Samuel IrelandBiblio.com
6 226 résultats
746338Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746353Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746311Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746327Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746326Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746351Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746300Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746312Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746301Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746314Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746325Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746339Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746313Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746285Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
746337Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1794. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1992Q-0854491767Heretic Books 1992-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Heretic Books paperback
19952467FBGalway, Kenny's Bookshop, 1995. 4°. 31 x 25 cm. LXVIII, 675 und 737 Seiten, [35] Blatt. Original-Leinenbände mit goldgeprägten Deckel- und Rückentiteln im Original-Pappschuber.
Hardcover 4to, original purple cloth, illustrated throughout, 140 pages. VG+++ FINE in FINE price clipped dustwrapper [RB-1]
1166464717.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1120133491.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
First Irish edition, viii, 123, [1 adverts]pp., one folding engraved plate, some light spotting, cont. calf, upper joint split, lower joint starting. Thomas Hitt, a native of Aberdeenshire, served his apprenticeship at Belvoir Castle, the seat of the Duke of Rutland. The Duke, like his father, greatly delighted in gardening, and Hitt spent the majority of his life working life employed by the Duke as chief gardener at his homes within Lincolnshire and Nottinghamshire. Fussell II, p. 29-30; Perkins, 802 (1760 London edition); Aslin, p. 62.
First edition, 8vo (190 x 110 mm), viii, [2], 174pp., errata slip tipped in after page 154, engraved frontis., and folding engraved plate to rear (spotted), page 115/116 with closed tear which has been repaired with archival paper, some light browning, rebound in modern calf calf decorated with astronomical symbols to spine, new endpapers, uncut. Provenance: Presentation inscription to inner gutter margin of title, presented to the Linen Library, Belfast by R. R. Bradshaw, 1889. JISC locates a single copy at Newcastle University Libraries.
1447788583.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
178810351London: Published by Molteno & Co. No. 132 Pall Mall 1788. Etching and aquatint with hand-colour. Lovely contemporary colour. As usual text line is attached on verso of sheet. In excellent condition. Trimmed as usual and mounted on washline background. Mounting sheet is watermarked laid paper. Image size: 14 7/16 x 20 5/8 inches. A charming seaside view by Samuel Ireland the engraver and collector connected with the infamous Shakespeare forgeries.<br/> <br/> Ireland was a minor engraver and publisher who worked in London at the close of the eighteenth century. He was an avid art and manuscript collector and many of the works that he engraved and published were after pieces found in his own collection. This romantic view is after a painting by DeVlieger which was in Ireland's collection at the time. This image operates as both an example of the picturesque tradition in eighteenth century landscape prints and as an advertisement and promotion of Ireland's celebrated collection. With this image Ireland presents himself as both a serious engraver and a respected collector. Unfortunately today Ireland is better remembered for his involvement in the Shakespeare forgeries than for his evocative prints. Over a period of many years Ireland's son William Henry sold his father a series of forged manuscripts which he claimed to be written in Shakespeare's hand. Ireland who willingly trusted his son added these forgeries to his collection and presented them in an exhibition to the literary community who accepted them as genuine. The charade progressed so far that an invented play entitled 'Vortigern' which William Henry had written and presented as a missing work by Shakespeare was performed at Sheridan's Drury Lane theatre by some of the leading actors of the age. When the hoax was eventually discovered Ireland's reputation was ruined and his son was disgraced. This print is from the famed Oettingen-Wallerstein collection which was compiled over two centuries by various members of the royal household. The collection is known for its stunning impressions and the immaculate condition of its prints.<br/> <br/> Dictionary of National Biography; Lugt Les Marques de Collections Supplement 2715a. Published by Molteno & Co. No. 132, Pall Mall unknown
178810351London: Published by Molteno & Co. No. 132 Pall Mall 1788. Etching and aquatint with hand-colour. Lovely contemporary colour. As usual text line is attached on verso of sheet. In excellent condition. Trimmed as usual and mounted on washline background. Mounting sheet is watermarked laid paper. Image size: 14 7/16 x 20 5/8 inches. A charming seaside view by Samuel Ireland the engraver and collector connected with the infamous Shakespeare forgeries.<br/> <br/>Ireland was a minor engraver and publisher who worked in London at the close of the eighteenth century. He was an avid art and manuscript collector and many of the works that he engraved and published were after pieces found in his own collection. This romantic view is after a painting by DeVlieger which was in Ireland's collection at the time. This image operates as both an example of the picturesque tradition in eighteenth century landscape prints and as an advertisement and promotion of Ireland's celebrated collection. With this image Ireland presents himself as both a serious engraver and a respected collector. Unfortunately today Ireland is better remembered for his involvement in the Shakespeare forgeries than for his evocative prints. Over a period of many years Ireland's son William Henry sold his father a series of forged manuscripts which he claimed to be written in Shakespeare's hand. Ireland who willingly trusted his son added these forgeries to his collection and presented them in an exhibition to the literary community who accepted them as genuine. The charade progressed so far that an invented play entitled 'Vortigern' which William Henry had written and presented as a missing work by Shakespeare was performed at Sheridan's Drury Lane theatre by some of the leading actors of the age. When the hoax was eventually discovered Ireland's reputation was ruined and his son was disgraced. This print is from the famed Oettingen-Wallerstein collection which was compiled over two centuries by various members of the royal household. The collection is known for its stunning impressions and the immaculate condition of its prints.<br/> <br/>Dictionary of National Biography; Lugt Les Marques de Collections Supplement 2715a. Published by Molteno & Co. No. 132, Pall Mall unknown books
