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1920140728Stuttgart, Evang. Missionsvlg. u. Basel, Basler Missionsbuchhandlung, ca. 1920. Fol. Mit 30 farbigen Illustrationen von W. Jacobs. 24 S. Farbiger Or.-Hlwd. mit illustr. Vorsätzen; etw. stockfleckig. (Neues Basler Missionsbilderbuch, Tl. 1).
192414904ABStuttgart u. Basel, Evang. Missionsverlag, (1924). 4°. 24 S. Mit farb. Textillustr. von Walter Jacobs. Farb. illustr. Orig.-Halbleinenband mit Schutzumschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
192498572BBStuttgart, Basel, Missionsbuchhandlung, o.J. (1924). 4°. 24 S. mit farb. Illustrationen. Farbig illustr. OHln. mit illustr. OU. (Neues Basler Missionsbilderbuch. Erster Teil).
193391605ABStuttgart, Evang. Missionsverlag, 1933. Kl.8°. 62 S., 1 Blatt. OPp. mit Deckelbild. Minim altersfleckig, gute Erhaltung.
19682090202120408260China Tourism Topography 1968. Soft Cover. Fine. Number of books: 1 China Tourism Topography paperback
1990V37385Basel / Boston / Berlin (Birkhäuser) 1990 (= Erste Ausgabe). 8°, illustrierter Orginalkarton (Hardcover) 175 s., Textzeichnungen, ISBN 376432483x 1
1997V37371Stuttgart (Hippokrates Verlag ) 1997 (= Erste Ausgabe). 8°, Originalbroschur ( Paperback ) XV + 172 S, ISBN 3777312517 1
19057029CBStuttgart, 1905. Quer-4°. VIII, 72 S. Mit 131 Tafeln. Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
1920152667China: 1920. From palace to park lake to shining sea A collection of 230 vernacular photographs recording a couple's trip to Beijing Jinan and Qingdao a decade after the abdication of the last Qing emperor. Arranged chronologically the album combines landscape and architectural views with candid shots of the travellers and the people they met. The appearance of many easily identifiable landmarks more than compensates for a lack of captions. The travellers begin their holiday in Beijing recently the site of the May Fourth demonstrations. The first 35 images capture the serenity of the Summer Palace once an imperial retreat with images showing the East Palace Gate and the exterior Hall of Joyful Longevity. The visitors strike jaunty individual poses on a stone lion and ride regally on the back of a bronze deer statue. The lady is captured from a distance on a balcony overlooking the Kunming Lake the largest body of water in the palace complex with the famous 17-arch bridge visible in the background. Like many before them these travellers are drawn to such architectural wonders as the Glowing Clouds and Holy Land Archway as well as the full-size marble boat restored by the Empress Cixi in the 19th century using funds allocated for outfitting a real navy. Several vistas of the lake show its solitude and remoteness - qualities accentuated by the palace's transition in 1914 from a working royal residence into a publicly accessible monument to China's imperial past. Until 1924 the Forbidden City remained the private residence of the last emperor Pu Yi and this album thus contains only a few images taken in the accessible outer court. The travellers find more freedom however in nearby Beihai Park climbing up to the imposing White Pagoda and snapping several views of Beijing from on high. Also captured here are two soldiers on duty by one of the bridge archways as well as the classic view of the pagoda looming over the park's picturesque lake. China's rapidly growing network of railway lines afforded travellers conveniences unknown even a couple of decades before. The visitors record their journey on the Beijing-Zhangjiakou line the first stretch of railway built by the Chinese government rather than foreign investors alighting near Nankou. There the lady poses in a sedan chair and later with three young children fascinated by a camera held by one of the couple's acquaintances. Visiting the Ming tombs affords many opportunities to photograph and be photographed with the famous stone animal sculptures while in one image the lady lies comfortably in a tree. Back on the train they travel to the Great Wall near Badaling and Qinglongqiao. A dozen pictures taken on the wall show the brickwork in a state of disrepair as was common with sections of the wall by this time and the travellers take refreshments on a level section with some local children for company. A well-earned rest on the return train refreshes them for a visit to the Jade Peak Pagoda on Jade Spring Hill today the site of residences for top political leaders with the camera capturing several nice landscape views of the pagoda and a temple desecrated inside. Following further excursions to the unmissable Temple of Heaven and the Cishou Pagoda they follow the steel rails to Jinan admiring the Yangtze River and waterfront industries in the company of local perhaps warlord troops. The holiday ends in the Japan-controlled coastal resort of Qingdao its station platform teeming with adult and child passengers and its seafront peppered with colonial architecture including the Grand Hotel. The final photographs commemorate time spent at the beach and climbing a nearby mountain most likely Laoshan - the relaxing denouement to a holiday of considerable excitement. Landscape folio 260 x 335 mm. Original brown pebble-grain leatherette tied with brown chord through punch holes front cover lettered in gilt within blind frame covers lined with black moiré-patterned cloth 52 black card leaves with 230 gelatin silver photographs each c. 75 x 130 mm mounted with silver photo corners first blank with pencilled title "China 1920". With 3 gelatin silver photographs 63 x 40 mm loosely inserted. 2 photographs no longer present. Photographs clear most with silver mirroring and a few with corners lifting image loose from its mount and another partially split vertically a few leaves beginning to split at gutter couple of expertly repaired tears: a very good example. hardcover
1920218778China Late 19th or early 20th century. 34 scenes on paper each featuring several figures in traditional dress disporting themselves amid landscapes and in a few instances houses all done by the same artist. Each picture is a separate scene; subjects include fishing visiting boating farming wrestling courting harvesting rice and hunting--a particularly effective image shows a tiger hunt and several scenes include wild and domestic animals. 1 vols. Images measure 8-3/4 x 7 inches plus margins bringing the overall page size to 11 x 8 inches. The mounted leaves are linked in the Oriental accordion fashion and contained within two substantial wood covers. Fine condition. 34 scenes on paper each featuring several figures in traditional dress disporting themselves amid landscapes and in a few instances houses all done by the same artist. Each picture is a separate scene; subjects include fishing visiting boating farming wrestling courting harvesting rice and hunting--a particularly effective image shows a tiger hunt and several scenes include wild and domestic animals. 1 vols. Images measure 8-3/4 x 7 inches plus margins bringing the overall page size to 11 x 8 inches. A very interesting and engaging collection of genre scenes. The trees rocks and landscapes are particularly well rendered and the figures are full of life. unknown
19932410150319xbvkHongkong, LinHua Publishing and Printing House, 1993. 83 pages of glossy paper, colour-illustrated throughout. - Publisher's col-illustr. softcover; 4to.(ca. 28,5 x 21 cm).
1930189255China: late 1930s. Cruising competition and conflict on the China station A well-preserved collection divided into sections concerning naval life in Weihaiwei and other ports and the Sino-Japanese hostilities. The lead in its class HMS Dorsetshire was launched in 1929 and following refitting served on the China station with the 5th Cruiser Squadron from 1936 until the general outbreak of war in 1939. The album is a combination of personal snapshots and occasional professional compositions. It opens with photographs of Weihaiwei including of the naval canteen the China fleet moored in the bay and the Ah Fong photography studio on main street. Others show the port in winter 1938 several snowmen in evidence fleet and gunnery exercises and the crew's victories in the Weihaiwei football competition and the China station's pulling regattas. One studio image shows their bevy of trophies foremost among them the coveted Yokohama Bowl. In Shanghai Jordan snapped many of the famous vistas and sights. The second half is focused on the Sino-Japanese War which had been raging since 1937. Photographs of ruined Japanese cotton mills in Qingdao are followed by shots of Japanese troops entering the city to consolidate their control and others some perhaps from studios document the 1937 hostilities in Shanghai including the burning city skyline. Material on the final four leaves date from after the ship's departure from China. Landscape post-binder album 280 x 360 mm. With 148 gelatin silver photographs predominantly vernacular snapshots approx. 55 x 90 mm or slightly larger corner-mounted on 11 black card leaves with glassine guards groups or individual photographs neatly captioned in white manuscript 3 other leaves unused. Original blue cloth boards metal posts front cover decorated in blind in relief name of compiler and their vessel in white manuscript on inner front cover. Album lightly worn photographs bright and still fresh on account of guards: an excellent collection. hardcover
1945175494China: 1945. A rare series of photographs taken after Japan's unconditional surrender when the OSS launched eight operational missions to rescue POWS across east and south-east Asia. Two of the images show Lee Beom-Seok a resistance fighter and the first prime minister of South Korea who worked closely with OSS personnel in China. The first images capture a team of US soldiers disembarking from a C47 cargo plane. In one photograph taken at night Lee stands alongside soldiers in the uniform of Chiang Kai-Shek's National Revolution Army. A long series of photographs shows smiling internees and their liberators while two at the end of the album show OSS personnel in discussion. At least one photograph appears to show Clyde Bailey Sargent 1909-1981 a sinologist who joined the OSS as a civilian and undertook intelligence-gathering missions in China and India. Later in the war he served with the Flying Tigers in a military capacity joining the CIA after 1945. His short obituary is pasted on the inner rear cover. Square octavo photo album. Original card covers white plastic spiral binding housing 24 gelatin silver photographs each c. 95 x 105 mm in wallets. Photographs somewhat sunned and toned: very good. unknown
19802090202120414273Heibonsha 1980. Soft Cover. Fine. Number of books: 1 Heibonsha paperback
198060660London, Muller, 1980. Gr.-4to. Mit zahlreichen farbigen fotografischen Abbildungen u. Illustrationen im Text. 285 S., 2 Bl. Or.-Lwd. mit Schutzumschlag. [6 Warenabbildungen]
196684712Peking China: China Record Company 1966. Record. Very Good. 7-inch 33 1/3 rpm. Chinese record. Fabulous graphic on the cardboard sleeve depicting six smiling youth several with red party scarves about their necks. The cardboard sleeve is creased in several places. The record shows a bit of grit from the five decades since it was new but no scratches. Side one includes: 1 We Have Put on The Red Scarf; 2 From a Child I Learn to be Like the Peasants; 3 The Young Pioneers Can Paint the Most Beautiful New Pictures 1. Side Two: 3 The Young Pioneers Can Paint The Most Beautiful New Pictures 2 ; 4 I Love My Red-Tasselled Spear; 5; All Red Hearts are Turned to the Party. "Collectively composed by the Suite Composition Group of the Children's Art Theatre of the China Welfare Institute and sung by the "Red Children" Art Troupe of the Shanghai Working People's Palace of Culture with Accompaniment by the Orchestra of the Children's Art Theatre of the China Welfare Institute. Record distributed by the China Publications Centre. China Records Catalog #XM-1018. China Record Company unknown
19762090502113716797Not Available 1976. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19574134im Bertelsmann Lesering, 1957. 405 Seiten , 19 cm, Pappeinband
195510565Stuttgart [u.a.] : Europäischer Buchklub, [1955]. 438, [II] S. 8°. Sonderausg. OHLdr. mit ill. Einbd.
195525570Stuttgart ; Zürich ; Salzburg Europäischer Buchklub, 1955. 438 S. 8, Halbleder , ohne Schutzumschlag
1957200920Bertelsmann, 1957. 405 Seiten Halbleder
19878882225000 Kilometer durch das Reich der Mitte. Stuttgart, Pietsch, 1987. Kl.-4to. Mit zahlreichen, teils farbigen fotografischen Abbildungen. 199 S. Illustrierter Or.-Pp.
198100442Düsseldorf, Econ, 1981. PP, OU, 303S, 1.auflage, gutes Exemplar
1984145086Frankfurt am Main : Fischer-Taschenbuch-Verlag, 1984. 37. - 46. Tsd.; 270 S. mit zahlreichen Abbildungen; 18 cm; OKart. (Taschenbuch);
198387481New York: Metropolitan Museum of Art 1983. First American Edition. Folio. 34cm. Publisher's oatmeal colored cloth titled in dark grey to spine. Publisher's Slipcase as called for. 191pp. Sharp and bright very little wear light scuffing at the spine ends; internally clean and fresh lavishly illustrated throughout; in the original publisher's slipcase strong and clean with some light scudding and wear to corners and spine region. A very good clean copy indeed. <br /> <br /> A beautifully produced work on the history of Chinese landscape and nature painting with accounts of the artists and techniques which formed the genre produced to accompany to MMA exhibition. Metropolitan Museum of Art unknown