Szabadi, JuditAntiquariat.de
Stephani Szecsi, Hongrie (propriétaire) ; Erno Barta (1878-1956) (artiste), Ex-libris.Livre Rare Book
Ex-libris.
003956Ex-libris (191*141mm), anciennement plié en 2
Librairie Trois Plumes · Angers, France12,00 €
1 574 résultats
1979EEzz8077n(Budapest), Corvina (1979). 21,5x34,5 cm, 150 S., mit 32 Farbtaf. u. 332 sw. Abb., OLn. m. (leicht läd.) OU., Kopfschnitt angestaubt. Eine idente Neuauflage erschien bei Schroll 1982.
19431157281Bratislava, Verlag "Die slowakische Rundschau", 1943. 4to. 208 S., 1 gefalt. Karte. OKart. (unaufgeschnitten).
Reliure toile de l'?diteur. 21x24 cm. Jaquette. 30 pages de texte.
116277aafBudapest, A magyar legujabb kor lexikona Kiadasa, 1933, gr. in-8vo, 1112 p., ill. de portraits miniatures en n./b., reliure en demi-cuir.
1957UNGA0044Vlg. d. Wiener Volksbuchhandlg. (1957). 96 S., OKart., altersbed. Gebrauchsspuren, papierbed. gebräunt, Besitzverm. auf Innentit.
Vg. no dj .clean and bright generally, but with some foxing to edges of textblock, and isolated examples in the text. .. blue boards with dulled gilt titling to spine which is strongly sunned.. corners rolled and rubbed but no major loss. no inscriptions or marginalia.
003956Ex-libris (191*141mm), anciennement plié en 2
003957Ex-libris (118*73mm)
2026x-1032551771Taylor & Francis Ltd 2026. Paperback. New. 190 pages. 6.14x0.42x9.21 inches. Taylor & Francis Ltd paperback
199052951BBMünchen., Galerie C.C. Paul., 1990. 4°. 129 S. OLeinen mit OUmschlag. Erste Auflage. Tadelloses Exemplar.
13773No place no publisher no date but after 2001. . Large oblong folio 25.5x55.5cm. 104 unnumbered pages incl. 40 full-page colour reproductions in real size of paintings and drawings. Hardbound blind dark-blue cloth-lined boards. Few tiny marks of handling to covers contents fine. - "Von diesem Buch wurden 120 Exemplare gedruckt die alle numeriert sind ." but this copy has no number. - Karl Stengel was born in 1925 in Hungary. He studied art in Budapest where he trained in painting and drawing and also received an introduction to the principles of set design and architecture the influence of which can be seen in his current artistic style. After 1956 he studied for a period at the Academy of Fine Arts in Munich and subsequently taught at the Pädogogische Hochschule at Munich University. He also lived in Spain where he was able to dedicate himself totally to painting before then moving to Italy. - Recently Stengel created a series of drawings for the Italian Institute of Culture in Germany that were dedicated to Boccaccio's Decameron and to Frammenti by Giuseppe Ungaretti and of late the artist has also conceived a series of pastel drawings that are homage to Antonio Tabucchi's novel Tristano muore. Stengel has exhibited his works worldwide in solo and collective shows; his personal exhibitions have been hosted throughout Italy most recently in the Salone Donatello in the Basilica of San Lorenzo Florence and then at the George Toparcenau Cultural Centre in Curtea de Arges Romania. - "More than anything Stengel's works should be interpreted as attempted answers to the question of whether painting today can encompass human experience and be able to address life in all its absurdity complexity and tragedy." James Wyckoff New York Art Magazine - ed. March 2010 - "Karl Stengel is a man who has lived through the entire twentieth century with 'avant-garde' pride and this inflames his paintings as if he were still a twenty-year old. The surreal and metaphysical figures are made up of dreams and irony and they populate his drawings as statues sometimes as still as silhouettes or shadows sometimes gesticulating in their anatomical deformations. In his latest production the surreal smaller size representations on paper have a markedly European ancestry in particular German Expressionism and the coagulating shades of red blue and green seemingly come out of the dynamism of expressionist brushwork to create a symbolic bridge between abstraction and figuration that are inextricably fused." Giampaolo Trotta 2011 catalog for the solo show held at the Basilica of San Lorenzo Florence Italy. [No place, no publisher, no date, but after 2001.] hardcover
1937141937München. Verlag von Max Schick 1937. VIII, 271, (1) Seiten. Breitrandiger, unbeschnittener Druck. Originalbroschur. (Einband mit geringeren Gebrauchsspuren). 25x17 cm
1929UNGA0172Zch., Lpz., Wien, Amalthea (1929). gr.-8°, XXXII, 1007 S., 1 nn. S. Vlgsanz., OLn. m. Rückengoldpräg. u. gldgepr. Deckeltitel, Schnitt schwach stockfleck., einige Seiten m. Eckknicken.
Large 8vo. Pp. 197, many figs. on 27 lithogr. pls., 3 fold. tabs. New half cloth, marbled boards, uncut. - Early Miocene, Hungary.
Broch?. 237 pages.
19081316345Leipzig, Altmann, 1908. 164 S. Neuer Lwdbd.
193030010Salabert 1930
1636Pesthini, Trattner, 1821, 2 tomes en 1 volume in-12 (11 x 18.5 cm.), 166 pp. et 164 pp., demi-basane à coins, d'époque, dos lisse muet orné de fleurons à froid, une tache de brûlure sur le premier plat sinon bon exemplaire.
19913F4-01(A3-003)In-8° Budapest 1991 (1ère 1986), éd. Corvina. Traduction de Laszlo Sutjo et Georges Kassai, revue par Michel Soignet. Rel. éditeur toile grise 263 pp. Table des matières (p. 5 à 7). Index des noms cités p. 233 et Index des lieux cités p. 257.
Paris Librairie des Bibliophiles 1898. In-12 relié demi chagrin marron, dos à nerfs et fleurons dorés, titre et date en queue dorés, couverture conservée, 58 pages, Envoi autographe de l'auteur à Jacques du TILLET. Reliure un peu frottée. Corps de l'ouvrage en très bon état.
1899124890Librairie des bibliophiles Paris Librairie des Bibliophiles 1898. In-12 relié demi chagrin marron, dos à nerfs et fleurons dorés, titre et date en queue dorés, couverture conservée, 58 pages, Envoi autographe de l'auteur à Jacques du TILLET. Reliure un peu frottée. Corps de l'ouvrage en très bon état.
8vo., First Edition thus, with portrait plates, coloured Rorschach cards and photographs in the text; black cloth, upper board blocked in blind, gilt back, a near fine copy in unclipped dustwrapper. First published in Esperanto in 1965.
190148433ABLeipzig, Dieterich 1901. XXI, 300 S., 2 Bl Original-Broschur, unbeschnitten. Umschlag mit Randausbrüchen und etwas fingerfleckig.
