539 résultats
191044434Santiago de Chile: Prop. de Juan M. Sepulveda ca. 1910.- Veinte tarjetas postales fotográficas coloreadas y desplegables que van numeradas desde la 75 a la 94 representando vistas generales monumentos calles bellos edificios y lugares diversos; 8º minusculo 145 x 10 cm; Estuche de cartón. La primera postal tiene una mancha de agua en la esquina superior derecha que ha afectado en disminución a la tercera y a la quinta en esta última apenas se aprecia. Salvo esto que es preceptivo están en muy buen estado en general. HISTORIA POLÃTICA Y DERECHO POLÃTICO-INTERNACIONAL AMERICANOS DESDE LA INDEPENDENCIA Libro en español Juan M. Sepulveda paperback
184639601Santiago: Imprenta del Progreso 1846. First edition. Stitched paper wrappers. A very good bright copy wrappers trimmed tiny blind stamp at corner. 16 pp. 8vo. An official list verifying the names and vote totals from the parishes of the Municipality of Santiago. Signed in print and ink by both Miguel de la Barra President and Antonio J. Vial acting secretary. José Miguel de la Barra Lopez 1799-1851 Dean of the Faculty of Humanities of the University of Chile and author of Compendio de la historia del coloniaje e independiencia de América was a deputy in the Parliament. Antonio Jacobo Vial Formas was a deputy and government official in both domestic and foreign affairs. One copy at the BN Chile otherwise none located at any other major libraries. Imprenta del Progreso unknown
182437281Santiago de Chile: Imprenta Nacional 1824. First edition. Cloth. A very good copy with minor edgewear to spine label and corners small marginal dampstain on fore edge of three leaves scattered foxing. 20 pp. 8vo. A document on the regulation of cemeteries which in addition to requiring certain actions to protect the public health disallowed significant differences between grave stones forbid ostentatious displays and argued for simplicity: "No se permitirá el aparato de grandes túmulos ni otra pompa desmedida sino la mayor sencillez." OCLC shows only 8 copies. Briseño: Estadística Lit. Chilena I p. 295. Ferrer: Historia.medicina en Chile I 475. Not in Palau. Imprenta Nacional hardcover
20222081502111907622shanghai dictionary 2022. Soft Cover. Fine. The book is in fine condition. shanghai dictionary paperback
0793588472-8-1HAL LEONARD CORPORATION. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. HAL LEONARD CORPORATION unknown
1999221215Valencia: Generalitat Valenciana - IVAM Centre Julio Gonzalez 1999. Brossura wrappers. Molto buono Very Good. Catalogo della mostra tenutasi presso l'IVAM - Centre Julio Gonzalez Valencia 1 luglio - 26 settembre 1999. Testi di Juan Manuel Bonet Renè"; Burri Joseph Vincent Monzo Agnès Sire Roberto Bolano Pablo Neruda in spagnolo e inglese. Estratti di testo e fotografie in bianco e nero di Sergio Larrain. 4to cm 29x225. pp. 176. Molto buono Very Good. Prima edizione First Edition. <em>The exhibition consists of 112 photographs arranged in three large groups: Los niños vagabundos Vagabond Children Valparaíso and London. Three photographic essays that show the essential characteristics of their author one of the great names of the legendary agency Magnum Photos. Also included in the exhibition is work done in his early years in Chile Argentina and Bolivia and a selection of photographs taken in Italy France and Iran. The exhibition catalogue reproduces the photographs exhibited together with essays by Agnès Sire Roberto Bolaño and Josep Vicent Monzó texts by Pablo Neruda first published in the magazine Du in 1965 and later included in the book Valparaíso in 1991 and a selection of writings by Sergio Larrain. <br /><br />La mostra è composta da 112 fotografie disposte in tre grandi gruppi: Los niños vagabundos Vagabond Children Valparaíso e Londra. Tre saggi fotografici che mostrano le caratteristiche essenziali del loro autore uno dei grandi nomi della leggendaria agenzia Magnum Photos. La mostra include anche lavori realizzati nei suoi primi anni in Cile Argentina e Bolivia e una selezione di fotografie scattate in Italia Francia e Iran. Il catalogo della mostra riproduce le fotografie esposte insieme ai saggi di Agnès Sire Roberto Bolaño e Josep Vicent Monzó i testi di Pablo Neruda pubblicati per la prima volta nella rivista Du nel 1965 e successivamente inclusi nel libro Valparaí"so nel 1991 e una selezione di scritti di Sergio Larrain.<br /></em> Generalitat Valenciana - IVAM Centre Julio Gonzalez, unknown
1703013968<p>London: printed by A. and J Churchill at the Black Swan in Pater Noster Row 1703 Book. Good. Hardcover. viii 154 pages. Either ESTC N17836 without the errata slip mentioned there; or also issued as part of Vol 3 of the Collection of Voyages and travels published by Awnsham and Churchill in 1704. Most likely the second. Star chart on page 42. Some pages have ink stains. Damp staining to the lower part of the first 8 pages. Small amount of worming to the lower inner corners of pages 89-154 but well clear of the text. In modern half leather binding with a lightly faded spine. New end papers.</p> printed by A. and J Churchill at the Black Swan in Pater Noster Row hardcover
19881866<p>Nine folded leaves with texts in Spanish and French some are illustrated. 4to 21 x 29.5 cm. Very good. Numbered series with fascicles loose inside a lavender folder front cover is faded to tan with pink ribbon ties. 1866</p><p><em>Issued on the occasion of the 1988 Marché de la Poésie a major international poetry festival held every year in Saint Sulpice Square in Paris this series of bilingual broadsides showcase the talents of Latin American participants. Poets in the sequence include Orlando Jimeno-Grendi Chile José Rosas-Ribeyro Peru Elena Galván United States Jorge Nájar Peru Rubén Bareiro-Saguier Paraguay Carlos Sahakian Uruguay Luisa Futoransky Argentina Gustavo Mujica Chile and Robert Armijo El Salvador. Unrecorded.</em></p> Internationale - MAYA - Assoc. Cultur. / Marché de la Poésie
18315758Valparaiso & Santiago 1831. Good plus. 31pp. Varying size sheets but mostly small folio. Two sections of material sewn and bradded together. Moderate wear at edges. Scattered contemporary ink stamps. Some tanning and occasional soiling. In Spanish and French; accomplished in several mostly legible hands. An interesting group of documents that provide details of a late 1820s voyage from Callao to Valparaiso made by a French cargo ship called the Charles et Adolphe. The preponderance consists of accounts bills and expenses for the journey including an account of wages owed to South American sailors and hands aboard the vessel tariffs and customs charges bills and payments for cargo from local trading companies in Valparaiso. Many of these are signed "Bon à payer" by the captain of the vessel a Monsieur Gigneaux for whom we locate no immediate information; some are additionally signed or countersigned by the local French consular diplomats.<br /> <br /> The journey was apparently somewhat fraught and unsuccessful with some damage occurring to the cargo caused by a leak sprung in the hold during the voyage. The most absorbing document present is a report on a tribunal for the matter held during 1831 in a special French consular chancery court in which the ships' captain representatives of the cargo owners consular officers and several witnesses were present. The minutes describe the damage to the ship and cargo and provides the account of local witnesses two captains drafted to assess the condition of the boat once it arrived in port who testified that the ship was otherwise in good condition and the leak and subsequent damage were neither foreseeable or caused by any negligence on the part of the Charles et Adolphe's captain or crew. A number of the financial records here relate to the repair of the ship and expenses incurred while in port during the repair work. A good group of material representing a confluence of issues concerning international shipping and trade in early independent Chile. unknown
1991218672Parigi: Hazan 1991. Brossura wrappers. Ottimo Fine. Pubblicato in occasione dell'esposizione presentata all'interno dei Rencontres Internationales de la Photographie d'Arles 1991. Testo di <strong>Pablo Neruda</strong>. Con 38 fotografie in biacnoe e nero di <strong>Sergio Larrain</strong>. Realizzato in collaborazione con Agnè";s Sire e Xavier Barral. Traduzione del testo in francese di René Solis. cm 235x165. pp. 64. Ottimo Fine. Prima edizione First Edition. Libri fotografici 2 Parr Badger 2006 Parr Martin Badger Gerry The Photobook: A History II. London Phaidon 2006. <div><em>Il fotografo cileno Sergio Larrain è per scelta tra i meno noti tra i fotografi Magnum eppure ha prodotto due dei libri fotografici più" seducenti mai emersi dall'America Latina. Il primo di questi <strong>"El Rectå";"ngulo en la mano"</strong> pubblicato per accompagnare una mostra delle sue opere presso l'ambasciata brasiliana a Santiago può";" essere considerato il suo manifesto estetico - l'equivalente di "The Decisive Moment" di Henri Cartier-Bresson - e lo incorona come un classico street photographer. Il suo lavoro è";" tuttavia molto diverso da quello del maestro del "momento decisivo" Cartier-Bresson. I momenti di Larrain infatti potrebbero essere descritti in modo più"; accurato come indecisi. È un maestro delle mezze luci delle impressioni sfocate e delle angolazioni instabili.<br /><br />Un modello più vicino per Larrain potrebbe essere Robert Frank; come il fotografo svizzero anche lui ha fotografato Londra alla fine degli anni '50 similmente incuriosito da nebbia luci a gas e uomini in bombetta. Anche come Frank Larrain pratica una sorta di improvvisazione dallo sguardo affilato affidandosi alla spontaneità e al caso un fotografo di suggerimenti piuttosto che di certezze. Ad esempio due figure misteriose e anonime si incrociano sulla strada collegate solo dal fatto che sono state catturate e inserite nello stesso scatto per partecipare a uno psicodramma ideato dal fotografo. Certo molti fotografi di strada fanno questo genere di cose ma c'è" un vantaggio psicologico e drammatico per le foto di Larrain.<br /><strong>"Valparaiso"</strong> uno studio del porto marittimo cileno prosegue sulla stessa scia di "El Rectå";"ngulo en la mano" dimostrando sia la coerenza di Larrain che la sua tendenza romantica a drammatizzare. Il suo porto marittimo come la sua fotografia è"; migliore quando le luci sono basse e i personaggi tendono a fare la loro apparizione. È chiaramente affascinato dalla natura scapestrata di qualsiasi grande porto marittimo restituendoci marinai bar bordelli prostitute e gangster resi nel più" seducente stile da flusso di coscienza: sfocato granuloso angolare e usando i bordi dell'inquadratura in modo superbo .<br /></em></div> <div><br /><strong><a href="https://www.youtube.com/watchv=7yjI563Dfr8&";list=PL4758fen2H-wrGH5Y7nmIrrN7FNj49LEJ&"index=6" target="_blank" rel="noopener">GUARDA IL VIDEO</a></strong></div> Hazan, unknown
1925227551925. Latin America SS Resolute voyage photograph album 1925 documenting a steamship journey through Central and South America during the interwar expansion of international maritime tourism following the opening of the Panama Canal in 1914. The photographs record port cities landscapes and civic landmarks encountered along the Pacific and Atlantic coasts of Latin America during a period when luxury liners increasingly connected North American travelers with destinations across the hemisphere. By the 1920s transisthmian canal travel had reshaped global shipping and passenger routes allowing cruise itineraries to combine Caribbean Pacific and South American destinations within a single voyage. The album preserves visual evidence of these emerging travel circuits while also documenting major urban and cultural centers of the region during a period of modernization and expanding hemispheric exchange.<br /> <br /> Photo album compiled during the 1925 voyage of the steamship SS Resolute containing approximately 150 original silver gelatin photographs mounted to black album leaves and captioned in white ink. Contemporary red leatherette album titled "Photographs" in gilt and bound with red cord. Photographs measure approximately 3 x 4 inches to 4 x 6 inches. The photographs document the vessel's route through Panama and the Canal Zone before continuing along the Pacific coast of South America and returning through the Atlantic basin. Numerous photographs depict Panama City and the Panama Canal including views of the Culebra Cut and Gold Hill major engineering features of the canal project completed little more than a decade earlier. Other sections of the album record urban and harbor scenes in Cartagena Colombia including colonial architecture and waterfront activity. Photographs from Peru show Lima's Plaza de Armas the bullring at Miraflores and rural Andean valleys near Arequipa with terraced agricultural landscapes and local communities. Images from Chile capture the steep hills and harbor districts of Valparaíso along with coastal plazas and naval vessels near El Morro. Additional photographs from Argentina depict major civic spaces in Buenos Aires including Plaza San Martín and Plaza de Mayo documenting the monumental architecture and modernizing urban landscape of the city during the 1920s.<br /> <br /> The steamship SS Resolute operated as a passenger liner serving long distance routes during the interwar expansion of luxury cruising and international tourism. Voyages such as the one recorded in this album reflected the growing accessibility of transcontinental travel made possible by the Panama Canal and by the increasingly global network of commercial steamship lines linking the Americas. Mild toning consistent with age; mounts and binding well preserved. Overall very good condition. The photographs collectively document a hemispheric itinerary connecting canal infrastructure colonial port cities Andean landscapes and rapidly modernizing capitals offering a visual record of the cultural and geographic environments encountered by travelers during the height of the steamship era. unknown
367757Paris France: Maeght Editeur 2000. First edition limited to 100 numbered copies '21/100' signed by Venus Khoury-Ghata and Matta total printing of 120 copies. A fine copy in publisher's slipcase box also fine. First edition limited to 100 numbered copies '21/100' signed by Venus Khoury-Ghata and Matta total printing of 120 copies. OCLC lists two holdings none in the United States Paris- Bibliotheque Kandinsky and Bibliotheque nationale de France. Nicely illustrated with an original color lithograph measuring twelve inches by four inches by Roberto Matta. Sebastian Antonia Matta Echaurrenm 1912-2002 abstract expressionist and surrealist artist was born in Santiago Chile. Vénus Khoury-Ghata French-Lebanese poet and novelist was born in 1937 in Bsharri Lebanon. She has lived in Paris since 1972 and has published several novels and collections of poems. and has won the following awards:1980- Prize Apollinaire for "Les ombres et leurs cris"; 1987- Prize Mallarmé for "Un Faux pas du soleil"; 1992- Grand Prix de la Société des gens de lettres for Fables pour un people d'argile; Prize Jules Supervielle for "Anthologie personnelle"; Prize Baie des anges for "Le moine l'ottoman et la femme du grand argentier"; 2011- Prize of Goncourt for Poetry for all her works; 2012- Poetry Prize Pierrette Micheloud for "Où vont les arbres." per Wikipedia. Maeght Editeur unknown
006135192XNew. Brand new and still unused unknown
2014113210Distanz. New. 2014. Paperback. 3954760657 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English German and Spanish. -- with a bonus offer-- . Distanz paperback
