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50618119like new. unknown
191431565New York: Messrs. Duveen Brothers. As New. 1914. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 17 paintings described and illustrated. Among the artists represented: Gainsborough; T. Lawrence; G. Romney; Joshua Reynolds; and others. -- with a bonus offer-- . Messrs. Duveen Brothers hardcover
1986460357NY: Metropolitan Museum of Art 1986. 1st. Hardcover. Very Good/Very Good. Hardcover 499 pages profusely illustrated throughout with 562 plates including 148 in full color. Previous owner’s blind stamp on front end paper. Light shelf-wear to dust jacket else a clean tight copy. Record # 460357 Metropolitan Museum of Art hardcover
187098207Union Printing House New York 1870. Pamphlet. Used - Very Good. Union Printing House New York 1870. 30 pages 4p Abstract of Initial Proceedings inserted. 9 x 6" printed wrapper. Officers Act to Incorporate Finance Committee Constitution. Wrap edges chipped corner bent VG. Union Printing House, New York unknown
197114637New York: The Metropolitan Museum Of Art. 1971. Hardcover. 870991108 . Hardcover no dustjacket. In slipcase. 4to. First edition. Two-volume set. Both books are as new; beautifully crisp and clean. Slipcase is in near fine condition with light shelf wear. Full color reproductions of the original manuscript with commentary and texts by Thomas Hoving Florens Deuchler Jeffrey M. Hoffeld and Helmut Nickel. A heavy volume; may require additional postage for other than domestic media mail. First volume unpaginated; second volume has 104 pages. . The Metropolitan Museum Of Art hardcover
196858937New York: Metropolitan Museum of Art. As New. 1968. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 264 pp. With 3 text ills. And 139 ills. On 138 pls. 12 col. . 24 x 17 cm. -- with a bonus offer-- . Metropolitan Museum of Art paperback
1891M13943New York:: Pusey & Troxell 1891. 1891. Four volumes in one. 8vo. 26; 29; 186; 73 pp. Plates folding tables figures errata leaf index and list of members of the society. Contemporary red half morocco over marbled boards gilt spine title and raised bands; extremities worn spine mended sympathetically with red kozo mounting original spine. Very good noting the binding. RARE not in WorldCat. With: Second Annual Report of the Midwifery Dispensary 314 Broome Street New York City. Medical Board. . . New York: Pusey & Troxell 1892. / With: Society of the Lying-In Hospital of the City of New York. Incorporated March 1 1799. Midwifery Dispensary. Medical Report. 1893. New York: Martin B. Brown 1894. / With: Society of the Lying-In Hospital of the City of New York. Report with historical sketch. 1893. New York: Martin B. Brown 1893. NOTES: Of interest for gynecology and pediatrics and the rise of these fields and those who pioneered the fields in New York and America. Including: T. Halsted Myers MD "Report of the Orthopedic Surgeon" showing 2 plates and descriptions of congenital malformations encountered in New York. This particular baby of Russian parentage appeared normal at birth but within six weeks "both hands showed contraction of flexor and abductor muscles presenting well-marked ulnar-palmar club-hand deformity. The left hand also presented one of the rarer forms of syndactylism: there was union of the soft parts alone . . ." Also the following papers 1: Samuel W. Lambert & H. McM. Painter "Fever in the Puerperal Woman." 2: J.W. Markoe "A Modification of the so-called Crede's Method of Expressing the Placenta." 3 J. Clifton Edgar "Two cases of Sympthysiotomy." 4: Farquhar Ferguson "Report of the Pathologist." 5: George S. Huntington "Studies in the Development of the Alimentary Canal." Pusey & Troxell, 1891. hardcover
1354438876.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333162596.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
63-2667New-York Historical Society: ca. 1950. Two B&W Photographs. 8 x 10 inches Very Good. Stamp & penciled notes on verso. New-York Historical Society: [ca. 1950?]. unknown
51-1654Buffalo New York: Cosack & Company1877. Chromolithograph by Clay Cosack & Co. Buffalo NY. Sheet size 18 x 12 inches.Letterpress descriptive pages in English and French.From Treasures of Art Industry and Manufacture Represented in the American Centennial Exhibition at Philadelphia. 1876. Edited by C. B. Norton. Buffalo New York: Cosack & Company1877. Buffalo, New York: Cosack & Company,1877 unknown
0267959141.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1990220516Ottawa: National Gallery of Canada 1990. Brossura wrappers. Molto buono Very Good. Catalogo della mostra itinerante tenutasi presso: Ottawa 1990-1991 New York 1991 San Francisco 1991 Vancouver 1991 Boston 1991 Colonia 1992. A cura di Thomas Ann. Testo di Thomas Ann. 325 fotografie in bianco e nero di Lisette Model. Bibliografia Biografia Catalogo delle opere esposte. 4to cm 30 x 23. pp. 362. Molto buono Very Good. Prima edizione First Edition. <em>&ldquo";"One question concerned the possibility of undertaking a major Lisette Model retrospective. This led me to examine the entire archive including many images that had not benn put before the public eye and consequently to discover a depth and breadth in her vision that made a more profound exploration pf her art and life seem to be a necessity. In producing an exhibition and a book that draw heavily from the raw contents of the archive photographic prints negatives teaching notebooks and correspondance I have aimed to present a fuller and more accurate picture of her accomplishments as a photographer and teacher than has so far been made and to provide a glimpse into a life lived with passion commitment and humor but marked more deeply by pain than she would have led anyone to believe". Thomas Ann.<br /><br />The <strong>325 duotone illustrations</strong> include both her well-known work from the <strong>Promenade des Anglais</strong> and <strong>Lower East Side series</strong> and numerous images - of the blind the aged of animals jazz singers herself - which appear here for the first time. Author Ann Thomas draws extensively from never-before-published material from the Model archives held at the National Gallery of Canada. These include correspondence interviews writings and notebooks from a career that spanned fifty years of work in Europe and America.</em> National Gallery of Canada, unknown
1967224858Milano: All'insegna del pesce d'oro Nuova Serie Illustrata 1967. Brossura sovracoperta wrappers dust jacket. Molto buono Very Good. A cura di Vittorio Orazi. Con la riproduzione del monoscritto di Mondrian. Al controfrontespizio un fotoritratto di Piet Mondrian ed Enrico Prampolini. 24mo. pp. 56. Molto buono Very Good. Prima edizione di 1000 es. numerati. Scheiwiller Novati 2013 NOVATI Laura. Giovanni e Vanni Scheiwiller editori. Edizioni Unicopli 2013. All'insegna del pesce d'oro, Nuova Serie Illustrata unknown
193856184Rochester N.Y.:: The Senior Class Monroe High School 1938. First edition. publisher's spiral-bound wrappers. Tiny ink numerals on half-title; front free endpaper detached but present. . Folio. Ilustrated from photographs. The Senior Class, Monroe High School, unknown
193956182Rochester N.Y.:: The Senior Class Monroe High School 1939. First edition. publisher's cloth. Tiny ink numerals on front free endpaper; light use to cloth; tight and sound. Folio. Ilustrated from photographs. The Senior Class, Monroe High School, hardcover
194868924Rochester N.Y.:: The Senior Class Monroe High School 1948. First edition. publisher's embossed cloth. Many classmate signatures. Folio. Ilustrated from photographs. The Senior Class, Monroe High School, hardcover
194968925Rochester N.Y.:: The Senior Class Monroe High School 1949. First edition. publisher's embossed cloth. Many classmate signatures. Folio. Ilustrated from photographs. The Senior Class, Monroe High School, hardcover
195068926Rochester N.Y.:: The Senior Class Monroe High School 1950. First edition. publisher's embossed cloth. Many classmate signatures. Folio. Ilustrated from photographs. The Senior Class, Monroe High School, hardcover
195168965Rochester N.Y.:: The Senior Class Monroe High School 1951. First edition. publisher's embossed cloth. Many classmate signatures. Folio. Ilustrated from photographs. The Senior Class, Monroe High School, hardcover
194156183Rochester N.Y.:: The Senior Class Monroe High School 1941. First edition. publisher's cloth. Tiny ink numerals on front free endpaper; many classmate signatures; cloth soiled and worn; binding a little weak. . Folio. Ilustrated from photographs. The Senior Class, Monroe High School, hardcover
190342089Montgomery & Company New York 1903. Paperback. Used - Good. No date ca 1903. 704 pages 35p price list envelope. Illustrated: drills reamers files burnishers anvils chisels draw knives bellows torches calipers squares gauges rulers dividers clamps chucks lathes planers shapers grinders engines polishers forges blacksmith tools oilers blocks hammers hatchets levels trowels planes pliers punches shears pulleys pumps rollers scrapers ploughs trucks scales saws mitre boxes screw drivers taps dies screw plates threading machines vises wrenches tool chests. 6 x 4.5" printed flexible cloth. Cover rubbed last 2 index leaves detached chipped G. Montgomery & Company, New York paperback
15-4246Scarsdale New York: Morgan Press n.d. 12" x 17" Poster on printed on laid paper VG. Said to be a modern hoax reproduction. Scarsdale, New York: Morgan Press, n.d. unknown
2012230469New York: Leo Castelli Gallery 2012. Legatura con punto metallico stapled binding. Molto buono Very Good. Published by Leo Castelli and Sprü";"th Magers in 2012 on the occasion of the exhibition Robert Morris "<em>Untitled Scatter Piece 1968-69" </em>Art Unlimited Art Basel Basel Switzerland 14-17 June 2012. Essay by Jeffrey Weiss. With 6 black and white illustrations. Plaquette della mostra di Robert Morris "<em>Untitled Scatter Piece 1968-69" </em>Art Unlimited Art Basel Basel Switzerland 14-17 June 2012 14-17 Giugno 2012. Un testo di <strong>Jeffrey Weiss</strong>. Illustrato con sei fotografie in bianco e nero di cui due a piena pagina. <em>Catalogo della mostra che ricreava l'opera "Scatter Piece" di Robert Morris del 1969. </em>. 8vo 205x27 cm. pp. 8. Molto buono Very Good. Prima edizione First Edition. <em><strong>Robert Morris</strong> nato a Kansas City nel Missouri nel 1931 è"; stato un artista minimalista americano tra i più" influenti della secondo Novecento. Nel 1948 inizia lo studio dell'arte e della critica d'arte prima al "Kansas City Art Institute" poi dal 1951 alla California School of Fine Arts". La sua formazione si completa negli anni seguenti con lo studio di filosofia e sociologia al Reed College in Oregon 1953 e storia dell'arte all'Hunter College di New York. </em><br /><em>La sua attività"; artistica a partire dagli esordi dei primi anni Sessanta si caratterizza con la produzione di grandi strutture geometriche realizzate con lamiere e graticci metallici. Negli anni seguenti assumeranno rilievo anche le sue sculture in feltro strutture che tendono a deformarsi con il passare del tempo a causa del loro peso caratterizzandosi così come work in progress la cui realizzazione è solo parzialmente sotto il controllo dall'artista.</em> <em>La sua prima mostra personale tenutasi nel 1963 alla Green Gallery di New York verrà apprezzata solo da <strong>Donald Judd</strong> mentre dalla maggior parte dei critici verrà giudicata insignificante. Negli anni Sessanta seguiranno altre importanti mostre quali quella della stessa Green Gallery nel 1964 e nel 1965 e alla Galleria Leo Castelli nel 1969 dove presenterà" sculture minimaliste piu morbide eseguite con alluminio e maglie di acciaio e soprattutto feltro che gli consentiranno di raggiunse importanti riconoscimenti a livello internazionale. Nel 1966 Morris partecipa all'importante rassegna "<span class="MuiTypography-root MuiTypography-italic css-uehu9e">Primary structures"</span> dedicata all'arte minimalista americana dal Jewish Museum di New York.</em><br /><em>Altre importanti partecipazioni ad aventi nazionali ed internazionali riguardano la mostra "<span class="MuiTypography-root MuiTypography-italic css-uehu9e"><strong>Sculpture American directions 1945-1975</strong>"</span> organizzata dallo Smithsonian Institute di Washington";" la rassegna dedicata all'arte degli anni Settanta dalla Biennale di Venezia del 1980 la mostra <strong><span class="MuiTypography-root MuiTypography-italic css-uehu9e">Avant-Garde in the Eighties</span></strong> presso il County Museum of Art di Los Angeles del 1987 le retrospettive del 1994 al Guggenheim Museum di New York e al Centre Georges Pompidou di Parigi del 1995</em><br /><em>In Italia nel 2016 il MART di Rovereto ha dedicato all'artista un'antologica dal titolo "<strong>Film e video</strong>" a cura di <strong>Gianfranco Maraniello </strong>realizzata in collaborazione con la Sonnabend Collection Foundation e con lo Studio Robert Morris. Sempre in Italia nel 2019/2020 si tiene la mostra "<strong>Monumentum. Robert Morris 2015 - 2018</strong>" alla Galleria Nazionale di Roma realizzata in collaborazione con la Galleria Leo Castelli di New York. La mostra che nasce da un progetto concordato con lo stesso artista prima della sua morte avvenuta nel novembre del 2018 espone una serie di opere realizzate da Morris negli ultimi anni della sua attività e mai esposte prima in Europa.</em> <em>Tra i molti riconoscimenti ricevuti da Morris per la sua attività"; artistica si segnalano nel 1967 il Guggenheim International Award e nel 1975 lo Sculpture Award della Four Arts Society.</em> <em>L'attività artistica di Morris che fra l'altro abbracciava anche land art danza performance installazione process art assume particolare rilievo anche nell'ambito del movimento dell'<strong>Arte concettuale</strong>. Infatti con alcune opere dell'inizio degli anni Sessanta può" considerarsi come un anticipatore del movimento concettualista. Quando ad esempio nel 1961 realizza una piccola scatola di legno con un autoparlante nascosto che riproduce i suoni prodotti durante la realizzazione dell'opera Box with the Sound of Its Own Making oppure con l'opera "Card File" del 1962 dove racconta la sua produzione artistica per mezzo di una serie di testi dattiloscritti su schede indicizzate alfabeticamente raccolte in una scatola di metallo. Per quanto riguarda poi le principali rassegne del Movimento nella seconda metà"; degli anni Sessanta basterà" ricordare la sua partecipazione unitamente a Carl Andre Robert Barry Douglas Huebler Josef Kosuth Sol LeWitt e Lawrence Weiner alla mostra The Xerox Book organizzata da Seth Siegelaub e John Wendler a New York nel dicembre del 1968 e nel 1969 alla fondamentale mostra del postminimalismo di Berna "<strong>When Attitude Became Form" </strong>curata da Harald Szeemann che ha visto la partecipazione di praticamente tutti gli artisti del movimento concettuale.</em> Leo Castelli Gallery, unknown
0365144142.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
