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(Peru) Paz Soldan, DD Mateo D DBiblio.com

Geografia del Peru Obra Postuma. Tomo II. Compendio de Geografia Matematica Fisica y Politica

Peru; Indigenous PeoplesBiblio.com

Peru Lantern Slides of Indigenous Life in the Perené and Cuzco early 1900s

1900232171900. Peru glass lantern slide archive documenting Indigenous and rural life in the Perené and Cuzco during a period where the political economy shaped was by export agriculture regional extraction and foreign institutional interest. In this period Peru was governed by a coastal elite tied to export markets and to the expansion of state and commercial control into the interior and images of carriers river craft family groups and gathered communities register how Indigenous people were affected by that process through incorporation into frontier economies while also being recast for North American educational audiences as ethnographic subjects. Photo archive of 6 black and white glass lantern slide photographs each 3.25" x 4" Peru early 1900s. Issued as lecture materials for the Philadelphia Museum. The group includes a family or community portrait posed before a thatched structure with adults and children wearing brimmed hats layered garments shawls and patterned skirts; a closer seated group of women and children gathered around large ceramic vessels; also includes a large outdoor crowd scene showing a densely gathered public space filled with adults and children; a posed family and community portrait before a rustic structure with men women and children wearing layered garments shawls and broad-brimmed hats; a closer domestic scene centered on seated women and children gathered around large ceramic vessels; a river crossing in the Rio Perené region showing an adult and child standing on a balsa or log raft using poles to navigate the current; an "Indian Carrier" posed beside a railroad car linking Indigenous labor and movement to expanding transportation networks; and a closer portrait of an Indigenous man framed by a larger crowd gathered behind him. Several slides retain typed or manuscript labels including references to "Rio Perene" and "Hutchins Indian in Balsa" while institutional labels read "The Philadelphia Museums" and "Negative by E. Tyson Hutchins / Use restricted to school lectures in museum" establishing the archive as part of a formal educational and interpretive program rather than private travel photography alone. The archive is particularly effective because it balances portraiture with broader communal documentation. The large crowd scene family grouping and market or gathering views shift the photographs away from isolated ethnographic "types" and toward visible social environments populated by children laborers families and community members. The railroad image and river crossing additionally place Indigenous Peruvians within the transportation and frontier systems increasingly tied to trade extraction regional movement and outside institutional observation in the early twentieth century. During the late nineteenth and early twentieth centuries regions such as the central selva and Perené valley were increasingly bound to colonization schemes plantation agriculture and extractive enterprise while Indigenous communities faced land pressure labor demands and outside scrutiny from state agents missionaries traders and foreign observers. No cracks or chipping; crowd image lacking its original frame with glass and matte border loose; otherwise very good condition. A concise record of how Indigenous and local Peruvians were photographed within overlapping systems of frontier incorporation and museum interpretation. unknown

Max Rambod Inc. · États-Unis850,00 $US≈ 719,19 €

[Peru]. Valencia, John CBiblio.com

Collection of Manuscript Letters Sent by John C. Valencia from Peru to His Wife and Aunt Back in New York City

18614525Lima and Callao Peru 1861. Very good. Thirteen autograph letters signed totaling twenty-six pages. Original mailing folds minor wear some fold separations and short tears to a few letters. An informative collection of manuscript letters sent back to the United States by John C. Valencia a businessman working in Peru just before the Civil War. John is writing to his wife Josefina and his Aunt Brunner in New York City and Yorkville New York over roughly a two-year period between February 27 1859 and January 14 1861. Apparently Josefina and their children were living with Aunt Brunner in New York at least for a time while John was trying to conclude business related to Peruvian real estate held by his deceased brother and now owned by his sister-in-law. In one letter he mentions that he working in the sea port in order to raise some amount of money to send home. John misses his wife and family and writes with longing about returning to his wife often mentions the money he is sending back with each letter or plans to send soon sometimes reports on his business activities urges patience from his wife while he tries to make money and more. From his first letter John is not having a pleasant time in Peru. Writing from Lima on February 27 1859 John comments that "I am sorry of having proposed such a thing for this country is very corrupt no moral of no kind in those People.I am afraid to be contaminated with the influence of the wicked." He again bemoans the state of Peru in his next letter from Callao: "I hope the Lord will help me in coming home as soon as I can. I am disgusted with the costume of this country. They are so deprived that I can not be happy in this land but with your advice I will remain till I get some money even if I have to stay longer." John would stay almost two more years in the space of the present letters and his business was not concluded when the present letters end. While in Peru John spends some time "in the House of a friend of my Father" which may indicate John was a native Peruvian or Peruvian-American with roots in the country; reports on the process of the mail and his work in the port of Callao; details his deceased brother's real estate holdings and frequently mentions the difficulty he is having with his brother's widow he reports in one of his two short letters to his aunt that he is in a "Law Suit" with the widow. In one letter John makes it perfectly clear how he sees himself among the people of Peru: "I am tired already of this country. There is nothing but rebolution sic that is the principal business of the Perubians sic. As for my part I am American and I am always with them." The conflict John mentions may be a reference to the Ecuadorian-Peruvian War which took place between 1857 and 1860; this may also help explain why real estate issues inside Peru were difficult to conclude at this time. In his penultimate letter John states that he plans to be back in New York by May 1861 but in his last letter he sadly reports that he must remain in Peru longer in order to conclude his business affairs. unknown

McBride Rare Books · États-Unis950,00 $US≈ 803,80 €

Panama; Colombia; Peru; Chile; UruguayBiblio.com

Central and South America SS Resolute Voyage Photo Album with 150 Captioned Photographs of Panama Colombia Peru Chile Uruguay and Argentina 1925

1925227551925. Latin America SS Resolute voyage photograph album 1925 documenting a steamship journey through Central and South America during the interwar expansion of international maritime tourism following the opening of the Panama Canal in 1914. The photographs record port cities landscapes and civic landmarks encountered along the Pacific and Atlantic coasts of Latin America during a period when luxury liners increasingly connected North American travelers with destinations across the hemisphere. By the 1920s transisthmian canal travel had reshaped global shipping and passenger routes allowing cruise itineraries to combine Caribbean Pacific and South American destinations within a single voyage. The album preserves visual evidence of these emerging travel circuits while also documenting major urban and cultural centers of the region during a period of modernization and expanding hemispheric exchange. Photo album compiled during the 1925 voyage of the steamship SS Resolute containing approximately 150 original silver gelatin photographs mounted to black album leaves and captioned in white ink. Contemporary red leatherette album titled "Photographs" in gilt and bound with red cord. Photographs measure approximately 3 x 4 inches to 4 x 6 inches. The photographs document the vessel's route through Panama and the Canal Zone before continuing along the Pacific coast of South America and returning through the Atlantic basin. Numerous photographs depict Panama City and the Panama Canal including views of the Culebra Cut and Gold Hill major engineering features of the canal project completed little more than a decade earlier. Other sections of the album record urban and harbor scenes in Cartagena Colombia including colonial architecture and waterfront activity. Photographs from Peru show Lima's Plaza de Armas the bullring at Miraflores and rural Andean valleys near Arequipa with terraced agricultural landscapes and local communities. Images from Chile capture the steep hills and harbor districts of Valparaíso along with coastal plazas and naval vessels near El Morro. Additional photographs from Argentina depict major civic spaces in Buenos Aires including Plaza San Martín and Plaza de Mayo documenting the monumental architecture and modernizing urban landscape of the city during the 1920s. The steamship SS Resolute operated as a passenger liner serving long distance routes during the interwar expansion of luxury cruising and international tourism. Voyages such as the one recorded in this album reflected the growing accessibility of transcontinental travel made possible by the Panama Canal and by the increasingly global network of commercial steamship lines linking the Americas. Mild toning consistent with age; mounts and binding well preserved. Overall very good condition. The photographs collectively document a hemispheric itinerary connecting canal infrastructure colonial port cities Andean landscapes and rapidly modernizing capitals offering a visual record of the cultural and geographic environments encountered by travelers during the height of the steamship era. unknown

Max Rambod Inc. · États-Unis1 250,00 $US≈ 1 057,63 €

Peru; Amazon; Indigenous PeoplesBiblio.com

The New York Times Photographer Allyn Baum Peru Archive of 46 Large Photographs of Quechua and Amazonian Indigenous Communities 1961-1973

1961231231961. Baum Allyn. Peru photo archive a substantial working group of large original photographs and related New York Times material centered on Baum's Peru assignments significant for preserving a photographer's own visual record of Andean and Amazonian travel Indigenous communities village life and editorial circulation within mid twentieth century American newspaper photojournalism. Allyn Baum was a staff photographer for The New York Times from 1957 to 1967. Included is a typed note from New York Bureau Chief Gedeon de Margitay congratulating Baum on the Peru photographs published in the Magazine together with the January 21 1962 New York Times article "Into the Unknown" directly linking the images to their original publication context and to contemporary American visual encounters with Peru's Indigenous regions and frontier geographies. From the estate of Allyn Baum. Peru and New York. 1961-1973. Archive of 48 items including 46 large silver gelatin photographs a New York Times article written by Baum and a single-page typed letter regarding publication. Most photographs measure 8" x 10" while 9 larger examples measure 10" x 13". Several are mounted on board and bear Baum's signature or detailed inscriptions such as "Jungle Priest" "Headhunter" and "High Andes Quechua Indians in Peru. Working in home . producing products for sport." Many retain original press captions or handwritten notes on the versos some in Baum's own hand. The photographs document river and jungle travel in the Amazon Basin village and market scenes domestic interiors American aircraft and extensive portrait studies of Andean and Amazonian Indigenous peoples. Indigenous sitters appear weaving spinning wool knitting carrying children traveling by canoe gathered near riverside settlements or posed in both formal and informal portrait settings. Several photographs emphasize textile production and traditional labor practices among Quechua communities in the high Andes while others focus on Amazonian Indigenous groups photographed within thatched settlements and river communities preserving material evidence of architecture clothing subsistence practices and daily life during a period when American newspaper photography increasingly framed Indigenous South America through the lens of exploration modernization and remote access. The archive is a strong record of Peru in the early 1960s documenting not only transportation networks settlement patterns and regional travel but also Indigenous cultural continuity across both Andean and Amazonian environments. Baum's photographs repeatedly center Indigenous Peruvians not simply as background figures within landscape photography but as primary subjects whose labor dress craft production domestic life and physical presence structure the visual narrative of the archive. The accompanying New York Times material preserves the editorial framework through which these images entered American mass circulation while the de Margitay note confirms internal recognition of Baum's Peru work within the newspaper itself. The later date range appears to reflect continued press handling reuse and captioning rather than a single production moment giving the archive additional value as a working newspaper photography file shaped over time. Minor edgewear throughout; versos with original handwritten descriptions by Baum and press editors. A cohesive and well-preserved Peru field photography archive documenting Indigenous life regional travel and mid century American photojournalism connected to The New York Times. unknown

Max Rambod Inc. · États-Unis1 850,00 $US≈ 1 565,29 €

(PERU: MANUSCRIPT TITLE FOR A LARGE ESTATE)Biblio.com

Remate de la Hacienda de Canaveral; Titula San Jacinto en Dr. Santiago.

186276434Lima: N.p. 1862. Original manuscript title or deed to the Hacienda San Jacinto in the Nerena Valley of Coastal Peru. While the estate is named after a Hispanic saint San Jacinto its origin dates back to pre-Inca times. Evidence of this is the remains of cultural settlements in Punkuri Kiske and Cerro Blanco. The Spanish Crown gave this land to the Jesuits in 1720 who introduced sugarcane as part of the agricultural production in this part of Peru. They also took it away from the Jesuits in 1767.Folio. 151 leaves with manuscript on both sides of each leaf i.e. 352 pp. Each leaf bears the required tax stamp the equivalent of a notary stamp at that time and each leaf is written on paper bearing the same watermark. Each leaf also bears a blind-stamp of a seal in the inner margin of each recto. Written in a numerous hands but all quite legible. Original full brown sheepskin with gilt spine lettering and devices pattern endpapers. Like a ready made binding used for legal purposes as the text block in considerably smaller than the binding. Altogether in very nice condition.This is the original transfer title for an estate of great importance and size in one of the most fertile parts of coastal Peru the Narena Valley. It consisted of 700 fanejadas of land about 1200 acres and all that stood upon it; primarily the sugarcane and alfalfa fields but houses tools farm animals furniture etc. In fact it seems that the original name for the property still bore and can be seen on the first page of this manuscript the word "Canaverales" which is a euphemism for sugarcane. This mammoth 302-page manuscript is basically an inventory of literally everything on those 1200 acres. The detail on the inventory is incredibly extensive; every table horse cow frying pan etc is listed and priced. It was first laid out as a sugarcane plantation in 1720 by the Jesuits. The Jesuits were expelled from the New World lands and missions in 1767 by the Spanish crown with King Charles III ordering their removal from all Spanish territories including the Americas due to growing political pressure against the order; the Franciscans largely took over the operation of the missions after the expulsion. When all their lands were confiscated by the Spanish government as happened throughout Latin America the Hacienda likely went through a number of hands. It was well regarded as a solid and lucrative sugarcane plantation and would have been considered a prize acquisition. We can find no history of the buyer named on this deed Santiago Sanchez but that is likely due to the fact that Spanish people have last names that can be written in a variety of combinations. But we do know that he paid 8697 pesos for it and that was a very considerable sum for the time indeed enough to place someone in a wealthy or influential social position. The most curious thing in the inventory which is lengthy and detailed in the extreme is the list of slaves. Ostensibly President Ramon Castilla y Marquezado declared slavery abolished in 1854 yet here we have a document that clearly affixes values to each and every slave and the prices paid for each by Sanchez. Prices ranged from 0 to 500 pesos. And there were a large number of them. Staring on p. 68 of the inventory we find them all listed and they are broken down into a variety of categories. Indigenous people African people male female young old and & "Inservibles" translates as "useless people". All slaves were examined by Dr. Antonio Manriquez surgeon and the most common reasons for being deemed "inservible" included: old age hernias ulcers and missing limbs. Their value was deemed to be zero. After being examined by physician the value accorded to each was dependent on their ability to work the farm. Surprisingly African slaves were valued less than local peoples this may have been due to the language issue. It should be noted that the slaves constituted a large portion of the total price paid. So it seems that this document gives lie to the previously believed fact that slavery was abolished in Peru in 1854. But we do not find this surprising as the gulf between the monied class and the populace was great and with no ability to enforce decrees from the central government the aristocracy likely just did whatever they pleased. Apparently Santiago Sanchez was ill-equipped to manage so many people and such a large piece of land as we know that in 1868 a Scotsman by the name of Henry Swayne bought the Hacienda San Jacinto an turned it into a profitable enteerpise by his humane attitude towards the farmers. "The hacienda or estate of San Jacinto was anciently one of the largest and finest in the valley of Nepeña; but before its purchase by Mr. Swayne a few years before our visit it had very much run down. It was deserted by the negro slave soon after their emancipation; the dwellings had fallen out of repair" The Fife Post. It remains a very lucrative farming operation to this day.We conferred with a native Spanish speaker and an individual who is fluent in Spanish and this report is the result. We might be incorrect but it is doubtful and in any case it is a fine 19th century manuscript deed to a large and valuable parcel of land in 19th century Peru. N.p. unknown

Nat DesMarais Rare Books, ABAA · États-Unis2 250,00 $US≈ 1 903,73 €

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