291 résultats
in-4to oblong, 318 pages, nombreuses illustrations n/b, broché, couverture illustrée. Très bel exemplaire. [P-30]
98 pages of titillating cartoons with tempting black and white photos of Jeanne Williams, Florence Sterling, Maria Stinger, Christine Maybach, Lisabeth Nielsen, Lili St. Cyr, Anita Gamble, Betty Page, Joyce Nizarri, Joy Lansing, Monique Van Vooren, Dorothie Blunck, Frances Beck, Roberta Roark, Marion Fuchs, Suzanne Fisher, Betty Blue, Joan Tylor, Dany Saval, Audi Ragona, and Pat Clawson. Unmarked with average wear. Binding intact. A sound vintage copy. 7.25" x 5.5". (Sloane page 522) Magazine
reliure in-8°, 367 pp., illustrations h.t. n/b, cartonnage marbré, couverture conservee. Bel exemplaire. [TX-19]
in-8°, 421 pp., illustrations h.t. n/b, bibliographie, index, broche, couverture illustree plast. à rabats. Bel exemplaire. [109B-3]
Bella litografia di architettura del 1881 tratta dal periodico mensile "Ricordi di architettura" pubblicato tra il 1878 e il 1900 diretto da Giacomo Roster, C. Corinti e E. Bartoli. La rivista documentava le numerose progettazioni, talvolta anche di riduzione e di ampliamento che fecero molti architetti dell'epoca. Di grandi dimensioni. TECNICA: Litografia DIMENSIONI FOGLIO: cm 53x38 DIMENSIONI INCISIONE: cm 48x34,5 EPOCA: 1881 CONDIZIONI: Buone condizioni, qualche fioritura. Beautiful lythography of architecture of 1881 taken from the monthly magazine "Ricordi di architettura" published between 1878 and 1900 directed by Giacomo Roster, C. Corinti and E. Bartoli. The magazine documented different projects, sometimes alos of reductioning and expansion done by many architects of that time. Of big size. TECHNIQUE: Lytography PAGE SIZE: cm 53x38,5 PRINT'S SIZE: cm 48x34,5 PERIOD: 1881 CONDITION: good conditions. Some yellowings and little missing parts in the edges
In-4°, (16), 390pp, (18), legatura in pergamena, dorso rovinato, numerose note ai margini, al frontespizio stemma in rosso e nero del dedicatario Cardinale Alessandro de’ Medici. Fu seguace di Girolamo Savonarola e avversario dei Medici. Durante la restaurazione della Repubblica fiorentina ricoprì cariche importanti, ma con il rientro dei Medici (1530), dovette abbandonare la città riparando prima a Livorno e poi a Venezia. Scrisse canti carnascialeschi, commedie e, nella maturità, opere di storia e erudizione. Si ispirò ai valori di libertà di Machiavelli e fu amico di Benedetto Varchi. In-4 °, (16), 390pp, (18), vellum binding, ruined back, numerous notes on the margins, on the frontispiece coat of arms in red and black of the dedicated Cardinal Alessandro de 'Medici. He was a follower of Girolamo Savonarola and an opponent of the Medici. During the restoration of the Florentine Republic he held important positions, but with the return of the Medici (1530), he had to leave the city, repairing first in Livorno and then in Venice. He wrote carnival songs, comedies and, in maturity, works of history and erudition. He was inspired by Machiavelli's values of freedom and was a friend of Benedetto Varchi.
Publisher's stamp to titlepage. Else very light shelfwear. ; The guidebook, published in occasion of the exhibition The Renaissance Man, Leon Battista Alberti and the Arts in Florence between reason and beauty at Palazzo Strozzi, leads the reader through real but often inedited places in a Tuscany, or more specifically in a Renaissance Florence, and encourages the discovery of the ideal spaces which passed from the harmonious mind of Leon Battista into the the artistic imagination of the more refined 15th century. Furthermore it offers to the visitor a synthetic itinerary through the main themes dealt with the Florentine exhibition which intends to draw the attention of even the vast general public to the fascinating and complex experience in albertine estetics. ; 8.2 X 5.9 X 0.4 inches; 80 pages
Centre Georges Pompidou, Firenze, Istituto di Edizioni Artistiche 1978, exposition d'octobre 1978 à janvier 1979, 32 pp., broché, exemplaire un peu jauni, bon état.
Perrin, 1984. In-8 pleine reliure éditeur sous jaquette et rhodoïd, de 366 pages illustrées. Bon état.
in-8°, 237 pages, illustre h.t. n/b, broche, couverture illustree plastifiee. Bel exemplaire. [CA32-4]
PARIS, HACHETTE et Cie - S.d. (vers 1930) - Reliure demi-toile marron- Plats marbrés - - Nombreuses illustrations HT PP - 249 pages, dont l'index des noms cités - Bel exemplaire, Bon état
Paris, Librairie Renouard - H. Laurens Grand in-8, (25,5 X 17,5 cm). XXXII-220 pp plus 2 ff tables. Demi chagrin rouge, filets dorés sur les plats, dos lisses ornés de décorations dorées, tête dorée Très bel exemplaire, en parfait état et illustré d'une vue de Florence et 11 planches hors-texte sous serpentes légendées en rouge.
Paris, Librairie Renouard H. Laurens Grand in-8, (17 X 25,5 cm). XXXII-220 pp. Demi-toile Bradel à coins. Première traduction française. Signatures autographes de Cammaerts et Nypels, illustré d'une vue de Florence et 11 planches hors-texte sous serpentes légendées en rouge. Bon exemplaire.
Firenze, Bonechi 1973. In-4 broché de 127 pages; Nombreuses photos couleurs et cartes. Très bon état
BET 1998, In-4 cartonnage éditeur. 150 pages. 384 Belles photos couleurs+ un plan dépliant. Trés bon état. Broché
Catalogue de l'exposition présentée en 1998-1999 à la Kunsthalle der Hypo-Kulturstiftung de Munich, au Kunsthistorisches Museum de Vienne, et au château de Blois, organisée en collaboration avec le Ministero per i beni e le attività culturali, Soprintendenza per i beni artistici e storici de Firenze, Pistoia e Prato; sous la direction des historiens d'art italiens Cristina ACIDINI LUCHINAT et Mario SCALINI; par Lucia MINUNNO et Maria Antonia RINALDI avec la collaboration de Thierry CREPIN-LEBLOND et Giovanna DAMIANI: 151 pièces avec illustrations couleurs, notices et commentaires; précédé de textes de Cristina Acidini LUCHINAT, Marco CHIARINI et Mario SCALINI. "Florence et les Médicis symbolisent l'humanisme, la Renaissance, le mécénat, la création artistique portée à son plus haut niveau. La puissance politique de Florence [...] se double d'un mécénat artistique sans précédent. Pendant trois siècles, jusqu'à la mort en 1743 de la dernière représentante de la famille, Anne Marie Louise, le rôle des Médicis est déterminant. Collectionneurs passionnés de peintures, sculptures, ouvrages de glyptique, orfèvrerie précieuse, les Médicis sont immédiatement associés à l'idée de mécènes fastueux." (in préface de Jack LANG). "Cet ouvrage présente et étudie les chefs-d'œuvre de leurs collections, notamment les pierres dures et marbres colorés ou les tableaux de Joos Van Cleve, Raphaël, Bronzino, François Clouet, Botticelli. Ce mécénat exemplaire est replacé dans son contexte historique européen, celui des liens dynastiques Médicis-Valois, Médicis-Bourbon, Médicis-Habsbourg et Médicis-Lorraine" (4è de couverture); traduit de l'italien par Gilles SCHAUFELBERGER; généalogie des Médicis et tableau de leur mécénat; bibliographie. Français
PARIS, Dorbon-Ainé - 2 Volumes In-8 ° brochés, dos fatigué - Introduction VII à XI - 937 pages - Reproduction au Tome I de la couverture de l'original (1568) -- Tome II, Vue dépliante de FLORENCE au XIV e - Ex. non coupé, Très frais intérieurement. C'est l'ouvrage que Giorgio Vasari a consacré aux artistes de son temps, paru une première fois en 1550, puis, remanié, paru en 1568 à Florence. Souvent nommé Le Vite De'piu Eccellenti Architetti, Pittori, Et Scultori Italiani voire complété par Da Cimabue, Insino A' Tempi Nostri (ces mentions ne figurent toutefois pas sur la couverture de l'ouvrage). Il est le premier, dans Le Vite, à utiliser le terme Renaissance pour qualifier son époque. Cet ouvrage apparaît, aujourd'hui, comme un des éléments fondateurs de l'Histoire de l'art.
Oblong 4to., with coloured frontispiece, and numerous coloured and monochrome photographs (a number full-page) throughout; black cloth, upper board lettered in gilt with mounted coloured illustration (repeated from text), gilt back, grey endpapers, a near fine copy in in unclipped dustwrapper.
Two Volumes. pp. xlvii, 349; 440 + Frontispiece portraits, and other plates. Original full cloth bindings. though the bindings are not exactly uniform. The cloth covers also have some evidence of old damping, but not too distracting. 8vo. 235 mm. The first edition of this translation by Linda Villari (nee Mazini), Prof. Pasquale's wife and a significant author on her own right. This edition expands and improves previous versions and is still considered a standard reference for the life and times of Girolamo Savonarola (1452-1498). Born in Ferrara. He joined Dominicans in 1475 and in 1481 he went to San Marco, the Dominican house at Florence. Here he became popular for his eloquent sermons, in which he attacked the vice and worldliness of the city, as well as for his predictions (several of which, including the death date of Innocent VIII, turned out to be true). In 1491 he became prior of San Marco, and after the death of Lorenzo de' Medici, who was his enemy, and the subsequent exile of the Medici (1494) he became the real and spiritual ruler of the city. He was uncompromisingly severe in his condemnation of what he considered the paganism of the times and called for a regeneration of spiritual and moral values and a devotion to asceticism. When Charles VIII of France invaded Italy in 1494 (as Savonarola had predicted), Savonarola supported him, hoping that Charles would lead the way to the establishment of a democratic government in Florence and to the reform of the scandalously corrupt court of Pope Alexander VI. Alexander, understandably infuriated, ordered Savonarola to refrain from preaching; however, he continued to preach. He called on the Florentines to burn all books, paintings, carvings and any other luxury that drew their hearts away from the deeper things of God. Florence listened. February 7, 1497, he consigned the follies of the city to a great "bonfire of the vanities." The pope excommunicated him, but Savonarola now declared Alexander no true pope, and went on as before. The people of Florence, who had for a time staunchly supported Savonarola, tired of his rigid demands. Hostility toward him grew, led especially by local Franciscans, and in March 1498, the government, threatened by a papal interdict, asked him to stop preaching. His ruin came suddenly when one of his disciples accepted an ordeal by fire to prove Savonarola's holiness. Rain prevented the event. Nevertheless, there were riots, and Savonarola and two disciples were arrested by the city. Under torture he confessed to being a false prophet, or so it was announced. The three were hanged and burnt for schism and heresy. but through the centuries his life and writings have continued to influence thought and action. **PRICE JUST REDUCED! NW26
cm. 15,5 x 22, 208 pp. con 34 tavv. f.t. di cui 1 a col. Vita fiorentina attraverso i secoli Inglese 453 gr. 208 p.
Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows edgewear, a small open tear, 498 pages.
Book shows bumped corners, otherwise very clean and in excellent condition. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows edge wear, sunnng to spine, closed and taped tear lower front corner. Content include intro, ( The manuscripts, The editions, Authorship and date, Problems 1. the Vita, the Huomini Singhularii, and the Pazzi Chapel 2. Manetti's reliability as a source, Scope and influence) notes, critical text. Eight b&w pages of glossy photos at front of buildings and pages of the text from the 1400's. Text of the Vita (page 34 on) contains English translation on the L. page and Italian on the R., heavily noted. 176 pages. Brunelleschi's "bvision created the first architecture of the Renaissance. His works in Florence, such as the great dome of the Cathedral, The Pizzi Chapel, The Church of San Lorenzo and the Foundling Hospital are among the chief ornaments of that city."
Includes separate sheet music for voice and organ; Voice and Piano; violin or violoncello. Sheet music
Cover art by Franklin Arbuckle shows firemen preparing toys for Christmas. Features: Nice colour photo ad for Parker Pens featuring Bob Hope inside front cover; Black and white photo ad for the Polaroid Land Camera; Colour ad for the Custom Royal auto by Dodge; June Callwood's story of the Queen's Visit - with many photos; The Silly Splendid World of Stephen Bosustow - this Canadian-born film maker is winning Oscars and revolutionizing TV commercials - includes 6 pages of colour Mister Magoo cartoons; Lois Smith and David Adams and their Life Sentence with the Ballet - story with photos; The Hottest Treasure Hunter in History - Hans Torkel Frederik Lundberg found ore worth five billion dollars - story by Peter C. Newman with photos; Florencia Bay (Conclusion), by James McNamee; Why Red Ryan's Shadow still hangs over every prison yard - with 19 convictions this prison lifer turned altar boy, so they set him free - and he went on a gory binge... story with photos; How we nursed a farm back to health - Herbert and Viola Watson of Red Haven Farm in the Caledon Hills of Peel County - story includes lovely photo portrait of the farmers; Super colour photo 2-page ad for the 1958 Oldsmobile; 1-page colour photo ad for the 1958 Chrysler; William Stevenson recalls a champagne breakfast with doomed Indo-Chinese warlord Ba Cut; Colour centerfold ad for Sheaffer's Pens; Two-page colour illustrated ad for Carling's Red Cap Ale - "Snappa Cappa Red Cap"; Nice colour ad for 1958 DeSoto cars; Colour 2/3 page ad for Thistle (Lines Brosthers) steel toys - now highly sought collectibles; Black and white 1958 Studebaker-Packard auto ad; Colour photo back cover ad by the Watchmakers of Switzerland. Average wear. Unmarked. Address label atop front cover. A sound copy. Magazine
Mm 240x290 Catalogo della mostra del Palazzo della Triennale di Milano, 4 aprile - 13 maggio 2001. Volume nella sua brossura originale con bandelle, 218 pagine profusamente illustrate in nero e a colori lungo l'intero testo. Interventi di Achille Bonito Oliva, Gae Aulenti, Luca Ronconi, Oliviero Toscani, Gaetano Pesce, Andrea Pezzi e Pier Luigi Pizzi. Libro in condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine.