19 413 résultats
19261290Paris, [Schmied], 1926. Un volume in-4 (27,7 x 20 cm), en feuilles, 102 pages, n.ch., couverture rempliée, chemise et étui décoré de l’éditeur, emboîtage de maroquin vert doublé de maroquin jonquille, dos titré (G. Cretté succ. de Marius Michel). Édition originale de la plus grande rareté, tirée à seulement 20 exemplaires numérotés sur japon. Splendide illustration en couleurs de François-Louis Schmied: environ 50 bois dont 18 de très grande taille, dans le texte, TOUS ENTIÈREMENT PEINTS À LA MAIN dans les ateliers de laquage de Jean Dunand ; près de 300 lettrines et bouts de lignes peintes à la main dans le texte, dans des harmonies de couleurs variant selon les pages, avec rehauts d'or, d'argent ou de blanc, traçant des motifs géométriques ou érotiques. Tirage unique à 20 exemplaires numérotés et signés du monogramme en rouge de FLS, tous sur papier Japon, celui-ci n° 13. Conservé à l'état d'origine dans un splendide coffret en maroquin doublé de Cretté. - Notes bibliographiques (pour ceux qui prennent le temps): « La Princesse Boudour est regardée par ceux qui savent voir, comme le livre capital de ce premier quart de siècle. Par sa graphie et sa technique générale, elle est une exception préméditée dans le faire de son auteur. Pour la réaliser, il s’est véritablement amusé, cette fois – en tant que lecteur enthousiaste des Mille nuits et une nuit - à commenter graphiquement le texte qu’il connaît si bien et dont il est comme imbibé [...]. Il nous a [...] octroyé le délectable cadeau de trois cent quatre-vingt-dix vignettes et en couleur, et toutes différentes, et qui se rapportent au texte [...]. Et cette munificence schmiedienne n’est-elle pas, en définitive, l’exaltation de notre modernité, et en conformité avec nos goûts, du faire des imagiers incomparables de l’Orient ? [...]. Avec quel attendrissement, avec quelle passion sourde et contenue, qui n’appartient qu’à lui, il a rendu, au moyen des fragiles outils du graveur et du coloriste, la grâce masculine des adolescents, et la tendre chair de banane des radieuses jouvencelles ! [...] Je pense que s’il fallait absolument appliquer une épithète au sourire des adolescentes schmiediennes, et même à celui des adolescents, rien ne leur conviendrait mieux que le mot ambigü... Une atmosphère de pures délices enveloppe cette oeuvre boudourienne, multiple, voluptueuse, spirituelle, et d’une telle essence d’authentique Orient qu’elle nous fait vraiment respirer tous les parfums de l’Arabie. » (Préface du catalogue de l’exposition Schmied à la galerie Arnold Seligmann Rey à New York, mars 1927, pp. 34-37).
19271833Paris, François-Louis Schmied, 1927. Un volume in-4, reliure plein maroquin bleu, doublure et gardes de soie brochée gris-bleu sertie d’un jeu de filets dorés, dos lisse orné, couverture, tranches dorées, étui bordé de même maroquin (G. Cretté succ. de Marius Michel). Édition originale et tirage unique de ce conte oriental de Joseph Charles Mardrus magnifiquement illustrée et ornementée par François-Louis Schmied qui assura lui-même la mise en page et l'impression de ce chef d'œuvre du livre Art déco : le trait des planches a été gravé sur bois, la peinture en a été exécutée à la main, d'après les originaux, dans les ateliers de laquage de Jean Dunand. Cette illustration se compose d'une couverture illustrée, un frontispice, 7 illustrations à pleine page, une grande planche dépliante formant un triptyque, 29 bandeaux horizontaux dont 22 grands, la plupart en-tête, 32 lettrines ornées ou petites vignettes dans le texte, 6 petits bandeaux verticaux et de nombreux bandeaux et lettres mis en couleurs et dorés. TIRAGE UNIQUE À 25 EXEMPLAIRES SUR JAPON, SIGNÉS PAR SCHMIED. Celui-ci (n° XXV) comporte l’une des rares suites des bois tirés en noir sur Japon. L'ouvrage est entièrement monté sur onglet.
196416972Washington D. C.: Government Printing Office 1964. First Edition; First Printing. Hardcover. Complete in 27 Volumes Very Good bound in full blue cloth with gilt titles and gilt emblem on front panel of each volume. Minor wear to exterior of a few volumes including some rubbing and a few scuffs. Fading to color at spine. Ownership stamp to page edges of all volumes "Declan P. Ford." All hinges strong and intact with the exception of final "Report" volume webbing exposed at front and rear gutter. Text is clean and unmarked in all volumes set illustrated throughout with photographs of evidence diagrams and facsimile documents. All volumes Large 8vo 9 3/8"h x 6 1/4"w. <br /> <br /> Assuredly unique a superb personalized set owned by important Hearing testifier Declan P. Ford friend of the Oswalds. This set is signed by Lee Harvey Oswald's wife Marina/Marnina Oswald 26 times and inscribed to the Fords in 10 of the volumes. The extensive testimony of Declan and his wife Katherine were published in Volume Two of this set. Inscriptions are personal and tender appearing to be at times to Declan at times to Katherine in a mix Russian proverbs and comments relating to the Report and persons involved. Inscriptions and signatures are dated about a year removed from the incident itself still well within the immediate historical fall-out from the assassination. Kennedy-related signed items by Marina are uncommon but a set of this significance and uniqueness is unparalleled.<br /> <br /> Set accompanied by a Certificate of Authenticity.<br /> <br /> A few samples:<br /> <br /> Volume 1: There are good people in this world / for Declan P. Ford / from Marina Oswald / Dallas Dec. 31 1964 <br /> <br /> Volume 4: It's better to have $100 than to have a hundred friends especially in America. The original Russian proverb "Rather than getting your hands on 100 rubles get yourself a hundred friends" is nonsensical<br /> <br /> Volume 6: I feel bad for George Bouhe - he ran into trouble through no fault of his own literally "suffered for nothing" / Mrs. Marina Oswald <br /> <br /> Volume 16: I am sitting on a cherry tree / Unable to stop munching / Uncle Lenin tells children / Listen to your mom - In USSR children are taught this poem in kindergarten / Mrs. Marina Oswald Dallas Dec. 1964<br /> <br /> Volume 17: Declan: my heartfelt thanks for helping to keep this weak body in good spirits. / Mrs. Marina Oswald. Government Printing Office hardcover
19941049501994 Eindhoven: Peninsula Foundation, 1994. 500x400mm, 4 pages de catalogue avec les textes de Tjeu Teeuwen et Thomas A. Clark, et 13 estampes séparées par des serpentes, l'ensemble contenu dans un coffret ouvrant marouflé de toile rouge, une reproduction d' Equivalent (1927 -1929) d'Alfred Stieglitz en couverture.
1958233211958 99 dessins crayons de couleurs, stylo bille et pastels, signés, réunis dans un carnet de croquis à spirale, crayon gras, (1958), 27 x 36 cm.
1938249421938 Gouache et aquarelle signée en bas à gauche, (1938), 65 x 55 cm. (format à vue), 79 x 69 cm. (format avec le cadre), cadre noir.
1958245771958 Gouache sur papier fort monté sur son encadrement de bois, signée en bas à droite, 1958, 75 x 138 cm.
1925182328Various locations: 1925-27. An individual's snapshot of the chaotic 1920s in China An impressive album and collection of loose photographs recording the voyages of USS West Virginia and USS Beaver. The photographs many taken by a fellow sailor feature US ships underway the recovery of a seaplane and Pacific islands. A number show China in the warlord period of the mid 1920s documenting the gruesome public executions of thieves and other dissidents. Harold Caldwell 1907-1984 enlisted in the US Navy at age 18 and was immediately assigned to the West Virginia. During the 1920s this ship conducted training manoeuvres in the Atlantic and Pacific. In 1924 she became the flagship for the Commander Battleship Divisions Battle Fleet of Asiatic Station then helped to trial the defences of Hawaii and Australia. Caldwell's album opens with official photographs of this tour including shots of other ships operating in the region such as the USS Langley the first American aircraft carrier. The album's most striking feature is a collection of personal and souvenir photographs of Qingdao Shanghai and Hong Kong during the turbulent 1920s many taken by Caldwell and his fellow sailor H. B. Grapes of the USS Beaver. The Beaver was based in the city and assigned to support submarines throughout the Asiatic Station. Over 20 annotated prints record the chaos and brutality of the region depicting public beheadings the supposedly outlawed "death by a thousand cuts" prisoners in the stocks and military tribunals. Further images show Hong Kong from the water the premises of Lao Feng Xiang Jewellery company and the streets of Shanghai blockaded with sandbags. In 1927 communist sympathizers in Shanghai were brutally suppressed by Chang Kai-Shek's forces and Western soldiers were deployed to protect their country's citizens. These soldiers can be seen laying barbed wire and surveying the streets in multiple photographs. Later in the album there are official photographs of the Pacific life at sea and the ship's officers and men. The loose photographs capture the crossing of the Equator and associated festivities operations in Panama and many individual portraits of sailors. Folio 350 x 205 mm. Album with 305 gelatin silver photographs 60 x 90 to 178 x 127 mm landscape or portrait corner-mounted recto and verso on 47 leaves of ruled paper paginated with ink stamps in upper corner 6 printed on red paper 1 printed on green paper approximately 10 printed on postcards 2 hand-coloured some with printers' stamps or manuscript annotations on verso many captioned in the negative 15 numbered in ink direct 1 signed in ink direct manuscript ink captions on leaves 3 colour illustrated postcards 3 lettered menus or tickets for "Topsy's Roost". Also loosely inserted: 91 gelatin silver photographs approximately 75 x 120 mm to 126 x 176 mm 10 printed on postcards many with printers' stamps or manuscript annotations on verso 2 inscribed in ink direct; 2 lettered menus 7 postcards 3 half-tone 4 colour 20 half-tone photographic illustrations of ships with glass plate negative captions 60 x 90 mm many inscribed on verso 2 inscribed and stamped envelopes 7 pieces of printed ephemera 10 business cards inscribed both sides in ink 12 receipts inscribed and stamped on both sides. Original red half cloth album spine lettered in gilt flat bands ruled in gilt black pebbled cloth boards with borders tooled in gilt front board stamped with United States Navy insignia in gilt. Collection housed in three grey archival boxes. Photographs generally well preserved a little toned and rubbed one with horizontal split a couple with creasing pinholes and short closed tears at edges binding a little worn and sprung some leaves likely removed: a very good archive. hardcover
190124162Paris BOIVIN 1901 1 Aquarelle et gouache signée en bas à gauche, 1901, 57 x 44 cm., titrée au dos, Marie-Louise à la Française bisotée or sur papier de Lyon, sous cadre au cordon perlé Louis XVI (Style), doré à la feuille d'or. Suivi de l'ouvrage illustré par Maurice LELOIR. Avant-propos de Gabriel Hanotaux. Paris, Combet & Cie, Furne, 1901, in-folio, percaline verte éditeur, premier plat polychrome illustré de Richelieu en pied, dos lisse, titre doré en long, monté sur onglets, tranches dorées, 84 pages, (Legat-Cartier Relieur).
194741856Dossier technique sous chemise in-4, 22 octobre 1947, comprenant 22 pièces (sur 25). Bordereau des pièces du dossier : 0 :Bordereau des Pièces du dossier ; 1 : Mémoire descriptif ; 2 : Carte d'ensemble 1/200.000 ; 3 : Profil en long général 1/2000 - 1/200.000 ; 4 : Plan de situation topographique (manque) ; 5 : Profils en travers type 1/500 ; 6 : Profil en long général géologique (manque) ; 7 : Rapport géologique de M. le Professeur Lugeon avec avant-propos ; 8 : Ecluse-type de 22m20 de hauteur de chute. Plan d'ensemble et coupes 1/2000 ; 9 : Ecluse type de 22m20 plan coupe (manque) ; 10 : Ecluse type de 22m20 de hauteur de chute. coupes transversales 1/500 ; 11 : Barrage type de Blagnac sur la Garonne. Elévation côté amot et plan coupe 1/200 ; 12 : Barrage-type de Blagnac sur la Garonne. Coupe transversale 1/200 ; 13 : Pont-Canal de Montech sur la Garonne. Plan d'ensemble en élévation au 1/1000 et 1/1500 ; 14 : Pont-Canal de Montech sur la Garonne coupes 1/200 ; 15 : Ouvrages de garde. Pkan et coupes ; 16 : Pont-Mobile ascenseur. Elévation coupe au 1/500 ; 17 : Pont-mobile basculant à la volée. Elévation et coupe au 1/500 ; 18 : Tunnels. Route. Coupes transversales 1/50 ; 19 : Perspective d'un chantier normal de déblais en terre et en rocher ; 20 : Perspective de grands remblais à l'Est du Pont-Canal de Montech sur la garonne ; 21 : Perspective des chantiers de terrassements de la tranchée de Naurouse ; 22 : Carte d'ensemble des besoins et des ressources en matériaux de construction. Lieu d'utilisation. Moyens et distances de transports 1/200.000 ; 23 : Devis estimatif et récapitulation générale (adapté au prix 1947 par les Entreprises A. Borie et C. Montcocul) ; 24 : Rapport économique
19575726Paris, Bernard Klein, 1957. 1957 1 vol. in-folio (430 x 320 mm). en feuilles de xxviii pp., 180 pp. 31 illustrations dont la couverture, le portrait de lauteur-illustrateur, 2 doubles pages et 5 pleines pages en couleurs. Tirage à 205 exemplaires numérotés, celui-ci n° 132, un des 100 sur Vélin de Hollande spécial. Couverture cartonnée rempliée, sous emboîtage en toile de l'éditeur titrée au dos (couverture jaunie doublée au dos, légére décoloration de la toile, corps d'ouvrage frais).
19225057<p>Octavo 178x 12 cm. wrappers 26 pp. The All-Russian Union of Poets was organized in Moscow in 1918 and continued to 1929 when it was absorbed into All Russian Union of Writers.</p><p>In 1922 it came under the scrutiny of the NKVD who forced it to change the charter of its aims This collection consists of exponents of various schools "due to the extreme dubiousness of the goals and revolutionary objectives pursued by the Union as well as harmful activities to the ranks of youth." This is the second poetry collection issued by the Union. Poets representing various isms are found here with Mandel'shtam Sestry Tsvetaeva Kon'-Khrom Pasternak Mne v sumerki ty vse. Sel'vinskii and Boguslavskii among others. Rare Getty 827MOMA 394. Printed on heavy van Gelder This copy very crisp near fine. With very fine cover by Gustav Klutsis one of his earliest works. </p> Sopo paperback
1929D6770Russia 1929. Paperback. Near Fine. Manuscript periodical in four parts numbered 3 4 11 and 13. Staple-bound heavy cardstock wraps brightly illustrated in pen-and-ink and watercolor; four volumes; 8vo 230 x 180 mm; pp. 136 illustrated throughout with pen-and-ink and watercolour drawings signed "S. Sh." or "S. Sheff" Russia 1929. Covers a little scuffed along spine and edges otherwise fine -- bold and bright. <br/><br/>A compilation of various accounts relating to the Russian Navy and Air Force in the decade following the Revolution recorded in tidy penmanship and with quick watercolors painted direct in text plus nicely accomplished pen-and-ink and watercolor illustrations tipped-on showing landscapes sea-scapes portraits and air and sea vessels. The accounts report the travails of various ships including the "Prome" "Paris Commune" "Frunze" the ice-breakers "Ermak" and "Lenin" and others. One part is devoted mostly to the Turkish Fleet and action in the Black Sea during 1914-1917. The aeronautic sections discuss Zeppelin's dirigible and the British R-101. The journal lists various contributors including F. Raskol'nikov L. Berman A. Marti P. Stasevich and others. S. Sheff who drew the illustrations probably produced this journal issuing it over the course of a number of years; the present issues are numbered 3 4 11 and 13 and belong to the fourth year of composition. A nice folk art example of "Grafica Russa" Russian Graphics of the early 20th century combining graphic design illustration and calligraphic interest. paperback
1929D6770Russia 1929. Paperback. Near Fine. Manuscript periodical in four parts numbered 3 4 11 and 13. Staple-bound heavy cardstock wraps brightly illustrated in pen-and-ink and watercolor; four volumes; 8vo 230 x 180 mm; pp. 136 illustrated throughout with pen-and-ink and watercolour drawings signed "S. Sh." or "S. Sheff" Russia 1929. Covers a little scuffed along spine and edges otherwise fine -- bold and bright. <br/><br/>A compilation of various accounts relating to the Russian Navy and Air Force in the decade following the Revolution recorded in tidy penmanship and with quick watercolors painted direct in text plus nicely accomplished pen-and-ink and watercolor illustrations tipped-on showing landscapes sea-scapes portraits and air and sea vessels. The accounts report the travails of various ships including the "Prome" "Paris Commune" "Frunze" the ice-breakers "Ermak" and "Lenin" and others. One part is devoted mostly to the Turkish Fleet and action in the Black Sea during 1914-1917. The aeronautic sections discuss Zeppelin's dirigible and the British R-101. The journal lists various contributors including F. Raskol'nikov L. Berman A. Marti P. Stasevich and others. S. Sheff who drew the illustrations probably produced this journal issuing it over the course of a number of years; the present issues are numbered 3 4 11 and 13 and belong to the fourth year of composition. A nice folk art example of "Grafica Russa" Russian Graphics of the early 20th century combining graphic design illustration and calligraphic interest. paperback books
19550002329ASEA ABOARD THE USS GLACIER. Good. 1955. On offer is a super pair of significant original manuscript journals handwritten by Lieutenant P.Y. Matthews Jr. a United States Navy Chief Engineer of the noted USS Glacier detailing the Chief's voyage and participation in Operation Deep Freeze I making for a very detailed account in two volumes beginning in the Antarctic upon arrival December 15 1955 until departure April 1 1956. Written as a group of letters titled 'Dear Jan' it appears from entries in the journal that Jan was perhaps a niece the narrative makes for an intimate sharing of observations and impressions of all the Chief sees. The Chief is as each and every entry attests a personable enthusiastic participant in the voyage who well realizes the significance of the trip. I his own words: 'DEAR JAN The stirring saga of the USS GLACIER the world's most powerful ice breaker and its first polar voyage through six of the seven seas including ice breaking in Antarctica for Operation Deep Freeze I.' We note he writes of sitting down with Admiral Byrd too! Adding great depth are a small number of hand drawn maps diagrams and pictures. Volume 1 is rather half full with 80 or so pages of writings as he only uses the facing pages but Volume 2 contains only a few pages of text the rest is blank as the expedition had ended. Also includes a newspaper clipping about Matthews stating that he had taken much color film footage of Antarctica and Little America. Tucked in is a copy of a document stating that Matthews was in the first landing party on Princess Astrid Coast the original was placed in a cairn there. Overall G.; Manuscript; 8vo - over 7¾" - 9¾" tall; KEYWORDS: HISTORY OF LIEUTENANT P.Y. MATTHEWS JR. US NAVY CHIEF ENGINEER USN UNITED STATES NAVY USS GLACIER OPERATION DEEP FREEZE ANTARCTICA EXPLORATION PRINCESS ASTRID COAST LITTLE AMERICA NAVAL HISTORY NAUTICAL MARINE MARINERS EXPLORERS EXOTIC TRAVEL EXTREME TRAVEL ICEBERGS ADMIRAL BYRD AMERICANA HANDWRITTEN MANUSCRIPT AUTOGRAPHED AUTHORS DOCUMENT LETTER AUTOGRAPH KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORY ARCHIVE DIARY DIARIES JOURNAL LOG PRIMARY SOURCE FIRST HAND ACCOUNT SOCIAL HISTORY PERSONAL STORIES LIVING HISTORY ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPELBIOGRAPHY BIOGRAPHICAL AUTOBIOGRAPHICAL AUTOBIOGRAPHY PERSONAL NARRATIVES . unknown
1934115861Chefoo Yantai Shanghai Singapore: 1934-37. Battleships baseball and the Bund An evocative album containing over 300 photographs both personal and from commercial studios recording the active service of the USS Parrott DD-218 on the China Station with the Asiatic Fleet - part of Destroyer Division 58 - including the Asiatic neutrality patrol in 1935 and 1936 offering a wealth of images of China Japan the Philippines and the South Pacific on the eve of the Second Sino-Japanese War 7 July 1937-9 September 1945 and the Second World War. Studio photographs include a number from the renowned commercial photographers Afong based in Yantai formerly Chefoo Joseffa and Skvirsky both established in Shanghai. It was compiled by Yeoman 2nd Class E-5 Charles Edmond Berry and opens with two fine photographs of the officers and crew of the Parrott on deck two colour-tinted photographs showing the ship at anchor and a humorous pictorial advertising photo from the Afong studio including an image of the studio exterior - clearly issued to all ships passing through Yantai - and featuring the Parrott at the centre. There follows an often joyful evocation of life onboard a US Navy destroyer prior to the Second World War with photos of the after-parties at the famed Beach Cafe in Chefoo which featured White Russian "hostesses" and tremendous amounts of alcohol as well as the morning-after breakfasts. Berry has also included panoramic photos of the Asiatic fleet in harbour at Chefoo Yantai and Hong Kong even including a humorous photographic pictorial "Bootlegger's Map of the United States." There are a series of photos showing the other US Navy Clemson-class destroyers on station with the Parrott the USS Pillsbury USS Bulmer USS John D. Ford USS Paul Jones USS Smith Thompson and USS Pope as well as various shipboard shenanigans baseball games battleships and destroyers on maneuvers gunnery practice loading of shells crew pets Liberty parties sailors carousing down the Bund in Shanghai buying souvenirs in Cuba sailing through the Panama Canal sightseeing trips to a walled city in Northern China the Great Wall of China cremation ceremonies in Bali riding rickshaws snake charmers and more. There are photos of Pan American Airways flying boats landing and unloading passengers in China many street scenes in Shanghai Hong Kong Tsing Tao Qingdao including the beheading of Chinese robbers outside the town Peking and Singapore. Of special interest are the series of photos showing Chinese Naval Ships from the Republic of China Navy in the mid-1930s including the CNS Yixian sunk by Japanese aircraft in September 1937; CNS Yisheng which had been converted into a gunboat in 1928 later sunk the CNS Shin Shey built in 1911 converted to a gunboat in 1929 sunk in 1938 and many others. There are also images of Kobe Yokohama street cars in Shanghai parks in Tokyo street scenes in Kyoto and views of the temples there. The USS Parrott DD-218 was a Clemson-class destroyer laid down by William Cramp & Sons Philadelphia and launched in 1919 commissioned in 1920 with a complement of 157 officers and enlisted men. The Parrott spent most of her career sailing with the Asiatic Fleet was awarded the Yangztze Service Medal in part for humanitarian assistance during the flooding of 1931-32 operating through the Chinese Civil War which resulted in considerable naval activity in Chinese waters collecting hydrographic data in and around Saigon then French Indochina in 1935. By 1940 she had served successively as station ship at Amoy Xiamen and Swatow Shantou China. From 7 July to 4 October she patrolled China waters based at Tsing Tao Qingdao and then made calls to other northern Chinese ports returning to Manila on 11 October. There in the early months of 1941 she was refitted with anti-mine and detection gear for anti-submarine warfare. The Parrott saw action in several theatres of war: South China Sea Battle of the Java Sea Atlantic Convoys and the bombardment of Spanish Morocco. She was accidentally rammed by the SS John Morton in Norfolk Naval Shipyard in 1944 and so severely damaged that she was decommissioned that same year and saw no further active service. Thick oblong quarto 380 x 280 x 51 mm. 319 corner-mounted original photographs ranging in size from 102 x 63 mm to 292 x 240 mm including 6 colour-tinted images and 4 panoramas 292 x 145 mm many studio prints captioned in the negative often with the photographer's stamp at lower corner a few with manuscript annotations verso coloured and patterned tissue guards intact white pink blue and jade-green. Contemporary heavily embossed black padded-calf post-binder photo album front board with devices of a Chinese Dragon a junk the Great Wall a life-preserver and anchor title in gilt as above nickel-plate posts rounded corners 52 leaves of black heavy card-stock most of the original tissue guards preserved. Together with a very appealing group of related ephemera and publications including: The Missions to Seamen The Sailors' Institute Anson Road Singapore; The Short Cut to Beauty: Hong Kong's Peak Tram; jocular Subpoena and Summons Extraordinary Royal High Court of the Raging Main Domain of Neptunus Rex two copies; U.S. Naval Despatch USS Parrott; Voyage Smoker USS Henderson en route to Honolulu T.H. to Guam M.I.; Radio Press News en route Manila P.I. to Guam M.I. 23 March 1937; Map of Shanghai dog tags and Bakelite Jesus medallion all preserved together in the original canvas sailcloth bag with stud fasteners. A few slight scuffs to binding occasional creasing to the mounting leaves very minor damage to a couple photographs overall in excellent condition. hardcover
19303857Ambroise Vollard, Paris 1930. Fort in-4 (330 x 255 mm) en feuilles sous couverture papier japon impérial illustrée d'une gravure à pleine page, deux chemises à dos plat de parchemin blanc, titrées or au dos, étuis bordés. 94 EAUX-FORTES ORIGINALES DE RAOUL DUFY dont une à pleine page pour la couverture, 16 en hors-texte et 26 à pleine page y compris celle pour la table des gravures entièrement gravée. 1 des 65 exemplaires sur japon supernacré, celui-ci faisant partie des 30 sur ce papier enrichis d’une suite des eaux-fortes sur vergé Montval (n° 57), paraphé à l'encre par l’artiste et l’éditeur à la justification. Il s’agit du second papier après 30 exemplaires sur japon ancien. La suite est conservée dans une chemise et un étui, identiques à ceux du volume de texte. Très rare exemplaire de tête à l'état de neuf, très pur. "Un hymne au port de Marseille et à la mer". Une réussite majeure de l'artiste et de l'éditeur Ambroise Vollard. ref : Rauch : Les Peintres et le Livre n° 47 ; The Artist and the Book n° 93 ; Chapon : Le Peintre et le Livre. L'âge d'or du livre illustré en France 1870-1970, P. 73 ; Centre Georges Pompidou : https://www.centrepompidou.fr/cpv/resource/ck4yxbo/razK8b4
19343975Paris, Edilux, 1934. 1934 1 vol. in-fol° (390 x 290 mm.) de : LXXVII, [1], 122 pp. ; 72 + 12 planches hors-texte dont de nombreuses reproductions photographiques de yachts ; préface du Docteur J. Charcot ; illustrations de Léon Haffner, André Galland et A. Theunissen. Un des 40 exemplaires sur japon (tirage total à 200 exemplaires + 120 de propagande). Plein vélin à décors aquarellé reprenant le motif de la couverture brochée (laquelle est reliée en début d'ouvrage).
194444499Okinawa Japan; Camp Pendleton CA.; Kinston NC: Photographed and compiled by an American Marine 1944-1946. 1944 - 1946. WORLD WAR II JAPAN. First edition. Oblong octavo black leatherette string-tied photograph album 101 silver gelatin photographs with most being 4 1/4" x 5 1/4" some smaller. An interesting collection of vernacular images from World War II Okinawa documenting an American Marine Corps reservist's time on the Japanese island after the successful U.S. invasion in the spring and summer of 1945. He is identified simply as "Ronnie" in several photographs. The album was likely assembled by Ronnie's wife or girlfriend as the first item is annotated "A Christmas card from my honey" and includes a greeting in manuscript from the soldier on the verso. Eighty-nine photos emanate from Okinawa four from Camp Pendleton and eight from Camp Lejeune in Kinston N.C. and on the soldier's furlough at home likely Florida. The photographs of Okinawa feature a wide variety of interesting subjects including island views abandoned Japanese bunkers tombs Shinto shrines damaged Japanese armaments "Korean teahouse girls . the type used by the Japanese armies for entertainment purposes" Japanese natives washing clothes in the river views of villages "A native barber and his victim in the village of Ishikawa in northern Okinawa" "Native family of three enroute to a detention camp" "Jap dugout in the ‘Suicide Cliff' area" "Japanese school children and teachers" "Native women bathing" "Remains of Japanese 'Betty' pilot Yontan Airstrip" marine and army cemeteries "Ernie Pyle's grave" "Spot where Lt. Gen. Simon Bolivar Buckner was killed . June 18 1945" and many more. The U.S. invasion of Okinawa began in April 1945 and lasted eighty-two days ending on June 22. Immediately the island became an important staging area for the planning of the U.S. invasion of mainland Japan. Ultimately the invasion was not necessary after the atomic bombings of Hiroshima and Nagasaki in early August. Also taped-in are two Japanese yen bills and eight magazine excerpts featuring Okinawa scenes. Laid-in are three Florida newspapers detailing the U.S. Navy's invasion of Japan. A rare view of occupied Okinawa from an American Marine . itself a rare thing as most albums of this type come from Army boys. Minor wear to the covers else a very good copy. Photographed and compiled by an American Marine, 1944-1946. hardcover
190731197N.p. Japan ca 1907. Pair of large trapunto banners both removed from original frames. First 82cm x 60cm ca 32" x 24"; embroidered in silk with trapunto elements on a black silk ground; photographic portrait on cabinet card inserted in embroidered pocket at center inscribed "Mellie McKeever" on verso. Silk ground fragile with a few thin tears but no significant losses; light soil; embroidered portions generally well-preserved and colors bright. Very Good. Second banner 65cm x 50cm ca 25" x 20"; photo-transfer on silk with embroidered ornaments. Slight fading to embroidered portions but generally well-preserved and sound; Very Good. Both banners with firm provenance purchased from the descendants of Mellie McKeever of Richwood West Virginia. Two exceptional and well-preserved examples of the ornamental trapunto banners that were popular souvenirs among U.S. sailors and marines during the late 19th and early 20th century. Yokohama was the principal point of production for these naval souvenirs but we have also seen examples from the Philippines and mainland China; Japanese examples such as these are generally distinguished by a higher quality of embroidery and more sophisticated composition. The banners became popular among British and American sailors beginning as early as the Boxer Rebellion and the Spanish-American War but seem to have reached their peak of popularity with the arrival in the Far East of Teddy Roosevelt's Great White Fleet in 1908. Some 14000 sailors and marines made land at various Japanese ports-of-call in that year and given the regularity with which these textiles still appear one imagines that every sailor must have brought at least one of these souvenirs home with him. <br /> <br /> The first example though of an unusually impressive size is of a type frequently seen displaying typical naval iconography right down to the hand-painted battleship portrait of a two-stack battleship of the Kearsarge class its hull painted white reflecting its peace-time mission at bottom center. The embroidered frame to hold a cabinet portrait of the sailor or perhaps a loved one is a typical feature found on more elaborate examples. The American Eagle in full battle stance is a nearly universal element of these banners. <br /> <br /> The second banner is of a style we have not previously seen and for which we can find no analogues in the extensive literature of naval souvenirs. It is clearly a family portrait probably a composite made from cartes-des-visites carried by McKeever; the portraits are printed by silkscreen using a photo-transfer process with applied trapunto decorations. The likenesses are clearly enlarged -- it is highly unlikely that a common sailor would have had room aboard a battleship to carry full-size portraits -- and it strikes us that this must have seemed an almost magical process at the time of creation especially to a young man from a tiny lumber-and-coal town in central West Virginia. <br /> <br /> Aside from their obvious virtues as objects of art and handicraft we regard these banners as compelling pieces of material culture from a period of tremendous social transformation in the United States. According to the Naval Historical Center U.S. naval rolls expanded by nearly 400% between the beginning of the Spanish-American War and the launching of the Great White Fleet. To meet this demand for the first time in its history the Navy began recruiting from the American heartland rather than solely from the Eastern Seaboard states. The generation of inland farmers and mechanics to follow was thus the first in American history to experience first-hand cultures as diverse and divergent from their own as those of Europe Asia and the Pacific Islands; they represented not only the beginning of the American imperialist enterprise but also the first stirrings of America's global consciousness. That so many of these banners have survived in good condition is evidence of the degree to which they were treasured by their owners for whom they represented an experience that must have been transformative and definitive. unknown
190731197N.p. Japan ca 1907. Pair of large trapunto banners both removed from original frames. First 82cm x 60cm ca 32" x 24"; embroidered in silk with trapunto elements on a black silk ground; photographic portrait on cabinet card inserted in embroidered pocket at center inscribed "Mellie McKeever" on verso. Silk ground fragile with a few thin tears but no significant losses; light soil; embroidered portions generally well-preserved and colors bright. Very Good. Second banner 65cm x 50cm ca 25" x 20"; photo-transfer on silk with embroidered ornaments. Slight fading to embroidered portions but generally well-preserved and sound; Very Good. Both banners with firm provenance purchased from the descendants of Mellie McKeever of Richwood West Virginia. Two exceptional and well-preserved examples of the ornamental trapunto banners that were popular souvenirs among U.S. sailors and marines during the late 19th and early 20th century. Yokohama was the principal point of production for these naval souvenirs but we have also seen examples from the Philippines and mainland China; Japanese examples such as these are generally distinguished by a higher quality of embroidery and more sophisticated composition. The banners became popular among British and American sailors beginning as early as the Boxer Rebellion and the Spanish-American War but seem to have reached their peak of popularity with the arrival in the Far East of Teddy Roosevelt's Great White Fleet in 1908. Some 14000 sailors and marines made land at various Japanese ports-of-call in that year and given the regularity with which these textiles still appear one imagines that every sailor must have brought at least one of these souvenirs home with him. <br/><br/>The first example though of an unusually impressive size is of a type frequently seen displaying typical naval iconography right down to the hand-painted battleship portrait of a two-stack battleship of the Kearsarge class its hull painted white reflecting its peace-time mission at bottom center. The embroidered frame to hold a cabinet portrait of the sailor or perhaps a loved one is a typical feature found on more elaborate examples. The American Eagle in full battle stance is a nearly universal element of these banners. <br/><br/>The second banner is of a style we have not previously seen and for which we can find no analogues in the extensive literature of naval souvenirs. It is clearly a family portrait probably a composite made from cartes-des-visites carried by McKeever; the portraits are printed by silkscreen using a photo-transfer process with applied trapunto decorations. The likenesses are clearly enlarged -- it is highly unlikely that a common sailor would have had room aboard a battleship to carry full-size portraits -- and it strikes us that this must have seemed an almost magical process at the time of creation especially to a young man from a tiny lumber-and-coal town in central West Virginia. <br/><br/>Aside from their obvious virtues as objects of art and handicraft we regard these banners as compelling pieces of material culture from a period of tremendous social transformation in the United States. According to the Naval Historical Center U.S. naval rolls expanded by nearly 400% between the beginning of the Spanish-American War and the launching of the Great White Fleet. To meet this demand for the first time in its history the Navy began recruiting from the American heartland rather than solely from the Eastern Seaboard states. The generation of inland farmers and mechanics to follow was thus the first in American history to experience first-hand cultures as diverse and divergent from their own as those of Europe Asia and the Pacific Islands; they represented not only the beginning of the American imperialist enterprise but also the first stirrings of America's global consciousness. That so many of these banners have survived in good condition is evidence of the degree to which they were treasured by their owners for whom they represented an experience that must have been transformative and definitive. unknown books
1913241781913 4 Aquarelle signée du cachet d'atelier en bas à droite, 1913, 50 X 35 cm., encadrée.
198894121Neri Pozza Editore. New. 1988. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in Italian. 314 pages; 199 illustrations in black and white; 8 in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Neri Pozza Editore paperback
200094054Gallimard. New. 2000. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 430 pages; over 600 illustrations including a number in color. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer . Gallimard hardcover
19110001529ASEA. Good. 1911. On offer is the original pre-World War I and early commencement of the War manuscript diary of Commander Alfred Frederick Bell "AFB" Woodhouse Royal Navy. Entries date from June - August 1911 and May 1914 - April 1915 providing a unique pre-War commentary and then leading up to the actual conflict. Woodhouse begins on HMS Fantome off north west coast of Australia surveying: ".Shifted camp to Byron Islands for 4 days. Got there by 11am. Comber went away sounding in steamboat. I first saw the camp rigged up & then went away coastlining in 2 whaler.Away coastlining again at 7am nearly finished Byron Islands by evening. Enormous number of small islands had to be put in.Coastlining longcreek about 5 miles in & then small mangrove swamp.Dozens of flies about appallingly stung.Practically no sleep last night owing to bites. Away 7am started near Beehive. Fixed one point & when turning found myself in whirlpool pass. Went down with flood. Whaler hole in side. Camp - no rum no sugar no flour no tea very little water.". Then HMS Research May 1914 off Ireland and Scotland: ".Weighed at 9.30 after the first mail had come on board & proceeded to the entrance to Wexford. Picked up tide pole & then to Blackwater Bank. Went away in motor boat with Hazlefoot but too misty to see anything. Returned at 3.30 & ship started for Larne. Then HMS King Alfred August 1914: ".After dinner joined King Alfred from Research as my war appointment.We are at present ammunitioning & getting ready as quickly as possible. Invincible in harbour. List of officers.12 Midnight War declared against Germany.My first gun crew do not appear to know much about their drill but they are enthusiastic which is something & I have an excellent gun-layer.Submarine gun crews told off & stationed.Everyone pleased we are getting away but do not know where we are to go. Azores seems popular.Received orders to proceed to Scapa Flow.Ships here are all King Edwards 1st Battle Cruiser Squadron. Drake & 2 Edgar Cyclops & a good number of scouts light cruisers & destroyer. All are painted light grey in different parts & black elsewhere so as to be difficult to take ranges on & also distinguishes them very well.We are painting our funnels & masts light grey & are chipping as much paint as possible off the ship.proceeded round west of Orkneys. At about 11.30 the Drake stopped a Russian barquentine but allowed her to proceed later. We stood by for firing practise.The Drake stopped & boarded a Norweigan steamer but let her proceed afterwards. Sighted a battle cruiser in evening. Heard that a German submarine had been sighted.Received news that German ships were in Norweigan fjords. Ordered by c-in-c to support Alsatian who is to patrol 20 miles from coast.Sighted Alsatian an enormous liner carrying as far as I could see only 8 4.7in or 6in. One shell would probably finish her.In afternoon intercepted signal from c-in-c to destroyers to attack enemies submarines which were apparently sheltering in Linza Sound Stronsea Orkney Is.Our army according to Poldhu message has held its own in Belgium but has had 2000 casualties German losses unknown but believed to be very heavy.Heard the Monarch had a torpedo fired at her which only just missed.Sighted Drake in dog watches she told us that 1 BCS had had a scrap on friday morning with a good deal of success. Light cruisers destroyers & 1 BCS raided near Heligoland & intercepted German cruisers & destroyers returning on friday early. Result 2 German L cruisers & 2 destroyers sunk 1 L cruiser & several destroyers badly damaged.At 6.30 suddenly sounded off night defence stations. Falmouth had seen a submarine following the G into harbour & had waited till her conning tower came up & then fired at her. She says she hit her twice.Superb fired twice at supposed submarine.First shots fired in earnest today.We have received orders to convoy floating dock from Pentland Firth to Cromarty.The Pathfinder & Speedy have been blown up by mines but little loss of life.Got news that the Aboukir was sunk by submarine & that the Hague & Cressy going to her assistance were also sunk. It appears that a flotilla of submarines attacked them. 21 is the first score to their submarines. Ships are not much but loss of life was heavy I believe.Ships company & officers warned by captain about spreading any information about movements of ships or anything else.Proceeding to the HMS Devonshire October 1914 ".Drove to Scabster in a motor lorry got the mail packet at 4am to go to Scapa Flow. Arrived 7am got on board at 9am The Anglia one of the LNWR steamers which is acting as a fleet .There was a big submarine scare during the day & all ships have left. Destroyers were hunting the submarines & say they got 3 but I rather doubt it.Went to a funeral in charge.Received orders to proceed on board Cyclops for passage to Devonshire in the Dryad.At 7pm the Dryad ran on to the rocks near Stromness.By 6pm I was on board the Devonshire after a week trying to get to her.I am to be tanky & prize officer & keep 4 watches.Proceeded on 24th 4pm & swept down to Heligoland way. Our aeroplanes bombed Cushaven & ships there on christmas day.Rear Admiral Pakenham hoisted his flag in Devonshire.Rendezvous with grand fleet & proceeded southward. Battle cruisers & light cruisers fought an action with German B Cruisers sinking the Blucher & severely damaging Deiflinger & Molke. We chased after them.The Lion was badly damaged by mine or torpedo as well as gun fire. The ships hit were only Lion 18 times Tiger 3 times the rest not at all.There are some dummy ships in harbour Liverpool with wooden turrets & superstructures they are very good imitations from a little distance.Left Scapa Flow & joined 3rd CS at sea. While proceeding into harbour on afternoon of 14th we passed down a whole line of submarines each one near a sailing ship painted white. We opened fire at them all but I dont think hit. They did not seem to fire at us but one cannot be sure.". Covers measure approx 7 1/4" x 4 3/4" 18cm x 12cm Cloth bound with 91 sides of entries. Covers heavily marked with some ink staining and wear some minor marking inside about fair condition. Overall G.; 12mo - over 6¾" - 7¾" tall; KEYWORDS: ALFRED FREDERICK BELL WOODHOUSE HMS RESEARCH HMS KING ALFRED NORWAY NORWEIGAN COAST PATROL ROYAL NAVY BRITAIN BRITISH NAVY NAVAL NAVY MARINE NAUTICAL HISTORY OF WORLD WAR I WWI THE GREAT WAR HANDWRITTEN HAND WRITTEN AUTOGRAPH AUTOGRAPHS SIGNED LETTERS DOCUMENT DOCUMENTS MANUSCRIPT MANUSCRIPTS WRITERS WRITER AUTHOR HOLOGRAPH PERSONAL AMERICANA ANTIQUITÉ CONTRAT VÉLIN MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT LETTER AUTOGRAPH DIARY JOURNAL LOG KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS DIARIES JOURNALS LOGS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORY . hardcover