151 résultats
1753739151-95 pages Printed for T. Butler and M. Cooper hardcover
1793WRCLIT67230London: Published for . J. and J. Boydell . and at The Shakespeare Gallery 1793. Two volumes. 8cxxii2231;43578pp. plus plates and engraved extra titles. Large octavo. Contemporary mottled calf rebacked in darker calf gilt labels. Portrait and frontispiece. Some foxing and occasional spotting to the plates; a good sound set. Second edition "corrected." The main 18th century authority on Hogarth's work. A third supplementary volume was published in 1798. ESTC N8950. Published for ... J. and J. Boydell ... and at The Shakespeare Gallery unknown books
179567250Printed in the UK: R. Faulder 1795. First edition. Leather over boards. Very good. Hardcover leather tan over boards. 8vo. xviii 284 pp. Illustrated with one b/w engraved map 29 sepia aquatint plates and 2 b/w engraved portraits. Spine replaced. Three bookplates pasted on the front marbled endpapers: Syston Park undated Robert Frederick Green 1909 and A.S.C 1927. Unknown bibliography reference for this copy pasted in the upper left corner of the front pastedown. All edges gilt. Spine decorated with gilt ornaments and rulings and a pasted on red leather label with gilt short title. Double line gilt border on the boards with a single gilt ruling along the edges and a repeating gilt floral border on the interior. Marbled endpapers. Text block is bright with slight browning along the head. Some bleed from the plates. Occasional marginalia in graphite correcting the text unknown hand. Binding strong and square. Boards and spine are lightly rubbed and bumped. Some of the repair attempts to the edges have obscured the gilt rulings. Overall a very handsome copy. R. Faulder unknown
179925847London: Printed by J. Plymsell at the Anti-Jacobin Press and Sold by C. Chappel 1799. Early edition. 90 2 "Prospectus of the Anti-Jacobin Review and Magazine" pp. 1 vols. 8vo. Disbound stitchmarks. Some browning and wear but generally a very good copy with "R. Rush" on the title from the library of Richard Rush the lawyer diplomat and statesman. Early edition. 90 2 "Prospectus of the Anti-Jacobin Review and Magazine" pp. 1 vols. 8vo. The Committee of Secrecy's reports on the Society of United Irishmen and the rise of similar societies in Great Britain. The societies in England and Scotland are described with accounts of their actions the arrests and trials and the situations as well as the involvement of the United Irishmen and their relationship with France. <br /> On the prospectus for the "Anti-Jacobin Review" William Cobbett in Philadelphia is listed as one of the booksellers the only bookseller in America listed. ESTC: T86579 Printed by J. Plymsell at the Anti-Jacobin Press and Sold by C. Chappel unknown
179925847London: Printed by J. Plymsell at the Anti-Jacobin Press and Sold by C. Chappel 1799. Early edition. 90 2 "Prospectus of the Anti-Jacobin Review and Magazine" pp. 1 vols. 8vo. Disbound stitchmarks. Some browning and wear but generally a very good copy with "R. Rush" on the title from the library of Richard Rush the lawyer diplomat and statesman. Early edition. 90 2 "Prospectus of the Anti-Jacobin Review and Magazine" pp. 1 vols. 8vo. Richard Rush's copy. The Committee of Secrecy's reports on the Society of United Irishmen and the rise of similar societies in Great Britain. The societies in England and Scotland are described with accounts of their actions the arrests and trials and the situations as well as the involvement of the United Irishmen and their relationship with France. <br/>On the prospectus for the "Anti-Jacobin Review" William Cobbett in Philadelphia is listed as one of the booksellers the only bookseller in America listed. ESTC: T86579 Printed by J. Plymsell at the Anti-Jacobin Press and Sold by C. Chappel unknown books
17916568London J. Boydell 1791. 1791 Two volumes. 6 cxxii 311 1 ; 3 312 - 607 5 p. Engraved title pages and plates. Nineteenth century half calf with a little wear on the top corners and headcaps. Spines gilt faded between raised bands with two labels per volume. One spine label chipped. Internally clean and tight. A good set of the first edition. A supplement volume appeared in 1798 but these volumes are complete as issued. London, J. Boydell, hardcover
1794g4234bLondon: R Faulder and J Egerton. Cover worn and weak at hinges but holding. Contents firm with some scattered browning and offsetting. Heraldic book-plates on paste-downs. 1794. First Edition. Brown hardback leather cover. 240mm x 160mm 9" x 6". xvi 183pp; xix 150pp plates. 105 tissue-guarded b/w plates. Volume II published for Samuel Ireland. Heraldic book-plates of Pull Court Worcestershire. Heavy item - shipping supplement may apply for overseas. . R Faulder and J Egerton hardcover
1800007750London: New Bond-Street and Whitehall: R. Faulder; and J. Egerton 1800. 1st Edition . Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. IRELAND Samuel. Interesting Detailed London Views First edition quarto in modern half calf to style over contemporary green marbled boards corners rubbed some blind tooling. Spine raised bands gilt tooling gilt titles to black calf label. Internally half title 7 viii-xvi 1 2-254 pp 1 errata 21 sepia aquatints bookplate to fpd Charles William Eliot and a small catalogue listing oval embossed stamp to half title & verso 1 pl small lib no to base of dedication some light offsetting binder stamp to verso fep bound at riverside press. 231156. Anderson 1000. Abbey 207. Bobins 672. not in Tooley. <br/> <br/> R. Faulder; and J. Egerton hardcover
1798WRCLIT82854London: Published for . J. and J. Boydell . and at The Shakespeare Gallery August 1793 and: London: Published for the Author et al 1798. Three volumes. 8cxxii2231; 43578pp. plus plates facsimiles and engraved extra titles. Supplement: xxi380pp. plus plates and engraved extra titles. Large octavo 24 x 15.5 cm. Handsome 20th century calf raised bands gilt labels in contemporary style. Portrait and frontispieces. Some foxing offsetting and spotting to the plates; bookplate in each volume a good sound set handsomely bound. Second edition "corrected" of the first work and first edition of the Supplement. The engraving "Time Smoking a Picture." facing p.xcv in the first volume appears to have been supplied. The main 18th century authority on Hogarth's work. The Supplement is the variant noted by ESTC with "from his own manuscripts ." incorporated in the engraved extra-title. ESTC N8950 & T2313. Published for ... J. and J. Boydell ... and at The Shakespeare Gallery, August 1793 [and:] London: Published for the Author [et hardcover books
180024523London: R. Faulder And J. Egerton 1800. First edition. Hardcover. Later three quarter red morocco and matching cloth. Teg. Very good. 254 pages. 25 x 18 cm. With half title and 21 aquatints in sepia. Offsetting of plates to text clean and fresh wide text margins with armorial bookplate of James Claude Webster Middle Temple. Marbled endpapers raised bands gilt decorated spine panels. Some toning to endpapers. An amiable presentation of architectural examples representative of the Inns of Court in London. His "Picturesque Views Series" was long valued by collectors. ABBEY SCENERY 207. R. Faulder And J. Egerton hardcover
172927852London: J. Newcomb 1729. First Edition Rare. Illustrated with the engraved frontispiece portrait. 8vo bound in later half-calf over marbled boards the spine with raised bands compartments decorated with panel designs in gilt black morocco lettering label gilt. 2 135; 62 appendix pp. A very well preserved unpressed and crisp copy the portrait with a bit of old evidence of damp unobtrusive and visually mostly confined to the verso. An English soldier adventurer and Jacobite conspirator Bernardi's involvement in an assassination plot against William III led to his subsequent forty-year imprisonment without proper trial in Newgate. While the principal conspirators were executed Bernardi and five others were held without coming to trial initially for a year ostensibly to gather further evidence. However their continued imprisonment was sanctioned by subsequent Acts even after William III's death. Bernardi's life in prison was made difficult by effects of the old wounds he had sustained in the 1670s. Bernardi also complained that his confinement in the "dismal and loathsome" gaol had cost him "above seven hundred pounds for his lodging". J. Newcomb hardcover
1795876P14London: R. Faulders; T. Egerton 1795. First edition. Leather. Very Good. 9.5" by 6.5". Not Stated. The first edition of Samuel Ireland's interesting topographical work on the Warwickshire Avon complete with detailed plates throughout. The first edition. ESTC citation number T79991.Illustrated with a frontispiece one map thirty-one plates and in-text engravings.Collated complete.An interesting topographical work on the River Avon focusing on its running through the county of Warwickshire where the river becomes commonly known as 'Shakespeare's Avon'. Providing an insightful look at the Avon's run in Warwickshire and its surrounding public buildings. The author Samuel Ireland was a fervent admirer of Shakespeare his admiration shining cleary in this detailed topographical work. Despite his work as an author and engraver Samuel Ireland is best remembered today for being the chief victim of the Ireland Shakespeare forgeries a series of forged letters that his son William Henry Ireland purported to be by Shakespeare. In fact in for preparing for this work Samuel took his son to Stratford-Upon-Avon to admire the sights. This trip took place in 1793 with William's forgeries appearing late in 1794. In a rebacked calf binding. Externally generally smart with rubbing to the boards. Bumping to the extremities. Internally firmly bound. Pages are lightly age-toned and generally clean with some occasional spots a little heavier to the plates. Tissue guards are worn with loss to some. Plate facing page 250 is detaching. Very Good R. Faulders; T. Egerton hardcover
176856649London: H. Woodfall J. Fuller G. Woodfall etc. 1768. First edition. With 23 pp of crests illustrated. 210 pp. 1 vols. 12mo. Contemporary calf. Upper board detached else a Fine tight volume. First edition. With 23 pp of crests illustrated. 210 pp. 1 vols. 12mo. H. Woodfall, J. Fuller, G. Woodfall, etc. unknown
179033111London: T. & I. Egerton 1790. 2 volumes 8vo. Engraved titles with aquatint vignettes 45 engraved or aquatint plates. 19th century half green dyed calf and purple cloth covered boards<br/> <br/>First edition octavo issue: complete with all plates.<br/> <br/>Three forms of the first edition were issued: uncoloured octavo as the present; uncolored large paper; and coloured large paper. The present octavo edition was published at £2.12s.6d. As the preface details the plates were engraved by Cornelius Apostool of Amsterdam<br/> <br/>Abbey Travel I:184. T. & I. Egerton unknown books
176856649London: H. Woodfall J. Fuller G. Woodfall etc. 1768. First edition. With 23 pp of crests illustrated. 210 pp. 1 vols. 12mo. Contemporary calf. Upper board detached else a Fine tight volume. First edition. With 23 pp of crests illustrated. 210 pp. 1 vols. 12mo. H. Woodfall, J. Fuller, G. Woodfall, etc. unknown books
179033111London: T. & I. Egerton 1790. 2 volumes 8vo. 9 1/8 x 5 3/4 inches. Engraved titles with aquatint vignettes 45 uncoloured engraved or aquatint plates. Early 19th-century half green dyed calf and purple cloth covered boards<br/> <br/> First edition octavo issue: complete with all plates.<br/> <br/> Three forms of the first edition were issued: uncoloured octavo as the present; uncolored large paper; and coloured large paper. The present octavo edition was published at £2.12s.6d. As the preface details the plates were engraved by Cornelius Apostool of Amsterdam<br/> <br/> Abbey Travel I:184. T. & I. Egerton unknown
179521612London: R. Faulder and T. Egerton 1795. First Edition First Printing. Fine/No Dust Jacket As Issued. <br /> THE BOOK THAT SET THE STAGE FOR A SCANDAL.<br /> A stunning Gift Quality first edition of Samuel Ireland's topographical tour of the River Avon. <br /> <br /> While primarily celebrated for its 29 exquisite sepia aquatint plates this volume holds a notorious place in literary history. It was during the research for this book in Stratford-upon-Avon that Ireland's son William Henry began discovering the forged Shakespearean manuscripts that would eventually lead to one of the greatest literary frauds in history.<br /> <br /> KEY FEATURES<br /> Binding: Newly rebound in Full Burgundy Leather with elegant gilt-tooled double fillet borders and floral-decorated spine bands; black leather title label.<br /> Illustrations: Complete with an aquatint extra-title 29 full-page aquatint plates 2 portraits a folding map of the Avon's course and various in-text woodcuts.<br /> The Spicy Narrative: Includes Ireland's unvarnished observations of 18th-century life including a local brothel and a village where "favors" were famously traded for gingerbread.<br /> Literary Connection: Features early depictions of Shakespearean landmarks like New Place and Ann Hathaway's Cottage as they appeared in the 1790s.<br /> <br /> CONDITION: Fine Rebound -- A spectacular copy. The leather is supple and flawless. The text block is lightly toned with only minimal offset from the plates. New endpapers. All plates are present and bright despite a minor 18th-century printer's error in the placement of two plates p. 243 and p. 250. Gift Quality. HISTORICAL SIGNIFICANCE --<br /> Samuel Ireland was a weaver-turned-engraver who became obsessed with Shakespeare. This work is a primary record of the "Stratfordian" industry in its infancy. Ireland is best remembered today as the tragic dupe of his son's forgeries; he died defending the authenticity of the Shakespeare papers his son had actually forged in their home. This volume represents Ireland at the height of his career before the scandal broke his reputation and his spirit.<br /> <br /> SUBJECTS: 18th Century Travel British Topography Shakespeareana Aquatints Literary Forgery River Avon Samuel Ireland Fine Bindings Illustrated Books. R. Faulder and T. Egerton unknown
180013740London: R. Faulder 1800. First Edition. Leather bound. Very good. First edition of Picturesque Views by Samuel Ireland complete with 21 full page aquatints. Octavo xvi 254pp 1. Three-quarter calf pebbled cloth boards. Five raised bands to spine with title in gilt. Speckled edges. No additional printings listed. Slight bow to text block light wear to corners faint offsetting to leaves opposite plates. Page 231 incorrectly placed opposite plate on 226. Errata at rear. Complete with twenty-one full page aquatints all with tissue guards. All plates with light soiling and general toning. Lowndes 1163-4 From the University of Cincinnati Robert S. Marx Law Library with stamps to title page bookplate on front endpaper and label affixed to front cover. A scarce title. R. Faulder unknown
18008503Paris, Chez Moutardier, Chez Cerioux, [An] 8 (1800). 2 volumes in-8 (199 x 120 mm), (2) ff. : blanc, titre, 8 pp. : Préface, 368 pp., (1) f. blanc, 1 pl. d'ill., 1 pl. d'ill. dépl. + (1) f. blanc, (1) f. titre, 361 pp. Reliure d'époque basane marbrée, dos lisse, étiquette de titre et de tomaison, orné de fleurons et roulettes dorés, tranches jaunes, décharges sur premier feuillet blanc et page de titre, coins, coiffes et mors frottés, épidermures aux plats et dos, tranches sup. empoussiérées, manque de papier angulaire d'origine vol. 1 p. 193 (sans manque de texte), très bel état intérieur.
17936369London Published by T. and J. Egerton Whitehall MDCCXCIII. 1793. 1793 viii1viii-xii206 p. Additional engraved title page engraved map and 28 tinted plates. Contemporary tree calf. Rebacked and corners restored. Spine gilt with a contrasting label. Faint spotting to some plates but a nice sound copy. London, Published by T. and J. Egerton, Whitehall, unknown
179127702London: J.& J. Boydell 1791. 2 volumes. First Edition. Collates complete with 92 plates by Hogarth and with anecdotal descriptions of his pictures by Ireland. 8vo recent calf back marble boards. Some intermittent spotting and stains but a very nice copy in attractive binding. AN EXCELLENT WORK ON WILLIAM HOGARTH FEATURING MANY PLATES. William Hogarth's popular engravings are here provided with "a moral and analytical description" with a "description of what I conceive the comic and moral tendencies of each."<br> The most considerable English figure in book illustration of the early eighteenth century Hogarth 1697-1764 was trained as a silversmith's engraver but found his niche as a maker of prints aimed at the common man. His series of engravings such as "The Harlot's Progress" "Marriage a la Mode" and "The Analysis of Beauty" were immensely popular in his lifetime and immediately inspired numerous plays and novels and they continued to be reprinted for many years. As Lamb said of him "Other pictures we look at--his prints we read. [J.& J. Boydell] hardcover
178810351London: Published by Molteno & Co. No. 132 Pall Mall 1788. Etching and aquatint with hand-colour. Lovely contemporary colour. As usual text line is attached on verso of sheet. In excellent condition. Trimmed as usual and mounted on washline background. Mounting sheet is watermarked laid paper. Image size: 14 7/16 x 20 5/8 inches. A charming seaside view by Samuel Ireland the engraver and collector connected with the infamous Shakespeare forgeries.<br/> <br/> Ireland was a minor engraver and publisher who worked in London at the close of the eighteenth century. He was an avid art and manuscript collector and many of the works that he engraved and published were after pieces found in his own collection. This romantic view is after a painting by DeVlieger which was in Ireland's collection at the time. This image operates as both an example of the picturesque tradition in eighteenth century landscape prints and as an advertisement and promotion of Ireland's celebrated collection. With this image Ireland presents himself as both a serious engraver and a respected collector. Unfortunately today Ireland is better remembered for his involvement in the Shakespeare forgeries than for his evocative prints. Over a period of many years Ireland's son William Henry sold his father a series of forged manuscripts which he claimed to be written in Shakespeare's hand. Ireland who willingly trusted his son added these forgeries to his collection and presented them in an exhibition to the literary community who accepted them as genuine. The charade progressed so far that an invented play entitled 'Vortigern' which William Henry had written and presented as a missing work by Shakespeare was performed at Sheridan's Drury Lane theatre by some of the leading actors of the age. When the hoax was eventually discovered Ireland's reputation was ruined and his son was disgraced. This print is from the famed Oettingen-Wallerstein collection which was compiled over two centuries by various members of the royal household. The collection is known for its stunning impressions and the immaculate condition of its prints.<br/> <br/> Dictionary of National Biography; Lugt Les Marques de Collections Supplement 2715a. Published by Molteno & Co. No. 132, Pall Mall unknown
180018119London:: Printed by C. Clarke 1800. First edition. modern 3/4 russet calf over cords; cloth sides. Margins only of some of the plates slightly darkened; some light offsetting; otherwise a bright fresh copy. Large 8vo. With 21 fine aquatint plates. Printed by C. Clarke, hardcover
179652131London: Printed By Cooper and Graham Published By Mr. Egerton Et Al. Very Good. 1796. Hardcover. Embossed cloth gilt titled spine. Hinges cracked but holding. Rubbing gilt dulled wear to spine ends/points; minor occasional spotting. With the ownership signature of Gulian Crommelin Verplanck member of the US House of Representatives from New York who edited "The Illustrated Shakespeare" which was published in 1847. Folded engraved frontis is partially detached. Shakespeare forgery. ; 8vo 8" - 9" tall; xix311567 pages . Printed By Cooper and Graham, Published By Mr. Egerton, Et Al hardcover
1793007466London: Whitehall: T. and J. Egerton 1793. 1st Edition . Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. IRELAND Samuel. Large Paper copy with 28 hand coloured plates map and frontis in an attractive polished blue morocco mid 1800s signed verso of fep gilt edge tooling corners bumped. Spine raised bands gilt tooling & edges top joint weak. Internally half title additional title page frontis hand coloured 7 v-xii 1 2-206 pp 1 map 28 pls hand coloured engraved coloured frontis gilt tooling to board edges & turn-ins blue marbled endpapers t.e.g. 227158 mm. Abbey Scenery 428. Prideaux p. 341. Bobins 670. <br/> <br/> T. and J. Egerton hardcover