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19245204<p>Quarto 29x21.5 cm wrappers 48 leaves 96pp. Edition of 1000 copies. Imraklii Gamrekeli 1894-1943 and Beno Gordeziani 1894-1975 were the art editors and designers of this masterpiece of the Georgian avant-garde. Cover with letterpress typographic design by Gamrekeli photomechanical reproductions of Gamrekeli and Gordeziani throughout with texts of typographic designs. This audacious and wonderful statement is the most famous of visual productions to come out of avant-garde Georgia under Soviet rule and is the apex of Gamrekeli's graphic production. This work continues the Futurist-into-Dada movement that began with the Zdanevich brothers before WWI and the 41 Degrees group. Carrying on the tradition of the transrational it drew some of the most creative artists and writers of the time employing experimental typography as artistic composition and zaum transrational language as the poetic vehicle. The H2SO4 group would continue for the next two years to publish experimental work in Tbilisi before submission to the esthetics of the state. This is the first and only number of the symposium-journal to be released. OCLC finds this in Yale and NYPL for North American institutions but also MOMA 534 illus. pp. 128-129. A very copy of this treasure from the Georgian avant-garde. Chepyzhov No. 3.</p> H2SO4 paperback
1994140620Burbank CA: Fox Broadcasting Company / Warner Brothers Television / Sweet Freedom Productions / Main Sequence Productions 1994. Archive of original scripts for all 27 episodes of "The George Carlin Show" which ran on Fox for two seasons in 1994 and 1995 with multiple drafts of each episode totaling 196 scripts. Also included are several key pieces of ephemera relating to the development and writing of the show. Altogether a thoroughly comprehensive and researchable archive detailing a writing process that attempted to digest and reconstruct the persona of one of the most iconoclastic and influential not to mention foul mouthed standup comics for mainstream viewing. From the estate of series co-creator Sam Simon. <br/><br/>One of the most important and influential television producers and directors of the last 30 years Sam Simon is best known along with Matt Groening and James L. Brooks as the co-creators of "The Simpsons." Simon won a remarkable nine Emmy Awards seven for "The Simpsons" and two for "The Tracy Ullman Show" and was nominated another ten times for his work on both those shows as well as his contributions to "Cheers" "Taxi" and "The Gary Shandling Show." <br/><br/>Created by Simon and George Carlin "The George Carlin Show" ran for two seasons on Fox from 1994 to 1995. Carlin played New York cabbie George O'Grady who when not haranguing fares spent most of his time at a bar modeled on Carlin's real life Morningside Heights haunt haranguing his fellow patrons which characteristically of the post-"Seinfeld" boom in sitcoms created around standup comics allowed the writers to incorporate elements of Carlin's stage routines into the show. In his posthumously published autobiography "Last Words" Carlin said of the show "I had a great time. I never laughed so much so often so hard as I did with the cast members" but did not get along with co-creator Simon a view Simon attributed in an interview to the show's "cancellation affecting George's attitude towards the work in retrospect" and he considered the show "a very special period of my life."<br/><br/>The majority of scripts are housed in 27 generic black ring binders with one binder per episode each containing between three and nine scripts. Binders for each episode may contain First or Writer's Drafts Table Read scripts Blue Pink Yellow Green and Goldenrod revised scripts Final Collated scripts compiled from the various revisions and As Broadcast scripts reflecting the script as it aired. <br/><br/>Also included are 18 scripts for various episodes many of which are working copies with holograph annotations edits and corrections throughout including a script for an unproduced episode co-written by cast member Anthony Starke and most importantly six drafts of the pilot episode dating from 1993 with holograph annotations and changes in several hands throughout including Carlin's giving a detailed look at the development of the pilot. <br/><br/>Several pieces of ephemera also related to the writing of the show are also part of the archive including five pages of typed and holograph notes dated 3/16/93 a Treatment script for Season One Episode Eight "George Destroys a Way of Life" dated 9/17/93 with substantial holograph annotations a treatment dated 9/17/93 for an unproduced episode titled "George Proves Something" with holograph annotations and three pages of ideas for episodes none of which were produced from staff writers Darrell Vickers and Andrew Nicholls dated 7/5/94. <br/><br/>Also included are a fax from fellow comedian Richard Lewis to Carlin dated 4/14/92 recommending two writers for the show a faxed noted signed from Carlin to Sam Simon followed by faxed two typed pages of thoughts on "creeping niceness" which Carlin has circled the "most useful" portions two packets of photocopied press clippings about the show assembled by Warner Brothers Television dated 2/1/94 and 6/6/94 respectively several holograph marker draft sketches of the show's logo and a one page faxed memo from Standards and Practices at Fox to Simon regarding the Season One episode "George Speaks His Mind" here and elsewhere in the archive referred to by the working title "George Says Fuck" an episode built around Carlin's famous "Seven Words You Can Never Say on Television" routine. <br/><br/>Finally the archive contains several pieces of physical media including five U-matic and one D2 video cassettes for various aspects of post-production on five episodes including a "Fuck Beep Test" reel from the "George Speaks His Mind" episode a one inch reel-to-reel video tape labeled "George Carlin Buttefly Logo" a 1/2 inch reel-to-reel audio tape DAT transfer of music and audio cues and a laser disc of Season One Episode Two "George Sees an Airplane" produced by Main Sequence Productions likely made to promote the show to affiliates or advertisers. <br/><br/>For further details please inquire. Provenance available on request. <br/><br/>Scripts and other paper material generally Near Fine or better. Scripts are first generation photocopies with no copied holes. Physical media appearing Fine on visual inspection. Fox Broadcasting Company / Warner Brothers Television / Sweet Freedom Productions / Main Sequence Productions unknown books
19454225New York: National Bureau of Economic Research 1945. First edition of Milton Friedman's first book co-authored with fellow Nobel Prize-winning economist Simon Kuznets. Octavo original blue cloth gilt titles to the spine. Signed by Milton Friedman on the title page. In near fine condition. Income From Independent Professional Practice served as his Ph.D. thesis at Columbia. Housed in a custom half morocco clamshell box. Rare especially signed. Milton Friedman established himself in 1945 with Income from Independent Professional Practice co-authored with Simon Kuznets. In it he argued that state licensing procedures limited entry into the medical profession thereby allowing doctors to charge higher fees than they would be able to do if competition were more open. National Bureau of Economic Research hardcover books
19454225New York: National Bureau of Economic Research 1945. First edition of Milton Friedman's first book co-authored with fellow Nobel Prize-winning economist Simon Kuznets. Octavo original blue cloth gilt titles to the spine. Signed by Milton Friedman on the title page. In near fine condition. Income From Independent Professional Practice served as his Ph.D. thesis at Columbia. Housed in a custom half morocco clamshell box. Rare especially signed. Milton Friedman established himself in 1945 with Income from Independent Professional Practice co-authored with Simon Kuznets. In it he argued that state licensing procedures limited entry into the medical profession thereby allowing doctors to charge higher fees than they would be able to do if competition were more open. National Bureau of Economic Research hardcover
195253361Paris: Falaize 1952. Fine. Falaize Paris 1952 11.50 x 17.50 cm broché La Ballade de la geôle de Reading. L'Artiste en prison The Ballad of Reading GaolFalaize Paris 1952 11.5 x 17.5 cm original wrappers New edition of the French translation by Jacques Bour and the first edition of Albert Camus' famous preface. One of 50 numbered copies on Madagascar paper tirage de tête. A fine autograph inscription from Albert Camus: à Michel Simon grand artiste avec les voeux chaleureux d'un de ses vieux admirateurs For Michel Simon a great artist with warmest wishes from an old fan and an autograph inscription from the translator Jacques Bour: à Michel Simon qui ferait crouler tous les murs! For Michel Simon who raised all the roofs! A rare and very good copy. Falaize unknown
195253361Falaize | Paris 1952 | 11.50 x 17.50 cm | broché
19253783Paris, Editions de la Galerie Simon, 1925. 1 vol. in-8 (19,6 x 12,9 cm), broché sous couverture rempliée illustrée d'une gravure sur le premier plat. Édition originale illustrée de 9 EAUX-FORTES ORIGINALES DE JUAN GRIS dont 1 en couverture, 4 hors texte et 4 in texte, imprimées en sépia par Charlot Frères. - Tirage : 112 exemplaires. Celui-ci, l'un des 90 sur vergé d'Arches signé à l'encre par le poète et le peintre (n° 94). - Édité par Daniel-Henry Kahnweiler l'ouvrage contient les seules gravures sur cuivre de Juan Gris (1887-1927). Kahnweiler notera par ailleurs : « On ne peut que regretter que Gris n'ai débuté que peu de temps avant sa mort dans la gravure à l'eau-forte dans laquelle il aurait excellé ». Depuis longtemps Tzara désirait travailler avec Juan Gris et "Mouchoir de Nuages" sera la seule collaboration entre l'écrivain et le peintre. Skira 144 ; Kahnweiler p. 294 ; Rauch 99 ; Hugues 19 ; Hofer 126 ; Pompidou p. 184; Chapon p. 285 ; Galland p. 918 ; Hugues 19.
198054578BELTZ & GELBERG 1980. 1. hardcover. Katze mit Hut Maloftege! GELBERG EXTRA BELTZ & GELBERG hardcover
199945264HEYNE WILHELM 09/1999. 1. softcover. Parallelwelten HEYNE, WILHELM paperback
199947265HEYNE WILHELM 12/1999. 1. softcover. Deutsche Erstausgabe! HEYNE, WILHELM paperback
19212130Paris, Éditions de la Galerie Simon, 1921. Un volume in-4 (326 x 230 mm) broché, couverture illustrée. Édition originale. 13 BOIS GRAVÉS ORIGINAUX PAR VLAMINCK : COUVERTURE, UN FRONTISPICE À PLEINE PAGE ET 10 GRANDS BOIS ENTOURANT LES POÈMES. Un grand bois illustre également le colophon. Tirage à 112 exemplaires : 10 Japon impérial + 100 sur Hollande van Gelder et 2 pour le dépôt légal. Chaque exemplaire est numéroté au composteur et signé par Vlaminck. Celui-ci 1 DES 10 SUR JAPON IMPÉRIAL signé à l'encre noire par Vlaminck. Note : les exemplaires sur Japon sont très légèrement plus grands que les Hollande. Photographies supplémentaires sur demande. More pictures on request.
195421470Paris, Chez Grasset, 1954 ; in-quarto tellière broché, chemise-étui moderne ; 140 pp., [2]ff., couverture granitée jaune rempliée, imprimée en noir et chocolat ; page de titre imprimée en noir et vert printemps.
2000DBS-9780122268656Academic 2000. 1st. Hardcover. New. Academic hardcover
2000DBS-9780122268656Academic 2000. 1st. Hardcover. New. Academic hardcover
1935901F38London: Wishart & Company 1935 . First edition. Cloth. Very Good Indeed/Good Only. 8.5" by 6". None. A signed presentation copy of this very scarce murder mystery by Oswell Blakeston and Roger Burford starring a moustachioed cat. A very scarce signed first edition first impression of this thrilling and unusual tale.The third of four mystery novels written under the name "Simon" the pseudonym of two writers working together Oswell Blakeston - a British writer and artist who also worked in the film industry - and Roger Burford an English poet novelist and screenwriter who also wrote crime fiction as Roger East.With the inscription 'To my friend John Gawsworth' to the title page.Inscribed by Blakeston to John Gawsworth a British writer poet and compiler of anthologies both of poetry and of short stories. Blakeston regularly contributed to Gawsworth's anthologies.In the original price unclipped dust wrapper.With faint but extensive former owner's pencil inscriptions to the front free endpaper and rear flyleaf.A delightfully thrilling and unusual work advertised by the publisher as about 'a cat 'wearing a moustache like an Italian ice-cream merchant's'. The blurb continues: 'When a wealthy lady holds a psychic seance in her country house and invites a police officer on leave-who arrives to find the house completely empty and later discovers her ladyship's manservant dead in a ditch-when the trail leads to a private asylum in charge of a doctor almost as peculiar as his patients and among the clues are a dwarf a clairvoyant a rose that turns into a cigarette'.A very scarce signed first edition. In the publisher's original cloth binding with price unclipped dust wrapper. Back strip a touch age toned otherwise externally excellent. Lower half of dust wrapper back strip lacking with small loss of paper to back strip head. Back strip and rear wrap lightly age toned. Front flyleaf tenderly held to head only. Tape repairs to dust wrapper reverse at folds either side of back strip and to front flyleaf fold. Faint but extensive former owner's pencil inscriptions to the front free endpaper and rear flyleaf. Internally firmly bound. Signed to title page. Pages clean and bright with only the odd spot. Very Good Indeed Wishart & Company hardcover
19233860London and Cambridge: Curwen Press and Cambridge University Press 1923-1930. First edition. Hardcover. Very Good . London and Cambridge: Curwen Press and Cambridge University Press 1923-1930. A complete run of arguably the greatest English typographical and fine press journal all deluxe edition copies Vols 1-4 on Batchelor Kelmscott handmade paper 5-7 on deluxe paper. The paper in these editions is wonderful all volumes here completely free of foxing. Volumes 1-4 were edited by Oliver Simon volumes 5-7 by Stanley Morison. This is an uncomplicated set lacking only the dust jackets for volumes 5-7. All bindings VG or better throughout see photos. Volume 7 spine a touch faded as always. Vol 1-4 TEG. Deckled paper edges of all 7 volumes in very nice condition. No bumps or splits to any volumes no gutter splits inside or out. All bindings tight Volume 1 just a touch more wear. Contents of all volumes completely and uniformly fine no tears no spotting no folds no bookplates. All extras and inserts present including the signed works by Eric Gill and David Jones. The combination of scholarship and skill on display in these volumes is second to none. As a set this is one of the great fine press achievements of the twentieth century. Rare as a complete deluxe set. <br/><br/> Curwen Press and Cambridge University Press hardcover
196085923Sous étui bordé. Reliure maroquin noir à encadrement. Plats de veau vert amande encadré d?un filet doré. Dos lisse, titre en pied. Tête dorée. Couverture et dos conservés. Reliure signée ALIX.
1968557228New York: Studio Duplicating Service / David Merrick 1968. Softcover. Near Fine. Stated "Rehearsal Script". Quarto. Music by Burt Bacharach. Lyrics by Hal David. 154 mimeographed leaves printed on the rectos only in screwbound black Studio Duplicating Service wrappers titled in gilt. Small neat handwritten control number "#80" on titlepage plasticized wrappers are slightly rubbed near fine. A musical comedy in two acts adapted for the theatre from the screenplay of The Apartment by Billy Wilder and I.A.L. Diamond. A wildly successful musical that closed after 1281 performances. OCLC locates two copies likely contemporary scripts with approximately 50 fewer pages Princeton; U of Colorado Boulder. Studio Duplicating Service / David Merrick unknown
1946059794Chicago: University Of Chicago Press 1946. 1st Edition 1st Printing. Hardcover. Very Good/Good. Ix 245 Pp. Green Cloth Gilt. First Printing. Book With Wear Spine Gilt Bright. Inscribed By Morgenthau "With Kindest Regards" To Yves René Marie Simon 1903 - 1961. Simon Studied Under Jacques Maritain At The Institut Catholique De Paris. He Taught At The Institut Catholique De Lille From 1930 To 1938. In 1938 He Went To The University Of Notre Dame Where He Remained Until 1958. He Is Best Known For His Work In Moral And Political Philosophy.Dust Jacket Priced $3.00 Wear Short Edge Tears And Small Losses Somewhat Crushed Spine Panel Completely Pinked . Per Wikipedia Morgenthau's Scientific Man Versus Power Politics 1946 Argued Against An Over Reliance On Science And Technology As Solutions To Political And Social Problems. The Book Presented A "Pessimistic View Of Human Nature" Centered On A Universal Lust For Power And The Inevitability Of Selfishness. Hans Joachim Morgenthau 1904 - 1980 Was A German-American Jurist And Political Scientist Who Was One Of The Major 20Th-Century Figures In The Study Of International Relations. Morgenthau Is Usually Considered Among The Most Influential Realists Of The Post-World War Ii Period. Morgenthau Made Landmark Contributions To International Relations Theory And The Study Of International Law. In 1933 Morgenthau Published A Second Book In French La Notion Du "Politique" Which Was Translated Into English And Published In 2012 As The Concept Of The Political. In This Book Morgenthau Seeks To Articulate The Difference Between Legal Disputes Between Nations And Political Disputes Between Nations Or Other Litigants. The Questions Driving The Inquiry Are: I Who Holds Legal Power Over The Objects Or Concerns Being Disputed Ii In What Manner Can The Holder Of This Legal Power Be Changed Or Held Accountable Iii How Can A Dispute The Object Of Which Concerns A Legal Power Be Resolved And Iv In What Manner Will The Holder Of The Legal Power Be Protected In The Course Of Exercising That Power For Morgenthau The End Goal Of Any Legal System In This Context Is To "Ensure Justice And Peace". In His Work In The 1920S And 1930S Morgenthau Sought A "Functional Jurisprudence" An Alternative To Mainstream International Law. He Borrowed Ideas From Sigmund Freud Max Weber Roscoe Pound And Others. In 1940 Morgenthau Set Out A Research Program For Legal Functionalism In The Article "Positivism Functionalism And International Law". Francis Boyle Has Written That Morgenthau's Post-War Writings Perhaps Contributed To A "Break Between International Political Science And International Legal Studies." However Politics Among Nations Contains A Chapter On International Law And Morgenthau Remained An Active Contributor To The Subject Of The Relationship Between International Politics And International Law Until The End Of His Career. His Politics Among Nations First Published In 1948 Went Through Five Editions During His Lifetime And Was Widely Adopted As A Textbook In U.S. Universities. While Morgenthau Emphasized The Centrality Of Power And "The National Interest" The Subtitle Of Politics Among Nations-"The Struggle For Power And Peace"-Indicates His Concern Not Only With The Struggle For Power But Also With The Ways In Which It Is Limited By Ethical And Legal Norms. In Addition To His Books Morgenthau Wrote Widely About International Politics And U.S. Foreign Policy For General-Circulation Publications Such As The New Leader Commentary Worldview The New York Review Of Books And The New Republic. He Knew And Corresponded With Many Of The Leading Intellectuals And Writers Of His Era Such As Reinhold Niebuhr George F. Kennan Carl Schmitt And Hannah Arendt. Morgenthau Was A Consultant To The U.S. Department Of State When Kennan Headed Its Policy Planning Staff And During The Kennedy And Johnson Administrations Until He Was Dismissed By Johnson After He Began To Publicly Criticize American Policy In Vietnam. <br/> <br/> University Of Chicago Press hardcover
19153270budapest: Orsz. Magyar Képzőműv. Múzeum 1915. In special binding by Ferdinand Bakala with the coat of arms of the Eszterhazy family. Fine condition. In special binding by Ferdinand Bakala with the coat of arms of the Eszterhazy family. 1t.LXXII272p.16t. From the collection of Arpad Plesch. Orsz. Magyar Képzőműv. Múzeum unknown
19241674Éditions de la Galerie Simon (D.H. Kahnweiler), Paris 1924. Volume petit in-4 broché (25 x 20 cm), 22 pages, couverture ivoire illustré d'une eau-forte. ÉDITION ORIGINALE illustrée de 4 eaux-fortes d'André Masson, dont celle de la couverture et 3 en hors-texte. Premier livre de Georges Limbour et premier livre illustré par André Masson. Tirage à 112 exemplaires, celui-ci étant l'un des 90 numéroté sur vergé d'Arches (n° 53), SIGNÉ PAR L'AUTEUR ET L'ARTISTE au colophon. Les gravures de Masson les plus authentiquement surréalistes.
1936455026London : Signature printed at the Curwen Press 1936. First Edition. Softcover. Very good paperback issues; wrappers somewhat dust-dulled and slightly edgeworn. Internally bright clean and strong with a faint warp to lower corner as from storage. Plates retain their tissue guards with folding materials remaining crisp. A well-preserved selection overall. Provenance: from the collection of Marie Marques with a signed letter from Curwen Press loosely inserted. Physical description; eight volumes : illustrations some color ; 25 cm. Notes; selection includes issue no.s 2-9 Mar 1936-Jul 1938. Subjects; Printing - Periodicals Illustration of books - Periodicals Graphic arts - Periodicals. London : Signature, printed at the Curwen Press paperback
193088520London: The Fleuron Printed at the Curwen Press / Cambridge University Press 1930. Hardcover. Near Fine/Very Good. 28 x 22 cm. Quarto. Complete set mixed edition. Some foxing in volume 1 &2. Cloth spine of volume 1 faded scuffed on front cover. Volumes 1 & 2 are quarter cloth with paper over boards. Volumes 3 & 4 are bound in black cloth. Volumes 3-7 are limited editions on hand-made paper while volumes 1 & 2 are of the standard edition 1/1000 copies on Antique Cream Laid paper. Vol III: 48/125 vol IV: 78/120 vol V: 90/110 vol VI: 11/160 vol VII: 128/210 Small closed tears to spine of volume 4. Volumes 5 6 & 7 are in dust jackets. The deluxe limited editions feature additional illustrations not present in the standard edition.<br /> <br /> Volume 6 with a pamphlet of Greek type specimen "The New Hellenic" which has an engraving signed by David Jones pamphlet mounted opposite page 231. The final volume is signed by one of the editors Stanley Morison on the colophon page as well as artist Eric Gill on his Perpetua type specimen preceding page 51. Jackets with a few small closed tears. Extensively illustrated throughout with type specimens engravings portraits head and tail pieces and high quality color facsimiles of pages from finely printed books. Tipped inclusions in volumes 56 & 7. One of the most important and influential typographical periodical. Many of the most important people in the book arts and typography for the time period are discussed and illustrated such as Karl Klingspor Rudolf Koch and J. E. Laboureur. Beatrice Warde’s writing as Paul Beaujon important scholarly article on Garamond typefaces appears in volume 5. <br /> <br /> Reference: Grant Shipcott. Typographical Periodicals Between the Wars: A Critique of The Fleuron Signature and Typography. The Fleuron, Printed at the Curwen Press / Cambridge University Press hardcover
1923014522Paris Galerie Simon 1923 In-8 Broché
196083668Paris: Les Editions de Minuit 1960. Fine. Les Editions de Minuit Paris 1960 14 x 19.50 cm broché First edition one of 7 hors commerce copies out of 87 numbered copies on pur fil the only deluxe issue grands papiers. Signed and inscribed by Claude Simon using a sentence of page 306: ""Mais comment savoir que savoir"" But how to know what to know Rare first edition inscribed by the author. Les Editions de Minuit unknown
