136 résultats
458NY Viking Press. 1936. Foreword by Stefan Zweig. 2nd ed. 126pp. 24pp. of illustrations. 8vo. A presentation copy signed under his portrait by Toscanini. Bound in black cloth with a silver music emblem on the cover. A very good copy without the DJ. Some wear on the corners. unknown books
458NY Viking Press. 1936. Foreword by Stefan Zweig. 2nd ed. 126pp. 24pp. of illustrations. 8vo. A presentation copy signed under his portrait by Toscanini. Bound in black cloth with a silver music emblem on the cover. A very good copy without the DJ. Some wear on the corners. unknown
14604Autograph. VG. No Binding. Signed by Authors. No date sized 5.25 x 7 inches matte photograph with signature in red ink below portrait dry mounted on blue cardstock over black cardstock sized 8 x 10 inches very clean and bright. Please note the photograph itself is held with the customary corner pieces which are attached to the matting and hold the photo it in place; photo can easily be removed and replaced. unknown
1946ABE-76037124156 PAGES FORMAT JOURNAL-LES BIENFAITS DE RODIN PAR CLAUDE ROGER MARX-A CARNAVALET TROIS SIECLES DE DESSIN PARISIEN PAR FRANCOIS BOUCHER-EN TUNISIE ARCHITECTURE RELIGIEUSE-PICABIA PAR DENYS CHEVALIER-JEAN DUBUFFET PAR PIERRE DESCARGUES-PIERRE LAPRADE PAR K.GRANOFF-LA DANSE CREATIONS A MONTE CARLO PAR MAURICE POURCHET/LIFAR-CINEMA: LA FEMME FATALE/JACQUELINE GAUTHIER-RETOUR DE TOSCANINI A LA SCALA DE MILAN-UN POEME INEDIT DE RAYMOND SCHWAB/PRIERE D'IL Y A UN AN-GUY LAVAUD PAR JEAN LEBRAU-JANINE SOLANE PAR CATHERINE VALOGNE-D.H.LAWRENCE NOUS PARLE PAR GABRIEL D'AUBAREDE-RETOUR DE TOSCANINI QUI DIRIGERA DEMAIN L'ORCHESTRE DE LA SCALA DE MILAN DONT CE SERA LA REOUVERTURE
1 Vol. In-8 t. edit., tit. bianco al dorso. Sovracpt. ill pag. 358 alc. ill. f.t PROG 2875 CATT_ATT 43
In-4 (cm. 32), tela editoriale, sovracoperta editoriale illustrata (tracce d’uso), pp. 177, (11), con illustrazioni in bianco e nero e - soprattutto - a colori, nel testo. In ottimo stato (nice copy). .
CAT0169Various Places. Most 1940s-1950s various formats. Very Good. A wide-ranging collection of Toscanini material found amongst his scores in the estate of his grandson Walfredo. The highlight is a late draft of his speech "To The People of America" an important document in Italian-American history that was printed in Life Magazine during the Second World War. <br /> <br /> Full descriptions as follows:<br /> <br /> Typed Draft of Arturo Toscanini's "To The People of America" with Corrections in Toscanini's Hand.<br /> New York September 3 1943. <br /> A late typed draft of Arturo Toscanini's "To The People of America" which appeared ten days later in Life Magazine. Corrections in the hands of Walfredo and Arturo Toscanini. From the Toscanini estate. "On 13 September 1943 the editorial page of Life Magazine was occupied by an article entitled 'To the People of America' and signed by Arturo Toscanini; It was the only extensive declaration he ever wrote - and it was about politics not music. The article had originally been intended as a letter to President Roosevelt and the first drafts had been prepared for Arturo Toscanini by the Italian historians in exile Gaetano Salvemini and Giorgio La Plana who were both teaching at Harvard University at the time. They knew that their beliefs and Arturo Toscanini's coincided perfectly and they wanted the letter to appear over his signature because his fame was much greater than theirs. In their letter to President Roosevelt the exiles stated their hopes and fears for Italy's immediate future and they tried - as the text illustrates - to influence allied policy toward their native country." Harvey Sachs The Letters of Arturo Toscanini page 389. Sachs wrote in his 1978 biography of Toscanini that Toscanini wrote the article on his own but then found evidence to the contrary. Regardless of its hidden origins this letter was a defining moment in Toscanini's career in the United States. This copy from September 3 would have been one of the final drafts. The text is nearly identical to the published version with a few small changes - "defying everything" is added in the fourth paragraph of the published version the "." marks are replaced by simple periods in a few instances and "just" has been replaced by "righteous" in the published version. Strangely the one error in AT's hand - moving the word "either" in the sixth paragraph - did not make it into the printed version. A remarkable piece of Toscanini ephemera. Four pages carbon paper with text on rectos only. Excellent condition overall with some normal tanning. A few stray corrections in pencil which an accompanying folder from the estate states are in Walfredo's hand. <br /> <br /> A Collection of Nine Letters to Arturo Toscanini from his Colleagues.<br /> <br /> These letters were found inside various scores and sheet music in the Toscanini estate. A wonderful collection quite effusive in nature most containing high praise for the maestro discussing the works of various composers and lamenting the passage of time. Contains the following items: 1 Typed Letter Signed from Harold Byrns to Arturo Toscanini. New York 1942. 2 Typed Letter from Associated Music Publishers to Arturo Toscanini. New York 1949. 3 Manuscript Letter from Max Reiter to Arturo Toscanini. San Antonio 1948. 4 Typed Letter from Domenico Savino to Arturo Toscanini. New York 1945. In Italian. 5 Manuscript Letter from Adolf Busch to Arturo Toscanini. S.p. s.d. 6 Manuscript Letter from Carlton Cooley to Arturo Toscanini. Stockton New Jersey 1956. 7 Autograph Letter from Robert Casadesus to Arturo Toscani. Princeton 1940. 8 Autograph Letter Signed from Pina Carmirelli to Arturo Toscanini. Rome 1951. In Italian. 9 Typed Letter from Foetisch Freres to Arturo Toscanini. Lausanne 1948. scanini. Lausanne 1948. <br /> <br /> Four Original Photographs of Arturo Toscanini in Rehearsal March 1954 with Negatives.<br /> New York 1954. <br /> <br /> A collection of four 9 x 7 photographs of the great Toscanini in rehearsal with their original negatives. From the estate of Arturo Toscanini. The images show Toscanini casually dressed in a white short-sleeved shirt conducting his orchestra. All photos are stamped "File Copy / Do Not Remove" and have holes in upper left corners from thumbtacks and have inventory numbers written in ink. The inventory numbers - which all contain the prefix "33107" suggest that they could be for the rehearsals from his final performance on April 4. <br /> <br /> Typed Letter from Arturo Toscanini to his Orchestra 1940.<br /> N.p. July 22 1940. Typed letter text on recto only.<br /> Arturo Toscanini wrote this letter to his orchestra upon the completion of a successful South American tour in 1940. He writes: "My dear friends sic Tomorrow our trip will be over. To-morrow we will be separated after two months we lived day by day the same life. It is very sad indeed but that is life. We have never been so linked all as one as in these 16 concerts. We must be proud of what we have done. God bless you all." The full text of the letter appears on page 374 of Harvey Sach's The Letters of Arturo Toscanini. Some indecipherable notes on margins in an unknown hand a few small various stains good condition overall. <br /> <br /> Christmas Card to Arturo Toscanini from the Embassy of the USSR 1943.<br /> Washington 1943. Card with stamped envelope 6 x 5 inches. <br /> A Christmas card to Arturo Toscanini from Fedor Orekhov First Secretary and Press Representative of the USSR Embassy in Washington. Addressed to Toscanini at his Sycamore Street residence in Riverdale New York.<br /> An interesting group all quite well preserved in excellent condition. unknown books
CAT0169Various Places. Most 1940s-1950s various formats. Very Good. A wide-ranging collection of Toscanini material found amongst his scores in the estate of his grandson Walfredo. The highlight is a late draft of his speech “To The People of America†an important document in Italian-American history that was printed in Life Magazine during the Second World War. <br /> <br /> Full descriptions as follows:<br /> <br /> Typed Draft of Arturo Toscanini’s “To The People of America†with Corrections in Toscanini’s Hand.<br /> New York September 3 1943. <br /> A late typed draft of Arturo Toscanini’s “To The People of America†which appeared ten days later in Life Magazine. Corrections in the hands of Walfredo and Arturo Toscanini. From the Toscanini estate. “On 13 September 1943 the editorial page of Life Magazine was occupied by an article entitled ‘To the People of America’ and signed by Arturo Toscanini; It was the only extensive declaration he ever wrote - and it was about politics not music… The article had originally been intended as a letter to President Roosevelt and the first drafts had been prepared for Arturo Toscanini by the Italian historians in exile Gaetano Salvemini and Giorgio La Plana who were both teaching at Harvard University at the time. They knew that their beliefs and Arturo Toscanini’s coincided perfectly and they wanted the letter to appear over his signature because his fame was much greater than theirs. In their letter to President Roosevelt the exiles stated their hopes and fears for Italy’s immediate future and they tried - as the text illustrates - to influence allied policy toward their native country.†Harvey Sachs The Letters of Arturo Toscanini page 389. Sachs wrote in his 1978 biography of Toscanini that Toscanini wrote the article on his own but then found evidence to the contrary. Regardless of its hidden origins this letter was a defining moment in Toscanini’s career in the United States. This copy from September 3 would have been one of the final drafts. The text is nearly identical to the published version with a few small changes - “defying everything†is added in the fourth paragraph of the published version the “…†marks are replaced by simple periods in a few instances and “just†has been replaced by “righteous†in the published version. Strangely the one error in AT’s hand - moving the word “either†in the sixth paragraph - did not make it into the printed version. A remarkable piece of Toscanini ephemera. Four pages carbon paper with text on rectos only. Excellent condition overall with some normal tanning. A few stray corrections in pencil which an accompanying folder from the estate states are in Walfredo’s hand. <br /> <br /> A Collection of Nine Letters to Arturo Toscanini from his Colleagues.<br /> <br /> These letters were found inside various scores and sheet music in the Toscanini estate. A wonderful collection quite effusive in nature most containing high praise for the maestro discussing the works of various composers and lamenting the passage of time. Contains the following items: 1 Typed Letter Signed from Harold Byrns to Arturo Toscanini. New York 1942. 2 Typed Letter from Associated Music Publishers to Arturo Toscanini. New York 1949. 3 Manuscript Letter from Max Reiter to Arturo Toscanini. San Antonio 1948. 4 Typed Letter from Domenico Savino to Arturo Toscanini. New York 1945. In Italian. 5 Manuscript Letter from Adolf Busch to Arturo Toscanini. S.p. s.d. 6 Manuscript Letter from Carlton Cooley to Arturo Toscanini. Stockton New Jersey 1956. 7 Autograph Letter from Robert Casadesus to Arturo Toscani. Princeton 1940. 8 Autograph Letter Signed from Pina Carmirelli to Arturo Toscanini. Rome 1951. In Italian. 9 Typed Letter from Foetisch Freres to Arturo Toscanini. Lausanne 1948. scanini. Lausanne 1948. <br /> <br /> Four Original Photographs of Arturo Toscanini in Rehearsal March 1954 with Negatives.<br /> New York 1954. <br /> <br /> A collection of four 9 x 7 photographs of the great Toscanini in rehearsal with their original negatives. From the estate of Arturo Toscanini. The images show Toscanini casually dressed in a white short-sleeved shirt conducting his orchestra. All photos are stamped “File Copy / Do Not Remove†and have holes in upper left corners from thumbtacks and have inventory numbers written in ink. The inventory numbers - which all contain the prefix “33107†suggest that they could be for the rehearsals from his final performance on April 4. <br /> <br /> Typed Letter from Arturo Toscanini to his Orchestra 1940.<br /> N.p. July 22 1940. Typed letter text on recto only.<br /> Arturo Toscanini wrote this letter to his orchestra upon the completion of a successful South American tour in 1940. He writes: “My dear friends sic Tomorrow our trip will be over… To-morrow we will be separated after two months we lived day by day the same life. It is very sad indeed but that is life… We have never been so linked all as one as in these 16 concerts… We must be proud of what we have done… God bless you all.†The full text of the letter appears on page 374 of Harvey Sach’s The Letters of Arturo Toscanini. Some indecipherable notes on margins in an unknown hand a few small various stains good condition overall. <br /> <br /> Christmas Card to Arturo Toscanini from the Embassy of the USSR 1943.<br /> Washington 1943. Card with stamped envelope 6 x 5 inches. <br /> A Christmas card to Arturo Toscanini from Fedor Orekhov First Secretary and Press Representative of the USSR Embassy in Washington. Addressed to Toscanini at his Sycamore Street residence in Riverdale New York.<br /> An interesting group all quite well preserved in excellent condition. unknown
1971703346Moskva, 1971. M. zahlr. Taf. 311 S. Lwd. (Ispolnitel'skoe iskusstvo zarubeznych stran 6).
194729337Carnegie Hall November 1947. 1947. Fine. - A powerful 14 inch high by 11 inch wide photograph by Emmerich Gara depicting the legendary maestro Arturo Toscanini. Standing at the keyboard Toscanini is depicted in profile with columns at the right. Attired in black against a black background the conductor's head and hands stand out ethereally from the background. Photographed by Cellist Emmerich Gara with his name & address stamped on the verso. Signed by Gara in pencil on the verso. Fine. <p>Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death.<p>From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing.<p>Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. Carnegie Hall, November, [1947]. unknown
R130004517CARRON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Symphony orchestra, couverture création PUBLICIS. Pochette en couleurs, introduction de Dorel Handman.. . . . Classification : 410-33 Tours