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196859085Rome Italy: Palazzo Delle Esposizioni Rome. As New. 1968. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 124 pp. With 76 ills. 24 x 22 cm. -- with a bonus offer-- . Palazzo Delle Esposizioni Rome paperback
196758811Rome Italy: De Luca Editore. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 168 pp. With 64 ills. 25 x 22 cm. -- with a bonus offer-- . De Luca Editore paperback
196758301Rome Italy: De Luca Editore. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 168 pp. With 64 ills. 25 x 22 cm. -- with a bonus offer-- . De Luca Editore paperback
59382Rome Italy: Ardea. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 142 pp. With 73 ills. 13 col. . 24 x 24 cm. -- with a bonus offer-- . Ardea paperback
2014107670powerHouse Books. New. 2014. Paperback. 1576876780 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . powerHouse Books paperback
199683324Museum. New. 1996. Hardcover. 0870701223 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0870701223. 112 pages 87 photos. sq. 4to. -- with a bonus offer-- . Museum hardcover
199683325Abrams Distributor. New. 1996. Paperback. 0870701231 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0870701231. 112 pages 87 photos. sq. 4to. -- with a bonus offer-- . Abrams (Distributor) paperback
199861328D. A. P. /Distributed Art Publishers; Et Al. New. 1998. Hardcover. 1891024000 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 94 pp. With 115 ills. 29 x 21 cm. -- with a bonus offer-- . D. A. P. /Distributed Art Publishers; Et Al hardcover
200585675powerHouse Books. New. 2005. Hardcover. 1576872572 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pages; 44 photos. -- with a bonus offer-- . powerHouse Books hardcover
2015114396powerHouse Books. New. 2015. Hardcover. 1576877159 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . powerHouse Books hardcover
2016125868powerHouse Books. New. 2016. Hardcover. 1576878287 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . powerHouse Books hardcover
196451795New York: Holt Rinehart and Winston. As New. 1964. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine clean & unmarked - 422 pages. -- with a bonus offer-- . Holt, Rinehart and Winston hardcover
196959159Rome Italy: Sala Di Santa Marta; Et Al. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 100 pp. With 62 ills. 24 x 22 cm. -- with a bonus offer-- . Sala Di Santa Marta; Et Al paperback
201198466Silvana Editoriale. New. 2011. Paperback. 883661972X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian and English. 96 pp. ; 68 illus. 64 in color. -- with a bonus offer-- . Silvana Editoriale paperback
196959528Rome Italy: De Luca Editore. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 142 pp. With 70 ills. 24 x 17 cm. -- with a bonus offer-- . De Luca Editore paperback
14336177-nnew. unknown
19621455901962. Fine. 1962. Two vintage gelatin silver photographs visible image size 237 × 187 mm matted glazed and framed to match external dimensions 366 × 306 mm. Both photographs and frames are in fine condition. Dame Roma Mitchell 1913-2000 was Australia's first female Queen's Counsel judge university chancellor and state governor among other achievements. Mitchell was particularly proud of her appointment as Queen's Counsel in September 1962 considering it a highlight of her career and these fine portrait photographs must have been commissioned to mark this occasion. Both show her in court dress against an identical backdrop and with similar props. In one she wears her everyday bar wig and bands and in the other she wears full ceremonial dress with lace jabot and cuffs and full-bottomed wig worn only on formal occasions. <p>Mitchell's appointment attracted scant media attention but an article in 'The Australian Women's Weekly' on 10 October 1962 makes more ado of her new full-dress regalia than it does of her already-distinguished legal career and pioneering advocacy of women's causes: 'Miss Mitchell an easy-to-talk-to elegantly dressed woman of 48 is tall and will wear full dress with distinction'. For women QCs 'full dress is laid down thus: "Coat made of black superfine cloth in the same style as a man's coat except that it should not be skirted but instead be short as in a lady's ordinary suit . black flexible buttons. Plain white blouse . lace frill and ruffles at wrist. Plain black skirt of superfine cloth. Black silk stockings . black patent-leather ladies' court shoes . cut-steel buckles. Black silk gown . full bottomed wig . black silk "wig-bag" . white gloves"'. <p>The State Library of South Australia holds examples of both images PRG 778/57/5 and PRG 778/57/6 but does not identify the photographer. 2 items. unknown
165873<p>32° mm 85x53; A-L8 K6 ; pp. 152 cc. 2. Frontespizio in cornice silografica. Legatura dell'epoca in pergamena.</p><p>Rarissima <em>miniature edition</em> di un'antologia "cristiana" del pensiero di Seneca autore assai fortunato nel corso del '600.</p><p>Dal falso carteggio tra Seneca e san Paolo al presente breviario laico la leggenda di "Seneca cristiano" abbandona il terreno infido dell'apocrifìa medievale per trovare un riscontro puntuale nello stile e nel contenuto presso una "sentenziosità virtuosa" precipuamente barocca.</p> Typis Dragondelli
186418087AB1864. Four parts in three volumes two text and two plates-bound in one Roma Cromo-Lithografia Pontificia 1864 - 1867. 38 : 30 cm. 4 leaves XLIII 391 134 pages; 4 leaves 351 85 pages; 2 leaves 40; 62 and 4 coloured chromo-lithographed plates Contemporary half brown morocco spine richly gilt top edges gilt One original wrapper bound in Giovanni Battista de Rossi 1822 - 1894 is considered the greatest of the 19th century Roman archaelologists. While working on Inscriptions de Rossi also explored the catacombs. He built on Antonio Bosio's research and made extensive use of the old Itineraries pilgirm guides to the catacombs. The first catacomb he explored in 1848 was that of Praetextus. His most famous discover was made in 1849. It was known from older sources that there was a papal cementary in one of the catacombs and it was located close to the Cementary of Callixtus on the Appian Way. In a shed belonging to a wineyard he found a stone with the partial inscription 'NELIUS MARTYR'. The only possible name was Cornelius. Pope Cornelius 251-253 died in exile and was therefore considered a martyr. De Rossi continued his search of the area and found the Chapel of the Popes in the Catacombe di San Callisto where 14 popes were buried. He also excavated the catalcomb of Thrason 1872 and of Catacomba die Priscilla 1880's. In 1863 de Rossi founded the Bollettino di archaeologia cristiana to publish his finds. The next year he published the first volume of Roma Sotteranea volume two was published in 1867 and a third volume was published ten years later in 1877 not offered here. - A bright copy with wide margins only very ocassionaly some minor foxing at th edges; few plates with light foxing edges of the binding very slightly rubbed. Over all a beautiful copy. unknown
1556373862Venice: Paulus Mauntius 1556. Chronology and Commentary each with separate title page and printer's device. Ff. 16 169 1 corrigenda. 1 vols. Folio. Early limp vellum fore edge flaps. Spine worn manuscript waste visible as spine supports; upper cover detached and soiled. Rough but complete and unsophisticated. Cloth slipcase and chemise. Chronology and Commentary each with separate title page and printer's device. Ff. 16 169 1 corrigenda. 1 vols. Folio. Commentary on the history of Rome with a chronology of Kings and consuls from Romulus to the early emperors. The book on Roman names is at ff. 151-169 and conatins two woodcuts of Roman coins. Adams S1115; EDIT16 28012; BM STC Italian 1465-1600 p. 626; Renouard A.A. Annali delle edizioni Aldine p. 169 no. 16 Paulus Mauntius unknown
1962217093Firenze: Il Bisonte Edizioni d'Arte 1962. Fogli sciolti in cartelletta loose as issued in original portfolio. Molto buono Very Good. Cartella contenente 6 litografie originali a colori eseguite da Luigi Bartolini nel laboratorio delle Edizioni d'Arte il Bisonte a Firenze tra il dicembre 1961 e il marzo 1962 ed un frontespizio litografico inciso dall'Autore. Titoli delle opere: "Villa in Sabina" "Strada di Villa Madama" "Il davanzale in fiore" "Anna nei boschi" "Fonte di campagna" "Le fioraie" cm 65x46 - 46x65 c.ca. Le litografie sono numerate titolate e firmate da Bartolini a matita. Con due poesie dell'Autore: "La passeggiata" e "Gli uccelli". Cm 66x48. pp. 4 7. Molto buono Very Good. Prima edizione di 100XXX es. numerati. Il Bisonte Edizioni d'Arte, unknown
1939232540Firenze: Parenti 1939. Brossura wrappers. Molto buono Very Good. . Cm 21x16. pp. 258. Molto buono Very Good. Minima mancanza all'angolo basso della copertina. Edizione originale di 355 esemplari numerati Original edition of 355 numbered copies. Volume annunciato nel 1937 con il titolo <em>Scritti vari</em> ma pubblicato due anni dopo per cui porta il numero 14 della collana nonostante venisse pubblicato dopo il numero 24 Parenti, unknown
18004585<p>Single broadsheet 60 x 44.5 cm folded. A very good copy.<br /></p><p>A rare survival of such an ephemeral piece unrecorded on ICCU: a large broadside issued during the nine-month occupation of Rome following the fall of the Roman Republic and proclaiming a complete revision of the running of the city's public market to prevent "hoarders and scalpers" from inflating food prices beyond the means of the "most sensitive" members of the populace during this tumultuous period.</p><p>The edict instructs for example all retailers of vegetables and fruits to arrange contracts exclusively during daylight hours and only under their official banners; any retailers found bringing or intending to bring wholesalers into the marketplace will be considered in contravention of the law. Retailers are also prohibited from forming collective buying groups which lead to 'infamous monopolies'. Further regulations touch on sellers of poultry interactions between retailers and wholesalers and the physical locations of permitted activities. The trades in domestic pigeons and wild game however are exempted from these stringent regulations.<br /><br />The broadsheet also gives details of the enforcement of the new rules. Anyone not complying with the regulations after three days of their posting will suffer the consequences and trials of the accused will take place between 22 and 24 hours and for 1 hour the following morning in the market square itself. The penalties are stiff: for the first offence 25 scudi; for the second 50 scudi and a public beating; while the third warrants a 100 scudi fine and 5 years of public labor. Fines will also be imposed for passing false currency. The edict ends with a stern public hygiene order reminding all retailers of the prohibition of fish-selling in the marketplace. The public is also ordered to make use of the fountains in a civilised manner and not to throw rubbish into the fountain or onto the streets.</p><p>The Piazza Navona became the official market square of Rome in the 15th century and remained so until the 1860s when the site was transferred to the Campo de' Fiori. Produced during a period of tremendous political upheavel the present document provides us with a surprisingly intimate insight into the problems of running such an enormous concern. As the broadside notes the Papal Government had formerly been responsible for the orderly running of the marketplace but in 1798 the short-lived Roman Republic based upon the principles of the French Revolution had seized power and exiled the Pope. According to the document many "abuses" were committed during the "so-called" Republican tenure and indeed the "greed and malice of those who have been able to evade the rules" has led to the need for tighter regulation. Today it complains many dealers hoard more than they sell rendering public markets 'inutili' and driving food prices far higher than they should be in turn affecting the "most sensitive" segment of the population. The present edict was issued under the authority of His Excellency Diego Naselli a Neapolitan commander whose troops had invaded the Republic in September 1799. However by July 3rd seven months after the edict's publication the city was returned to the authority of the Pope.</p><p> Unrecorded in ICCU or OCLC.</p> Lazzarini
172900518<p>FIRST HISTORY OF VENETIAN TRADE --- xxiv 200 4 p. a8 b4 A-Q8/4 R6 166 x 95 mm --- First and only edition of this history of Venetian trade through 1290 which Barbier attributes to one "Roma"—and which appears to be the first printed survey of Venetian trade altogether. Barbier records the anonymous author's connections in Parisian law and finance but we know little else of him except that he perhaps took his text from a larger three-volume manuscript on the history of business in Italy. ¶ As the history of trade goes few European cities will be as synonymous with the subject as Venice. The Middle Ages saw it become one of the continent's most important ports the vital crossroads of trade between East and West. The author divides his history into three parts: the years 421-697 which he calls the age of the <em>Tribuns</em>; 697-1173 the age of elected doges; and 1173-1290 the age of sovereign doges. He covers the early development of the Rialto Venice's strategic location as a boon for international trade competition in fabric production silk especially—these and many other issues that historians continue to cite in discussions of early Venetian trade. ¶ We fully expected to identify earlier histories of trade in Venice a task we summarily failed at. The author himself complains of "the silence that historians of Venice have kept on this subject" xiij. True enough of the earlier <em>commercio</em> titles in both Cicogna and Soranzo's continuation none could be construed as a comprehensive historical survey of Venetian trade nor have our subject searches in WorldCat turned up anything earlier. Given Venice's tremendously influential role in the history of business the gap this work fills should be an important one. ¶ Hardly a common book and this may be the only copy recorded at auction; it matches the binding description of a copy offered in 2013. --- PROVENANCE: Bookplate removed from the front paste-down and a few efforts at obliterating small marks from the endleaves. --- CONDITION: Contemporary leather spine and board edges tooled in gold; marbled edges and endpapers. ¶ First and last few leaves a little dusty. Leather a bit discolored in spots; front paste-down skinned from removal of bookplate. A nice solid copy in a contemporary binding. --- REFERENCES: Emmanuele Antonio Cicogna <em>Saggio di bibliografia veneziana </em>1847 v. 1 p. 211 #1461; Ant.-Alex. Barbier <em>Dictionnaire des ouvrages anonymes</em> v. 2 col. 209;<em> Kress Library of Business and Economics</em> suppl. p. 196 ¶ Paola Lanaro "Introduction" <em>At the Centre of the World: Trade and Manufacturing in Venice and the Venetian Mainland 1400-1800</em> Toronto: Centre for Reformation and Renaissance Studies 2006 p. 34 "The Venetian Republic is still considered to be one of the first European states to accept the drastic change in mentality and in capitalistic practice brought about by the great maritime commerce between the Levant and the East above all in terms of international commerce in transit"; Edwin S. Hunt and James M. Murray <em>A History of Business in Medieval Europe 1200-1550</em> Cambridge Univ 2005 p. 60 "it was the international merchants who spearheaded the development of the techniques that transformed medieval commerce…The earliest techniques appeared in Genoa and Venice during or even before the twelfth century" 90 "One of the special characteristics of Venice and a source of its lasting power was its role as entrepôt and staple"</p> Pierre Gilles Le Mercier and A. Morin hardcover
160414413Genova: Giovanni Pavoni 1604. Penultima carta con colphon e marca editoriale ultima carta bianca. Buon esemplare qualche antica menda firme di proprietà lievi segni del tempo. Un minimo restauro moderno al margine inferiore della carta A1. Antica censura su alcuni versi dell’ottava LXIX del canto decimonono. Legatura coeva in pergamena con titoli manoscritti sul dorso a 5 nervi in dodicesimo cm 14 x 8 pp 24 572 4 fregi xilografici testatine finalini capolettera e cornici degli argomenti frontespizio e 20 figure a piena pagina incisi su rame. Penultima carta con colophon e marca editoriale ultima carta bianca. Buon esemplare qualche antica menda firme di proprietà lievi segni del tempo. Un minimo restauro moderno al margine inferiore della carta A1. Antica censura su alcuni versi dell’ottava LXIX del canto decimonono. Graziosa edizione della Gerusalemme Liberata illustrata dal pittore genovese Bernardo Castello 1557-1629 per il quale «quella di ‘istoriare’ la Gerusalemme fu sicuramente l’idea di tutta una vita cui attese fin dal 1586 anno in cui ricevette l’approvazione dello stesso Torquato"" Bondi 2014; sue infatti le invenzioni per la celebre edizione in quarto del 1590 parzialmente incise da Agostino Carracci e per quella in folio del 1617. Il Tasso apprezzò molto le figure disegnate dal Castello e scrisse un sonetto in lode dell’artista «il che obbligò di tal maniera esso Castelli che … nel 1604 fece ristampare in Genova per Giuseppe Pavoni lo stesso Poema in 12° … ornando l’opera con nuove e non men belle figure» Quadrio VI p. 670. L’edizione comprende inoltre i nuovi Argomenti di Vincenzo Imperiale la dedica di B. Castello all’abate Angelo Grillo e sonetti in lode del pittore composti dal Tasso dal dedicatario da Leonardo Spinola e altri. Guidi Annali p. 15: «Le figure di quest’edizione sono diverse da quelle date nella stampa del 1590 ma molto ben disegnate e d’un finissimo intaglio»; Gamba 648: «le edizioni genovesi … particolarmente si raccomandano pel fregio delle figure»; Brunet V p. 666; Graesse VII p. 33. Giovanni Pavoni unknown