[Lichtenstein, Roy]Biblio.com
910 résultats
19572220<p>First Edition. 80 pp. letterpress lithography and woodcut on various stocks in stiff illustrated wrappers. Occasional illustrations throughout both original and reproductions. Small 4to. Very good. One small chip to foot of spine. Light offsetting from a few illustrations. 2220</p><p><em>Single issue of this attractive "journal of contemporary ideas" with contents including a symposium on intellectualism and academia various articles on arts and culture as well as original fiction poetry and graphic art. In the last area this issue especially notable for the inclusion of an early original woodcut by Roy Lichtenstein from his brief abstract expressionist period before the advent of pop art printed on thin mulberry paper and bound in.</em></p> Press of the Times
201183889Ostfildern & NY: Hatje Cantz/Morgan Library & Museum 2011. First edition. 4to. 207 pp w/list of works cited. Fine in illustrated boards. No dust jacket as issued. Essays by Graham Bader Clare Bell Thomas Crow and Margaret Holben Ellis and Lindsey Tyne. The first exhibition devoted to a group of about 50 large drawings created between 1961 and 1968. Ostfildern & NY: Hatje Cantz/Morgan Library & Museum hardcover
1962168441Los Angeles: Dwan Gallery 1962. First Edition. Softcover. First Edition. Eight-page catalog for the early Pop Art exhibition held from November 18 through December 15 1962 at Dwan Gallery in Los Angeles. <br /> <br /> Includes black-and-white images of works by John Chamberlain Charles Frazier Robert Indiana Jasper Johns Edward Kienholz Roy Lichtenstein Marisol Claes Oldenburg Robert Rauschenberg Larry Rivers James Rosenquist Andy Warhol and Tom Wesselmann. <br /> <br /> Very Good plus in saddle-stapled wrappers. Wrappers worn and rubbed. Dwan Gallery unknown
1021024023.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
198198299NY:: Hudson Hills Press Saint Louis Art Museum. Fine in Fine dust jacket. 1981. Hardcover. 0933920148 . Illustrated with 67 color plates including 5 gatefolds and 100 black and white illustrations. Stated first edition. INSCRIBED to a previous owner and dated 1981 by Roy Lichtenstein on the title page. Fine in a fine dust jacket. ; 176 pages . Hudson Hills Press (Saint Louis Art Museum), hardcover
1965610029Paris: Ileana Sonnabend 1965. Softcover. Near Fine. First edition. Quarto. 14pp. Text in French. Stapled wrappers. Light age-toning to wrappers near fine. Ileana Sonnabend unknown
20101808New York: Gagosian Gallery 2010. First Edition. Hardcover. Near Fine. Roy Lichtenstein. Square 4to. Pp. 225. Includes a transcribed conversation with Roy Lichtenstein with Mark Francis and Joe Helman. Lavishly illustrated with black and white photographs and full plate color reproductions of the artist's works. Bound in bright red cloth with lettering stamped in white on rear cover and spine and a mounted reproduction of a Lichtenstein on the front cover. Slight bump to top corner else a fresh bright copy. A handsome exhibition catalog: the large-format enhances the photos of Lichtenstein's work. Gagosian Gallery hardcover
27746-Louisiana Museum of Modern Art 2003-. Exhibition catalogue. First edition 2003. 144 pages. Illustrated in colour throughout some black and white. Pictorial boards. Near fine. No dustjacket issued. We are specialists in Catalogues: Exhibitions Auctions Collections etc. with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 35 years experience you may order with confidence. Roy Lichtenstein All About Art -Louisiana Museum of Modern Art (2003)- hardcover
aly1935Baden & Zurich: Lars Muller Publishers Museum of Design 2001. First Edition. 8vo. pp. 320. b/w illus. cloth. dw [Baden & Zurich]: Lars Muller Publishers, Museum of Design, [2001] hardcover
1875ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. <br/> VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear.<br/> <br/> This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown
