ROUGELivre Rare Book
2 904 résultats
1971120134Couverture souple. 43 x 29 cm. 16 pages.
1971120132Couverture souple. 43 x 29 cm. 16 pages.
1971120131Couverture souple. 43 x 29 cm. 20 pages.
Edizione: Prima edizione . Pagine: 344 . Formato: 16° . Rilegatura: Brossura originale . Stato: Buono . Caratteristiche: Bruniture.Allegata sovracoperta sciupata . Note epoca: XII e.f.
1376856Paris: Arthaud, 1970 in-8, 215 pages. Glossaire. Broché, lég. traces d'usage, dos bruni, bon état.
19518843Emile-Paul, 1951, in-12, 311 pp, 12 pl. de photos hors texte, 2 plans, une carte dépliante hors texte, broché, jaquette illustrée (lég. salie), papier lég. jauni, bon état
Bari, Laterza, 1968, 16mo brossura con copertina illustrata a colori, pp. 210.
Edizione: Prima traduzione italiana . Pagine: 344 . Formato: 16° . Rilegatura: Brossura arancio originale . Stato: Buono . Caratteristiche: Interventi di Ruchell Magee, Bobby Seale, Ericka Huggins, Huey Newton, i fratelli di Soledad. Bruniture .
2009COMI0132Lyon, Editions des Carnets du Viet Nam 2009. Quer-4°. [38] Bl. durchgehend farb. illustr., OKart., neuwertig.
2019164298Equateurs Equateurs, 2019. In-8 broché de 317 pages. Très bon état
Equateurs, 2019. In-8 broché de 317 pages. Très bon état
ill., br. Il 23 maggio 1952 Antonio è ancora seduto sui banchi di scuola, a un passo dagli affetti di casa. Ma la minaccia di una bocciatura provoca in lui un gesto di ribellione: scappa in Francia con un amico e, fermato dalla polizia perché clandestino, accetta di arruolarsi nella Legione straniera per evitare il carcere. L'addestramento feroce, le punizioni e le violenze gli fanno rimpiangere ogni giorno la scelta compiuta, ma tornare indietro è impossibile. Nell'ottobre di quello stesso anno Antonio viene spedito in prima linea a difendere una causa che non gli appartiene nella guerra d'Indocina. Partecipa alla lunghissima e decisiva battaglia di Dien Bien Phu, in Vietnam, che porta alla resa dei francesi.
1969148329Milan: c.1969. Striking pop art-influenced suite of anti-imperialist propaganda posters published in Milan by the Comitato Vietnam - self-described in their literature as the "sezione italiana del tribunale Russell". The work of a collective comprised of six prominent Italian artists the images carry the theme 'Rebellion is right rebellion is possible' into various theatres of anti-imperialist struggle. Baratella b. 1935 Mariani b. 1936 and Spadari 1938-97 were long-term collaborators and members of the Nuova Figurazione art movement. Amadori 1945- 2015 won the Joan Miró prize in 1972. Spadari's contribution draws on the "solarised" image of Castro in the Cuban Revolution from his work "26 de julio" while in an anti-Vietnam War themed poster similarly treated repeated images of a Vietnamese women are overlain by a Lichtensteinian US fighter jet wheeling away from an explosion from which emerges a Coca-Cola bottle cap with the slogan 'Nixon boia' - Nixon executioner also the title of a song by popular singer-story teller Franco Trincale - and the partially obscured text 'Coca-Cola merda'. Nixon also features on a poster featuring his cartoonish portrait wearing a star-spangled neck-tie while being choked out by several nooses above him a ferociously snarling Black Panther head; while "Africa Rossa/Africa Nera" centres on a photographic image of the clenched first Black Power salute. Baratella based his poster around his painting "Benito Mussolini Storia del fascismo" where "Il Duce's" face morphs into a skull here with the lower part is superimposed with six small portraits of current political leaders including de Gaulle Pompidou Khrushchev and LBJ. The last in the group dramatises the Arab-Israeli conflict with a repeated image of a woman PFLP fighter - Leila Khaled - in keffiyeh and camo fatigues carrying a AK-47 above her a map of Jerusalem. No other set of these traced a couple of examples of individual posters noted institutionally; an excellent evocation of the artistic-political synergies of the period. Six large black and white photomontage posters 700 x 500 mm printed on coated paper each with the repeated slogan 'ribellarsi è giusto ribellarsi è possibile' in red; in the original tan slub-weave linen textured light card portfolio printed in red title to the front panel superimposed on a red five-pointed star. The portfolio a little rubbed and soiled pale damp spots at the spine-fold where there are a few short splits posters show light handling but overall very good. unknown
Broch?. 234 pages. Nombreux passages soulign?s.
Broch?. 203 pages.
1971LFA-126738568N° 3 - 1971 : 200 pages, format 160 x 240 mm, illustrée, brochée, bon état
194984575Couverture souple. Revue. 80 pages.
1951yam0066in-reliure en assez bon état des numéros 289 à 315 du 2è trimestre 1951
70468Revue, Hanoi, éd. Xunhasaba, 1972, in-12, cartonnage souple, couv. texte en blanc et noir sur fond brun et blanc éd., 233 pp, complet des quatre planches dépliables, sommaire, Très bonne revue vietnamienne avec comme sujet de ce numéro l'Indochine entre 1971 et 1972, avec 4 cartes dépliables géographiques et historiques. RARE Très bon état
70467Revue, Hanoi, éd. Xunhasaba, 1971, in-12, cartonnage souple, couv. texte en blanc et noir sur fond brun et blanc éd., 204 pp., nb. photos et dessins en noir, complet de planche dépliable, complet de l'errata, sommaire, Très bonnes études sur l'étendue des dégats chimiques causésau Vietnam durant la guerre entre les vietnamiens et les américains. Très RARE Très bon état
70473Revue, Hanoi, éd. Xunhasaba, 1968, in-12, cartonnage souple, couv. texte en noir sur fond bleu clair et blanc éd., 414 pp, 1 carte coul. dépliable, bien complet de l'errata, sommaire, Très bonne revue vietnamienne avec comme sujet de ce numéro le Sud Vietnam, son histoire et son avenir. RARE Très bon état
70472Revue, Hanoi, éd. Xunhasaba, 1967, in-12, cartonnage souple, couv. texte en noir sur fond vert et blanc éd., 190 pp, complet de l'errata, sommaire, Très bonne revue vietnamienne avec comme sujet de ce numéro les problèmes agricoles et en particuier la production du riz. RARE Très bon état
Mm 140x210 Volume nella sua brossura originale, 275 pagine con illustrazioni in nero nel testo. Opera in buone condizioni. Testo in portoghese. Spedizione in 24 ore dalla conferma dell'ordine.
1833J. Susse, II-1946.
