in Venice written by Ferdinando Apollonio. Accurate description of architecture and history of Church. Different photographic planches covered by tissue paper. In fair conditions. Editorial cover in fair general conditions with wearings and missing parts in the edges and spine. Binding in fair conditions withy cracks. Pages in good conditions with occasional foxings.
83pp + 9 tavv. Seconda edizione, con importanti aggiunte. Rilegatura moderna in tutta tela verde con scritte dorate al dorso, Piccolo timbro al frontespizio e piccoli timbri a secco al frontespizio e ai margini delle tavv. Nel complesso in ottime condizioni. Classico e importante studio sulla trireme in seconda edizione, corredato da nove belle tavole fuori testo.
Splendida incisione su acciaio del 1860 circa, riproduzione di un quadro di Joseph Mallord William Turner (1775-1851) ora conservato presso la Tate Gallery. Il dipinto venne esposto per la prima volta nel 1840. L'incisione mostra il famoso Ponte dei Sospiri a venezia. A sinistra il Palazzo del Doge e a destra il palazzo delle prigioni. TECNICA: Incisione su acciaio INCISORE: J. C. Armytage DIMENSIONI FOGLIO: cm 32,5x23,5 DIMENSIONI INCISIONE: cm 26,5x17,5 EPOCA: 1860 circa CONDIZIONI: Ottime, rare fioriture. Beautiful steel engraving of around 1860, reproduction of a painting by Joseph Mallord William Turner (1775-1851) in the Tate Gallery The painting was exposed for the first time in 1840 The engraving shows the Bridge of Sighs. In the left the Doge Palace and in the right the Prison Palace. ENGRAVING: steel engraving ENGRAVER: J. C. Armytage LEAF DIMENSION: cm 32,5x23,5 ENGRAVING DIMENSION: cm 26,5x17,5 DATE: around 1860 CONDITIONS: Very good, occasional foxing
118 pages. Features the following writing: Twoscore and Five by Cynthia Flood; Whom Among Ye Feareth the Lord? by Ellen Arrand; Ill in Venice by Patricia Young; Potato Dreams by Glenda Leznoff; I want our talk to be safe by Robin Potter; Cold Front by Sue Nevill; Womanning the Lifeboat by Jancis Andrews; What the Children Still Believe by Gail White; 3 pieces from Miriam Levine; Tube by Dorothy Speak; Sandy by Kathie Kolybaba; Standard Deviation by Joan Shaw; 2 pieces by Eve Tihanyi; The High Level Bridge (1960) by Mary Baldridge; There is, in you by Carole Thorpe; Disease of the soul by Gail Myhr Book
160 pages. Features: Walter McInnis - Part I - The Lawley Years; ALVIN CLARK; Lofting by numbers; The Ancient and Versatile Vlet; The McKenzie River Drift Boat - for whitewater fishing in Oregon; Motonautico - the water taxis of Venice; A cold-molded rejuvenation; The Australian Cadet Dinghy; Building the Beetle Cats, Part II - Stem and Centreboard Trunk - the continuing study of Concordia's production methods; The End of Your Rope. Average wear. A sound copy. Magazine
160 pages. Features: John Gardner - in his own words; Keeping the Water Out; San Francisco's Two Oldest Rowing Clubs; Basque Racing Sculls; Voga is again in vogue - Venice gest people back in the water; The Riverside Boat Company brings a 12 1/2 back up to its standards; PASTIME; Singlehanding an Old Gaffer - rigging ISKRA for ocean crossings; The plight of the canoe people; Ray Speck and the Sid Skiff; Sons of Hitches - more imporvements on a cylinder; Wooden ship building in World War I; Fixing a leaky shaft log. Average wear. A sound copy. Magazine
petit in 4° oblong, non pagine (48 pages), illustr. b/w and col. and 2 large photographs by Henri Cartier-Bresson, dated 1972, broche, couverture illustree. VG++/Tres bon etat [P-37]
fort volume in-8°, [344-401][134-169][356-374][10-50][272-332][26-383][198-301][210-260][96-173][67-78] pp, broche, couv. A l'etat de neuf. [AGR] Réimpression anastatique.
New Italian Original bdg. HC. 4to. (30 x 26 cm). In Italian and Turkish. 299, [1] p., color ills. Venezia e Istanbul in epoca Ottomana.= Osmanli döneminde Venedik ve Istanbul. [Exhibition catalogue]. 18 November 2009 - 28 February 2010. Sealed. La mostra propone la rappresentazione per immagini della lunghezza e della complessità della storia che accomuna i nostri Paesi, all'interno di quella cornice, straordinaria per varietà e ricchezza, che e il Mediterraneo. Per secoli, Venezia ha rappresentato per l'Europa la Porta d'Oriente, attraverso cui e stato possibile diffondere la conoscenza degli usi e dei costumi dell'Impero Ottomano. Ma e anche vero il contrario: quando la Sublime Porta ha avuto bisogno di rimarcare la sua prossimità con la cultura europea, e a Venezia che ha fatto ricorso. Questo e quello che fece, infatti, Maometto II, il conquistatore di Costantinopoli, quando chiamò alla sua corte il pittore veneziano Gentile Bellini. L'arte e il commercio rappresentarono i pilastri essenziali di questo rapporto fecondo, attraverso il quale con il tempo furono superate le distanze e diminuirono le diffidenze reciproche. Le relazioni non furono sempre pacifiche, come sappiamo. Venezia fece per esempio parte della coalizione di forze europee che inflisse all'Impero Ottomano la prima sconfitta sul suolo europeo, nel 1683. La stessa fine della Repubblica di Venezia, che avvenne nel 1797 con il Trattato di Campoformio, ebbe conseguenze inattese anche sull'Impero Ottomano.
8vo., with frontispiece, title in red and black, numerous illustrations in the text and large folding map; original series binding of blue-grey cloth, upper board blocked and lettered in black, gilt back, blue top, a near fine copy. Splendid copy of a much sought-after work first issued in this series in 1905. SCARCE IN THIS CONDITION.
Magnus, 1999. Grand In-4 relié toile rouge sous jaquette illustrée rempliée de 353 pages. Très nombreuses reproductions. Très bon état
MILAN, Sylvana Editoriale - 1983 - Catalogue d'exposition The Peking Musean of Chinese History / Seminario di Lingua e Letteratura CInese of the University of Venice - In-4 - Broché - Couverture illustrée en couleurs - Nombreuses illustrations en couleurs, carte - 213 pages - Bel exemplaire
P., Librairie nationale d'éducation et de récréation, sans date (env. 1930). Petit in-folio, reliure éditeur toile rouge estampée d'un décor polychrome de Henri Bressler, tranches dorées, 336 pages, illustré de gravures hors texte.
