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177539790London: 'C. Shepherd' 1775. Mezzotint engraving 14 x 10 inches superb impression with full margins. Framed 1 1/2" gold leaf Federal frame with ribbed panel and acanthus lead corners archival Antique white mat and UV Plexiglas. A striking and very rare mezzotint portrait of John Hancock as president of the Continental Congress.<br/> <br/>This portrait was already highly valued in 1904 when S.V. Henkels described the Hampton L. Carson copy of this print as being 'Of extreme rarity in beautiful condition with wide margin. The only copy I ever saw'. Henkels' assessment was borne out by the eventual hammer price of $120.00 - a huge price when compared to a number of the other prints of John Hancock in the same sale which fetched under $1.00. See S.V. Henkels and Davis & Harvey. Catalogue No. 906 Part III Unique Collection of Engraved Portraits The Hampton L. Carson Collection. Philadelphia: 1904 lot number 3189. The American patriot is depicted in the rectangular image within an oval frame wearing a formal wig with ribbon a high collar vest and top coat the tones of the print are deep and rich and the features clearly defined. This mezzotint was issued in England as the full reality of the conflict with the American colonies was becoming clear. London publishers using the names C. Shepard Thomas Hart and John Morris issued a series of mezzotints of the officers of the American Revolution. This mezzotint of John Hancock was probably done by R. Purcell who worked under the pseudonym C. Corbutt. Peter Thomas in his volume The American Revolution in the series The English Satirical Print 1600-1832 writes "The possibility of a compromise solution to the war had been embarrassing for those opponents of government who adopted a civil war interpretation of the conflict.This was founded on the belief or assertion that the King's government posed a sinister threat to liberty in all his dominions.The rebels across the Atlantic were therefore the first line of defence of British liberty and a series of prints throughout the war depicted as heroes American leaders like George Washington and John Hancock including the present print." Thomas reproduces what at first glance is the same engraving from the British Museum collection but a closer examination reveals that the image of Hancock shows some marked differences to the present example which is most likely an earlier state. Thomas identifies the artist as "Charles Corbutt" i.e. R. Purcell noting that the name "Littleford" in the caption may be fictitious. Cresswell in The American Revolution in drawings and prints also discusses this engraving but notes incorrectly that the portrait was "after a painting done by Copley in 1770-72."<br/> <br/>W.C. Andrews Essay on the Portraiture of the American Revolutionary War New York: 1896 pp.89-90; Cresswell The American Revolution in Drawings and Prints 102; George Catalogue of Political and Personal Satires . in the British Museum V. 5293; S.V. Henkels and Davis & Harvey. Catalogue No. 906 Part III Unique Collection of Engraved Portraits The Hampton L. Carson Collection. Philadelphia: 1904 lot number 3189; Russell English Mezzotint Portraits Engraver not ascertained Class III 5; Chaloner Smith British Mezzotinto Portraits Engraver not ascertained Class III 5; P. Thomas The American Revolution 44. 'C. Shepherd' unknown books
177536850London: Published by C. Shepherd 1775. Mezzotint. A fine impression of this early print of Charles Lee the famous general of the American Revolution.<br/> <br/>Public demand for portraits of Revolutionary heroes was not limited to America but spread to English and European print shops where an inquisitive audience clamored for a glimpse of the key figures of the war. Public interest reached such a frenzy that European printmakers published fictitious portraits before they had accurate likenesses of the sitters and thus many of the first English and European prints of Revolutionary colonials were completely invented. London publishers using the names C. Shepherd Thomas Hart and John Morris issued a series of mezzotints of the officers of the American Revolution none of which were taken from accurate portraits but rather were constructed on a visual formula and bore no resemblance to the individuals they claimed to be representing. Tomlinson's portrait of General Charles Lee is just such a portrait: the image bears little resemblance to contemporary accounts of his appearance and there is no record of him sitting for the artist. This portrait was executed and printed early in the war with the expectation that Lee would play a major role in the conflict an assumption based on his past military record in the French and Indian War. Although born in England Lee committed himself to the Patriot cause and soon became a leader in the Colonial army. He took part in the defense of Charleston and was a commander at the Battle of Monmouth. This is a fascinating early print of this Revolutionary general which not only records the practice of invented portraits but became a compositional model for other portraits of Revolutionary War heroes.<br/> <br/>Chaloner Smith British Mezzotinto Portraits Engraver not ascertained Class III 9; Cresswell The American Revolution in Drawings and Prints 147; George Catalogue of Political and Personal Satires.in the British Museum V 5296; Russell English Mezzotint Portraits and their States II p.450.9. Published by C. Shepherd unknown books
17621410537London: Henry Roberts; John Welcker; H. Simmons 1762 c.1762-1775. Mixed Editions. Hardcover. Octavos four volumes. In Very Good minus condition. Bound in full leather with gilt ornamentation to edges; Rebacked with original leather to boards preserved. Spines have red and black labels with gilt titling and ornamentation. The finish of the mottled calf shows extensive craquelure with no cracking indicating structure damage. Boards have minor cracking to spines rubbing wear throughout bumping to spine ends and corners and minor chipping to fore corners. Volume 2 boards have slight cocking. Volume 3 boards have cracking to the front joint. Textblocks have illustrated frontispieces occasional light stains and offsetting and light age toning throughout. All pages are engraved. Volume 1 textblock has pencil writing to the front pastedown and a small tear to the top end of the gutter between the front free end pages. Volume 2 textblock has occasional scattered pencil marks to margins. Volume 3 textblock has a tear to the bottom margin of page 117 not impacting text. Shelved in Room F. <br /> <br> <br /> <br> <br /> CONTENTS: <br /> VOL I: 6 200 pages plus a frontispiece published by Henry Roberts– VOL II: 6 200 pages plus a frontispiece published in 1762 by Henry Roberts– VOL III: 6 185 190-191 188-189 186-187 192-200 pages plus a frontispiece published by H. Simmons– VOL IIII: 6 112 pages plus a frontispiece published by John Welcker. A total of approximately 600 pieces of music included herein the vast majority being one page long each illustrated with an engraved headpiece. This four-volume set comprises mixed editions with a publication date provided only for volume 2. Due to the absence of publication dates on the remaining volumes specific editions cannot be conclusively identified.<br /> <br> <br /> <br> <br /> “Clio and Euterpe or British Harmony†has been published by various people throughout the years beginning in 1739 until 1780. It played an important role in documenting and popularizing British musician traditions making it both a cultural archive and a practical music book for performers of the period. 1410537. Special Collections - Upstairs. Henry Roberts; John Welcker; H. Simmons hardcover
177536850London: Published by C. Shepherd 1775. Mezzotint. A fine impression of this early print of Charles Lee the famous General of the American Revolution.<br/> <br/> Public demand for portraits of Revolutionary heroes was not limited to America but spread to English and European print shops where an inquisitive audience clamored for a glimpse of the key figures of the war. Public interest reached such a frenzy that European printmakers published fictitious portraits before they had accurate likenesses of the sitters and thus many of the first English and European prints of Revolutionary colonials were completely invented. London publishers using the names C. Shepherd Thomas Hart and John Morris issued a series of mezzotints of the officers of the American Revolution none of which were taken from accurate portraits but rather were constructed on a visual formula and bore no resemblance to the individuals they claimed to be representing. Tomlinson's portrait of General Charles Lee is just such a portrait: the image bears little resemblance to contemporary accounts of his appearance and there is no record of him sitting for the artist. This portrait was executed and printed early in the war with the expectation that Lee would play a major role in the conflict an assumption based on his past military record in the French and Indian War. Although born in England Lee committed himself to the Patriot cause and soon became a leader in the Colonial army. He took part in the defense of Charleston and was a commander at the Battle of Monmouth. This is a fascinating early print of this Revolutionary general which not only records the practice of invented portraits but became a compositional model for other portraits of Revolutionary War heroes.<br/> <br/> Chaloner Smith British Mezzotinto Portraits Engraver not ascertained Class III 9; Cresswell The American Revolution in Drawings and Prints 147; George Catalogue of Political and Personal Satires.in the British Museum V 5296; Russell English Mezzotint Portraits and their States II p.450.9. Published by C. Shepherd unknown
19100008097LOS ANGELES CALIFORNIA. Fair. 1910. On offer is a pair of leather bound diaries written by Marian I Purcell. The diaries cover parts of 1910 1913 1914 and 1915. This first diary is a small leather-bound notebook measuring 6 inches by 3 1/2 inches. It is in fair condition. It covers the period Sept 16 1913 to Sept 14 1915. The bulk of the entries are in the last half of 1914. Marian Purcell was born Sept 16 1892 in Fort Wayne IN where she lived until she was 17. The first book covers the period July 19 1910 to Jan 6 1911 but there are many gaps in entries. They are typical of a teenage girl of the time. They note essentially social interactions with friends and family. "Slept till quite late . fooled around all day" July 19 1910. "Delight A and her mother were over in A.M. and P.M. just fooled around in eve went over to Tad Werner and Charlie called over We went to " July 28 1910. Just laid around all day in eve ma and pa and I all went walking in late" Aug 21 1910 She notes on Oct 1 1910 that her family is moving to Los Angeles CA. She makes it very clear that she does not want to move: "Left . for California hated to come" Oct 1. The second book is a 5-year diary. However the entries do not cover all of the time period. Entries begin in Sept 1913. In the Memoranda section she notes: "Went to Business College to learn shorthand from April-14-13 - June 14-1913". Although here are frequent gaps there is enough information to know when she was married her husband's name some addresses where they lived and what type of work she did. She married William L Harris June 18th 1914. They note that she worked in an office likely the Los Angeles Herald Examiner which was a major Los Angeles daily newspaper of the time. There are numerous references in 1913 about . at the office . On May 2nd 1914 she notes: "Quit work at Examiner to get ready to be married" May 2 1914. There are no further references to her working. Subsequent entries focus on interactions with friends and social events. It appears she never worked again outside of her home. There are no references to children or other family members although some of the named individuals may well be related There are no references to outside events and she seems very focused on her own life and experiences. "At office all day. In eve went to see "The Quaker Girl". It was fine". Sept 14 1913. "To the office. Did not come back for afternoon. In eve stayed home" Nov 18 1913 "Payday Gribbeu's were over Velma Billy and I went to picture show & Porters" Nov 26 1913. "My wedding day. The day of my life. Married at 8:00 in evening by Deacon Mac Cormack on roof gardens of the Pickwick Left that night stayed at the left the next A.M. for Catalina" June 18 1914. The last entry was made in August 1915: "Stayed home all day - in eve was home ." Aug 9 1915. Additionally there are newspaper clippings mostly referring to her wedding several photographs that appear to be of her and her new husband and several post cards. There is also a copy of her formal wedding invitation. These two diaries give a look into the life of a young woman in the early years of the 20th century. A historian especially on studying daily life in pre-WWI Los Angeles would find this to be an interesting description of social life at that time.; Manuscript; 16mo - over 5¾" - 6¾" tall; KEYWORDS: HISTORY OF MARIAN PURCELL WILLIAM L HARRIS LOS ANGELES HERALD EXAMINER SOCIAL HISTORY LOS ANGELES CALIFORNIA FORT WAYNE INDIANA UNITED STATES EARLY 20TH CENTURY 1910s PROGRESSIVE ERA BUSINESS COLLEGE STUDENTS PRE-WW1 LOS ANGELES PROGRESSIVE ERA WOMEN IN 1910s AMERICA YOUTH LIFESTYLE IN THE EARLY 20th CENTURY ENTERTAINMENT THE EARLY 19th CENTURY WOMEN'S OCCUPATIONS IN 1910s WORKING WOMEN IN 1910s AMERICANA HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS DIARY DIARIES JOURNALS PERSONAL HISTORY SOCIAL HISTORY HISTORICAL HOLOGRAPH WRITERS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPEL . hardcover
169836257London: J. Heptinstall for Henry Playford 1698. Folio. Attractively bound in full dark brown contemporary panelled calf. 1f. recto title verso blank 1f. dedication to "The Lady Howard" iii "The Bookseller to the Reader" vi-vi tributes to Purcell 1f. recto "A Table of the Songs" verso publisher's catalogue 248 pp. Watermark of a large circular shield. Title printed in red and black. Numerous decorative woodcut initials.<br/><br/>Armorial bookplate to front pastedown "Arma comitis de bradford / Weston Library.<br/><br/>Contains a total of 81 songs by Purcell. <br/><br/>Binding slightly worn rubbed and bumped; rebacked; endpapers worn foxed and stained; hinges reinforced with paper tape. Minor to moderate browning most noticeable to final four leaves; pp. 166-67 misnumbered 165-66; several page numbers trimmed. Lacking frontispiece portrait of Purcell.<br/><br/>A very good copy overall. First Edition. Zimmerman 1698d. Day & Murrie 166. BUC p. 859. RISM P5979.<br/><br/>"Purcell was a prolific contributor to all the main genres of secular vocal music current in 17th-century England. He has always been particularly admired as a song composer. Generations of English musicians got to know his music from the two posthumous song volumes Orpheus Britannicus . and Henry Playford wrote in the preface to the first volume that he had 'a peculiar Genius to express the energy of English Words whereby he mov'd the Passions of all his Auditors' while Henry Hall added in a poem that he 'Each Syllable first weigh'd or short or long / That it might too be Sense as well as Song'." Peter Holman et al. in Grove Music Online. J. Heptinstall, for Henry Playford unknown books
1889761P59London: Chapman and Hall 1889. First edition. Leather. Very Good. 7" by 4.5". Not Stated. The very scarce first edition of this beautifully illustrated look into Tokyo as it was in the nineteenth century a charming collection of sketches on the city. The first edition of this work.A very scarce work.A charming study into the city of Tokyo formally known as 'Yedo' or 'Edo'.These sketches were originally published in the 'Japan Weekly Mail'.Illustrated with twenty-three plates.Collated complete.Written by Theobald Andrew Purcell who was a surgeon-major and principal medical officer to the Japanese government. In a half morocco binding with marbled paper to the boards. Externally generally smart with light rubbing to the boards and spine. Light wear to the head and tail of the spine and to the extremities. Internally firmly bound. Pages are bright and clean with some odd spots. Very Good Chapman and Hall hardcover
200979054Institute. New. 2009. Paperback. 0615268854 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 112 pp. 28 x 26 cm. -- with a bonus offer-- . Institute paperback
2014109213Skyhorse Publishing. New. 2014. Hardcover. 1629142093 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Skyhorse Publishing hardcover
35245Thames & Hudson. New. Hardcover. 0500237840 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED ; 1414 illustrations 136 in color. -- La Bijouterie Française au XIXe Siècle by Henri Vever is an indispensable survey of the jewelry produced in Paris from the Empire to the Art Nouveau period. Since it was first published in three volumes nearly one hundred years ago it has become the definitive source of information for the jewelry profession as well as for those who simply revel in the intricate beauty of fabulous jewels. Now for the first time the entire text is available in English in a single volume. Vever himself a highly accomplished jeweler compiled a study that charts the histories of both the humblest and the most famous of his colleagues including Bapst Boucheron Falize Fontenay Pouquet Froment-Meurice Gaillard Lalique Mellerio and Wièse. This vivid contemporary account is full of data gathered directly from the jewelers themselves or from their descendants. It contains fascinating anecdotes concerning Imperial and Royal commissions together with entertaining tales of workshop practices. In crediting the designers chasers engravers and enamelers who collaborated with the famous jewelry houses Vever acknowledged the talents of technicians who often worked anonymously. In identifying unrecorded craftsmen he made his book a unique document. Political economic and industrial developments are discussed as are their repercussions on society and fashion. With his intimate knowledge of techniques Vever was able to analyze changes that were continually taking place in manufacturing processes. He also recorded the changing styles in jewelry and their sources of inspiration ranging from the Antique to the Orient. A unique feature of this English-language edition is the inclusion for the first time of over 130 color illustrations of pieces many from Vever's collection which appeared only in black and white in the original. -- with a bonus offer-- . Thames & Hudson hardcover
200785694Phaidon Press Inc. New. 2007. Hardcover. 0714846406 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 144 pages; 111 photos. -- with a bonus offer-- . Phaidon Press Inc. hardcover
200686146Phaidon Press. New. 2006. Hardcover. 0714843490 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 292 pages. -- with a bonus offer-- . Phaidon Press hardcover
0023970111New. Brand new and still unused unknown
BAY_15_SH_010881Telltale. New. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010. Telltale unknown
2006SONG0132308118Brand: Pearson Prentice Hall 2006-01-01. 0009-. hardcover. Used: Good. 11.14x8.72x1.58. Buy with confidence. Excellent Customer Service & Return policy. Brand: Pearson Prentice Hall hardcover
1788845091788. PURCELL Joseph. A Map of the States of Virginia North Carolina South Carolina and Georgia Comprehending the Spanish Provinces of East and West Florida Exhibiting the Boundaries between the United States and Spanish Dominions as Fixed by the Treaty of Peace in 1783. New Haven: Amos Doolittle 1788. First state. Engraved map on laid paper 13x14-1/2 inches. Trimmed close costing part of the neat line on the side margins. Old folds toned repaired tear tissue backed. Wheat & Brun 491. Evans 21412. This is among the first American mappings of the southeast covering the area south from Baltimore to the Florida Keys and west from the Atlantic to just past the Mississippi River. It is one of few maps to reference the "new state of Franklin" on the North Carolina-Tennessee border which in 1788 was still maintaining a separate legislature despite Congress' refusal to admit the state. This is the only printed map to bear Purcell's 1750-1807 name despite his extensive activity as a surveyor throughout the southeast. Engraved by Doolittle 1754-1832 it appeared separately and within Jedidiah Morse's American Geography Elizabethtown NJ: Shepard Kollock 1789 and some copies of the American Magazine for August 1788. The western portion of the map includes references to various Native American tribes and the northwest portion shows interesting delineations of the claims of various land companies e.g. the Ohio Company and the Illinois Company. It was reissued with slight changes in 1793 and re-engraved in London but the first state is scarce. unknown
200271838E-143: Quantuck Lane Pr & the Mill Rd. Very Good. 2002. Hardcover. Hardcover. 4to. Published by Quantuck Lane Press New York. 2002. #119 of a limited edition of 250 copies signed by the late great Ricky Jay as well as photographer Rosamond Purcell. With an additional signed photographic print by Purcell laid in as called for. Slipcased in matching cloth slipcase. Slipcase lightly rubbed and worn. Bound in cloth boards with titles present to the spine and with color pastedown and titles present to the front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Plato said God invented dice. This we learn from one of Ricky Jay's fascinating essays in a delightful small volume that takes us from the earliest forms astragalithe heel bones of hoofed quadrupeds four of whose six sides were used for gaming to the myriad types of "loading" and other means of cheating with dice in the modern era. Along the way we discover that Augustus Caligula and Nero were all inveterate players that Queen Elizabeth issued a search and seizure order against the manufacture of false dice in 1598 and that dice made from celluloid invented in 1869 remained stable for decades and thenin a flashbegan to decompose. These are the dice of Rosamond Purcell's luminous and seductive photographs images which transform entropy to an art form. Jay and Purcell give us a dual meditation on dice that will educate us and amuse us at the same time. ; 8 X 0.5 X 8.25 inches; 64 pages . Quantuck Lane Pr & the Mill Rd hardcover
1845375903New York: John C. Riker 1845. 20 of 36 lithographed views. Plus 8 pencil drawings on 6 sheets being based on the lessons one signed C.W.T. 7-1/2 x 5-3/4 inches. Publisher's marbled slipcase color lithographed label on the upper cover slipcase split at joints. 20 of 36 lithographed views. Plus 8 pencil drawings on 6 sheets being based on the lessons one signed C.W.T. 7-1/2 x 5-3/4 inches. An extremely rare series known to Drepperd only from the first part of which he found only a single example. "This set of drawing cards is so rich in American views that it is comparable to a miniature Currier and Ives portfolio . these same views are to be found in finished but unsigned paintings by mid-nineteenth century American amateurs ." Drepperd. Purcell served as the drawing master at the Mechanic's School and in 1841 was awarded a prize for the best water color drawing at the the American Institutute Annual Fair.<br /> <br /> In all Purcell issued six parts in the series under the general title The Artist's Class Manual each offered for sale priced separately. An 1847 advertisement by the publisher John C. Riker in The American Bookseller's Complete Reference Trade List details each part's composition: "No. 1 contains a series of elementary and cottage drawing lessons consisting of fifty cards . No. 2 consists of thirty-six cards . subjects elements of landscape drawing exhibiting varieties of trees with their characteristic foliage . No. 3 consists of thirty-six cards . 12 elementary and 24 advanced landscapes . No. 4 contains twelve colored subjects with full instructions in the use and mixing of colors . No. 5 consists of twelve colored lessons more advanced than No. 4 . No. 6 consists of the same number of colored subjects being the finishing lessons in the art." The prices for each part ranged from .63 cents to $1.25 getting progressively more expensive for the later numbers and each was contained within a separate slipcase.<br /> <br /> Examples of various parts are located in the collections of the New York Historical Society the Metropolitan Museum of Art and the Yale Center for British Art i.e. from the Paul Mellon collection. Very rare on the market. Drepperd Amer. Drawing Books p. 15 John C. Riker unknown
1929131131313Baltimore MD: Aunt Priscilla Pub. Co 1929. First Edition. Hardcover. Acceptable. 0x0x0. First edition. Spine missing otherwise in OK shape; boards lightly toned and worn; toning to pages at hinge. The recipe text is written in African-American dialect. Purcell who was white used the image of the Mammy archetype to create a cooking column called Aunt Priscilla's Recipes which was purported to be written by an African American woman. The daily column was written in an exaggerated dialect. Purcell's work according to Toni Tipton-Martin "was a form of minstrelsy" but "it broke with the long tradition of simply taking and publishing African American recipes without giving black cooks credit." In 1929 this compilation of recipes mostly featuring Holiday themes was published. Aunt Priscilla Pub. Co hardcover
Half-leather binding. Telephone Talk was the glossy bimonthly publication of the British Columbia Telephone Company. It was written by employees for employees to present information of interest to those engaged in the plant, traffic, commercial, operating, accounting and other departments of the service. Each issue is replete with black and white photos and information on topics such as: company, industry and technological news, traffic levels, expansion plans, personnel announcements, publicity and social events, deaths, weddings, lists of exchanges, and more. As such, these issues serve as a vital preserve of rare and fascinating British Columbia history. This volume covers topics including: Photo of new office at Hope; 3 pages re: 'Up-to-the-minute' phone system for Vancouver's city hall; Article and photo of J.C. (Joe) Armstrong, founder of the B.C. Telephone Co.; Hope Joins our Phone System; 3 page article with photos re: The Jeffrees and the Pendrays - telephone pioneers in Victoria; The Birthplace of the Telephone - 2 page article; Employee sales plan resutls; Table of number of phone sets per B.C. community, January 1, 1937; The McMicking Family Tradition - 3 pages with photos; Roland (Sam) Nosworthy; North Vancouver Phones to Llanerchymedd; E.J. Haughton of Victoria; Linemen best Coquihalla avalanches; Lloyd Purdy; Peter McNeish; 'Thank-you' replaces repetition of numbers in Vancouver; George H. Halse, former CEO, passes away - 3 pages with photos; Cavalsky's Store was Nanaimo's first telephone office - 2 pages with photos; E. Purcell Johnston; Fire sweeps the Vancouver Sun - 2 pages; Harry Wilson; Great photo of construction men in front of Nanaimo phone office 25 years ago; 1886 fire leaves the Janes family home as Vancouver's telephone office - with photo; Robert Daniel Davies; We can telephone to China!; Life as a Vancouver operator; Low rates for Long-Distance calls Sundays and every night - with full-page rate sheet; Service to Britannia and Texada; Mrs. George Pittendrigh - Vancouver's first Toll Operator; PNE parade float cover photo; Service to Alaska now available; Operators rally to relieve load during Marpole fire; Edmund Esson; Juanita Booth, Seymour chief operator; James Cummins of Victoria - pioneer phone man; Newcastle Island picnic; Flat Rate Telephone Service for Greater Vancouver - 4 pages with photos; Dominion phone organization meets at Minaki Lodge; We can now talk to Haiti; "Operator, Get Me to the Police!" - 3 pages with photos; Anchor fouls North Vancouver cable; Engineers 'see' by phone during construction of new Pattullo Bridge, with photo; Photo of the London international switchboard - heart of the world telephone network; Ocean Falls and Edinburgh linked; Vancouver's phone directory - with photos; Vancouver can now 'magic carpet' from Vancouver to Bagdad; T. Percy Waters; Ten Years of Transoceanic Telephone Service, with photos; B.C. ship-to-shore service now available on commercial basis; Voices under the sea, by Al Miller; Reginald H. Milner; Pioneer James Cowherd; Submarine link with Britannia - 4 page article with photos; New Whytecliff office; Alfred Crickmay and his brothers; Development of the phone in B.C., by James Hamilton, V.P.; Operators used to need great memories - 2 page article with great Victorian-era operating room photo; Zeballos and Alert bay join phone system - article and photos; Prince Rupert centre of new radiotelephone network; Police session told of proposed teletype network; First call from Atlantic ship to Vancouver; Radio hams in our company; Newcastle Island picnic; Miss Almina Eligh; West Van exchange now includes Whytecliff; PNE float details and photos; F.C. Patterson retires, replaced by C.C. Simpson; Two submarine cables severed by Pier D Fire - with photos and text; Ship-to-shore demonstration on CJOR radio; Vancouver's telephone system will be converted to dial; C.A. (Charlie) Price; Frank C. Paterson; Beware of the common cold; Vancouver toll ro Book
1939965H38London: The C. W. Daniel Company Ltd. 1939 . First edition. Cloth. Very Good Indeed/Very Good Indeed. 8.5" by 5.5". None. A vanishingly scarce first edition currently the only known copy available this pioneering 1939 work by Diana and Purcell Weaver champions natural wholesome eating through recipes dietetics and reflections on food health and agriculture. In the publisher's original cloth binding with the publisher's original unclipped dust wrapper.This volume is a vanishingly scarce first edition.Embracing the ethos "Let food be your medicine and let medicine be your food" Diana and Purcell Weaver advocate for the use of wholesome natural ingredients in everyday cooking grounded in the belief that "the beginning of all wisdom lies in the kitchen."This work is divided into three parts: "Foods and Recipes" delves into the origins varieties and preparation methods of a wide variety of foods followed by serving suggestions and recipes. "The Science of Eating" examines modern dietics suggesting menus and meals with comprehensive dietetic tables by Edmond Szekely. "Soil Foods and Man" explores and evaluates diet and agriculture raw food diets and providing a table of natural foods. In the publisher's original cloth binding. Externally excellent. Very slight rubbing and bumping to extremities. Bookplate from previous owner's to front free endpaper from "Martin & Pamela Finch: Exlibris Gastronomique". dust wrapper smart. Rubbing and bumping to extremities resulting in the odd small closed tear and chip to extremities. Slight soiling to paper wrapper. The odd spot and slight handling mark to paper. Tape reinforcing the head of spine and upper joints. Internally firmly bound. Pages bright and clean with the odd spot to fore edge. Very Good Indeed The C. W. Daniel Company Ltd. hardcover
17617777London: Published by R. H. Laurie; 53 Fleet Street and Bowles & Carver 1761. Mezzotint. New state ii/ii with the publication line altered. Inscription reads as follows: " J. Reynolds pinx.Cha Corbutt fecit./ Strive not TRAGEDY nor COMEDY to Engross a GARRICK who to your NOBLEST CHARACTER does EQUAL HONOUR./ Reddere Personae scit convenientia cuique./ Published by R.H.LAURIE; 53 Fleet Street and BOWLES & CARVER St. Pauls Church Yard London Price 6s.". In good condition apart from a small section of paper loss in the upper margin not extending into the image and two small skillfully mended tears on the bottom margin. Images size: 13 1/8 x 16 inches. One of the most famous portraits of the actor David Garrick by Sir Joshua Reynolds.<br/> <br/>David Garrick 1717-1779 was perhaps the most influential actor in the English theater. He successfully took on all aspects of theatrical production including actor manager playwright publicist and theatre advocate. He displayed an amazing range by convincingly playing parts in every genre from comedy to tragedy history to farce. From 1747 until his retirement in 1776 he was the manager of Drury Lane where he initiated many improvements: he introduced concealed stage lighting removed spectators from the stage and cultivated a naturalistic style of acting. Garrick was acutely conscious of the value of pictures as advertisements. He sat for every painter of note many of whom are now little more than names. He was painted in oils and in watercolours drawn in pencil and in pastels modelled in wax and in terracotta; his likeness even appeared on medals Wedgewood china and playing-cards. This portrait by his friend Reynolds demonstrates in a mildly humorous way the actor's talents and character; posed between Tragedy and Comedy Garrick is depicted the master of both. Garrick's broad smile and Tragedy's melodramatic stance note the dagger at her waist favor Comedy. Reynolds' painting was a huge public success and inspired many prints and paintings pirated prints of the image even made their way to the streets of Paris. The popularity of this image is a testimony to Garrick's fame and to Reynolds' talent. University of Florida website Penny An interesting derivative of this scene is Shakespeare Nursed by Tragedy and Comedy a beautiful stipple engraving based on a painting by Romney.<br/> <br/>Penny Reynolds 42; Chaloner Smith British Mezzotinto Portraits 31 this state not recorded; Russell English Mezzotint Portraits and their States 31 this state not recorded; Hamilton Catalogue Raisonné of the Engraved Works of Sir Joshua Renolds p.29; Lennox-Boyd Theatre: the Age of Garrick p.108; O'Donoghue Catalogue of Engraved British Portraits. in the British Museum 52. Published by R. H. Laurie; 53 Fleet Street, and Bowles & Carver unknown books
200412London: J.J. Waddington 1902. 4to wrappers Very good. Unpaginated illus. ports. The wraps are chipped about the edges and head heel and 2 CM mid of spine yet the copy is quite bright and tight. Covers yapped. Of the Purcell Operatic Society under the musical direction of Martin Shaw; with plates of costumes one tipped-in by stage director Gordon Craig and portraits of Handel and Purcell. J.J. Waddington Paperback
2008Atlantic-97804154277912008. Hardcover. New. hardcover
2008Atlantic-97804154277912008. Hardcover. New. hardcover