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1583ST15026Paris: Arnold Sittart 1584; Heidelberg: Peter Santandrea 1583. 178 x 111 mm. 7 x 4 3/8". 14 p.l. cccix pp. 13 leaves last blank; lxxv 10 ccxvi 22 pp.; 2 leaves 84 pp.; 1 1-196 18 pp.; 62 pp. Two works in several parts bound in one volume. With annotations and commentary by Antonio Augustin Joseph Scaliger and Fulvio Orsini. <br/> Pleasing contemporary calf covers with central gilt wreath of olive branches raised bands spine panels gilt with cipher "D C G" at center flanked by a palmette and a vegetal trefoil gilt titling bottom panel with "OD" and "I8" on either side of the cipher. Printers' devices on the title pages decorative woodcut initials and headpieces. Front pastedown with what appear to be early library shelf markings; one page with neat early marginalia. Adams V-590 and F-390. Covers slightly marked spine with a bit of superficial crackling and with one short crack in the middle of bottom panel the text with faint browning and isolated minor soiling a few leaves with long shallow creases not affecting legibility otherwise in excellent condition the binding solid and without significant wear and the leaves generally clean fresh and smooth.<br/> <br/> This glossary of recondite Latin words and phrases was no doubt bound for a contemporary bibliophile with an extensive library. The "OD" and "I8" at the bottom of the spine appear to be the indication of a shelf location--not something frequently encountered on spines of this period. This designation and the location notation on the front pastedown that clearly relates to it "Arm. 0. Tab 4. Loc. 18" suggest a library of some complexity and an educated owner who believed in careful organization. While we have not been able to identify "D C G" she would seem also to have been a person of taste and good sense. The binding is attractively decorated while still being practical for scholarly use. The work itself has gone through a number of changes of fortune. The story begins when Verrius who lived in the time of Augustus compiled a valuable work full of information on everything from grammar to mythology. Unfortunately his text has been largely lost; the authentic fragments fill only the first few leaves of our volume. His work was epitomized by Festus a ca. third century scholar but Festus was not a very good epitomizer and to make matters worse all of his entries have been lost up to the letter "M." Luckily an epitome of the epitome from "A" to "Z" had been made by Paul the Deacon in the eighth century. Valuing the handbook for its information on the writing of correct Latin Renaissance scholars went to work on this puzzle in the 15th century and a first version of Paul was published by Zarotus in Milan in 1471. Later scholars published Festus and the great French classicist Joseph Scaliger 1540-1609 was largely responsible for bringing definitive order out of chaos. His scholarly edition reconstructs the work of Festus as far as one can filling in the gaps caused by missing pages in the manuscript with conjectures and rectified material from Paul. Peter Santandrea unknown
1824ST17496-014Zurich: by the author and Henry Fuessli and Comp 1824-25. FIRST EDITION. 445 x 325 mm. 17 1/2 x 12 3/4". 26 leaves of descriptive text. Lacking title page and dedication.Commentary by art historian Johann Jacob Horner. <br/> Modern tan half morocco over olive green buckram raised bands spine panels with gilt ornament red morocco label. 24 FINE AQUATINT VIEWS COLORED BY A CONTEMPORARY HAND. Brunet III 357. Text pages variably foxed from a little to very but somehow THE LOVELY PLATES IN FINE CLEAN CONDITION--fresh and bright with pleasing coloring in an unworn sympathetic binding.<br/> <br/> This is a rare complete colored set of Hüber's famed views of Pompeii much sought-after by armchair travellers after excavations uncovered that urban time capsule in the late 18th century. The German-born Hüber 1787-1871 settled in Naples in his early 20s studying landscape painting with Dutch émigré painter Jacob Philipp Hackert 1737-1807 who was known for his lush scenes often featuring ruins. His arrival in the region coincided with the occupation of Naples by the French who accelerated the excavations underway at Pomepii which had been buried by the eruption of Vesuvius in 79 A.D. The rapid burial of the city in volcanic ash had captured a moment in time and the opportunity to see a well-preserved example of life in the ancient Roman Empire caught in medias res drew eager travellers on the Grand Tour of the Continent. Hüber's well-executed views often picture these tourists and their contemporary dress contrasts sharply with the classical ruins. Lord Napier in his "Notes on Modern Painting at Naples" 1855 credits Hüber for introducing the use of watercolors to the meticulously drawn landscapes then being produced. This innovation is displayed in the hand-colored plates here which were also issued in uncolored state. Napier was correct to appreciate the value of adding colors which increases both the drama of the views and the pleasure of the viewer. Because the attractive sets with color were often broken up complete volumes of the colored plates are rarely seen for sale: we could trace just three such copies sold at auction as listed in RBH and ABPC the two best ones were the Feltrinelli copy which sold for $14330 in 2001 and the Donaueschingen copy fetching $13750 in 2014. Ours does not have the distinguished provenance attached to those copies and it lacks two preliminary leaves but the text is present and most important the lovely colored plates are in fine condition. by the author and Henry Fuessli and Comp unknown
185056925Italian 1850. Each plate 8-1/2 x 10-1/2 in. and smaller is tipped to a larger sheet; two are entirely uncolored another only partially. 1 vols. Folio. Bound together in three quarter red morocco by Pawson & Nicholson Philadelphia with their ticket. Rebacked in goatskin original spine laid down inner hinges reinforced with period cloth. Each plate 8-1/2 x 10-1/2 in. and smaller is tipped to a larger sheet; two are entirely uncolored another only partially. 1 vols. Folio. A superb collection of lovely lithographed images which in many instances are so delicately and minutely colored as to be indistinguishable from watercolor drawings - and indeed several of them we believe to be entirely original drawings - each in the style of the ancient art of Pompeii in its frescoes geometric mosaics and ceramics. There are scenes of mythological figures e.g. a satyr cavorting with a goat; scenes of purely decorative nature suggestive of Pompeian vase art against a black gloss background; domestic scenes of husband wife and children; cupids; pastoral scenes; fish and game; and several images of an openly erotic nature suggestive of the relaxed style of Pompeiian attitudes toward nudity. unknown
182158446London: Roswell and Martin 1821. Second edition. Profusely illustrated with engravings maps and two folding plans. xxxi 275 pp. 1 vols. Thick 4to 25 x 16 cm. Three-quarter red morocco marbled boards ornate gilt spine t.e.g. Extremities rubbed portion of spine label chipped off some very faint foxing. Plates clean. Very Good. Second edition. Profusely illustrated with engravings maps and two folding plans. xxxi 275 pp. 1 vols. Thick 4to 25 x 16 cm. Roswell and Martin unknown
183534467London: Saunders and Otley 1835. 3 volumes. First Edition RARE in original printer's boards. With the half-titles present. 8vo original printer's gray pressed paper boards with original printed paper labels on the spines. xiii 302; 364; 356 4 ads pp. Rare in the publisher's original boards. The text very fresh through near to completely free of foxing and age one volume with a small amount of margin worming not effecting any text the bindings solid but with expected mellowing to the paper boards. RARE IN PRINTER'S BOARDS THIS SET IS IN FULL CONTEMPORARY STATE. Published only one year after what is largely considered the author's masterpiece THE LAST DAYS OF POMPEII. RIENZI is an historical novel based on Nicholas Gabrini de Rienzi who from a low and despicable situation raised himself to sovereign authority in Rome in the fourteenth century; assuming the title of Tribune and proposing to restore the ancient free republic. It is considered one of the best researched of the popular historical novels which so captivited the public of that era. A spectacular story of one of the heroes of the Italian Renaissance Edward Bulwer-Lytton personally reworked it into the 1842 libretto for the opera by the same title in which he collaborated with Richard Wagner. Saunders and Otley hardcover
191061684Napoli: Richter &C. Marca Depositata ca. 1910. Oblong 8vo. 44 pp unpaginated. including 20 colour lithograph plates. Tan decorated softcovers colour lithograph plate mounted front cover of mosaic frieze of cherubs yapp fore-edges minor edgewear rubbing still a VG copy w/ gift ownership markings from “Don†on title dated 1944 presumably a U.S. GI as part of the American invasion force slogging their way up through the Italian peninsula during World War II from the library of Pfc William H. Bishop b. 1922 scion of the Bishop textiles family in Oregon & Washington re-enrolled at USC after his discharge to finish his undergraduate work studied law at Willamette Univ. and by 1950 was directing the Dyeing Department of the Pendleton Woolen Mills in Portland Oregon First edition of this uncommon souvenir celebrating the striking mosaic murals in the ruins of Pompeii and Herculaneum. Included are images of Psyches gathering flowers Fighting Cupids Appolo Victor of the serpent Python Pentheus cilled by the Bacchantes Cupids wearing garlands Punishment of Dirce Winepressing Cupids and more. Richter also released this work as a series of souvenir postcards during the Edwardian era. Richter &C., Marca Depositata, paperback
18549571Naples: Dallo Stabilimento Tipografico di Giuseppe Cataneo 1854. First edition. 28.5x22cm 196pp plus 15 plates several double-page bound at rear. In Italian text in 2 columns. Bound in ornately decorated crimson cloth stamped in gilt and black floral patterned endpapers gilt turn ins all edges gilt. Some rubbing to edges of boards staining to paste downs but clean and bright internally and very good or better. <br /> <br /> Bound volume of the second year of this uncommon Italian archeological periodical edited by Giulio Minervini of the Royal Museum at Naples and issued during the height of Bourbon-era excavations at Pompeii. The finely engraved plates depict Pompeian frescoes figural scenes inscriptions and archaeological objects including detailed renderings of wall paintings and classical motifs. According to OCLC this publication ran from 1842-1860 with the Nuova Serie beginning in 1852. As far as physical holdings OCLC cites perhaps 3 institutions all in Europe. Dallo Stabilimento Tipografico di Giuseppe Cataneo unknown
1868FF2551London:: Bell and Daldy 1868. 1868. Thick 8vo. xvi 579 1 pp. 277 woodcuts 8 illus. including frontispiece reattached and large folding plate at rear showing excavations at Pompeii; lacks facing tissue to frontispiece; occasional light foxing. With a handsome full crushed crimson morocco gilt rules surround corner fillets raised bands all edges gilt. Armorial bookplate of Lank. Very good. With a fine fore-edge painting in watercolors found hidden under the gold showing Lake 'Massawhippy' sic The Lake Massawippi Eastern Townships Quebec Canada is painted after an engraving by S. Bradshaw and published by George Virtue 1841 after a drawing by William Henry Bartlett. The image appeared in Bartlett's Canadian Scenery 1842. / This fore-edge painting has been in a private collection for an unknown period of time; the date painted is unknown but likely in the range of the 1960s or 1970s. Thomas Henry Dyer 1804-1888 was an English historical and antiquarian writer. Bell and Daldy, 1868. hardcover
154388<p>8° mm 151x104; cc. 32. Marca tipografica al frontespizio. Margine superiore un poco rifilato. Pergamena posteriore.</p><p>Seconda edizione del dialogo albertiano - meglio conosciuto sotto il titolo di <em>Theogenius</em> - dopo quella che priva di dati tipografici ISTC cataloga come: "Florence 1500" cfr. L.B. Alberti <em>Opere volgari</em> II <em>Rime e trattati morali</em> a cura di C. Grayson Bari 1966 p. 409.</p><p>Il <em>Theogenius</em> rappresenta un capitolo poco noto della fortuna e dell'influsso dell'epicureismo nel Quattrocento. In questo dialogo infatti l'Alberti illustra diversi temi dell'etica epicurea e <strong>traduce alcuni versi del <em>De rerum natura</em> di Lucrezio </strong>S. Gambino <em>Alberti lettore di Lucrezio: motivi lucreziani nel "Theogenius"</em> "Albertiana" IV 2001 pp. 69-84.</p><p>Leon Battista Alberti's <em>Theogenius</em> revived and revised the ancient view developed in the Hellenistic age according to which philosophy aims to form rather than inform people showing them how to cultivate a specific attitude towards existence through a rational comprehension of the nature of humanity and its place in the cosmos. This view of philosophy as a way of life was challenged by the development of scholastic philosophy seen as a body of speculative doctrines and professional skills ancillary to the superior wisdom of theology. Nevertheless it survived thanks to Renaissance humanists like Petrarch Alberti Erasmus and Montaigne. <strong>On the influence of Lucretius on Italian Humanism after Poggio Bracciolini's discovery of the only surviving manuscript of <em>De rerum natura</em> 1417</strong> cf. A. Brown <em>The Return of Lucretius to Renaissance Florence</em> Harvard University Press 2010 and S. Greenblatt <em>The Swerve: How the Renaissance Began</em> London 2011.</p> Appresso Paulo Girardo, [colophon:] per Venturino Rosinello
ria9781407355498_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Napatan Cylindrical Sheaths provides a complete analysis of the precious finds discovered at the royal cemetery of Nuri Sudan for the first time. This volume critically analyses translations of the inscriptions and identifies the paperback
B9781407355498Paperback / softback. New. paperback
198721813Rome: L'Erma Di Bretschneider. 1987. Softcover. Near Fine. Minor discoloration to part of rear wrap and spine. Very light shelfwear else fine.; 227pp nicely illustrated 42 ill. Isbn: 8870626342; 1; Folio - over 12" - 15" tall; 227 pages; The Australian expedition to Pompeii. Sear Frank Descoeudres Jean-Paul; Diesmal keine Pygmäen : die Zwergfigurenund ihre Partnerdarstellungen in der Casa del Labirinto. ; Su due lucerne bronzee da Pompei di recenterinvenimento. Conticello De' Spagnolis Marisa; Due lucerne di bronzo provenienti da Oplontis. De Carolis Ernesto; Sull'origine del vetro romano di Pompei alla luce di recenti saggi stratigrafici. ; Nuovi tituli picti pompeiani. Varone Antonio; A Century of Scientific Research on Plantsin Roman Mural Paintings 1879-1979 ; Human Bones at Herculaneum; Notiziario; Discussioni e recensioni. . L'Erma Di Bretschneider paperback
198821814Rome: L'Erma Di Bretschneider. 1988. Softcover. Near Fine. Light Creasing along middle of spine. Slight discoloration to spine.; 293pp nicely illustrated. Book has two Isbn: 8870626733 / 8870626342; 2; Folio - over 12" - 15" tall; 293 pages . L'Erma Di Bretschneider paperback
8491422765.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2343209286.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
48460024like new. unknown
1990Q-8884130425CEFA 1990-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! CEFA paperback
0259474568.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781166805708New. unknown
B9781166805708New. unknown
17854592Bassano: Remondini 1785. Hard cover. Very Good. Octavo 22 cm; xxviii 410 pages and engraved frontispiece of the poet book and muses. Engraved device on title page engraved ornaments throughout. Text in Italian and Latin. Bound in contemporary vellum over boards with title hand-tooled in gilt directly on spine rupturing the vellum along the edge of the gilt ornament. Later owner's ink stamp on preliminary blanks and title page. Very few spots or blemishes in text. <br /><br />Translation with original Latin text of Ovid's Heroides by the 18th-century poet from Verona. Pompei wrote lyrics tragedies literary and philosophical essays and is best remembered for his translations of Plutarch Ovid and other classical texts. Heroides is Ovid's book of imaginary letters of complaint from the mistreated women of classical mythology addressed to their heroic husbands and lovers who have abandoned them or misused them. With this book of fictional epistles Ovid invented a completely new literary mode never seen before in Classical literature. Remondini hardcover
0265031524.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
026059072X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2015x-1137460970Palgrave Macmillan 2015. Hardcover. New. 315 pages. 8.75x6.00x1.00 inches. Palgrave Macmillan hardcover
1781H400Verona: Per Gli Eredi Di Marco Moroni 1781. First Printing. Wraps. Very Good. Translations from Latin and Greek by Marquis Ippolito Pindemonte Knight of Malta and by Girolamo Pompei Gentlemen of Verona. Royal 8vo 9.5 x 6.75 inches original heavy paper covers 158 pp very good copy some foxing and light wear to wraps minor library marks bookplate blindstamp pages bright. Pindemonte who was a Veronese author born into an aristocratic family was 28 when this was published; later the political and humanist ideas that were the basis of the French Revolution had a major effect on his work. He also spent much of his life translating The Odyssey published 1822. Girolamo Pompei 1731-88 was also a poet and translator from Verona known for his renditions of Plutarch and Ovid. This volume contains verse epigrams portions of the Heroides of Ovid the marriage of Thetus and Peleus Hero & Leander etc. Per Gli Eredi Di Marco Moroni unknown