910 résultats
51-7261Paris: Editions du Solstice 1992. Folio. 36 x 48.5. 113pp. Printed on unwatermarked rag paper. Sheets loose as issued in original red cloth boards and blue cloth slipcase.One of 80 signed and numbered copies this one printed for Bruno Pons. The prints have been removed by a previous owner. This copy ideal for someone who owns any of the prints but not the actual portfolio. RLCR 4139 Corlett 267–276; RL 1654: ."The publisher Jean-Claude Meyer brought the poet Allen Ginsberg and Lichtenstein together for this collaboration. Work on the project began in 1991 and the book La Nouvelle Chute de l'Amérique The New Fall of America was published in 1992 by Les Éditions du Solstice Paris. Included are eleven poems by Ginsberg.WITHOUT the ten etchings created by Lichtenstein especially for this publication. One Ginsberg poem De Denver au Montana Départ 27 Mai 1972 is accompanied by two etchings; two poems are unillustrated Graffiti 12e Cabine des Pissotièrres – Aéroport de Syracuse Graffiti 12th Cubicle Men’s Room Syracuse Airport and Vendredi Treize Friday the Thirteenth. The Ginsberg text is given in both English and French translated from the English by Gérard-G. Lemaire Anne-Christine Taylor Robert Cordier Jean-Jacques Lebel and Yves Le Pellec.The unbound book is housed in a red cloth-covered folio cover fitted inside a blue cloth-covered slipcase. A Velin d’Arches paper folder surrounds the folio pages within the red folio. The book consists of 115 pages not all numbered including a title page and colophon page. Lichtenstein’s images were also published separately in an edition of forty-two suites on Japanese nacré paper."OCLC Number / Unique Identifier:29581308.Contents:.Amérique.Auto poésie : en cavale de BloomingtonBayonne en entrant dans NYC.Or automnal : arrière-saison en Nouvelle Angleterre.Une fenêtre ouverte sur Chicago.De nouveau au-dessus de Denver.Passage du Nord-ouest.Graffiti 12e cabine des pissotières-Aéroport de Syracuse.Vendredi treize.Hüm Bom!.De Denver au Montana départ 27 mai 1972.Notes:English and French on opposite pagesTranslations by Gérard-G. Lemaire and Anne-Christine Taylor except "America" Robert Cordier and Jean-Jacques Lebel--and "Hüm Bom" and "Denver to Montana" Yves Le PellecConsists of 25 bifolia and 10 prints. First and last leaf blank not counted in collation; p. 3-4 blank.Issued in white paper covers in burgundy linen portfolio and royal blue linen slipcase by Atelier Duval Paris. Paris: Editions du Solstice, 1992 hardcover
74765<p>1 Cent Life. One Cent Life 1964<br />Written by Walasse Ting<br />Edited by Sam Francis<br />Published by E.W. Kornfeld Bern Bern Switzerland<br />Publisher's pictorial cloth chemise laminated dust jacket in the blue cloth-covered slipcase. <br />Comprising 62 34 double-page 59 in colour original lithographs by 28 artists on loose sheets. <br />Lithographs by Pierre Alechinsky 5 Karel Appel 5 Enrico Baj 2 Alan Davie 3 Jim Dine 2 Sam Francis 6 Robert Indiana 2 Alfred Jensen 3 Asger Jorn 2 Allan Kaprow Alfred Leslie 2 Roy Lichtenstein 2 cover Joan Mitchell Claes Oldenburg 3 Mel Ramos 2 Robert Rauschenberg 2 James Rosenquist Bram Van Velde Andy Warhol and Tom Wesselman 2. With an extra folded sheet repeating pages 52 Indiana 61 Alechinsky and 68/69 van Velde.<br />Copy number 717 from the unsigned edition of 2000</p><p>All offers are welcomed.</p> hardcover
1106481980 . Etching aquatint and engraving in colours 1980 on mould-made Lana paper signed and dated in pencil numbered 16th from edition of 32 there were also 12 artist's proofs published by Tyler Graphics Ltd. New Yorkwith their blindstamp 53 x 54.1 cm. 20 x 21 1/4 in.<br /> 'Night Scene' is one of six intaglio prints Roy Lichtenstein produced in 1980 during the same period as his 'American Indian Theme' series. This piece was hand drawn onto a copperplate by the artist using etching aquatint soft-ground and engraving. Within the 'American Indian Theme' series Lichtenstein combined one of his previously explored subjects the American Indian together with surrealist overtones as seen in the present work. A broad variety of influencing source materials can be identified in this series such as totems textiles beadwork quiltwork ceramics and baskets.<br /> Corlett 170; Tyler 1987 cat no. 354:RL22 1980 unknown
1992151018Paris: Les Editions du Solstice 1992. Artist's proof aside from the edition of 42. Signed and dated in pencil lower right numbered lower left. There was also an edition of 80 plus 40 hors commerce editions printed on Arches paper published in a book format these were initialled by Lichtenstein and undated. This piece is one of ten etchings produced as a collaboration with Allen Ginsberg's poetry for a book titled La Nouvelle Chute de L'Amérique. Etching and aquatint in three colours on Japon nacré paper lower and right edge untrimmed. Image size: 27.9 x 37.8 cm. Sheet size: 35.4 x 48 cm. Framed size: 49.3 x 58.2 cm. Margins lightly toned hidden by the mount otherwise excellent condition. Presented in a white box frame with acrylic glazing. Corlett 275 unknown
1106761976 . Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil 1976 on Rives BFK paper signed and dated in pencil numbered from edition of 30 there were also 9 artist's proofs published by Tyler Graphics Ltd. Bedford Village New York with their blindstamp 74 x 114 cm 29 1/8 x 44 7/8 in.<br /> 'The architectural elements in the Entablature series can be seen as providing the artist with ready-made designs in much the same way as comic strips and advertisements had provided him with easily recognised motifs in his earlier work.' Christoph Grunenberg July 2000 Tate<br /><br />Between 1971 and 1976 Lichtenstein produced two series of entablature paintings based on photographs he had taken in New York of 20th century architectural ornaments in Lower Manhattan and specifically in the vicinity of Wall Street and 28th Street. During this period in May 1974 he began to also discuss the creation of the 'Entablature' print series with Master Printmaker Ken Tyler of Tyler Graphics Ltd. who Lichtenstein collaborated with closely to make many of his original prints over the years. <br /><br />Together Lichtenstein and Tyler produced eleven 'Entablature' prints each one taking an epic two months to complete before they would move on to the next composition. This series Tyler explains would push him and Lichtenstein far beyond the known limits of printmaking. At the beginning of each print's creation a great deal of trial and error would ensue before they could perfect the complex foil layering and embossing/debossing of patterns. <br /><br />On the occasion of their exhibition 'Roy Lichtenstein: Pop Remix' 2014 the National Gallery of Australia described this series of prints as 'the pinnacle of technical complexity in Lichtenstein's collaboration with Tyler and the staff at Tyler Graphics'. Knowing this it is easy to understand why 'Entablature III' is seen as a ground-breaking artwork and with only 16 prints issued in the standard edition it makes this example all the rarer.<br /> Corlett 139; T.335. 1976 unknown
196787711New York: Tanglewood Press Inc. 1967. Edition of 200. Signed on the mount in pencil lower right by Lichtenstein numbered lower left additionally signed on verso of image in pencil upper right. Two-colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white composition board with window mount as issued. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8. Framed size: 67 x 58 cm. Excellent condition. Presented float-mounted in a light ash frame. Corlett 50 unknown
1989153840Vermont: Roy Lichtenstein/Gemini G.E.L. 1989. Six porcelain plates signed by Lichtenstein Edition of 50. Each plate signed titled and numbered by Lichtenstein in black ink on the verso. The proceeds from the original sales of these plates were for the benefit of The International Art Show for the End of World Hunger. Screenprints on 6 glazed porcelain plates. Plate sizes: 33 x 33 cm. All in excellent condition. Corlett 116-121. unknown
1119731997 . Screenprint in colours 1997 on 300 gram Somerset textured paper signed and dated in pencil numbered from the edition of 75 there were also 15 artist's proofs printed by Noblet Serigraphie Inc. published by The Estate Project for Artists with AIDS New York 75 x 56.2 cm. 30 x 22 in.<br /> <br /> Corlett 310 1997 unknown
1964362757Milan: Galleria Schwartz 1964. First Edition. Hardcover. Fine. A twenty-image gallery of original engravings printed from plates made in 1962 the defining year of American Pop Art by the defining artists of the era including Andy Warhol his first multiple Roy Lichtenstein Wayne Thiebaud Jim Dine and others.<br /> <br /> These etchings are presented in book format with each artwork bound into the book in a mat with a clear plastic protector. Usually these images are four removed from the book. However in your cataloguer's most humble opinion this book presentation is far superior to looking at individual images hanging on a wall. The intimate presentation of the book and the alphabetical sequencing which requires patience to find the famous works leads to unexpected discoveries. And the excitement of having a Warhol you can set on your lap is a real joy.<br /> <br /> For this issue of the International Anthology of Contemporary Engraving the editors commissioned the hottest young artists on the American scene to make engravings for this book mostly in 1962 for publication two years later. The highlight is Roy Lichtenstein's etching of a light switch. Wayne Thiebaud adapted a painting of yo-yos shifting the placement of the toys for this black-and-white medium. Andy Warhol appropriated an ad for a discount cooking pot that he found on page 35 of the October 16 1962 New York Daily News and made it visually interesting through clever cropping the ad may have appeared on other days as well but I found it first on October 16 and I stopped looking. <br /> <br /> These engravings were issued in an edition of 100 copies: 60 numbered with Arabic numerals 25 numbered with Roman numerals for the contributors and 15 artist's proofs marked "e.a." for "épreuve d'artiste." The mats measure 9 by 11-3/4 inches plus the binding stub.<br /> <br /> This bound volume includes 8 leaves two blank for text with all contents presented in English as well as French and Italian translation. The introduction is by Billy Klüver who worked with Andy Warhol. <br /> <br /> The original etchings presented in this volume are all signed by the artist with the exception of the Warhol which is blindstamped. They are as follows with captions for untitled works invented by your cataloguer and the mediums and plate sizes w x h taken from the cataloging of the Museum of Modern Art website:<br /> <br /> 1. George Brecht. Untitled "1 cut out this block". Etching; plate 4-3/4 by 5-1/2 inches; <br /> 2. Allan D'Arcangelo. "American Madonna." Etching; plate 4-3/8 by 5-7/8; <br /> 3. Jim Dine. "Corner Brace." Etching; plate 6 by 4-3/8; <br /> 4. Stephen Durkee. Untitled "Salvation". Photogravure; plate 4-7/16 by 6; <br /> 5. Lette Eisenhauer. Untitled Crossword Puzzle. Etching with pencil additions; plate 5-78 by 3-7/8; <br /> 6. Stanley Fisher. Untitled "BMOB". Etching; plate 4-7/16 by 5-7/8; <br /> 7. Sam Goodman. Untitled "6000000 Dead". Etching; plate 4-7/16 by 5-7/8; <br /> 8. Red Grooms. Untitled Walking Man. Etching; plate 6-1/6 by 4-5/8; <br /> 9. Robert Indiana. "Err." Photogravure with etching; plate 6 by 4-3/8; <br /> 10. Allan Kaprow. Untitled "srorriM". Etching; plate 4-7/16 by 5-13/16; <br /> 11. Roy Lichtenstein. "On." Etching; plate 4-1/2 by 5-7/8 inches. Corlett 32; <br /> 12. Boris Lurie. Untitled Stars of David. Etching and drypoint; two images each 5-3/4 by 4-1/2;<br /> 13. Claes Oldenburg. "Orpheum Sign." Etching and aquatint; plate 4-7/16 by 5-7/8; <br /> 14. James Rosenquist. "Certificate." Photogravure and etching; plate 6 by 4-1/2; <br /> 15. George Segal. Untitled Telephone. Etching; plate 4-5/16 by 5-7/8; <br /> 16. Richard Stankiewicz. Untitled Ink Blots. Etching; plate 4-1/4 by 5-13/16; <br /> 17. Wayne Thiebaud. Untitled Yo-yos. Etching; plate 5-13/16 by 4-1/4; <br /> 18. Andy Warhol. "Cooking Pot." Relief halftone; 4-5/8 by 6-3/16. Feldman 1; <br /> 19. Robert Watts. Untitled Dollar Bill. Etching; plate 5-7/8 by 2-1/2; <br /> 20. Robert Whitman. Untitled Crossroads. Etching; plate 5-15/16 by 3-15/16. A fine volume complete with all artwork. In a near fine paper sleeve as issued. All works are from the smallest limitation of 15 artist's proofs; and all but the Warhol are signed by the artists as issued. Galleria Schwartz hardcover
1992153831Paris: Les Éditions du Solstice 1992. Ten etchings signed by Lichtenstein First edition first printing number 24 of 80 copies signed by Lichtenstein and Ginsberg on the limitation page from a total edition of 125; each print is initialled lower right by Lichtenstein numbered lower left. In 1991 Lichtenstein was approached to provide illustrations for a French edition of Allen Ginsberg's The New Fall of America. Ginsberg selected 11 poems to be translated into French and Lichtenstein created 10 collages inspired by them from which etchings were printed for the book. The imagery is characteristic of Lichtenstein's work in popular illustrations. "The image of Ginsberg as a Buddha in a lotus pose for instance was inspired by a vignette symbolizing meditation on a yoga class sheet. Cubistic visions of the city and emblems of explosions alternate with more peaceful landscapes to provide a visual counterpart to Ginsberg's vivid evocation of contemporary America" Morgan Library and Museum. Folio. 10 coloured etching and aquatints on 250 gsm Velin d'Arches paper. Sheet sizes: Approx 48 x 35.4 cm. Image sizes: Approx 37.5 x 27.8 cm. Original red cloth spine lettered in white Velin d'Arches paper pages unbound. With the publisher's blue cloth slipcase. Fine in fine slipcase. Corlett 267-276. hardcover
