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Broché. Bon. Grand In-8 carré. 62 p., 40 Pl. N.B. et coul. Catalogue d'exposition, Paris, Petit Palais, novembre 1977-février 1978. In. 16010.
233 p., 118 fig. n/b commentées. Petite arrache au plastifiage. Inv. 16045.
39448Ensemble complet des trois parties, relié en quatre volumes in-4 (222 x 160 mm), veau brun granité, dos à 5 nerfs, pièces de titre et de tomaison de maroquin rouge, armes dorées au centre des plats (La Rochefoucauld), tranches mouchetées de rouge (reliure de lépoque).
18680012009Macao Macau China Havana Cuba: Chinese Coolie Ship Manifest. Fair with no dust jacket. 1868. Non-Book. On offer is a tremendous San Salvadorian ship manifest recording the names and information of 622 Chinese men who were transported from the port of Macau to Havana Cuba to complete their indentured servitude as coolies working for Cuban sugar plantation owners. This manifest is for the January 25 1868 sailing of the Peruvian Galley the America. This sailing was captained by Cpt Ferreiro for the Compania Maritima del Peru. This sailing was under the San Salvadorian flag. The ship arrived in Macau on May 20 1868. 610 coolies departed Macau and 607 arrived in Cuba. This manifest was signed on January 241868 by Henrique W. Pearce a Macao-based emigration agent. It was also signed the day before departure on January 241868 by The Consul General of His Majesty José de Alguilar. The America had previously been used as a coolie ship called Red Rose under the British flag and under the Italian flag as the America. The America completed a total of seven coolie voyages transporting a total of 4703 Chinese passengers. The Chinese coolie trade a system of indentured labor that targeted young poor Chinese men operated from 1847-1874. Throughout this period African slavery was slowly being abolished around the world. The coolie trade was initiated by Britain and was eventually dominated by both Britain and the United States of America. Chinese coolie laborers were sent to work in British American and Spanish colonies and the nature of the trade changed throughout its 27-year operation due to social and political pressures. The coolie trade took place in large part between the shipping port in Macao now a part of China then under Portuguese rule and Havana Cuba then under Spanish control. As Macau was under Portugese rule at the time of the coolie trade they transported coolies on their vessels frequently and many of the manifests were written in Portuguese and/or Spanish. To learn more about the Chinese coolie trade and its importance in world history click here to read our in-depth research blog on the topic. This departure manifest measures 8.5x13.5 inches. It contains 18 pages of writing 9 front and back over 10 physical pages. Folded together. Significant bending with some tears at the crease lines. Some pages are fragile with some pages becoming detached from the total document however the document does remain in tact. Legible. Overall Fair. Citation: Asome J. 2020. Coolie ships of the Chinese diaspora 1846-1874. Proverse Hong Kong. ; Manuscripts; 8vo 8" - 9" tall; Signed by Author . Chinese Coolie Ship Manifest unknown
197484597Couverture souple. Broché. 346 pages. Couverture légèrement défraîchie.
197418504Hamburg, Institut für Iberoamerika-Kunde im Verbund der Stiftung Deutsches Übersee-Institut (Hg), 1974. 4°, 208 S., 125 S., + 8 S., Forschungsarbeit im Auftrag des Bundesministeriums für wirtschaftl. Zusammenarbeit, mit zahlreichen Tab. u. Schaubildern, Bibl. Ex., Bezahlung per PayPal möglich, we accept PayPal, Einband gering beschabt & gering bestoßen, Stempel u.Nr.a. Titel., Nr.a.Rücken, altersbedingte Bräunungen, sonst min. Gebr.sp., kartoniert
<p>21x27 cm, 40 righe dattiloscritte in cui il musicista peruviano chiede notizie ad un amico della sua famiglia, di amici comuni e: "qui nel Perù, la vita è molto tranquilla, tranne qualche rivoluzione o minacciate guerre". Firma autografa alla fine della lettera</p>
2000240330019Im Records 2000-03-28. Audio CD. Used: Very Good. 5x0x4. Very good condition. From a private collection. Comes from non smoking home. Im Records unknown
Miguel Mujica Gallo, AlvaIn Pristine Condition. unknown
1984LFA-126743104Un ouvrage de 134 pages, format 210 x 270 mm, illustré, broché couverture couleurs, publié en 1984, Editions Patrice Goudier, collection "30 Jours", bon état
2013102796Lima: Instituto Cultural Peruano Norteamericano ICPNA Mayo - Agosto 2013. 25 cm. Juan Peralta Daniel Contreras Curadores 244 pages b/w and color plates bios. cat. color pict. wrps. OCLC: 879506276 This 4th edition of the Bienal Internacional de Grabado ICPNA welcomes those exponents and projects whom one way or another are establishing a presence in the contemporary graphic work and have become continuous platforms of transmission training research and orientation towards the enrichment of the languages and visual discourses. This new edition of the main event for the promotion exchange and debate of contemporary graphic art held in Peru has managed to summon artists groups and workshops national and foreign under the curatorial theme "Transfer: Departures and Returns from the Graphic Arts". Spanning from the more traditional forms of engraving to the more contemporary digital expressions the Biennale featured twenty exhibitions in 17 art galleries and parallel activities such as interventions conferences and workshops. Participating institutions included Municipalidad Metropolitana de Lima Municipalidad de Miraflores Caja Metropolitana de Lima Escuela Nacional Superior Autónoma de Bellas Artes Ministerio de Relaciones Exteriores Universidad Ricardo Palma Alianza Francesa and the Centro Cultural de España. "We start with a very specific objective for this version of the biennial space not only promotion exchange and debate from the contemporary graphics highlighting their creative validity its contribution to history art criticism and education. Moreover even more in an environment like ours the Peruvian where engraving culture in many cases excluded. Therefore this needs to establish a multiple route linked with memory and is part of the essence of the engraving. Therefore the intent fits the subject of transference in which concept we discover the departures and returns the movement that generates a change good or bad but never the same. In this amount of trajectories routes and paths in our history as a country or as individuals we always collect something and leave something else. And in such situations the inherent creativity of expressing it into our worlds and languages. William M. Ivins Jr. curator of MOMA in his early years argued in his text "Printed Image and Knowledge: Analysis of Pre-Photographic Image" that the maturity of a society can be expressed in terms of graphical development as means of communication and social information." LIMITED EDITION OF 1000 COPIES. List of exhibitions workshop and interventions/exhibition: 1 Más allá - Otredad en el grabado contemporáneo. Curaduría Daniel Contreras y Juan Peralta. Galería Germán Krüger Espantoso - ICPNA. 2 Un arcabucero en Tenochtitlan de José Bayro Bolivia-México. Curaduría Nanda Leonardini. Galería Germán Krüger Espantoso - ICPNA. 3 No hay futuro por delante solo hay tiempo de Raimond Chaves y Gilda Mantilla Galería Limaginaire - Alianza Francesa. 4 La Praxis Taller de Artes Visuales TAV-Chile / La olla común Chile / Taller Kimkilen Perú. Curaduría Marco Durand y Carolina Salinas. Centro Cultural Ricardo Palma 5 34 Salón Nacional de Grabado ICPNA 2013 Galería Juan Pardo Heeren - ICPNA. 6 La Colmena de Toño Núñez Galería Juan Pardo Heeren - ICPNA 7 Hybridaciones de Marco Alburqueque y Israel Tolentino. Centro Cultural de la Escuela Nacional Superior Autónoma de Bellas Artes del Perú-Sótano 8 Sé feliz no pensando de Herbert Rodríguez. Centro Cultural de la Escuela Nacional Superior Autónoma de Bellas Artes del Perú. 9 A Contrafibra de Alberto Ramos grabados 2005-2012. Curaduría Daniel Contreras y Juan Peralta. Casa de las Trece Puertas 10 ADN Pétreo del Colectivo CEQUE Cusco. Casa de las Trece Puertas 11 Re-generación Grabadores de Iquitos. Curaduría Yuri Castañeda. Casa OHiggins 2do. Piso 12 Todos los perros van al cielo de Claudia Martínez Garay. Centro Cultural Inca Garcilaso 13 Quilombo gráfico de Fernando Bedoya SUM Librería Arcadia/Mediática. 14 Incisiones Xilografía peruana contemporánea. Curaduría Manuel Munive. Galería Municipal de Arte Pancho Fierro. 15 Inscripciones urbanas de Adolfo Bernal Colombia. Curaduría Víctor Manuel Manrique y Augusto del Valle. Centro Cultural Ccori Wasi avenida Arequipa 5198 Miraflores. 16 La llave en el ojo: Serigrafías ocultas y otros impresos de Carlos Troncoso y el taller Llavenelojo. Curaduría Martín Ugaz y Carlos Troncoso Galería ICPNA - San Miguel 17 Pruebas de Estado: Situaciones Alteradas de Elio Martuccelli Marcel Velaochaga y Alex Ángeles. Sala Luis Miró Quesada Garland. 18 Crónicas en la colección de grabado del ICPNA. Curaduría Roger Cáceres. Galería ICPNA La Molina. 19 Despliegue de José Ignacio Iturburu y Augusto Bayardo. Galería Le carré dart de la Alianza Francesa. 20 Noticias en blanco y negro de Luis Torres Villar. Galería ICPNA Lima. WORSHOP: 1 El Taller Exposición antológica de grabado. Curaduría Manuel Munive Galería Juan Pardo Heeren - ICPNA. INTERVENTIONS AND EXHIBITIONS: 1 Intervención pública de Mónica Miros y Los marginales. Estación Grau Línea 1 del Metro de Lima 2 Lima Marka COLECTIVO C.H.O.L.O Intervención Edificio Milenia / Popular y Porvenir 3 Fachadismo de Daniel Cortez Decertor / Elliot Túpac Urcuhuaranga Edificio Milenia / Popular y Porvenir. 4 La línea de la costa José Ignacio Iturburu Edificio Milenia / Popular y Porvenir. Instituto Cultural Peruano Norteamericano, ICPNA unknown books
In 8. Dim. 19x12 cm. Pp. 281+(3). Interessante opera di viaggi del 1886 di Albert David che descrive il suo viaggio lungo l'Oceano Pacifico.<BR>All'interno sono presenti dieci incisioni fuori testo che mostrano vedute: Baie Borja, Lima, Indiani peruviani, Tahiti ecc... Tra i luoghi descritti: Distretto di Magellano e Canali laterali della Patagonia, Lima durante vl'occupazione cilena, Valparaiso e i Cileni dopo la Guerra del Pacifico, Peru e Cile, Callao, Pisco, Pisagua, Arica e Tacna, Iquique, Lota, Una necropoli degli Incas, Honolulu, Un mese a Noukahiva, Tahiti ecc...<BR> In buone condizioni e completo Copertina editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in buone condizioni con fioriture. Interesting work of travel of 1886 written by Albert David describing his travel in the Pacific Ocean.<BR>Inside there are ten out of text planches showing different views: Baie Borja, Lima, Peruvian Indians, Tahiti ecc... Between the places described: District of Magellano and channels of Patagonia, Lima during Chile occupation, Valparaiso and Cileni after Pacific war, Peru and Cile, Callao, Pisco, Pisagua, Arica e Tacna, Iquique, Lota, a city of Incas, Honolulu, a month in Noukahiva, Tahiti ecc... In good conditions and complete. Editorial cover in good general conditions slightly worn in the edges and spine. Binding in good conditions. Inside pages are in good conditions with foxings.
Schjellerup, Inge, VictorIn Pristine Condition. unknown
Ramhoj, Nils, and Ogon, UIn near perfect condition. unknown
1824LBW-37071824. 471 x 578 mm.
1824LBW-37081824. 440 x 589 mm.
1820LBW-3709[circa 1820]. 592 x 426 mm.
1373126Paris: Musée de l'Homme, Museum National d'Histoire Naturelle, 1987 in-4, nombreuses illustrations. Broché, très bon état, cachet. Sommaire: Michel-Alain GARCIA, Les chalcolithiques de la grotte de Foissac en Aveyron. - Jean-Pierre WIECZOREK, Les manawaï, jardins protégés de l'île de Pâques. - Yvonne de SIKE, Entre deux continents, Malte et ses îles. - Alicia A. FERNANDEZ DISTEL, Une nouvelle plaque décorée en bronze du Nord-Ouest argentin. - Roseline GOIN-LANGEVIN, Les Français et l'étude du Mexique pré-cortésien du XVIe au XIXe siècle. - Jean-Luc BRUGUIERE, Quelques techniques cynégétiques chez les Temiar de Malaisie. - Lidia Claria GARCIA, Le feu dans la préhistoire du Nord-Ouest argentin. - Geneviève DOURNON, Le salon de Musique. - Marie-France FAUVEL-BERTHELOT et Danielle LAVALLEE, Ancien Pérou, vie, pouvoir et mort.
1373576Paris: Musée de l'Homme, Museum National d'Histoire Naturelle, 1962 in-4, nombreuses illustrations. Broché, très bon état. Sommaire: Jacques MILLOT, La collection Léonce-Pierre Guerre. - Henry REICHLEN, Un bijou d'or de Lambayeque, Pérou. - Solange THIERRY, Objets votifs vietnamiens en papier. - Jacques MILLOT, L'exposition Ténéré-Tchad (Mission Berliet 1958-1960) - Corneille JEST, Mission au Népal.
1373520Paris: Musée de l'Homme, Museum National d'Histoire Naturelle, 1967 in-4, illustrations. Broché, très bon état, cachet. Sommaire: Joseph CHELHOD, Problèmes d'ethnologie jordanienne. Nomadisme et sédentarisation. - Danièle LAVALLEE, La poterie de Aco. - Solange THIERRY, Un jeu de carte indien. - Robert GESSAIN, Angmassalik, trente ans après. Evolution d'une tribu eskimo dans le monde moderne. - Marie-Jean BERAUD-VILLARS, Exposition "Arts primitifs dans les ateliers d'artistes". - Ethnomusicologie.
Incisione in rame su doppio foglio (cm.50x57 circa) con bellissima colorazione coeva, verso velato da finissimo foglio di carta Giappone. Bella e rara carta nautica, tratta dal celebre atlante di De Witt ''Orbis Maritimus ofte Zee Atlas", che copre le coste dell'America Centrale, Perù, Cile, Jamaica e parte di Cuba e Porto Rico. . Le indicazioni toponimiche e le caratteristiche geografiche sono strettamente limitate alle coste. Rosa dei venti, linee lossodromiche e splendido cartiglio, in basso a destra, con titolo in latino, con ricche decorazioni colorate raffiguranti varie figure, anche allegoriche. "Frederick de Wit deve essere considerato uno dei più importanti editori di mappe della seconda metà del XVII secolo. La maggior parte delle sue mappe sono di ottima qualità, sono caratterizzate da un'incisione chiara e bella, dall'attualità e ricchezza dell'immagine cartografica nonché dall'equilibrio delle decorazioni cartografiche". (Lexikon der Kartographie II, p. 899), Koeman M. Wit 1, 27. Koeman, Atlantes Neerlandici, IV, pp.191 e 518-519. Shirley 444. Putnam, Early sea charts, 75.. .
10642Paris, Hachette, "Bibliothèque rose illustrée", 1924, 1 pleine percaline, plat sup., orné d'un décor doré, tête dorée. in-8, f.t., frontispice, titre, 364 pp., illustré de 12 grandes vignettes ;
In-8 p. (211x128), pieno vitellino coevo, decorazione con titolo oro su tassello al dorso, pp. VII,512, con 1 carta geografica. Viaggi di: Hernando Cortes, Francisco Pizarro. Con lievi fioriture, peraltro ben conservato (slightly foxed, otherwise good condition).
8vo [23.5 16 cm]; 311 pp, 28 plates from photos including frontis, foldout map, index. original orange cloth, black decoration, gilt title lettering on front cover and spine, slight fading of the spine, signature on endpaper, else near fine solid and clean copy. A picture of this book is available upon request by email. The author travelled extensively in Peru to research her novel and provided a detailed picture of Peru at the time with references to its history.