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196059761New York: D'Arcy Galleries. As New. 1960. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 124 pp. With 77 ills. 18 x 18 cm. -- with a bonus offer-- . D'Arcy Galleries paperback
0267246293.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9780199263479_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; What does belief in God amount to Can we reasonably believe in God's existence without argument or evidence Can God's existence be proved Can we believe in miracles Is there life after death In this book Brian Davies provides a cr paperback
1973238746Londra: Thames and Hudson 1973. Rilegato tela sovracoperta cloth dust jacket. Ottimo Fine. Storia contemporaneità"; anni '70 e sviluppi nel rapporto tra arte tecnologia e scienza del critico e saggista Davis Douglas. Una sezione è dedicata alla computer art. Il volume è" ampiamente illustrato con fotografie a colori e in bianco e nero. Tra gli artisti citati: William Morris Bauhaus Group ZERO Bruno Munari Frank Stella John Cage Gyorgy Kepes Anthony Caro Bridget Riley Bruce Nauman Lejaren Hiller Gerd Stern USCO e molti altri. Cm 26x23. pp. 208. Ottimo Fine. Sovracoperta sciupata ai margini Some chipping and nicks around top and bottom of dust jacket. . Thames and Hudson, hardcover
MA07D-02397Stedelijk Museum. Collectible - Good. Amsterdam: Stedelijk Museum 1968. Sm 4to. Unpaginated. Dutch and English. Illus. Good book. Owner's name on inside front cover. Rear joint torn. Title handwritten on spine. Edgewear. painting abstract expressionism exhibition catalogs Inquire if you need further information. Stedelijk Museum unknown
1968120839Amsterdam: Stedelijk Museum 1968. Brossura wrappers. Ottimo Fine. Catalogo di mostra Amsterdam Stedelijk Museum 19 settembre - 17 novembre 1968"; London Tate Gallery 8 dicembre 1968 - 26 gennaio 1969; New York The Museum of Modern Art 3 marzo - 27 aprile 1969;" Chicago The Art Institute 16 maggio - 6 Luglio 1969 Los Angeles Los Angeles County Museum of Art 28 luglio - 14 Settembre 1969. Con testi in inglese olandese e tedesco di E. de Wilde Thomas B. Hess e dell'artista. 7 tavole a colori e numerose illustrazioni in bianco e nero. Catalogo delle opere in mostra. 4to. pp. 80. Ottimo Fine. . Stedelijk Museum, unknown
0282880259.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
63-2646New York: De Youngs' Photograph Gallery ca. 1905. Black and White Photographic Print Mounted On Board 4 x 6.25 inches Very Good. Rare photograph. De Young was a well-known New York society photographer. New York: De Youngs' Photograph Gallery, [ca. 1905]. unknown
1996220748New York: The Museum of Modern Art 1996. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Volume pubblicato in occasione della mostra "Roy DeCarava. A Retrospective" che girò"; varie città degli Stati Uniti dal 1996 al 1999. A cura di Peter Galassi. Un testo di Sherry Turner DeCarava. Fotografie in bianco e nero di Roy DeCavara. Lista delle fotografie e bibliografia. 4to. pp. 280. Molto buono Very Good. Dorso della sovraccoperta brunito Dustjacket with sunned spine. Prima edizione First edition first printing. <em>Born in New York City's Harlem neighborhood in 1919 Roy DeCarava came of age during the <strong>Harlem Renaissance</strong> when artistic activity and achievement among African Americans flourished across the literary musical dramatic and visual arts. DeCarava did not take up photography until the late 1940s after working in painting and making prints for the posters division of the Works Progress Administration WPA. He used his camera to produce striking studies of everyday black life in Harlem capturing the varied textures of the neighborhood and the creative efflorescence of the Harlem Renaissance. Resisting explicit politicization DeCarava used photography to counter what he described as “black people.not being portrayed in a serious and artistic way.”</em><br /><em>DeCarava moved fluidly across subjects. In his series The Sound I Saw begun in 1956 exhibited at The Studio Museum in Harlem in 1983 and published as a book in 2001 he not only chronicled New York jazz luminaries like Duke Ellington Billie Holliday and John Coltrane but also captured their influence on visual culture. The deeply personal style of his portraits evinces his sympathy for his subjects. Noting this publisher and photographer Alan Thomas commented on DeCarava's “gentle humanism.” </em><br /><br /><em>Nato nel quartiere di Harlem a New York City nel 1919 Roy DeCarava crebbe durante la <strong>Harlem Renaissance</strong> quando la vita degli afroamericani prosperò e migliorò attraverso la letteratura le arti musicali drammatiche e visive. DeCarava non iniziò a fotografare fino alla fine degli anni '40 dopo essersi avvicinato alla pittura e realizzato stampe per la divisione poster della Works Progress Administration WPA. Cominciò" ad utilizzare la sua macchina fotografica per produrre sorprendenti studi sulla vita quotidiana ad Harlem catturando le varie trame del quartiere e l'efflorescenza creativa del Rinascimento di Harlem. </em><br /><em>DeCarava si muoveva fluidamente tra i soggetti. Nella sua serie The Sound I Saw iniziata nel 1956 esposta al The Studio Museum di Harlem nel 1983 e pubblicata come libro nel 2001 non solo ha raccontato le stelle del jazz di New York come Duke Ellington Billie Holliday e John Coltrane ma ha anche catturato la loro influenza sulla cultura visiva. Lo stile profondamente personale dei suoi ritratti rivela la sua simpatia per i suoi soggetti.</em> The Museum of Modern Art, hardcover
1528529995.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
47606West Point N. Y. :: Department of Military Art and Engineering United States Military Academy. Fair/NONE. Stapled Manual. Two-volume draft text intended for departmental use only. Stapled softbound copy which also is hole-punched; staples show rust stains with front cover loose at top staple of Vol. I . Paper covers shelfworn with age discoloration light spotting fading. Pages tight clean unmarked. Consists of lessons in an elective second-term course at West Point "to study the history of the art of waging and countering revolutionary warfare to accomplish national objectives. " Printed in mimeographed typescript format this set appears to have been published in the mid-1960s. . Department of Military Art and Engineering, United States Military Academy, unknown
ria9780367685676_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book presents a comprehensive overview of invertebrate organismal zoology and is one of the first to combine classical morphological approaches and newer evo-devo and Next Generation Sequencing approaches. paperback
63-8083New York: Dick & Fitzgerald 1859. 12mo. Brown Cloth on Illustrated Boards 115 pp. Good with losses at corners of corners edge wear some scribbles on covers and inside cover book's previous owner's signatures on title page and inside cover else VG. Engravings. New York: Dick & Fitzgerald, 1859. hardcover
198729066New York: Didier Aaron. New. 1987. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Didier Aaron paperback
0331064243.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1954234297Venezia: Edizioni del Cavallino 1954. Brossura wrappers. Ottimo Fine. Con un testo di <strong>Max Clarac-Serou</strong> Eloge dela desolation e 12 tavole a piena pagina in bianco e nero e a colori. Esposizioni e bibliografia. Edizione in lingua francese. Cm 24x18. pp. 32 non numerate. Ottimo Fine. Qualche leggera fioritura Some light yellowing. Prima edizione First Edition. Edizioni del Cavallino, unknown
1949238394Paris: Galerie André Weil 1949. Rilegato tela cloth. Molto buono Very Good. Catalogo pubblicato in occasione della mostra di Enrico Donati alla Galerie André"; Weil Paris 29 maggio 1949<strong>. </strong>Prefazione di <strong>André Breton</strong>; testi in francese di <strong>Nicolas Calas </strong>e <strong>Maurice Nadeau.</strong> Con 12 illustrazioni in bianco enero. Catalogo delle 15 opere esposte. Cm 95x73. pp. 80. Molto buono Very Good. Prima edizione First Edition. <em><strong>Enrico Donati</strong> nato a Milano nel 1909 si trasferì negli Stati Uniti nel 1934. Le sue prime mostre personali si tennero a New York nel 1942 alla New School for Social Research e alla Passedoit Gallery. Attratto dal Surrealismo entrò in contatto con <strong>André Breton</strong> <strong>Marcel Duchamp</strong> e altri surrealisti europei. Nel 1947 fu uno degli organizzatori dell'<strong>Exposition Internationale du Surréalisme</strong> tenutasi di Parigi. Dopo la crisi del surrealismo della fine degli anni quaranta si avvicinò ad altre correnti artistiche dal <strong>costruttivismo </strong>allo <strong>spazialismo</strong>. Donati partecipò a numerose mostre collettive negli Stati Uniti e in Europa e ricoprì" importanti incarichi di insegnamento tra cui quello di Visiting Lecturer alla Yale University dal 1962 al 1972.<br />Nel 1961 gli fu dedicata una grande retrospettiva al Palais des Beaux-Arts di Bruxelles.</em> Galerie André Weil, hardcover
200458560New York: Doyle. New. 2004. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 274 lots catalogued; many illustrations in b/w or color. Among the artists represented: Hazel B. Jackson; J. R. Goubie; F. C. Fairman; F. T. Daws; and others. -- with a bonus offer-- . Doyle paperback
200038058New York: Doyle. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE Mild cover creasing else flawless. 243 lots illustrated in black and white or color. Among the artists represented: Klombeck Pleissner F. J. Waugh L. A. Knight G. Munger and others -- with a bonus offer-- . Doyle paperback
200670169New York: Doyle. New. 2006. Softcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - Lots 2001 - 2828; many color and some black and white illustrations. -- with a bonus offer-- . Doyle paperback
17732London: William Reeves 185 Fleet Street E.C. Circa 1889. . 14 2 pp. 12mo. Disbound without covers. In fair condition lightly aged and worn. 'Delivered under the auspices of the Anti-Poverty Society at the Cooper Institute New York on Sunday March 3 1889 for the benefit of the Street-Car Drivers and Conductors out of employment through the late strike.' Scarce: the only copy on COPAC in Oxford. London: William Reeves, 185, Fleet Street, E.C. [ Circa 1889. ] unknown
193957595Harry A. Pattison Potts Memorial Hospital 1939. Hardcover. Used - Acceptable. 56 entries on 14 pages in 56-page printed blank book Designed by May L. Farini C.R. Gibson & Company NY copyright 1921 with decorative forms for signatures & comments. 8.5 x 11.5" gold stamped blue cloth. Ida C. Potts left part of fortune for tuberculosis hospital in Columbia County. Pattison created a facility for post-hospital recuperation opened in 1926 closed 1950s. Many guests involved in the National Tuberculosis Association: Charles J. Hatfield Frederick D. Hopkins 'had pleasure of seeing Potts estate a year ago & now witness truly remarkable change' Edward R. Baldwin Beulah Weldon Burhoe Francis J.H. Coults Ministry of Health London Dr. G.C. Bellinger Salem OR Ernesto A. Molinellis School of Medicine of Buenos Aires Dr. Salvatore Lojacano Marquette MI Maki Hitotsuyanagi Vories Theodore F. Zucker Columbia University Philip Chin Peiping Sherwood Hall Korea many guests from Yonkers NY. Cover soiled worn hinge loose entries VG. Harry A. Pattison, Potts Memorial Hospital hardcover
ria9780415871747_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this book Andrew J. DuBrin skillfully provides a guide to the effective use of impression management based on scholarly research and theory with particular attention to practical application. paperback
ria9780415871730_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this book Andrew J. DuBrin skillfully provides a guide to the effective use of impression management based on scholarly research and theory with particular attention to practical application. hardcover
1171520697.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback