VeniceBiblio.com
40 résultats
1712260325004M.a.R.S. Music 2017-12-07. Audio CD. New. 4x5x0. Brand new factory sealed condition. M.a.R.S. Music unknown
1735est212t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Ab Aedibus hinc Foscarorum, illinc Linorum, usque ad Templum Charitatis. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche numéro 2. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
1735est213t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768), numéro 4. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
1735est216t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Planche 9. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
1800PHO-2106Paris, Tavernier, An VIII (1800), 3 vol. in-8°, XVI, 407 ; 358 ; 383 pp., Demi veau rouge, dos lisse à décor de rocaille avec auteur,titre et tomaison au dos, rousseurs et petits frottements aux plats, cachet répété. De la bibliothèque de sa SAR le Duc de Gènes avec son étiquette en page de garde et son cachet
1788205701788 1788 Gravure a l'aquatinte du 18e siecle (1788) par Labrousse, d'apres le dessin de Grasset St Sauveur,Coloriee a la main a l'époque.Encyclopédie des voyages,Kolorierte Aquatinta, Darstellung: 11 x 17 cm
1788245491788 1788 Gravure a l'aquatinte du 18e siecle (1788) par Labrousse, d'apres le dessin de Grasset St Sauveur,Coloriee a la main a l'époque.Encyclopédie des voyages,Kolorierte Aquatinta, Darstellung: 11 x 17 cm
1780643401 vol. in-8 cartonnage bradel ocre, Ex Typographia Zattiana [ Zatta ], Venetiis [ Venise ; Venezia ], 1780, 364 pp.
172081848(1720). 36 x 49 cm.
17610055561761 Paris, Le Mercier, 1761. Deux volumes in-12 (171 X 104 mm) basane fauve marbrée, dos à nerfs orné, pièces de titre et de tomaison maroquin rouge et vert, tranches rouges (Reliure de l'époque). Tome 1 : (7) ff. (faux-titre, titre, avertissement, approbation, privilège), 330 pages - Tome 2 : (4) ff., 454 pages. Petit manque de cuir dans un caisson du tome 2, un coin émoussé.
1790000261Paris Veuve Duchesne et Fils, de l'Imprimerie de Monsieur 1790
173121932La Haye Henry Van Bulderen 1731 In-12 22 ffnch - 2 ff blancs-339 pp - table 7 ffnch 25 planches dépliantes et simples les vues sont souvent détachées, celle de la place Saint-Marc est déchirée avec petits manques en marge Tome seul, les gravures sont dans un état moyen et souvent détachées
17091731709 Couverture rigide A Utrecht, chez Guillaume van Poolsum, 1709. 3 parties en un fort volume in-12, reliure pleine basane de l'époque, dos à quatre nerfs orné, tache brune sur le premier plat, manques aux coins supérieurs des premier et second plats. Frontispice, 11 feuillets non chiffrés, 456 pages, 214 pages, 7 feuillets non chiffrés d'index et de table. Petits manques de papier dans le coin supérieur de la marge. Inscriptions manuscrites anciennes sur le dernier feuillet (blanc). Édition originale. Frontispice de J. Goerée gravé sur cuivre et vignette d'armoiries également gravée sur cuivre. L'ouvrage est consacré notamment aux batailles de Lépante et des Dardanelles, de Chypre, de Corfou, et également à des questions commerciales concernant les Vénitiens. Bon exemplaire de cette édition originale.
1788205681788 1788 Gravure a l'aquatinte du 18e siecle (1788) par Labrousse, d'apres le dessin de Grasset St Sauveur,Coloriee a la main a l'époque.Encyclopédie des voyages,Kolorierte Aquatinta, Darstellung: 11 x 17 cm
1763LD15791Venice: Apud Nicolaum Pezzana 1763. Hardcover. Very Good. 18th-century Italian tan morocco gilt-stamped to both covers with central armorial device: a double-headed crowned eagle after Rome and over three sets of seven balls after De Medici all surmounted by crown and with four gilt foliate cornerpieces spine gilt in six compartments enclosing acorn device green and pink silk headbands red speckled pastedowns two blue silk index tabs all edges gilt; circular stain - not too bad - on front cover remnants of silk index tabs some light edgewear. 4to 245 x 165mm. 632 pp. cxci. Sold as a binding. <br/><br/> Apud Nicolaum Pezzana hardcover books
1735PHO-1495Venetiis (Venise), Ex Typographia Balleoniana, 1735, in-4, relié parchemin époque , dos lisse avec auteur et titre, 12ff.-692pp., titre en rouge et noir, illustrations in-texte, rousseurs.
17175670<p>4to manuscript on vellum 23.5 x 17.1 cm 7 ff. 4 ff. vellum blanks including a full-page frontispiece illumination of Venetian Lion of St. Mark each text page with foliate borders in gold ink headings and initials in gold ink. Bound in contemporary Venetian morocco elaborately gold tooled gold block-printed foliate pastedowns. Edge wear and minor rubbing to spine and boards manuscript loose in binding oxidizing to edges of pastedowns. Marginal flaws to frontispiece illumination just touching border in places a few small wormholes elsewhere minor handsoiling.<br /></p><p>Finely illuminated early 18th-century Venetian manuscript issued by the city's Magistrato alla Sanità Health Department as a license to certify the physician Antonio Damugliano d. 1747 to practice medicine in the Venetian Republic using his propriety formula for topical salves <i>balsami</i> to treat "wounds and ulcers" f. 3v-3r. The manuscript ornately written out and decorated in gold and colored ink opens with a full-page image of the winged Lion of San Marco in the Venetian landscape which serves as an official seal of the document's authenticity and is inscribed by five <i>Provveditori</i> of the Magistrato and one notary who witnessed the certification.</p><p>This pharmaceutical license represents a rare material survival of how Venice's Magistrato alla Sanità regulated the practice of medicine in its territories even down to the level of controlling how individual practitioners could work with specific drugs. Damugliano presumably was required to keep the document on his person while plying his trade and to present it to the relevant authorities or even to his patients should his practice be called into question. The text of the document is written out twice – first in Italian and then in Latin – to suit the linguistic preferences of both the common Venetian citizen and the professional medical class.</p><p>Damugliano also known as Antimo Damulianos is noted in the document dated April 1717 as being a native of the Ionian island of Zante or Zakynthos at the time a Venetian colony and having recently returned from Moscow "where with good success and for a long time he practiced medicine with full official permission of many noteworthy people" f. 2v. Damugliano is said to have studied medicine in Europe likely in Italy specializing in contagious diseases and eventually practicing in Asia Minor Persia India China Egypt Constantinople and Trieste and to have been ordered by Emperor Charles VI 1685-1740 to treat the sick of a plague outbreak in Corinth see L. Zoes passim. Damugliano's name is also associated with a 1725 treatise entitled 'Medicina' which circulated in manuscript form in Venice and dealt with the use of salves pills and stones to treat hydrophobia see L. Zoes; we have been unable to locate a copy of this treatise. Damugliano is also recorded as having worked in Vienna where an April 1746 news magazine comments that the "very famous" Damugliano having traveled through numerous kingdoms has arrived to demonstrate the curative powers of "the wondrous Chinese stone called Bezoar" which is effective against fevers snake bites fatigue colic etc. <i>Nachtrag</i> p. 64. The bezoar stone an indigestible mass formed in the digestive tract of ruminants was lauded from the middle ages as a universal antidote to poison.</p><p> R. Palmer "Pharmacy in the Republic of Venice in the Sixteenth Century" in A. Wear et al. eds. <i>The Medical Renaissance of the Sixteenth Century</i> pp. 100-17; <i>Epeteris: Hetaireia Byzantinon Spoudon</i> vol. 43-44 1977 p. 417; H. Schmuck <i>Grieschischer Biographischer Index</i> vol. 1 p. 247; L. Zoes <i>Lexikon historikon kai laographikon Zakynthou</i> vol. 1; S. Carbone <i>Provveditori e sopraprovveditori alla Santità della Repubblica di Venezia</i>; P. Selmi "Il Magistrato all Sanità" in <i>Difesa della Sanità a Venezia Secoli XIII-XIX</i> pp. 28-50; <i>Nachtrag zu denen wöchentlich-kurtzgefaßter historischer Nachrichten Der neuern Europäischen Begebenheiten auf das Jahr 1746</i> p. 64.</p>
1718PHO-2042Rouen & Amsterdam, chez Machuel & au dépend de la compagnie, 1718-1724, 3 volumes in-12 (165x95mm), 258pp.-3ff., titre-278pp.-5ff., titre-276pp.-2ff., illustré de 29 planches dont plusieurs dépliantes dont une carte, manque le frontispice (tome 1), reliure d’époque, dos à nerfs ornés avec titre et tomaison, frottements, coiffes arasées tome 2 & 3, début de fentes tome 2 & 3, reliure tome 1 avec différences.
172635102 col. in-12 (15 X 8,5 cm.), XVIII, 426 pp., 6, 3 (table) - 451 pp., 8 (table). reliure veau d'époque, dos à cinq nerfs orné, pièces de titre et tomaison rouges et noires, tranches rouges. Pages de titre imprimées en rouge et noir, ornements de texte : vignettes, bandeaux, lettres ornées, culs de lampe. Ex-Libris "La Rochefoucauld, Duc de Bisaccia" et "Anne-Jacques de Bullion de Fervaques" 18jh FORTIS SUPERENATATUNDAS
1729ST16379-042Venezia Venice: Appresso Carlo Buonarrigo 1729. FIRST EDITION. 155 x 105 mm. 6 1/8 x 4 1/8. 1 p.l. extra engraved title 122 pp. <br/> Original cream-colored wrapper of heavy paper silk ribbon stitching remnants of old shelf label at foot of spine. Extra engraved title page depicting the Bucinotoro in all its glory surmounted by the Lion of St. Mark emblem of Venice. Front pastedown with bookplate of the duke of Arenberg Castle Nordkirchen. Cicognara 4369. Binding lightly soiled front pastedown lifting occasional faint yellowing to margins other trivial imperfections but still A VERY FINE COPY--clean bright and especially fresh in its remarkably well-preserved fragile binding.<br/> <br/> This is a detailed account of the magnificent Bucintoro—a ceremonial ship used in the annual ritual in which the Doge of Venice was symbolically wedded to the sea— unveiled in 1729. The city known as La Serenissima had long been a major port for trade between Europe and points East and the people honored the role played by the Mediterranean Sea in the Republic's prosperity. Beginning in 1311 the head of state sailed forth each year on Ascension Day to be "married" to the sea aboard a boat called the Bucintoro. The wooden ship was restored or rebuilt from time to time through the centuries and in 1719 the Venetian Senate commissioned a brand new vessel to be richly ornamented and even bedecked with gold. <br /> <br /> Our volume describes the process by which the finest artists and artisans of the day--from shipbuilders to sculptors and painters--created the largest and most lavish Bucintoro in history. The engraved title page shows the stately craft in full rig banners flying as Doge Alvise Mocenigo is rowed out to meet his marine bride. Cicognara notes the volume's value in preserving for posteriority these memories of Italian greatness--and that greatness lasted only a relatively short time because after the fall of the Venetian Republic in 1797 Napoleon had the Bucintoro stripped of its finery. The denuded and humiliated ship was then used by the Austrian navy until 1824 sailing under the name "Hydra."<br /> <br /> The presence of a binding identical to ours on several copies in sales records suggests that these may have been the publisher's original wrappers which have weathered the years surprisingly well. The text here is deeply impressed on thick paper upholding the fine tradition of Venetian printing. Appresso Carlo Buonarrigo unknown
1784H108157Avignon, Antoine Aubanel & Durand 1784 xiv + 389 + [1] pp. + frontispice gravé (portrait), 17cm., reliure plein-veau d'époque (coins abimés, qqs. manques au plat inférieur), feuilles de garde décorées, texte et intérieur sont frais sauf quelques rares rousseurs, R108157
177113273Venezia Giovambattista Albrizzi 1771 fort vol in 12 de 16 ff.n.ch. et 490 pages et 1 ff de privilège demi basane contemporaine avec étiquette et plats papier dominoté .(manque pages de texte 259 à 270)
1780145731Augsburg, - o. J., um 1780. Altkolorierter Kupferstich ca. 28,5 x 38,0 cm. hinter Passepartout, gerahmt
17281030551728 Paris, Chaubert, 1728 (quatrième édition), lxxiv-4-436 p. et 4-522-[5] p., plein veau d'époque, environ 17x10cm, des manques de cuir sur les coiffes et sur un plat, page de garde du tome 1 trouée, bon état pour le reste et intérieurs propres malgré quelques rares rousseurs.
1786fy665Moutard, imprimeur libraire de la Reine Reliure d'éditeur 1786 In-8 (20,5 x 13,5 cm), demi-basane, paginé vj-xxiv et 2-571, tranches rouges ; tome cinquante-unième contenant la fin de l'Histoire de Venise, & le commencement de celle de Florence, jusqu'en l'année 1334 ; mors supérieur frotté, petit manque sur la coiffe inférieure, quelques rousseurs à l'intérieur, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
