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1993Q-0521431212Cambridge University Press 1993-02-26. Hardcover. New. In shrink wrap. Looks like an interesting title! Cambridge University Press hardcover
1996Q-0521566223Cambridge University Press 1996-07-13. Paperback. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
1996x-0521566223Cambridge Univ Pr 1996. Paperback. New. reprint edition. 293 pages. 9.25x6.25x0.75 inches. Cambridge Univ Pr paperback
1996DADAX0521566223Cambridge University Press 1996-07-13. Revised. paperback. New. 5.99x0.69x9.02. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press paperback
1993DADAX0521431212Cambridge University Press 1993-02-26. First Edition. hardcover. New. 6.50x1.00x9.25. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
A9780521431217Hardback. New. A close examination of what came to be known among collars of any colour as 'the labour problem' with the railroad strikes of the 1870s. The contributors cover the theory and practice of the American labour movement the promise and demise of industrial jurisprudence the law of collective bargaining workplace contractualism and shop-floor reality in the United States auto industry. hardcover
B9780521566223Paperback / softback. New. A close examination of what came to be known among collars of any colour as 'the labour problem' with the railroad strikes of the 1870s. The contributors cover the theory and practice of the American labour movement the promise and demise of industrial jurisprudence the law of collective bargaining workplace contractualism and shop-floor reality in the United States auto industry. paperback
B9780521431217Hardback. New. A close examination of what came to be known among collars of any colour as 'the labour problem' with the railroad strikes of the 1870s. The contributors cover the theory and practice of the American labour movement the promise and demise of industrial jurisprudence the law of collective bargaining workplace contractualism and shop-floor reality in the United States auto industry. hardcover
1987Q-1555840302Grove Pr 1987-06-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Grove Pr hardcover
1989Q-1555843204Grove Pr 1989-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Grove Pr paperback
106854Bari, Gius. Laterza & Figli 1936, 205x130mm, 152pagine, in brossura. Ottimo stato.
1964362757Milan: Galleria Schwartz 1964. First Edition. Hardcover. Fine. A twenty-image gallery of original engravings printed from plates made in 1962 the defining year of American Pop Art by the defining artists of the era including Andy Warhol his first multiple Roy Lichtenstein Wayne Thiebaud Jim Dine and others.<br /> <br /> These etchings are presented in book format with each artwork bound into the book in a mat with a clear plastic protector. Usually these images are four removed from the book. However in your cataloguer's most humble opinion this book presentation is far superior to looking at individual images hanging on a wall. The intimate presentation of the book and the alphabetical sequencing which requires patience to find the famous works leads to unexpected discoveries. And the excitement of having a Warhol you can set on your lap is a real joy.<br /> <br /> For this issue of the International Anthology of Contemporary Engraving the editors commissioned the hottest young artists on the American scene to make engravings for this book mostly in 1962 for publication two years later. The highlight is Roy Lichtenstein's etching of a light switch. Wayne Thiebaud adapted a painting of yo-yos shifting the placement of the toys for this black-and-white medium. Andy Warhol appropriated an ad for a discount cooking pot that he found on page 35 of the October 16 1962 New York Daily News and made it visually interesting through clever cropping the ad may have appeared on other days as well but I found it first on October 16 and I stopped looking. <br /> <br /> These engravings were issued in an edition of 100 copies: 60 numbered with Arabic numerals 25 numbered with Roman numerals for the contributors and 15 artist's proofs marked "e.a." for "épreuve d'artiste." The mats measure 9 by 11-3/4 inches plus the binding stub.<br /> <br /> This bound volume includes 8 leaves two blank for text with all contents presented in English as well as French and Italian translation. The introduction is by Billy Klüver who worked with Andy Warhol. <br /> <br /> The original etchings presented in this volume are all signed by the artist with the exception of the Warhol which is blindstamped. They are as follows with captions for untitled works invented by your cataloguer and the mediums and plate sizes w x h taken from the cataloging of the Museum of Modern Art website:<br /> <br /> 1. George Brecht. Untitled "1 cut out this block". Etching; plate 4-3/4 by 5-1/2 inches; <br /> 2. Allan D'Arcangelo. "American Madonna." Etching; plate 4-3/8 by 5-7/8; <br /> 3. Jim Dine. "Corner Brace." Etching; plate 6 by 4-3/8; <br /> 4. Stephen Durkee. Untitled "Salvation". Photogravure; plate 4-7/16 by 6; <br /> 5. Lette Eisenhauer. Untitled Crossword Puzzle. Etching with pencil additions; plate 5-78 by 3-7/8; <br /> 6. Stanley Fisher. Untitled "BMOB". Etching; plate 4-7/16 by 5-7/8; <br /> 7. Sam Goodman. Untitled "6000000 Dead". Etching; plate 4-7/16 by 5-7/8; <br /> 8. Red Grooms. Untitled Walking Man. Etching; plate 6-1/6 by 4-5/8; <br /> 9. Robert Indiana. "Err." Photogravure with etching; plate 6 by 4-3/8; <br /> 10. Allan Kaprow. Untitled "srorriM". Etching; plate 4-7/16 by 5-13/16; <br /> 11. Roy Lichtenstein. "On." Etching; plate 4-1/2 by 5-7/8 inches. Corlett 32; <br /> 12. Boris Lurie. Untitled Stars of David. Etching and drypoint; two images each 5-3/4 by 4-1/2;<br /> 13. Claes Oldenburg. "Orpheum Sign." Etching and aquatint; plate 4-7/16 by 5-7/8; <br /> 14. James Rosenquist. "Certificate." Photogravure and etching; plate 6 by 4-1/2; <br /> 15. George Segal. Untitled Telephone. Etching; plate 4-5/16 by 5-7/8; <br /> 16. Richard Stankiewicz. Untitled Ink Blots. Etching; plate 4-1/4 by 5-13/16; <br /> 17. Wayne Thiebaud. Untitled Yo-yos. Etching; plate 5-13/16 by 4-1/4; <br /> 18. Andy Warhol. "Cooking Pot." Relief halftone; 4-5/8 by 6-3/16. Feldman 1; <br /> 19. Robert Watts. Untitled Dollar Bill. Etching; plate 5-7/8 by 2-1/2; <br /> 20. Robert Whitman. Untitled Crossroads. Etching; plate 5-15/16 by 3-15/16. A fine volume complete with all artwork. In a near fine paper sleeve as issued. All works are from the smallest limitation of 15 artist's proofs; and all but the Warhol are signed by the artists as issued. Galleria Schwartz hardcover
A9780313382925Hardback. New. A compelling argument for placing entrepreneurship at the heart of economic development provides a guidebook for how this can be done efficiently effectively and equitably. hardcover
B9780313382925Hardback. New. A compelling argument for placing entrepreneurship at the heart of economic development provides a guidebook for how this can be done efficiently effectively and equitably. hardcover
ria9780313382925_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; A compelling argument for placing entrepreneurship at the heart of economic development provides a guidebook for how this can be done efficiently effectively and equitably. hardcover
2010x-0313382921Praeger Pub Text 2010. Hardcover. New. 1st edition. 210 pages. 9.50x6.50x1.00 inches. Praeger Pub Text hardcover
1297897196.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3384555902.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2003BN35185Müller Lars 2003. 2003. Softcover. 127 x 2 x 145 cm. One of the most important works of 20th century Swiss architecture: Freudenberg cantonal school Jacques Schader b. 1917 has created an internationally acclaimed masterpiece of enormous visual power forging a meaningful link between an educational postulate and an architectural formulation: openness transparency scope. A detailed tour on film DVD provides a clear account of the building's complex quality and includes conversations with the architect and experts. The accompanying brochure contains the planning documents and links the media in a new way. <br/><br/>One of the most important works of 20th century Swiss architecture: Freudenberg cantonal school Jacques Schader b. 1917 has created an internationally acclaimed masterpiece of enormous visual power forging a meaningful link between an educational postulate and an architectural formulation: openness transparency scope. A detailed tour on film DVD provides a clear account of the building's complex quality and includes conversations with the architect and experts. The accompanying brochure contains the planning documents and links the media in a new way. Müller, Lars paperback
3907078616.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987250968Vaduz: Selbstverlag 1987. 970 S., zahlr. s/w, Abb. im Text. Br.
195957377ABVaduz, Selbstverlag des Vereins, 1959. XIV, 401 S., 120 S. Liechtensteinisches Urkundenbuch. I. Teil: Von den Anfängen bis zum Tod Bischof Hartmanns von Werdenberg-Sargans-Vaduz 1416. - 3. Band, aus den Vorarlberger Archiven. Bearb. von Benedikt Bilgeri. - (Falt-)Tafeln und Zeichnungen im Text. OBrosch.
195857376ABVaduz, Selbstverlag des Vereins, 1958. 346 S., (Falt-)Tafeln und Zeichnungen im Text. OBrosch.
200418481BBVaduz:, Selbstverlag des Historischen Vereins für das Fürstentum Liechtenstein, 2004. 311 S., zahlreiche, teilweise farbige, Abbildungen, gebunden
2003191009Vaduz, Selbstverlag des Vereins, 1961-2003. ca 8000 Seiten. Mit zahlreichen, teils farbigen Abbildungen. Rostrote Leineneinbände und graue Originalpappbände ( ab Band 88 ) 23 cm
