Harris Rome, SunnyBiblio.com
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2012SKU0217599Pearson 2012-10-27. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Pearson paperback
0205776892.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2010x-023025196XPalgrave Macmillan 2010. Hardcover. New. 1st edition. 267 pages. 8.50x5.50x0.75 inches. Palgrave Macmillan hardcover
19742083002116205637Hayakawa Shobo Keith Roma - Translated by Norio Ito/Wataru Fuyukawa 1974. Soft Cover. Fine. Number of books: 2 Hayakawa Shobo Keith Roma - Translated by Norio Ito/Wataru Fuyukawa paperback
1939416514London : Macmillan & Co. 1939. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth-backed paper-covered boards. Spine bands and panel edges somewhat edge-nicked and rubbed as with age. Remains particularly well-preserved overall. Physical description; 43 pages 7 pages of unnumbered plates : illustrations plans ; 33 cm. Notes; Includes bibliographical references and index. Subjects; Arco degli argentari Rome Italy. Arch of the Money Changers Rome Italy. Inscriptions Latin Italy Rome. Sculpture Italy Rome. Relief Sculpture Roman. Rome Antiquities. Rome Italy Buildings structures etc. London : Macmillan & Co. hardcover
50875757-nnew. unknown
50875757like new. unknown
Moltesen, MetteIn Pristine Condition. unknown
2002Q-0870701223The Museum of Modern Art New York 2002-07-15. Hardcover. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York hardcover
2002008053The Museum of Modern Art New York. DJ in archival cover. . Fine. Hardcover. 1st Edition. 2002. The Museum of Modern Art, New York hardcover
75-0779West Hollywood CA: Louis Stern Fine Arts 2005. Dealer Catalogue. Edition of 7000. 4to. Soft Covers. 96 pp. Very Good. Color plates. Catalogue accompanies an exhibition at Louis Stern Fine Arts April 16 to May 28 2005. Text by Henry T. Hopkins. Essay by Susan C. Larsen.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. West Hollywood, CA: Louis Stern Fine Arts, 2005. paperback
144472Used. For more details please contact me unknown
2204034088.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2204072907.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365967203.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3487063301.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391347641.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
50245805like new. unknown
1400305128.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0332518485.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2691Paris: Guillaume Anabat for Germain Hardouyn 1 October 1505 Almanac for 1505-1520. <p>Octavo. Printed on vellum. Collation: a-n8 o4: 108 ff. unnumbered. Blackletter type. Large Hardouyn device on title-page Renouard 434; Nettekoven p. 135 no. 223; Hardouyn's Planetary Man cut; three large cuts St. John with the Poisoned Cup The Betrayal of Christ and The Holy Trinity with the Church and its four Cardinal Virtues; Zöhl p. 174; twelve mid-size cuts The Life of Christ; Nettekoven pp. 122-123 no. 211-222; 26 smaller cuts of saints and biblical subjects; a small cut of the crucifixion on the final leaf; each page printed within an elaborate multi-block border sometimes incorporating letterpress captions. 194 x 124 mm. Decorated throughout; the larger initials illuminated with floral decoration in gold and colors; rubricated with the small initials and line-fillers supplied in gold on red or blue grounds; the arms on Hardouyn's device painted over with an unidentified coat of arms; the borders on a1r and a2v colored early but later than the illumination and rubrication. Early recipe for a rhubarb-based purgative in manuscript on a rear endleaf. binding: Later sixteenth century calf over paste boards elaborately tooled in gilt triple fillet border large strapwork and arabesque cornerpieces large strapwork and arabesque centerpiece with two lion's heads and a blank central oval in between a semé of fleurons spine with five raised double bands the compartments tooled with azured ovals and vines; two pairs of ties now lacking; three vellum endleaves at front and rear including the pastedowns.</p> <p>COLOPHON: Ces presentes heures a lusaige de Romme furent acheuees le premier iour de Octobre Lan Mil cinq cens et cinq. Par Guillaume Anabat imprimeur demourant a Paris en la rue sainct Jehan de Beauuais pres les escolles du decret a lenseigne des connis. Pour Germain Hardouin libraire demourant empres la grant porte du palais a limage saincte Marguerite.</p>. <p>An unsophisticated copy of this handsome book of hours the earliest dated production of Anabat's press.</p><br /> <br/><br/><br /> <p>Anabat was a native of Brittany; his press was active in Paris between 1505 and 1510. All of the books that he printed were done for other publishers; the vast majority were books of hours printed for the brothers Gilles and Germain Hardouyn who specialized in the production and sale of horae.</p><br /> <br/><br/><br /> <p>The metalcuts that illustrate this edition are the work of two distinct hands. The twelve smaller cuts depicting the life of Christ are copies based on a set that was produced for Thielman Kerver and Georg Wolff c. 1497; they were first used by the Hardouyn brothers in 1503. They have been attributed to the Master of the Très Petites Heures d'Anne de Bretagne also known as the Master of the Apocalypse Rose of the Sainte-Chapelle; this artist has been tentatively identified as Jean d'Ypres the son of Colin d'Amiens See Caroline Zöhl's article in the 2007 festschrift for François Avril Quand la peinture était dans les livres. He produced many designs for the illustration of books of hours in the period 1480-1510; he is also responsible for a small number of manuscripts as well as some celebrated designs for tapestries. The three large cuts that start the volume however are the work of Jean Pichore who was active in Paris c. 1500-1520. His illustrations in the renaissance style replaced the gothic designs of the Master of the Apocalypse Rose of the Sainte-Chapelle as the dominant mode in the illustration of Paris books of hours; this volume captures that transition perfectly with the more refined and sophisticated Pichore blocks standing in counterpoint to the slightly stiff cuts of the earlier master. The artist responsible for the Planetary Man cut which had appeared in earlier Hardouyn books of hours has not been identified.</p><br /> <br/><br/><br /> <p>This edition exists in two quite distinct states. In one each page is printed within an elaborate composite border made up of numerous small blocks and sometimes incorporating letterpress captions; our copy is an example of this state. In the other the text and illustrations are printed entirely without borders with the exception of the colophon leaf which has the same architectural border in both states. A copy of the state without borders is at Penn State; it has been digitized and can be seen online at Lehigh University's Digital Library of Illuminated Manuscripts. It is unclear at this point which state has priority or whether one is more common than the other.</p><br /> <br/><br/><br /> <p>PROVENANCE: Unidentified arms on title-page - Georges Quesnoy early inscription on rear endleaf - several other early ownership inscriptions now largely illegible on endleaves.</p><br /> <br/><br/><br /> <p>CONDITION: Leaves a1r and o4v rather rubbed with some loss; some occasional soiling and staining; the vellum at times somewhat cockled. The boards slightly warped; extremities a bit rubbed; rear hinge cracked. Despite these flaws still a pleasing and unsophisticated copy.</p><br /> <br/><br/><br /> <p>REFERENCES: Bohatta 807; Moreau 1505 85; Renouard 50; Tenschert & Nettekoven 65-67 Heribert Tenschert & Ina Nettekoven Horae B.M.V.: 158 Stundenbuchdrucke der Sammlung Bibermühle 1490-1550 Rottalmünster 2003; see also Ina Nettekoven Der Meister der Apocalypsenrose der Sainte Chapelle und die Pariser Buchkunst um 1500 Turnhout 2004 and Caroline Zöhl Jean Pichore: Buchmaler Graphiker und Verleger in Paris um 1500 Turnhout 2004. Copies: Bibl. Mazarine; Musée des Beaux-Arts Paris the Dutuit copy incomplete; John Rylands Library; Museo Civico Pavia; Tresoar Leeuwarden; Williams College; the Morgan Library; Princeton; Penn State; the Newberry Library incomplete; the University of Kansas; the Huntington Library; the Bibermühle collection three copies.</p> Paris: Guillaume Anabat for Germain Hardouyn, 1 October 1505 (Almanac for 1505-1520) unknown
15-11180Rome: Hotel Hassler 1948. Brochure. 8vo. Oblong. 8 pp. Folded Card Very Good with minor staining. Illustrated. First set of inner panels includes "Non Est In Tota Laetior Urbe Locus" a narrative on the history of the Trinita in Rome Italian text facing same text translated to English. Innermost 4 panels is a panoramic illustration by Rossi of Rome itself siting the Trinita dei Monti & Hotel Hassler within The Eternal City. Scarce. Rome: Hotel Hassler, [1948?]. unknown
Erik Østby, Tone SkedsmoNot in perfect condition. unknown
15-10683Roma: Il Nuovo Torcoliere 1975. 4to. Folded Card & Loose Descriptive Sheet Very Good. Color plates. Text in Italian. Roma: Il Nuovo Torcoliere, 1975. unknown
1528559991.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
