2 152 résultats
196758734New York: Wildenstein Gallery. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 104 pp. With 77 ills. 26 x 22 cm. -- with a bonus offer-- . Wildenstein Gallery paperback
196258596New York: Wildenstein. As New. 1962. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 42 works catalogued and illustrated in black and white. Among the artists represented: Tintoretto Murillo Prud'hon Zurbaran Corot Rembrandt and others. -- with a bonus offer-- . Wildenstein paperback
194769520New York: Wildenstein. Very Good. 1947. Softcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - 107 works catalogued; many lovely b/w plates; frontispiece reproduction of Homer's "A Fair Wind or Breezing Up" in color. -- with a bonus offer-- . Wildenstein paperback
199628002New York: William Doyle Galleries. New. 1996. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . William Doyle Galleries paperback
198138970New York: William Doyle Galleries. As New. 1981. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - mild cover shelfwear. 147 lots many black and white and a few color illustrations. Among the artists represented: Harpignies Jacque J. W. Jarvis and others. -- with a bonus offer-- . William Doyle Galleries paperback
198953K000002EPWChristie's 1989T. paperback. New. . Christies auction paperback Christie's paperback
1964210445Parigi: Ileana Sonnabend 1964. Legatura con punto metallico stapled binding. Molto buono Very Good. Catalogo della <strong>prima personale di Andy Warhol in Europa</strong> tenutasi presso la Galerie Ileana Sonnabend Parigi gennaio - febbraio 1964 con opere realizzate dall'Artista nell'estate 1963. Testi di Jean-Jacques Lebel Alain Jouffroy e John Ashbery. 6 illustrazioni a colori e 1 poster a colori ripiegato con riproduzione dell'opera "<strong>Blue Electric Chair</strong>". 8vo cm 265x18. pp. 20. Molto buono Very Good. Poche note a penna sul retro della copertina Few pen notes at the back. . <em>"Wharol dans sa sé";rie de toiles consacrées à l'accident mortel et à la repression lance des signaux avec une telle netteté que beaucoup se refuseront à les voir. Des centaines d'ideées sont accouplées les une aux atres ce que notre existence est devenue pendant ce temps Warhol dresse le tableau de l'ètat actuel de la brutalité" et de la mort"<span lang="it">. Tratto dal testo di Jean-Jacques Lebel.</span></em> Ileana Sonnabend, unknown
185077033New York 1850. Folio. Originalt litografi. Arkets størrelse : 51 cm X 36 cm. I håndlaget passepartout fra Bleijenberg i Amsterdam. Folio. Original litho. Size of sheet. 51 cm X 36 cm. Mounted in passepartout from Bleijenberg in Amsterdam. G. Hayward’s Lith. 206 Pearl St. N. Y. Engelsk. <br/><br/><em>The Manual of the Corporation of the City of New York commonly known as Valentine's Manual was published annually by the city's Common Council from 1841 to 1870 and is of historical interest today partly because of its statistics and listings of officials but mostly because of historical essays and images added by its compilers unrelated to other specific contents. Wikipedia. David Thomas Valentine 1801-1869. Litografen var George Hayward 1800-1872 opprinnelig fra England. </em> unknown
191760220New York:: Mary Moore Orr 1917. First edition; No. 90 of 500 copies. publisher's sueded leather. . Leather binding spotted and rubbed along the edges. Folio. Illustrated from very fine photoengravings including interior views of the Church. . Louis C. Tiffany's own copy with his engraved armorial bookplate on the front moire silk endleaf. From a preface: "The general desire as outlined to Mr. Tiffany was to the effect that the interior of the church should be so transformed that it would be a temple of quiet sacred beauty whose atmosphere would be a source of inspiration and spiritual uplife alike to the regular parishoners and to visitors." Mary Moore Orr, hardcover
1836573991836. Albany New York 1836. 17 1/2" x 12 3/4. Albany New York 1836. 17 1/2" x 12 3/4" 1836 Broadside of Laws Regulating Albany's Public Markets Broadside. Albany New York. A Law in Addition to a Law Entitled "Of the Public Market Houses." Passed February 1 1836. The Mayor Aldermen and Commonalty of the City of Albany in Common Council Convened do Ordain as Follows:. Erastus Corning Mayor. Albany: Printed by E. B. Child No. 6 South Pearl-Street 1836. 17-1/2" x 12-3/4" broadside mounted and matted text printed inside wide decorative typographical border. Toning faint vertical and horizontal fold lines. A few expert repairs with no loss to text and minor fading to text in five lines. $1500. An apparently unrecorded broadside in eleven sections outlining regulations concerning the handling of meat poultry and other food in Centre Market in Albany New York. This was one of three public markets established in 1836; the others were the North Market and South Market. The laws address hours of operation allocation of stalls licensing costs of permits and the salary of the market's superintendent. Section ten repeals previous laws and section eleven decrees that this law will take effect on 8 February. The printer of this broadside was located near the market on the corner of South Pearl and State Street. Not in Evans. No copies listed on OCLC. unknown
178931069New York: Printed by Hugh Gaine 1789. Large folio. 10 3/4" x 15 1/2". Two volumes in 20th century binder's cloth with gilt-lettered morocco spine labels. Vol. I: 3 1 blank 336 11-Index 1 blank xii 1 1 blank; Vol. 2: 1-title 1 blank 471 1 blank 17-index 1 blank pp. Volume 1 is lacking the final blank leaf. A clean and bright text. Very Good. <br /> <br /> Samuel Jones and Richard Varick compiled this book "which comprehends the Constitution and the public Statutes of this State from the Revolution to the End of the Twelfth Session of the Legislature." <br /> Volume I opens with the 1777 New York Constitution. The Statutes through 1789 are printed all under the reign of the long-serving Governor George Clinton. Revolutionary Acts-- such as raising five Continental Battalions Lotteries regulating the militia treatment of deserters-- are included. <br /> Several Acts concerning New York's efforts gradually to eliminate slavery are here: barring slave importations after June 1 1785 for purposes of sale penalizing purchase of slaves or trading or selling liquor to slaves; criminal slave codes and other laws reflecting the existence of slavery in New York. Acts concerning Quakers respect their scruples against bearing arms. Many civil criminal governmental and commercial laws are printed all with a detailed index. <br /> Evans 22012. II Harv. Law Cat. 204. Printed by Hugh Gaine unknown
180038803Albany 1800. Folio broadside 13-1/2" x 16-3/8." Printed in five columns beneath the caption title. Expertly repaired long horizontal closed tear no loss. Very Good. <br /> <br /> During John Jay's term as Governor the Legislature passed 133 Acts listed here. ESTC lists holdings only at AAS; OCLC adds a few more.<br /> Evans 38093. ESTC W10245 1- AAS. unknown
177426611New York: Hugh Gaine 1774. Folio two volumes in a single contemporary calf volume some rubbing hinges firm but each has small separation at the top. Raised spine bands somewhat faded spine lettering. Pages iv 420; 4 421-835 i.e. 833 1 errata as issued. Contemporary signature of Peter Silvester on title page. Occasional light tanning light wear two lightened spots on title page not affecting any type. Very Good. <br /> <br /> Peter Van Schaack the editor signs the Preface in type. This comprehensive compilation commences with the First Assembly in 1691. It ends with the Sessions of the Twenty-Ninth Assembly in 1773 which enacted a law that made defacing statues of the King a crime. The Acts encompass the broad spectrum of the requirements of a developing society including a number of laws regulating the behavior of slaves and the institution of slavery. <br /> Evans 13467. ESTC W6510. Hugh Gaine unknown
SKU1012434<p>Samuel Wood 362 Pearl Street New York. PAPERBACK. Original 1807 Edition; The Picture Alphabet for Little Children contains alphabets with woodcuts illustrating objects; 16 pages total including covers with 2 letters to a page; Size: 3" x 2 inches; cover is loose at the lower edge of spine; a few spots to cover; This work has the distinction of being one of the first publications issued by Samuel Wood who would go on to a distinguished career in the American publishing trade; Very Scarce . Very Good.</p> Samuel Wood, 362 Pearl Street, New York paperback
1966107909Boston: Institute of Contemporary Art 1966. Legatura con punto metallico stapled binding. Ottimo Fine. Raro catalogo della mostra presso l'Institute of Contemporary Art di Boston 1 ottobre - 6 novembre 1966. Introduzione di Alan Solomon. Ringraziamenti di Sue M. Thurman. Catalogo delle 35 opere esposte. Illustrazioni e fotografie in bianco e nero. 2 quartini di carta fluorescente color rosa shocking intercalati all'interno del catalogo. Note sulla tecnica serigrafica di Warhol. Attività";" espositiva e bibliografia selezionata. 4to. pp. 24 non numerate. Ottimo Fine. . Institute of Contemporary Art, unknown
196866998Milano: Grafica Uno 1968. Brossura custodia wrappers slip-case. Ottimo Fine. Five original lithographs on stone and a poem by Harold Perisico Paris. 5 litografie originali su pietra di cui due su fogli ripiegati sciolti ed un poema in inglese di Perisico Paris cm 17x215"; 325x42. 16mo cm 17x22. pp. 16litografie. Ottimo Fine. Prima edizione di 50 2 H.C. esemplari numerati First edition of 50 2 H.C. numbered copies. <em>La prima fase della produzione artistica di <strong>Harold P. Paris</strong> fu dominata da una personale interpretazione dell'<strong>espressionismo astratto</strong> per poi volgersi a una ricerca sull'espressività dei materiali in opere al limite tra la figurazione e l'astrazione.<br />Nel 1963 è chiamato ad insegnare all'<strong>Università di Berkeley</strong>. Prime personali nel 1965 e 1967 alla Hensen Gallery di San Francisco. Nel 1969 ha luogo la sua prima personale in Europa allo <strong>Studio Marconi di Milano</strong>. Negli Anni Settanta si dedica a lavori ispirati alla Shoah e alla cultura ebraica che espone al Jewish Museum di New York nel 1975. Nell'ambito della scultura realizza opere di respiro ambientale vere e proprie installazioni percorribili dai visitatori. Dopo la sua morte nel 1979 l'Università di Berkeley gli dedica una retrospettiva itinerante che tocca diverse città" degli Stati Uniti. da ''Autobiografia di una galleria. Lo Studio Marconi 1965/1992''.</em> Grafica Uno, unknown
1989BN124857Taylor & Francis Inc 1989. 1989. Hardcover. Polyphase Induction Motors Analysis <br/><br/>Polyphase Induction Motors Analysis Paul Scotia New York USA Cochran Taylor & Francis Inc hardcover
186342038New York Printed by Thalmessinger & Cahn 1863. Hardback. 2nd Revised Edition edited revised and corrected by S. Adler 1st printing thus. Original gilt tooled leather 8vo 396 pages. In Hebrew and English on facing pages. Formerly Singerman 1780 now merged into Singerman 1667 as vol II variant 1 Thalmessinger & Cahn. <br> The second of two volumes vol. 1 Daily prayers & vol. 2. Prayers for the Day of Atonement this volume substantially reworked by Adler and published 1860 vol. I and 1863 vol. 2 here. Together these comprise the First Edition of Samuel Adler's revised edition of Leo Merzbacher's 1855 Prayer-Book. <br> Despite the modest title-page Adler's production here was not merely a revision but rather an entire reworking with additions and alterations to the liturgy. Rabbi Leo Merzbacher's original version of the prayers was quite traditional. "As resourceful and accomplished a liturgist as Merzbacher proved to be he seldom sought to .willfully turn aside from the traditional cannon" Friedland p. 36. Samuel Adler on the other hand Merzbacher's successor at Temple Emanu-El of New York had no such reservations about adopting radical change to the structure of the prayer-book. In his version of the "Order of Prayer" Adler did not rely on sources in Jewish tradition rather he changed the prayers according to his subjective views of how synagogue services should be conducted. See Eric Lewis Friedland Brandeis University dissertation The Historical and Theological Development of the non-Orthodox Prayerbooks in the United States 1967. <br> Indeed it was precisely this 1860-1863 version of the "Order of Prayer" that was adopted by Temple Emanuel in New York and all subsequent issues of the "Order of Prayer" utilized this version containing Samuel Adler's revisions. The Union Prayerbook itself was largely based on Adler's 1860-1863 revisions here. <br> Consequently this prayer-book was also the cause of much controversy. Orthodox Rabbi Bernard Illowy of St. Louis fumed that whomsoever utilized this "so-called" prayer-book was to be "entirely excluded from all religious communion" see Michael A. Meyer Response to Modernity: A History of the Reform Movement 1995 p. 237. <br> <br> Leo Merzbacher 1809-1856 received his Rabbinic ordination from the celebrated Rabbi Moses Sofer of Pressburg the "Chasam Sofer" the leading opponent of the Reform movement. Merzbacher immigrated to America in the 1840's "and was the first Reform rabbi in the country. After serving at Anshe Chesed and Rodeph Sholom in New York Merzbacher became the rabbi of Emanu-El the first Reform temple in the city.The 1855 edition of This prayer book was the first Reform edition issued in America for general use" Goldman. Merzbacher adopted changes in synagogue custom such as the prominent use of an organ and eradicating the observance of the second day of festivals. Samuel Adler 1809-1891 replaced Merzbacher in Temple Emanuel in 1857 following the latter's death where he served until 1891. Adler's son Felix was the founder of the Ethical Culture movement. <br> <br> SUBJECTS: Siddurim -- Texts. Reform Judaism -- Liturgy -- Yom Kippur -- Siddour -- Textes. Judai¨sme re´forme´ -- Liturgie -- Yom Kippour -- OCLC: 78354364. Lacks top 1 inch of backstrip spine covering and rear blank endpaper; wear to boards some stains but solid good condition. Rare and Important AMR-69-11-B-D. New York, Printed by Thalmessinger & Cahn unknown
70600An archive of photographs ledgers canceled checks legal documents and other business and personal records from a Stillwater New York family who feuded over the disposition of a lumber and coal business at the turn of the last century. The troubles began following the death in 1898 of Stephen Wood Sr. the owner of Stephen Woods Sons Lumber and Coal in Stillwater New York. The business continued on under the direction of his two sons Stephen and Edward who were named executors of the estate. Two daughters were not included in the settlement. The sons cared for their widower mother Temmy but there was no formal settlement of the estate. When Edward who took care of the books died in 1908 matters became complicated and the family found itself in court because Edward's wife Louise C. Wood asked for a settlement of his portion of the estate. Temmy then sued saying she was owed a third of the estate which was also indebted to her for $6000 in personal loans. This legal dispute went on for several years during which Stephen Jr. died on February 14 1911 followed not long after by his mother Temmy who died in 1912. After Stephen Jr.'s death the remaining heirs settled the dispute with Louise paying her $1500. When Temmy died her estate was left to her granddaughters who signed their inheritance rights over to their mother. Among the court documents is a final settlement of the estate legal fees which were paid in 1917. In a typed letter dated November 8 1911 Emma Wood the daughter of Temmy Wood expressed the concern and frustrations she and her sister Kate felt over the legal troubles. "I understood Kate to say this morning that she does not want to have anything to do with it but that whatever you decide upon will be her decision also. I am in too nervous a state to discuss matters verbally with you so think best to write what I feel the honest thing to be done." Much of the material in this collection appears to be related to the request to settle the estate and therefore provides a detailed overview of the operations of the business along with the family's personal holdings and business dealings. Among the materials included are a handwritten bills ledger receipts legal documents family wills household notebooks and a photographic album. unknown
18609034New York: Lith. of W. Faust 105 Nassau St 1860. Broadside wine list 25.5 x 15.5 cm. 1 page. Porcelain card decorated in chromolithograph with text in blue and red. A very early wine list from an important New York hotel and dining establishment. The hotel was at the corner of Broadway and Eleventh Street across from Grace Church and Rectory. Both the hotel and the church were designed by the architect James Renwick Jr. Named for its original owner Denis Julien the St. Denis Hotel opened in 1853 just in time for the Crystal Palace Exhibition. The building was leased to William Taylor in 1875 who incorporated the Taylor Saloon into the facility. The list features Clarets from Finke Merman of Bordeaux mostly from 1847 and 1848. And French whites including 1847 Latour Blanche and 1847 d'Yquem. Champagne Sherries and Madeiras are also included. A solid piece of printing from a firm more known for fruit labels. Verso contains an unattributed primitive pencil drawing of a horse. Some darkening to the top edge of the recto. Lith. of W. Faust, 105 Nassau St unknown
3731848<p>America. Late 19th century. Full leather photo album with 67 cabinet card photographs. 10½ x 14 inches. Six photos have scuffing and wear and there is scattered light foxing. Overall images are in very good to fine condition.</p> <p>Cornell University class photograph album owned by Walter Douglas Young 1870-1945 with his portrait and his classmates. Young was born in 1870 in Aurora New York. After graduating from Cornell he worked as an electrical engineer for the B&O Railroad and was president of The Electromechanical Company in Baltimore. His was in the Maryland National Guard signal corps and coast artillery. In the First World War he was a major in the Engineer Corps US Army. Young died in Maryland in 1945.</p> <p>Many of Young’s classmates at Cornell were in fraternities. They autographed their class photographs giving them to Young. They are:</p> <p>Juan A. Almirall 1891; Raymond Almirall 1891 architect; Leonard Thurlow Beecher 1889 co-founder of Cornell’s Chi Psi chapter; Ethelbert W. Brown an American painter from Arizona who studied with Whistler and exhibited at the Paris Salon and the Pan-Am. Exposition in Buffalo; Albert S. Crane 1891; W.E. G___ Jr. 1894; F.M. Farwell 1891; Charles P. Knowles 1891 Pennsylvania railroad surgeon; George Milik Mashek; Voyta F. Mashek 1889; George McAlpine 1891; Harry C. Palmer; Charles W. Rassler 1889; Charles Goodwin Sands 1890 the Charles Goodwin Sands Memorial Medal is named after Sands; Claude R. Scott 1889 co-founder of Cornell’s Chi Psi chapter and “instrumental in securing for this successful fraternity the Flake-McGraw mansion in Ithaca for the chapter houseâ€; Floyd M. Shoemaker 1888; Zalmon G. Simmons 1888; Milton Smith 1887; John B. Van Cleft 1889 of Norwich New York; Louis E. White; and a Sidney A. ____ 1895 Eleven additional student portraits are not identified. </p> <p>There are also: 2 photographs that show two men likely Young’s classmates costumed in minstrel apparel: one man holds a tennis racked and has a model toy house attached to his costume the other man has a sword and pistol both have nose and ear-rings and stand over a guitar case. The other image shows two students dressed as Confederate Civil War officers. </p> <p>Additionally there are five photographs of young women alone and in groups one group costumed; six images of Young’s future wife Alice Gertrude Eldred 1870–1953; 6 stunning photographs of floral arrangements likely from their wedding; 16 images of unidentified individuals that were photograph in Auburn Aurora and Seneca Falls New York.</p> unknown
19245500Japan 1924. Very good. Four broadside documents two maps and a stamped envelope. Folded for postal delivery minor overall wear and some toning a few small areas of insect damage. A small but notable collection of documents and maps documenting the New York region in the early-1920s. The two folding maps depict New York with one in color and the other being a reprint of a map from the New York American of Sunday January 22 1922 showing the NYC area marked with concentric circles representing increasing land values. The text around the map promotes a very positive view of the real estate market in the New York area. The four broadside documents are essentially leaflets reprinting various New York Times and other articles each measuring around 20 x 7 inches and printed all in Japanese. These broadsides encourage potential Japanese investment in a syndicate promoting urban redevelopment in New York and its surroundings report on the New York Port Authority business opportunities in NYC and more.<br /> <br /> The material was produced by the New York Land and Building Company one of a number of schemes created in Japan during or immediately following the First World War promoting speculation in relatively risky investment schemes. The NYLBC was founded by Japanese real estate speculator Okamoto Yonezo and was a fascinating precursor to later Japanese overseas investment and emigration efforts. The present documents and maps provide important insights into the economic and social relations between Japan and the United States on the eve of the 1924 Exclusion Act. unknown
18295234New York: New York Protestant Episcopal Press 1829. Very good. Broadside 10.5 x 9 inches. Old folds foxing creasing and toning with substantial but irregularly-trimmed margins. An unrecorded New York broadside advertising the opening of the New York Protestant Episcopal Press NYPEP and related activities at No. 46 Lumber Street in New York City in 1829. The text states that "PRINTING of every description will be executed for Churches Bible and Common Prayer-Book Societies Tract Societies Missionary or Education Societies and all other religious institutions of the Protestant Episcopal Church at the lowest rates and in the best manner" and that the new establishment will "also be the publication office of The Family Visiter and Sunday School Magazine; and of The Children's Magazine." The text also includes notes about the business of the organization as well as notices to "Booksellers who are members of the Protestant Episcopal Church" and "secretaries of religious and charitable associations." In addition to their printing and binding work the broadside states that the NYPEP will take charge of the depositories of five New York institutions -- the General Protestant Episcopal Sunday Union the New York Bible and Common Prayer-Book Society the Auxiliary New York Bible and Common Prayer-Book Society the New York Protestant Episcopal Tract Society and the New York Protestant Episcopal Sunday School Society. The bottom half of the broadside is taken up with a listing of the organization's Board of Trustees "Other Managers" the general agent book-keeper printer William Van Norden and binder Christian Brown along with a postscript with details on various forthcoming publications by the press. William Van Norden was a prolific printer in New York in the first half of the 19th century producing more than just religious works. He printed the collected works of Benjamin Franklin Hannah Moore's memoir and the Proceedings of the New York Historical Society among many other works and later helped produce The National Portrait Gallery of Distinguished Americans. We could locate no other copies of this broadside anywhere. [New York Protestant Episcopal Press] unknown
179232550New York: Thomas Greenleaf 1792. Two volumes: 4 511 1 blank; 4 521 1 blank 14- Subscribers pp as issued. Later library cloth with gilt-lettered morocco spine labels some chipping old institutional rubberstamps on title leaf scattered spotting Good. <br /> offered with LAWS OF THE STATE OF NEW-YORK COMPRISING THE CONSTITUTION AND THE ACTS OF THE LEGISLATURE SINCE THE REVOLUTION FROM THE FIRST TO THE TWENTIETH SESSION INCLUSIVE. IN THREE VOLUMES. VOLUME III. New York: Greenleaf. 1797. 4 98 1 99-100 1 8 107-160 1 160-258 5 260- 354 3 356-500 1 504-525 1 pp as issued. Matching library cloth with gilt-lettered morocco spine labels some chipping old institutional rubberstamps on title leaf scattered spotting Good. <br /> <br /> These are the first editions of Greenleaf's printing of the Laws. The third volume which issued in 1797 prints only the laws of the sixteenth through the twentieth sessions.<br /> The long list of Subscribers printed in the second volume includes the great men of the times: Aaron Burr George and De Witt Clinton several Livingstons Elias Hicks and a host of other attorneys. Greenleaf reprinted all three volumes together in 1798. <br /> Greenleaf's Preface explains that he had been "engaged to publish a cheap Edition of the Revised Laws". A 1789 folio edition published by Hugh Gaine had been too expensive for most people. Volume I which "contains all the Laws to the eleventh Session has one Session more than is comprised in the first Volume of Gaine's Edition." He emphasizes that "The Types and Paper were manufactured in this State.The Types are not so perfectly Regular as those from the London Foundaries which have been improving for Centuries-- but no Cash went to London for them-- and our infant Manufactures ought to be encouraged that they also may improve." <br /> Evans 24602 32555. NAIP w033259 w016519. Thomas Greenleaf unknown
197451627Paris: 1974. Ottimo Fine. Opera appartenente al libro di E. E. Cummings "Santa Claus" illustrato con 9 acqueforti di Alexander Calder. Sono stati tirati 175 esemplari di cui 25 accompagnati da due suite delle nove incisioni una su Vé";lin d'Arches e l'altra su Auvergne a mano del Moulin Richard-de-Bas; 75 esemplari con una sola suite su Auvergne a mano del Moulin Richard-de-Bas: 75 esemplari con una sola suite su Vé"lin d'Arches. Cm 47x35 Foglio 51x67. . Ottimo Fine. 175 10 H.C. , unknown