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9850Boston: Commonwealth of Massachusetts 1785. Broadside 16.125†x 13.25â€. Title above two columns of text. CONDITION: Good old folds with a few small losses to lettering and ornamental border along folds mostly reinstated by hand. <p>One of only two known copies of an eighteenth-century broadside consisting of sailing directions centering around the Gurnet Light on the north side of Plymouth Bay to guide ships entering and leaving one of the most historic harbors in the United States—the site of the Mayflower’s landing. </p> <p>This pilot was originally published in 1768 in connection with the construction of what is thought to have been the second lighthouse “on the Gurnet head†which included twin beacons or “two lanthorns†as noted in the directions distinguishing it from the Boston Light and making it the first twin lighthouse in America. It was built on land rented from John and Hannah Thomas for five shillings a year and John served as its first keeper. During the Revolutionary War John Thomas raised and served with a regiment of volunteers from Plymouth County. Following his departure from home Hannah took over his lighthouse duties making her the first female lighthouse keeper in America. John died from smallpox in Quebec in 1776 and Hannah continued to serve as keeper until 1786.</p> <p>The Gurnet or Gurnet Point is located at the end of a long narrow peninsula that together with Saquish Neck forms the northern boundary of Plymouth Bay and protects it from some of the sea’s mightiest swells. The Gurnet lighthouse served as a critical aid in navigation through much of the latter half of the eighteenth century. These sailing directions advise “to the southward you may bring them the twin lights in one which is a very good Mark to clear you of Brown’s Island or Sand Bank.†Mariners “coming from the northward bound into Plymouth†are warned “you must not bring the Lights more Southerly than S. by W. to avoid High Pine Ledge which lays N. from the Gurnet Head about two and a half and three miles…†A number of other navigational hazards are mentioned throughout these very detailed directions including the Gurnet Rock Dick’s Flat Muscle Banks etc. While printed from a different typesetting the text of this second edition is nearly identical to that of the first edition suggesting that the directions had proven quite reliable.</p> <p>The Boston Marine Society began as a fellowship of mariners in 1742 and was incorporated in 1754. Among its founders was Moses Bennet the first of the committee members mentioned in this broadside’s title. The Society was founded to “make navigation more safe†1754 charter and to provide relief for the families of mariners lost at sea. “The construction of lighthouses and placement of buoys and markers has often been accomplished with the advice of the Society. Of particular concern to the Society was the appointment of pilots to see to the safe passage of vessels in and out of the port†The Boston Marine Society.</p> <p>While OCLC appears to indicate eight holdings for the 1768 edition consultation of the catalogs of the libraries listed reveals that just two have physical copies Harvard and AAS. The Boston Public Library is also listed as having a copy of the 1768 but theirs is actually the 1785 edition. The OCLC records for the 1785 edition are similarly misleading showing what initially appears to be five physical holdings but all of these turn out to be digital or microform. Bristol and Ford record only the BPL copy. In short there are just two recorded examples of the 1768 edition and one of the 1785.</p> <p>An exceptionally rare and vital New England maritime broadside of the eighteenth-century.</p> <p>REFERENCES: Bristol R.P. Supplement to Charles Evans’ American bibliography B6058; Shipton C.K. National index of American imprints through 1800 44677; Ford 2408; Rink Technical Americana 3876; ESTC W24527; “Plymouth Gurnet Lighthouse†at lighthousefriends online; “The Boston Marine Society†at The Boston Marine Society online.</p> <p>Offered in partnership with Ten Pound Island Books of Gloucester Mass.</p> Boston: [Commonwealth of Massachusetts,] 1785 unknown
1956052024<p>Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. D. Van Nostrand Company 1956. Rare first edition copy SIGNED BY AUTHOR. Jacket is in excellent shape with just very minor shelf wear. Pages are crisp clean and unmarked.</p> D. Van Nostrand Company, 1956 hardcover
17843834<p>This extremely scarce map of Boston appeared as part of the <em>Geographical Gazetteer of the Towns in the Commonwealth of Massachusetts</em> a work issued in parts as a supplement to <em>The Boston Magazine</em> from October 1784 through December 1785. The map appeared with the October 1784 issue of <em>The Boston Magazine</em>.</p><p>Wheat & Brun note that this map is based largely on Norman's <strong>Plan of the Town of Boston with the Attack on Bunkers-Hill.</strong> published in the Boston edition of <em>An Impartial History of the War in America</em> in 1781. The present map covers a somewhat smaller geographic area and on a modestly larger scale than the map that appeared in <em>An Impartial History</em>. It also adds/eliminates/changes some street names and landmarks making it more than a direct re-engraving and suggesting the involvement of a cartographer -- perhaps Osgood Carleton with whom Norman collaborated on several maps and charts in the late 18th and early 19th centuries. Norman's 1781 <strong>Plan</strong> was itself sourced directly from the map appearing in the English edition of <em>An Impartial History </em>1778.</p><p>Although the present map is not listed in the Boston Engineering Department's <em>List of Maps of Boston Published Subsequent to 1600</em> 1904 it is referenced in the listing for a 1789 version of the map that had apparently been re-engraved for Norman's <em>Boston Directory</em> 1789. Very scarce. No examples listed for sale in the <em>Antique Map Price Record </em>1983-2011 and we not aware of any other examples being offered in the past twenty years.</p><p>A lovely example of one of the most uncommon 18th century maps of Boston.</p><p><strong>References:</strong> Wheat & Brun <em>Maps and Charts Published in America before 1800</em>: 242. Jolly<em> Maps of America in Periodicals before 1800</em>: 402. Lewis: <em>A Guide to Engravings in American Magazines 1741-1810</em>: p. 3. Stauffer <em>American Engravers Upon Copper and Steel</em>: 2361.</p><p><strong>Condition: </strong>A strong image. Soiling and some darkening to plate area apparently as printed. Blank area of upper right corner skillfully replaced and three short fold separations repaired on the reverse.</p><p>ICN 7760.</p> [Greenleaf and Freeman].
2012L3 box257 a1os<p>Masterpieces of Early Chinese Painting and Calligraphy in American Collections From Chinese Five Dynasties 907-960; Song Dynasty 960-1279; Yuan Dynasty 1271-1368. Sponsored by The Metropolitan Museum of Art Museum of Fine Arts Boston The Cleveland Museum of Art The Nelson-Atkins Museum of Art Shanghai Museum. Edited by Shanghai Museum Editors-in-Chief: Chen Xiejun Chen Kelun. Published by Shanghai Fine Arts Publishing House 2012. Burgundy red buckram cloth hardcover 600 pages. This book is oversize and heavy: 17" x 12.5" x 3". This book includes: Five Forewords and Dedication by the five Museum Directors in Chinese and English; Six introductory articles in Chinese and English; Sixty pieces of painting and calligraphy collections: 52 painting 8 calligraphy with brief introduction in Chinese and English detailed introduction in Chinese.</p> Shanghai Fine Arts Publishing House. hardcover
17793689<b>Scarce Contemporary Stony Point Battle Plan</b><br /><br />This rather crude woodcut depicts a battle plan of General "Mad Anthony" Wayne's daring and dramatic capture of the British fortification at Stony Point about 30 miles up the Hudson River from New York City. The battle planned in detail by Washington took place around midnight on July 16 1779. <br /><br /> The lower portion of the battle plan includes a four item key: "A. The British Fortress B. Abattes abatis in front C. The Reserve D. The detached Party who stormed the Works." Nebenzahl's <i>A Bibliography of Printed Battle Plans of the American Revolution 1775-1795</i> cites only a 1784 London-printed battle plan by Faden for the Stony Point engagement #145. The offered plan is not noted by Nebenzahl was published in America and was issued five years earlier than the Faden plan. The<i> Bickerstaff's Boston Almanack</i> for 1780 would almost certainly have been published in November or December of 1779 – within six months of the actual battle. <br /><br /> A very scarce almanac in the trade. Auction records indicate the most recent copy sold at the Gutman sale in 2005 for $4800. Prior to that Swann sold an example in 1979. <br /><br /><b>References:</b> For the almanac: Evans: 16287; Drake: 3290. For the map: Cresswell: 309. <br /><br /><b>Condition: </b>Map appears on verso of title page and measures about 6 ½ x 3 ¾." Almanac is complete in 24 pp. Slight loss of road table text at upper tip of final leaf.<br /><br />ICN 7643. Printed and sold by Draper and Folsom, and John Mycall of Newbury.
192910268Boston: various 1929. Archive. One medium-sized file box containing approximately six hundred twenty-five items including: commercial brochures 121 samples 11 posters 3 typed letters signed/TLS 304 autograph letters signed/ALS 149 postcards & telegrams 29 and periodicals 5. The commercial or trade brochures are mostly small booklets bi-folds and tri-folds graphically illustrated with images of the equipment on offer and frequently printed in two colors or in duotone. A small but deeply engaging archive depicting the business activities of the Boston Massachusetts kitchen equipment supply firm W.H. Davenhall. The supply company serviced businesses with food production and serving needs far beyond the traditional restaurants and hotels. There are in fact few of those represented therein. The company's stock in trade seemed to have been the many "secondary" food establishments growing in number in the early twentieth century including soda fountains candy shops tea rooms diners cafeterias educational dining facilities gas stations with food offerings cafes lunch shops beauty parlors fraternity houses and military bases. The types of equipment depicted in the archive represents changes in food production for a population rapidly moving away from traditional home dining and increasingly consuming food in new types of establishments. The rapid economic expansion that made all this change possible came to a halt with the Crash of 1929 and the Great Depression. The archive illustrates the experience of a small business in the years leading up to the Crash with issues collecting debts bankruptcy of suppliers and clients etc. The correspondence includes offers of new equipment or supplies often the line between brochure and correspondence is blurred orders inquiries demands for payments complaints requests for new supplier arrangements bankruptcy notices of former customers and more. In addition to the typed and handwritten letters there are postcards and telegrams. A handful of label samples and posters are included as well. Finally there are materials produced by trade periodicals including: Institutional Merchandising Hot Off the Griddle published by Westinghouse American Restaurant Magazine and The Soda Fountain. A wide range of business topics is visible in this archive: bill collection disputes about what was delivered or when disputes about salesmen adding items to an order bankruptcy of a client price changes a UNH fraternity orders a half dozen aluminum pitchers surprised complicated returns of defective merchandise development of school cafeterias the Crash of '29 deliveries abandoned or rejected and more. Condition is generally very good or better. A more detailed description including complete lists of suppliers and clients is available by request. various unknown
183590478Boston MA: Prentiss Whitney / Boston Bewick Company 1835. Broadside. Fine. 26 x 21 x 1.0. Broadside. Condition: Fine. Prentiss Whitney / Boston Bewick Company Boston MA 1835. 1 pages. Paper on cloth backing hand-colored covered with a thin ancient layer of protective lacquer or varnish. No folds or tears. Short wrinkles on the untaut paper surface. Framed in glass. Size: 26 x 21 x 1.0. An imposing and beautiful broadside document! Prentiss Whitney of Boston Massachusetts published this beautiful copy of the Declaration of Independence. It is approximately 26"" tall by 21"" wide. It has a four-line title printed in 4 different fonts. The text of the document is primarily in a handscript font with some words enlarged and bolded in print type of four different fonts. Bottom section contains the signature replicas. The entire document is surrounded by two intertwined vines which encircle 13 state medallions filled with symbolic vignettes and an eagle and shield Federal medallion. Vines and medallions are fully hand-colored. At the very bottom is printed: 'STEREOTYPED BY THE BOSTON BEWICK COMPANY. PUBLISHED BY PRENTISS WHITNEY 30 WASHINGTON STREET.' It is undated but probably published in 1835. Prentiss Whitney 1787-1870 was an auctioneer publisher of historic patriotic American prints and an entrepreneurial investor at 30 Washington St. Boston in the 1830's and 1840's. His ancestor Rev. Peter Whitney of Northborough Ma was one of the first to call for publishing the Declaration of Independence 'American independence vindicated. A sermon delivered September 12 1776. At a lecture appointed for publishing the Declaration of Independence passed July 4 1776. By the representatives of the United States of America in general congress assembled'. The Boston Bewick Company no. 47 Court Street Boston was an association of authors artists printers and bookbinders which was in existence from 1834-1838. It is mostly known for producing engravings and for hiring Nathaniel Hawthorne as editor of the 'American Magazine of Useful and Entertaining Knowledge'. The Act to incorporate the Boston Bewick Company states it is founded for: 'the purpose of employing improving and extending the art of engraving polytyping embossing and printing and carrying on the business thereof.' 1835 Boston Bewick ad: 'Engraving Stereotyping and Printing.: Boston Bewick Company. The Boston Bewick Company Respectfully Give Notice that They are Ready to Receive Orders for Engraving on Wood Steel and Copper; and for Copper-plate Letter Press and Xylographic Printing in All Their Branches.' Prentiss Whitney's prints are excessively scarce. The only other known copy of Whitney's 'Declaration' is in the Albert H. Small Declaration of Independence Collection University of Virginia. Whitney's other prints include an 1835 engraving titled 'Destruction of Tea in Boston Harbor in 1773' which was painted by artist George Loring Brown and engraved by Richard P. Mallory Collection of the Boston Athenaeum. 'The Capture of H.B.M. Sloop of War Frolic Capn. Whinyates by the U.S. Sloop of War Wasp Capn. Jab Jones on the 18th of Oct. 1812' Aquatint drawn and engraved by F. Kearny from a sketch by Lieutenant Claxton of the Wasp U.S. Naval Academy Annapolis. 'The Battle at Bunker's Hill or the Death of General Warren' Painted by John Trumbull and engraved by J. Norman. History::U.S.A.::Pre-Civil War Military History::USA::Revolutionary War History::U.S.A.::General/Other RBRoffice RBRoffice Prentiss Whitney / Boston Bewick Company unknown
1800100845Boston: Printed for the proprietors by Samuel Etheridge 1800. 8vo. 34 pp. Contemporary sheep; upper board detached ffep removed in a custom chemise and slipcase. Scarce American price book for Boston carpenters in contemporary sheep. Signed as usual by Thomas Stutson secretary of the committee that drew up the rules which were devised to establish a fair system of charges for services rendered. Prices are an early example of the use of dollars and cents. Rink lists previous editions from 1774 1 copy 1794 no copy known & 1795 2 copies.PROVENANCE: William Reese book-label on chemiseREFERENCE: Evans 37003; Rink 1760 Printed for the proprietors [by Samuel Etheridge] unknown
B306408-1Boston 1985-2000. 77 exhibition catalogues each 6pp. printed on a single sheet as follows: 84 Peterborough St. in order by date: Alex Katz: 'Twelve Hours'. Nov. 1985. Eric Fischl: The Works on Glassine 1979-80. Dec. 1985-Jan. 1986. Ross Bleckner. Jan.-Feb. 1986. Brett De Palma. Feb.-March 1986. Lucio Pozzi. March-April 1986. David Bowes Michael Byron Chuck Connelly McDermott&McGough. April-May 1986. David Salle. May 1986. Marcel Odenbach. June 1986. With Karen Meyerhoff. Frank Egloff. Oct.-Nov. 1986. Julian Schnabel. Nov.-Dec. 1986. Enzo Cucchi: L'elefante di Giotto. Jan. 1987. Michael Byron. Feb. 1987. Sandro Chia. April-May 1987. Terry Winters. May 1987. Nicos Baikos. Sept.-Oct. 1987. 4pp. Philip Taaffe. Oct.-Nov. 1987. David McDermott. Peter McGough. Nov.-Dec. 1987. Claudio Parmiggiani: A lume spento. Jan. 1988. Ray Smith. Feb.-March 1988. Francesco Clemente. April-May 1988. Ceccobelli. Pizzi Cannella. May-June 1988. David Bowes: A Painter's Lexicon. Sept.-Oct. 1988. Roni Horn. Oct.-Nov. 1988. Sherrie Levine. Nov.-Dec. 1988. Ross Bleckner. Jan.-Feb. 1989. Matt Mullican. Feb.-March 1989. Gerhard Merz. March-April 1989. Richmond Burton. April-May 1989. Alex Katz. Sept.-Oct. 1989. Meyer Vaisman. Nov. 1989. Baselitz. Dec. 1989. . 207 South St. in order by date: David Salle. March-April 1990. Richmond Burton. Moira Dryer. April-May 1990. Lucio Pozzi: "for the Sexes." May-June 1990 Annette Lemieux. October 1990. Peter Halley Nov. 1990. Peter Halley. Nov.-Dec. 1990. Günther Förg. Dec. 1990-Jan. 1991. Moira Dryer. Feb.-March 1991. Rosemarie Trockel. April 1991. Richmond Burton. May-June 1991. Frank Egloff.Sept.-Oct. 1991. Ray Smith. Nov. 1991. Meyer Vaisman. Dec. 1991-Jan. 1992. David Dupuis Christopher Lucas Carl Ostendarp Matthew Weinstein. Jan-Feb. 1992. Nicola De Maria. April-May 1994. Mimmo Paladino. Dec. 1994-Jan. 1995 with: invitation card for the exhibition. Scott Grodesky. Jan.-Feb. 1995 with: invitation card for the exhibition. Richmond Burton. April-May 1995 with: invitation card for the exhibition. Ophrah Shemesh. Sept.-Oct. 1995 with: invitation card for the exhibition. Peter Halley. Nov.-Dec 1995 with: invitation card for the exhibition. Jaqueline Humphries. March-April 1996 with: invitation card for the exhibition. Annette Lemieux. April-May 1996. Ray Smith. Oct.-Nov. 1996 with: invitation card for the exhibition. Tom Sachs. Nov.-Dec. 1996 with: invitation card for the exhibition. The Body of Painting: Ellen Gallagher Christopher Lucas Matthew Ritchie. Jan. 18 1997. Single folio sheet. Matthew Antezzo. March-April 1997 with: invitation card for the exhibition. Barry X Ball. April-May 1997 with: invitation card for the exhibition. Magdalena Campos-Pons. Sept.-Oct. 1997 with: invitation card for the exhibition. Philip Taaffe. Oct.-Nov. 1997 with: invitation card for the exhibition. Michael Craig-Martin. Nov.-Dec. 1997 with: invitation card for the exhibition. Nicky Hoberman. Jan.-Feb. 1998 with: invitation card for the exhibition. Donna Moylan. Feb-March 1998 with: invitation card for the exhibition. Ellen Phelan: Through Dolls and Flowers. April 1998 with: invitation card for the exhibition. Fabian Marcaccio. May 1998 with: invitation card for the exhibition. Joan Banach. Sept.-Oct. 1998. Peter Halley. Oct.-Nov. 1998 with: invitation card for the exhibition. Matthew Ritchie. Nov.-Dec. 1998 with: invitation card for the exhibition. William Wood. Jan.-Feb. 1999 with: invitation card for the exhibition. Tom Sachs. March-April 1999 with: invitation card for the exhibition. Alex Katz: February 5:30 PM. April-May 1999 with: invitation card for the exhibition. Ellen Gallagher. May-July 1999 with: invitation card for the exhibition. Cyber/Cypher: Pedro Barbieto Matthew Ritchie James Siena Joh Simon. Sept.-Oct. 1999 with: invitation card for the exhibition. Richard Patterson. Nov.-Dec. 1999 with: invitation card for the exhibition. Eric Fischl. Dec. 1999-Jan. 2000 with: invitation card for the exhibition. Ross Bleckner. Jan.-Feb.2000 with: invitation card for the exhibition. Annette Lemieux: Crossing the Rubicon. Feb.-March 2000 with: invitation card for the exhibition. 4to. Wraps. Mario Diacono came from Italy in 1968 to teach Italian literature at the University of California Berkeley and at Sarah Lawrence College. He returned to Italy to found his first art gallery in Bologna. There from 1978-1979 he showed young Arte Povera and Conceptual Italian artists like Jannis Kounellis and Vito Acconci. From 1980-1984 Diacono had a gallery in Rome showing mostly American artists including Julian Schnabel David Salle Joseph Kosuth Eric Fischl and Jean-Michel Basquiat in 1982. Mario Diacono opened his first gallery in Boston in 1985 at 84 Peterborough Street which had been the Starn Twins studio. In the spring of 1990 the gallery moved to 207 South Street a building that contained other art galleries as the area showed promise to be a new arts district. Diacono showed Alex Katz Eric Fischl Ross Bleckner David Salle Julian Schnabel Enzo Cucchi Sandro Chia Francesco Clemente Philip Taaffe Richmond Burton Roni Horn Ross Bleckner Rosemary Trockel Annette Lemieux and Baselitz among many others. However once the Gulf War broke out the art market collapsed and Diacono closed his South Street gallery in 1992. Diacono then moved to New York City for a short period of time and from early 1992 to the summer of 1993 he held exhibitions there together with Perry Rubenstein showing Ross Bleckner Philip Taaffe Richmond Burton and others. Upon his return to Boston he held exhibitions at 207 South Street again from 1994 to 2000. Artists he showed included David Salle Richmond Burton Peter Halley Rosemarie Trockel Annette Lemieux Barry X. Ball Matthew Ritchie Ross Bleckner and Günter Förg. Boston, 1985-2000. paperback
1767313300Boston: Printed by Mein and Fleeming 1767. 2 pp. prospectus printed recto and verso of a single sheet. 4to 10-1/2 x 8 inches. Damage at edges with loss to text month October missing from heading lower corner torn away with loss to"G" in Fleeming in imprint a few letters lost from right margin on recto and 12 lines affected on verso toned and stained. Signed "Mich. Franklin 1768" at top of recto. 2 pp. prospectus printed recto and verso of a single sheet. 4to 10-1/2 x 8 inches. Rare early American newspaper prospectus announcing publication of The Boston Chronicle a weekly Loyalist paper. "John Mein a bookseller was the publisher and John Fleeming the printer. With the beginning of the second year the size of the paper was enlarged to folio and it was publihsed every Monday and Thursday and was the first newspaper to be published twice a week in New-England. To avoid popular resentment of his political views Mein was forced to leave the country before the close of its second year and the paper was continued by Fleeming in the name of the firm until its publication ceased on the 25th of June 1770" Evans.<br /> <br /> The five "conditions" listed on the recto detail the general design of the paper - that it will be printed on high quality demy paper with specially designed type 8 pages in quarto priced at 6 shillings and 8 pence printed every Monday and delivered to subscrribers with care. The verso with text in three columns outlines a plan of the contents of the paper including coverage of current events and issues essays on moral subjects notices on newly published books poetry etc. Ford Broadsides 1418; Shipton-Mooney 41736; Bristol B2787 recording 4 copie; Evans 10565 for newspaper Printed by Mein and Fleemin[g] unknown
5490Rhode Island and Massachusetts: Boston & Providence Railroad 1880s. 2 oblong 8vo photograph albums 7.5" x 10.5" brown cloth over boards gilt titles at front-cover; 1 8vo disbound album. 62 bromide print photos 4.5" x 8" with printed and manuscript labels mounted on paperboard leaves; all photos numbered and arranged in sequence: 1-23 in Album 1 19 total lacking 12 13 15 and 20; 26-49 on loose leaves from disbound album 2 23 total lacking #24 #25 and #40; 50-64 plus 5 unnumbered and unlabeled images in album 3 20 total. <p>An impressive photo archive documenting a range of locomotives built for the Boston & Providence Railroad by the Rhode Island Locomotive Works; the Taunton Locomotive Mfg. Co.; Mason Machine Works; the Hinkley & Williams Works and the Boston & Providence itself.</p> <br /> <br /> <p>Forty-two of the various engines pictured were produced between 1867 and 1887 by the R. I. Lo. Works; seven by the Bos. & Prov. from 1854-1873; six by Taunton L. M. C. from 1868-1886; two by Hinkley & Williams from 1868-1887; and one by Mason Machine Works in 1884. Also included here are images of the Highland and Mount Hope train stations as well as an unidentified railroad bridge. A typical label reads: "26. Squantum. Taunton L. Mfg. Co. 1886. 37.5 / 16 / 20 / 4.5 / 59564 Outside." The engineers and others who operated the trains appear in many photos enlivening the scenes.</p> <br /> <br /> <p>Incorporated 1831 the Boston and Providence Railroad was built in two sections in 1834 and 1835 and was acquired in 1888 with a ninety-nine year lease by Old Colony Railroad. Of particular note was Master Mechanic George S. Griggs 1905-1970 who was hired in 1834 at age twenty-nine to organize the department and improve the early engines built in the Roxbury shops. As Charles E. Fisher details "Perhaps the highest compliment that can be paid him was that his work on the locomotive was closely followed by the Taunton Locomotive Works and Hinkley & Drury. Mr. Griggs continued to build inside connected locomotives long after the other roads had discarded them and they were a common sight on this road as late as the seventies."</p> <br /> <br /> <p>Given the date of the Old Colony's acquisition of the Boston & Providence these photos may relate to the takeover.</p> <br /> <br /> <p>A valuable record of the Boston & Providence fleet of locomotives.</p> <br /> <br /> <p>REFERENCES: Fisher Chas. E. "Locomotives of the New Haven R.R." The Railway and Locomotive Historical Society Bulletin No. 47 September 1938 pp. 79-89.</p> <br /> <br /> <p>CONDITION: Spine perished on one album some images and mounts toned or foxed damp stains to edges of some leaves bindings worn at extremities photos with generally good tonality.</p> Rhode Island and Massachusetts: Boston & Providence Railroad, 1880s unknown
198485069New York: Simon & Schuster. As New. 1984. Paperback. 0671460889 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 647 pages. -- with a bonus offer--; 4to - over 9¾" - 12" tall . Simon & Schuster paperback
119866Roma: Edizioni Eos 2012. Brossura wrappers. Perfetto Mint. Un testo poetico e 13 fotografie originali in bianco e nero del 1962 di Mario Diacono. 8vo. pp. 32. Perfetto Mint. Edizione originale di 71 es. numerati e firmati. Edizioni Eos, unknown
1868150997Boston: Alfred Mudge & Son City Printers 1868. The land of Washington has greeted the land of Confucius First edition in wrappers of this work commemorating the August 1868 visit to Boston by the first Chinese embassy to the United States. The contents includes the text of a banquet speech by Ralph Waldo Emerson articulating Confucianism's contribution to notions of human goodness. In 1867 the Qing court appointed the Bostonian Anson Burlingame 1820-1870 as its envoy extraordinary to the Western powers and the following year Burlingame led China's first official embassy to the United States and Europe. Burlingame was the ideal choice for such a task possessing "a frank noble disposition habits of industry a charming and persuasive manner and promising talents as an orator" quoted in the ANB. With the Chinese ministers Zhigang and Sun Jiagu at his side Burlingame landed on America's Pacific Coast in March 1868 before city-hopping eastwards and reaching Washington in June. There after extended negotiations the two parties concluded the landmark Burlingame-Seward Treaty the first time a foreign power explicitly recognized China's sovereignty. Following these negotiations the embassy journeyed to Boston staying between 20 August and 2 September. The present commemorative volume prints the full text of speeches given at the welcome reception and grand banquet. Other sections detail the engagements laid on for Burlingame and his party such as visits to the governor's mansion and local manufacturing sites. Burlingame's effusive and somewhat hyperbolic words at the banquet capture the historical importance of the embassy: "the presence here of my associates with the sunshine of the Orient upon their faces and the warmth of its fires in their hearts arouses more emotions than the most eloquent tongue can express. The land of Washington has greeted the land of Confucius. The great thoughts of the one have been wedded to the great deeds of the other" p. 20. Pages 52-55 contain the text of a speech by Ralph Waldo Emerson who was invited to address the welcome banquet. To attendees Emerson extolled the longevity of China's culture and its scientific technological and cultural successes achieved long before those of European countries. Discussing Chinese philosophy Emerson praised Confucius as having anticipated Jesus' teachings of goodness towards others by five hundred years - an expression of Confucianism's sustained influence on Emerson's transcendentalism. "Confucianism reinforced Emerson's emphasis on the moral imperative for every individual and. the Confucian ideal of the ethical solitary learned and decorous man certainly appealed to Emerson's sense of himself" Versluis p. 70. The speech was later reprinted in his Miscellanies 1904. Copies of the present work were also bound in cloth with no stated priority between the two bindings. Octavo. Emblem of the city of Boston to title page. Original blue coated card wrappers title and emblem of the city of Boston to front cover in black. Small pencilled annotation to front cover library stamp of Tufts College to title page. Wrappers lightly soiled and rubbed in places with one small chip slight colour bleed to verso of wrappers internally clean and bright. A very good copy of this fragile publication. BAL III 23. Arthur Versluis American Transcendentalism and Asian Religions 1993. hardcover
190427836Boston: Art Galleries of Leonard & Co. As New. 1904. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fair. Puncture to cover and approx. First 25 pages text not affected; spotty discoloration and yellowing to cover. Several pages dog-eared. Not illustrated. Among the artists whose works were sold in this auction: Trouillebert Maes Isabey Jacque Daubigny and Chintreuil. -- with a bonus offer-- . Art Galleries of Leonard & Co. paperback
197584480Museum; New York Graphic Society. As New. 1975. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000MXFTKG. 233 pages; many illustrations; oblong 8vo. -- with a bonus offer-- . Museum; New York Graphic Society hardcover
198774189Museum of Fine Arts. New. 1987. Paperback. 0878462872 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 40 pp. With 22 ills. 31 x 23 cm. -- with a bonus offer-- . Museum of Fine Arts paperback
190436109Boston: Bates and Guild Company. As New. 1904. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Mild cover shelfwear; else fine. 12 black and white plates iincluding a photo of the artist followed by a 20 page essay with bibliography. -- with a bonus offer-- . Bates and Guild Company paperback
196959664New York Graphic Society. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 222 pp. With 460 ills. 30 x 21 cm. -- with a bonus offer-- . New York Graphic Society paperback
198727467Boston University Art Gallery. New. 1987. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 12 pages. Artists in the exhibition include: Ken Beck William S. Grainge Deborah Kruger Vytas Sakalas. -- with a bonus offer-- . Boston University Art Gallery paperback
199027466Boston MA: Boston University Art Gallery. New. 1990. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY PRISTINE NEVER OPENED - 88 works catalogued with a small number illustrated in black and white or color. -- with a bonus offer--; Signed by ArtistArtist . Boston University Art Gallery paperback
198828423Boston University Art Gallery. New. 1988. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer-- . Boston University Art Gallery paperback
196626758Haarlem The Netherlands: Enschede En Zonen. As New. 1966. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - -- with a bonus offer-- . Enschede En Zonen paperback
197159847Boston MA: Museum of Fine Arts. As New. 1971. Paperback. 0878460535 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 112 pp. With 99 ills. On 82 pls. 16 col. . 25 x 19 cm. -- with a bonus offer-- . Museum of Fine Arts paperback
198528952Boston Massachusetts U.S.A.: Harry N Abrams Inc Metropolitan Museum of Art & Art Institute of Chicago. New. 1985. Hardcover. 0810915758 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Harry N Abrams Inc (Metropolitan Museum of Art & Art Institute of Chicago) hardcover