Sara PalermoBiblio.com
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A9781839682186Hardback. New. hardcover
43815388-nnew. unknown
43815388like new. unknown
2018Atlantic-9783527341917Wiley 2018. Hardcover. New. Wiley hardcover
2018Atlantic-9783527341917Wiley 2018. Hardcover. New. Wiley hardcover
2008202749University Park PA: Pennsylvania State University Press 2008. Softcover. VG: Exlibrary book. Stamp on the top text block. Stamp on the front free end page. Stamp sticker and due date card on the back pasted end page. Sticker at the base of the spine. Glossy white softcover book with the title printed in blue and in red down the spine. Pages: 10 ix-xvii 1 1-269. Profusely illustrated with a mix of black-and-white and color images. "Fixed Ecstasy advances a fundamentally new understanding of Miró's enterprise in the 1920s and of the most important works of his career. Without a doubt Joan Miró 1893-1983 is one of the leading artists of the early twentieth century to be ranked alongside such artists as Picasso Matisse Mondrian and Pollock in his contributions to modernist painting. Still Miró's work has eluded easy classification. He is best known as a Surrealist but as Charles Palermo demonstrates Miró's early years in Barcelona and Paris require a revisionist account of Miró's development and his place in modernism. Palermo's arguments are based on new research into Miró's relations with the rue Blomet group of writers and artists as well as on close readings of the techniques and formal structures of Miró's early drawings and paintings. Chapter by chapter Palermo unfolds a narrative that makes a cogent argument for freeing Miró from long-standing dependence on Surrealism with its strong emphasis on dreams and the unconscious. Miró along with associates such as Georges Bataille Carl Einstein and Michel Leiris pressed representation to its limit at the verge of an ecstatic identification with the world." Contents are as follows: Introduction: silence in painting -- Calligraphy: vine and sundial -- Extension: toys and rainbows -- Stroke: medium and compass -- Entering painting's thickness: translucence and turning -- Suicide: Leiris and Siriel -- Conclusion: Miró in silence. Pennsylvania State University Press paperback
0271029722.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007SONG0271029722Penn State University Press 2007-11-15. 1. paperback. Used: Good. 9.00x0.88x9.50. Buy with confidence. Excellent Customer Service & Return policy. Penn State University Press paperback
1970233012Milano: Galleria Apollinaire 1970. Foglio singolo loose page. Ottimo Fine. Manifesto della mostra "Lili" di Filippo Panseca Centro Apollinaire Milano 25 novembre - dicembre 1970. A cura di Guido Ballo e Pierre Restany. Al recto fotografia in bianco e nero di Cegani con riproduzione di un opera di F. Panseca. Al verso riproduzione di un telegramma con breve testo di Restany e indicazione a stampa che recita: "Filippo Panseca io punto su te.Guido Ballo Milano 16 novembre 1970" e aggiunta a matita da parte dell'Artista "<em>e sparo</em>!" il manifesto/invito era indirizzato al critico milanese Franco Passoni amico dell'artista. Cm 60x48. . Ottimo Fine. . <em><strong>Filippo Panseca</strong> è"; considerato uno dei padri della computer art. Da sempre fortemente interessato al rapporto tra arte tecnologia e ambiente ha fondato la prima cattedra di CA presso l'Accademia di Belle Arti di Brera nel 1991. Nel 1988 è" tra i fondatori del movimento <strong>Arte Ricca</strong> a Torino e partecipa a tutte le mostre del gruppo in Italia e all'estero. Nel 1982 invitato alla XL Biennale di Venezia al Padiglione Italia espone una sfera biodegradabile in 60 giorni e venti opere su "<strong>Fotodegradabilità";" o Inquinamento Estetico</strong>". Lo stesso anno invitato ad Art Basel dove proietta il film "<strong>Degradable sphere</strong>". Nel 2009 esegue una serie di opere "<strong>Cronache Mitologiche Digitali"</strong> che rappresentano la vita di personaggi noti della politica e dell'industria rappresentati in veste di divinità";" con i loro pregi e difetti. Le opere sono state esposte a Savona al Castello di Priamar e in seguito alla galleria Battaglia di Milano.<br /><br /></em> <em>Nel 1970 realizza <strong>Lili </strong>che presenta alla <strong>Galleria Apollinaire</strong> di Milano mostra curata da <strong>Guido Ballo e Pierre Restany</strong>: un modulo componibile all'infinito a duplice accensione intermittente che ha una vita di tre anni. E successivamente <strong>Mata</strong> una sfera radiocomandata rotolante sempre alla Galleria Apollinaire.</em> Galleria Apollinaire, unknown
2021x-0367611732Routledge 2021. Paperback. New. 264 pages. 9.50x6.50x0.50 inches. Routledge paperback
2021x-0367611708Routledge 2021. Hardcover. New. 222 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2023x-1509962433Hart Pub Ltd 2023. Hardcover. New. 393 pages. 9.50x6.50x1.00 inches. Hart Pub Ltd hardcover
2025x-1509962476Hart Pub Ltd 2025. Paperback. New. 464 pages. 9.22x6.14x1.00 inches. Hart Pub Ltd paperback
1972105851972. Black & white photographic illus. to recto details on verso. Large photographic postcard. Munich: Galerie Heiner Friedrich 1972.<br /> <br> <br> Postcard invitation to Palermo’s 1972-3 exhibition with Friedrich who had given the artist his debut solo show in 1966. An installation photograph of Palermo’s work is on the recto. In fine condition. unknown
10759Black & white illus. to recto details on verso. Pictorial postcard. Düsseldorf: Konrad Fischer 1970.<br /> <br> <br> Postcard invitation to Palermo’s second exhibition with Fischer the artist showed a single painting: Treppenhaus 1970. This work depicted on the postcard’s recto is now part of the Tate collection purchased in 2012. <br /> <br> <br> Anne Rorimer writes about this 1970 exhibition: “Palermo painted a form which was produced by the projection of a stairway profile. The surface of the wall on one side of the gallery became the background for what is experienced as an independent abstract shape but one derived from the form of an actual staircase."–Blinky Palermo Sperone Westwater: 1987 p. 10.<br /> <br> <br> In excellent condition.<br /> <br> <br> ⧠D. Fischer ed. Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 Edition Marzona: 1993 32. unknown
10760Printed on one side. Postcard. Cologne: Heiner Friedrich 1976.<br /> <br> <br> Postcard invitation to Palermo’s solo show with Friedrich the year before the artist’s death. In fine condition.<br /> <br> <br> ⧠Not in Blinky Palermo: Drucksachen 2018. unknown
10919Printed on both sides. Card mailed. Tokyo: Kanransha 1992.<br /> <br> <br> Announcement card for Palermo’s 1992 exhibition in Tokyo mailed to museum director Rudi Fuchs. Fine.<br /> <br> <br> ⧠Not in Blinky Palermo: Drucksachen 2018. unknown
10925Black & white screen-printed illus. to recto details on verso. Illustrated card. Cologne: Galerie Rudolf Zwirner 1970.<br /> <br> <br> Exhibition announcement for Palermo’s 1970 solo show at Zwirner’s gallery with a work reproduced on the recto. Brief biography list of solo and group exhibitions to verso. Near fine.<br /> <br> <br> ⧠R. Zwirner Give Me the Now 2021 p. 289.<br /> <br> <br> Blinky Palermo: Drucksachen 2018. unknown
8959Black & white photographic illus. on recto details to verso. Photographic postcard mailed. Bremerhaven: Kunstverein Bremerhaven 1980.<br /> <br> <br> Postcard invitation to a posthumous exhibition of Palermo’s prints and multiples at the Kunstverein Bremerhaven. The recto photograph depicts the artist in Jürgen Wesseler's Kabinett für aktuelle Kunst for his 1972 exhibition Wandmalerei.<br /> <br> <br> In fine condition. Mailed to graphic designer Wim Crouwel's Total-Designe.<br /> <br> <br> ⧠Not in Blinky Palermo Drucksachen 2018. unknown
1989789572PN. New. 1989. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1993262340PN. New. 1993. Soft Cover. Date is original print. This is a reprint edition . PN paperback
6373970John Wiley & Sons pp. xi 324 . Papeback. New. John Wiley & Sons unknown
20009077747John Wiley and Sons 2000-02-15. paperback. New. 7x0x10. BRAND NEW Perfect Shape No Remainder Mark John Wiley and Sons paperback
