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3656247331.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9783656247333Paperback. New. paperback
2012DADAX3659232335LAP Lambert Academic Publishing 2012-09-22. paperback. New. 5.91x0.42x8.66. Buy with confidence. Excellent Customer Service & Return policy. LAP Lambert Academic Publishing paperback
3659232335.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3668435820.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3846582697.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6200757291.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6200757194.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6200757151.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6200757283.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012DADAX3847318551LAP Lambert Academic Publishing 2012-02-07. paperback. New. 5.91x0.37x8.66. Buy with confidence. Excellent Customer Service & Return policy. LAP Lambert Academic Publishing paperback
3847318551.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007DADAX3638689212Grin Publishing 2007-08-07. paperback. New. 5.83x0.12x8.27. Buy with confidence. Excellent Customer Service & Return policy. Grin Publishing paperback
3638689212.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
334619423X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9783656247333Paperback. New. paperback
B9781350200050Paperback / softback. New. Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. <i>'Russian Americans' in Soviet Film </i>analyses the content reception and underlying influences of over 60 Soviet and American films the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys Soviet film journals and reviews memoirs and articles by Soviet filmmakers and scripts among other sources. The book reveals that values of optimism technological skill efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination resulting in cultural synthesis. paperback
A9781350200050Paperback / softback. New. paperback
1460943317.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20045155One of only 600 copies. Fine copy in jacket. Gerolymatos Group of Companies hardcover
1855013916.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0681007575.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0399123946.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1979Q-0907408443Bounty Books 1979. Hardcover. New. In shrink wrap. Looks like an interesting title! Bounty Books hardcover
200885444Paris: Onestar Press 2008. First Limited Edition. Quarto. 30cm. Publisher's original pink paper wraps titled in black to spine and front cover. 197pp. Some sunning and fading to the pale pink paper of the covers with some very minor shelfwear and soiling clean and bright; internally clean and fresh signed by Abramović to the title page. A very good attractive copy.<br /> <br /> Abramović's record in both Serbian and English of the correspondence she received across a 14 year period recorded here in the form of the first line of every single letter. Published in a limitation of 1000 copies only signed or inscribed examples are very scarce.<br /> <br /> "Since I was very young until my early thirties I had serious problems in opening and reading any letters I received. Letters would stay on my table for weeks before I found the courage to open them and during this time my sense of guilt would grow and grow. Most of the time when I finally opened the letters it was too late to answer them and my sense of guilt was worse than ever. I kept every single letter from the first notes received from my mother in 1965 up to the time I left Belgrade for ever in 1979. I decided to chronologically write down the first sentence from all of these letters without noting the name of the senders. When finished I was astonished to see how it was possible to trace all my life just by reading the text created by all these first lines. Later I heard that Marcel Duchamp on receiving a letter opened answered and immediately burnt the letter he'd received. Jean Tinguely never opened or answered any letter and every Christmas he made a ritual of burning unopened envelopes which sometimes included important information and even checks. M.A." <br /> <br /> Around a dozen examples recorded in US institutions. Onestar Press unknown
