9 237 résultats
1376203Liège: Pierre Mardaga, 1990 in-8, 246 pages, illustrations. Bibliographie, index. Broché, bon état. Texte français et anglais.
71383aafLisboa, Typographia universal, 1872, 1900, in-4to, 186 p. + L + 686 p. + CCXXX, quelques annotations à la plume dans les dernières pages, reliure en demi-cuir, tranches rouges, pièce de titre au dos.
199280318Gustavo Gilli 1992 1 vol. relié in-4, cartonnage éditeur, jaquette, 240 pp., nombreuses photographies en couleurs par Eugeni Bofill, Francesc Morera et Roser Puigdefrabregas. En parfait état.
199280318Gustavo Gilli 1992 1 vol. relié in-4, cartonnage éditeur, jaquette, 240 pp., nombreuses photographies en couleurs par Eugeni Bofill, Francesc Morera et Roser Puigdefrabregas. En parfait état.
45292Traduction du portugais de Claire Cayron, José Corti, 2000, 130 pp., broché, illustrations d'Antonia Costa Rosa, bon état général.
56750Traduction de Claire Cayron, Equinoxe, 1984, 134 pp., broché, couverture légèrement défraîchie, état correct.
Traduction de Claire Cayron, Equinoxe, 1984, 134 pp., broché, couverture légèrement défraîchie, état correct.
petit in-4 (22 x 24 cm.), 246 pages, abondamment illustre in-t. n/b, notes, biblio, index, broche, couvertureillustree plastifiee. Bel exemplaire. [QU-3] Edition bilingue français-anglais - Bilingual Edition.
18742225-14Nova Goa, Na Imprensa Nacional 1872/1874. 2 Bde. gr.-8°. V, 481 S., 2 Bll.; 2 Bll., S. 483-707 HLn. d Zt. Bestoßen u. berieb. Fehlstelle an d. Ecke d. Vorderdeckels v. Bd. Die ersten beiden Bll. v. Bd. mit alt hinterlegten Einrissen. Kl. Fehlstellen a. d. Ss. 419-422.
Zaragoza, IFC, 1958-59. 4to.; 406 pp. 26 láminas fotográficas y 3 mapas. Cubiertas originales.
199864002Mainz / Rhein : von Zabern 1998. 236 S. : 5 Ktn, 204 Abb., 19 farb. Taf. ; 26 cm kart., Softcover/Paperback, Exemplar in gutem Erhaltungszustand
19x12. 290p. Requiere encuadernación.
Lisboa, Secção Editorial de "O Seculo", 1930. 4to.; 275 pp., 1 h. Ejemplar con envío autógrafo del autor. Cubiertas originales.
RO30362413Imprimerie F.O.T.. Non daté. In-8. Cartonné. Etat passable, Coins frottés, Dos frotté, Intérieur acceptable. 175 pages. Possible envoi à l'encre. Nombreuses photos en noir et blanc, in et hors texte. Quelques rousseurs.. . . . Classification Dewey : 946-Espagne, Portugal
in-12°, 191 pages, nombreuses illustrations, broche, couverture illustree. Bel exemplaire. [MA-4]
1996RO70124516TRAVEL WITH SOMEONE YOU TRUST. 1996. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 227 pages. Nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 946-Espagne, Portugal
180040184France 1800. Oblong folio 228 x 317 mm. Sewn. i title 8 ii blank pp. Notated in black ink on 10-stave rastrum-ruled paper. <br /> <br /> With small oval handstamp of the Glasgow Society of Musicians to title and final page of music; "81" in contemporary manuscript to upper center of title; "480" in contemporary manuscript to lower inner corner of final blank page.<br /> <br /> Blank margins of title and final blank page soiled; occasional stains; minor loss to lower outer corner of title; small tear to blank lower margin of final leaf. Drawn from the opera "Adrasto re d'Egitto" to a libretto by G. de Gamerra first performed in Lisbon at the Teatro S Carlos on 21 December 1800. <br /> <br /> "Marcos Portugal was not only one of the most prolific Luso-Brazilian composers ever but also the most successful. His European fame rests above all on his comic operas especially Le confusioni della somiglianza Lo spazzacamino principe La donna di genio volubile Le donne cambiate and L'oro non compra amore and on the prima donna showpiece arias in La morte di Semiramide and Gli Orazi e i Curiazi. However he was equally famed in Portugal and Brazil as a composer of sacred music which he composed throughout his working life apart from the Italian period. His three best-known works remained in the repertory until the early 20th century: the Missa Grande c1790 the Matinas da Conceição 1802 and the Te Deum 1802.<br /> <br /> Portugal's operas were rooted in the Neapolitan style of Cimarosa. Yet as early as 1794 in Le donne cambiate he was more melodious and forward-looking using such devices as a 'stupefaction ensemble' and certain turns of phrase more readily associated with Rossini. His Lisbon operas were perhaps less adventurous musically relying more on Catalani's virtuosity. In his church music the elaborate stile concertato of his early years for the Patriarcal gradually developed into a pompous grandiloquent style fit to exhibit royal power. This is particularly so with the works for male voices and six organs at the Mafra Basilica many of which were reworked for mixed voices and orchestra for the Royal Chapel in Rio de Janeiro where the virtuosi castrati much appreciated by the King played a very influential role." António Jorge Marques and David Cranmer in Grove Music Online. unknown
2026x-1032914289Taylor & Francis Ltd 2026. Paperback. New. 100 pages. 5.43x0.23x8.50 inches. Taylor & Francis Ltd paperback
Lisboa, 1924. 4to. mayor; 172 pp. Con 104 ilustraciones entre el texto y 5 estados plegados relacionados con la construcción naval. Cubiertas originales.
Barcelona, Imprenta de los Herederos de la Viuda Pla, 1850. 8vo.; 433 pp., 1 h. Con una lámina grabada. Encuadernación de la época, en piel marbreada.
Barcelona, Imprenta de los Herederos de la Viuda Pla, 1850. Dos volúmenes en 8vo.; 433 pp., 1 h. + 496 pp. Con una lámina grabada. Encuadernación uniforme de la época, en piel marbreada.
Madrid, por Gómez Fuentenebro y Compañía, 1807. Dos volúmenes en 8vo.; XXVI-390 pp. + XVIII-436 pp., 1 h. y una lámina grabada en cobre por Gamborino. Encuadernación uniforme de la época, en piel marbreada con lomera ornada y tejuelo.
1990RO40183503Fundaçâo Calouste Gulbenkian. 1990. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 575 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en noir et blanc et en couleur hors texte.. . . . Classification Dewey : 946-Espagne, Portugal
30069Lisboa, 1935, 260x190mm, 128páginas, livro brochado.
