3 008 résultats
Edizione: Prima edizione . Pagine: 340 . Illustrazioni: Tavole fuori testo . Formato: 8° . Rilegatura: Cartonato . Stato: Ottimo . Collana: Letterature e civiltà n°3 .
4to. 44, (4) pp., interleaved throughout. Contemporary marbled half cloth with giltstamped spine label. Dissertation of Eugen Mittwoch (1876-1942), the groundbreaking German scholar who is considered one of the founders of modern Islamic Studies, about the chronicles of the Arabic wars. This constitutes the author's first academic foray into Arabic studies. - Old ink library shelfmark on verso of title page, otherwise fine. NDB XVII, 591. NYPL Arabia coll. 32. Cf. GAL S I, 162.
Folio (141 x 42,5 cm). Five folio leaves, printed in French and Arabic in two columns and pasted together vertically to form a single broadside. A massive broadside intended for wall-mounting, by which the newly appointed commander-in-chief introduced his government (and himself) to the people of Egypt in Arabic and French: "Habitans de l'Egypte, écoutez ce qu j'ai à vous dire au nom de la République Francaise. Vous étiez malheureux; l'armée francaise est venue en Egypte pouir vous porter le bonheur [...]". - Menou, who succeeded Kleber at the head of Egypt as general-in-chief, following Kleber's assassination in June, converted to Islam and took the name of Abdallah. Unlike most announcements published by his predecessor at the same press, the present proclamation is not headed with the motto of the French Republic, but rather with the Shahada ("There is no deity but God, Muhammad is the messenger of God") in both languages. Menou continues to set out his principles for a good government for Egypt, emphasizing his firm stand against abuse and corruption in the local administration of taxation, justice and the police, and finally threatens any attempt at rebellion with severe retaliation. - An important document from the first printing press in Arab world, of the utmost rarity due to its sheer size and ephemeral nature, according to OCLC recorded in four copies only: "The expedition of Napoleon Bonaparte to Egypt from 1798 until 1801 was a prelude to modernity. It was to change permanently the traditional Arab world [...] The French brought Arabic typography to Egypt, where it was practised under the supervision [...] of Jean Joseph Marcel [...]. Only a few days after the French troops landed [...] they set up the Imprimerie Orientale et Française there. It was an extraordinarily important turning point. For, leaving aside the Hebrew printing presses in Egypt of the 16th to the 18th centuries, until this date announcements and news adressed to Arabs there, as well as in other parts of the Arab-Islamic world, had been spread only in hand-writing or orally, by criers, preachers or storytellers" (Glass/Roper). - Traces of folding, but uncut with temoins. A surprisingly fresh survival. Cf. D. Glass/G. Roper, The Printing of Arabic Books in the Arab World, in: Middle Eastern Languages and the Print Revolution (Gutenberg Museum Mainz 2002), p. 177-225, at 182.
In 8°, br. edit., pp. 256. Dall'indice: Intese medio-orientali sotto vaga egida russa - Riequilibramento Anglo-Russo nel Medio-Oriente - Il patto Balcanico - Il Patto Orientale. Copertina sporca e una piccola frattura al dorso, interno in buone condizioni.
As New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 160, [1] p. Proceedings of the International Conference on the Prospects of Stability in the Middle East, April 14th, 2006, Istanbul.
Fine English Paperback. Pbo. Roy. 8vo. [xi], 128 p. Ills. In English. Contents: The main features of the permanent constitution. / Ethnic, sectial and tribal heritage, facing democracy in New Iraq. / The need to include the Arab Sunnite in the current political process in Iraq. / Propositions for creating an inclusive political system in Iraq. / Future of international relations after Iraq War. / Turkey and Iraq: Challenges of transition. / Politics and Iraq: To the constitutional election and beyond. / Iranian Foreign Policy towards Iraq, 2003 - 2005. / The identity of Kirkuk.
4 sommari di interventi al Congresso, cm. 20,2, bross. edit., i primi 5 di 5 pagine caduno, l'ultimo di 13 pagine. Caduno € 10. il lotto dei quattro
A total of 10 separately catalogued items: a personal collection of 5 membership cards of golf clubs, country clubs and women's groups, one golf score card and the Aramco Golf Banquet programme, a set of 7 programmes of the Protestant Fellowship, 2 programmes of a choir and theatre group, 2 membership cards of the Ras Tanura Golf Association, 2 autograph Christmas and birthday cards, a calling card, 2 identification cards, and a sew-on patch. Private material collected by the Aramco employees Orlin Orace and Velma Thomas during their years in Ras Tanura. The collection portrays the couple as avid golf enthusiasts, including their membership cards for several clubs of the Ras Tanura Golf Association as well as Velma's score card. Perhaps the most uncommon item is a sew-on patch of the Golf Association: woven with gold, blue and black thread, it shows two camels wandering the Saudi Arabian desert surrounded by a set of golf clubs, an oil rig, and a palmtree. - The Thomas family were active members not only of the golf scene, but also of the Protestant Fellowship; their archive further comprises several programmes for Sunday School, Vacation Bible School, and Christmas service. - 2 autograph Christmas and birthday cards addressed to Mrs. Honeycutt in Tulsa, Oklahoma, signed by the Thomas family, document the expats cultivating their relationship to their native home. - The remaining items include an insurance ID verifying Thomas's claim to have medical expenses covered under the Aramco medical payment plan, a permit to use retail services in the Ras Tanura Camp, as well as the programmes of a choir and theatre performance in Ras Tanura. - An intriguing set documenting the diverse activities of Aramco expats in Saudi Arabia. Detailed list available on request.
Folio (193 x 295 mm). 11, (1) pp. With large papered seal. Contemp. marbled wrappers. An Imperial privilege establishing a five-year trade monopoly for olive oil within the Austrian hereditary principalities, to be exercised by an oil company (Bartholomew Coreis & Co.) against payment of half a florin for every hundredweight of oil, as well as tolls and fees, to the treasury. With autograph signature of the short-lived Emperor Joseph and two counter-signatures, one by the court chancellor Johann Friedrich Baron Seilern (1646-1715, previously the architect of the ill-fated marriage of Princess Palatine Elisabeth Charlotte and the Duke of Orléans, later author of the Pragmatic Sanction). The owner of this early oil company could not be traced; he may be related to the Greek scholar Adamantios Korais, born in 1748 (his father Ioannes was a native of Chios). - Evenly browned due to paper; small paper flaw in center of gutter; contemporary binding professionally repaired in the fold. Codex Austriacus III, p. 540-542. Beitraege zur Geschichte der boehmischen Laender 23 (1878), p. 422f.
Folio, ca. 58 x 44 cm. 1 p. At the beginning of the third year of war against the Ottoman army in the Austro-Russian-Turkish War of 1735-39: a mandate to the Upper Austrian Estates and their subservients regarding an extraordinary tax to be raised for the support the Imperial army. "We [the Emperor] should have wished nothing better, from the time that we were obliged to take arms against the hereditary enemy, than to re-establish the peace, and effect this either through the force of weapons or by kind acts; however, as during the time of our recent campaign our so numerous and well-equipped armies have much suffered from illnesses, long and tiring marches, and other hardships which must needs accompany a war, and thus have been hindered in achieving the desired further successes, and peace negotiations are yet distant, though We do not desist in pursuing all means conducive to achieving such an end, all that is now necessary is to replenish our forces, and convey here the necessary tools, in other words, to make our forces capable of effectively preventing all enemy action, and to bring peace and safety to our kingdom and dominions; all of which, as everybody will readily acknowledge, cannot be done without great expenditure, for which our treasury and the ordinary grants from the estates are not sufficient, We have found Ourselves compelled, even if against our own wishes, to apply a general contribution, or Turk tax [...]". - Traces of folds with slight tears and paper defects; captioned on reverse by a contemporary hand.
A Cura: Noja Sergio . Prefazione: Gabrieli Francesco . Pagine: 272 . Illustrazioni: Disegni in bianco e nero nel testo e tavole a colori fuori testo . Formato: 4° . Rilegatura: Cartonato telato con sovracoperta originale . Stato: Buono . Caratteristiche: In buonissimo stato. . Collana: Corpus arabicum .
In-4 (cm. 29.60), cartonato editoriale, pp. 269, (1), con numerose illustrazioni, soprattutto a colori, nel testo. Macchioline a risguardi e guardie. In buono stato di conservazione (good copy).
Folio. 2 vols. (2 [instead of 4?]), 993 pp. With an addendum slip facing p. 197. Brown calf, with "Book 1" and "Book 2" in gilt on the spines. A rare and extraordinary snapshot of the North-West Frontier of British India (now comprising parts of India, Pakistan, and Afghanistan) between 1840 and 1845, the time of the First Anglo-Afghan War. It contains abstracts of official correspondence written during the period and preserved at the Punjab Secretariat, including documents on the 1842 retreat from Kabul, British relations with Dost Mohammed Khan, and the Sino-Sikh War of 1841-42. While the focus is military and political, there is also much of interest on legal and financial matters, public health, policing, and other matters. The North-West Frontier States Agency was one of the colonial agencies of British India exercising indirect rule. - Lacking the title-page and pp. 3-4 as noted, with pp. 1-2 loose and damaged (with the loss of almost half of their text); repairs to the upper outside corners of pp. 983-993 with some loss of text. Slight browning. Charles Allen, Soldier Sahibs: The Men Who Made the North-West Frontier (2012).
4to. (8), 91, (1) pp. With several historiated woodcut initials. Modern wrappers. Second edition of this compilation of prophecies about the expected downfall of the Ottoman Empire. First published in 1684, the year after the failed Ottoman siege of Vienna. - Niccolò Arnù (1629-92) held the chair of Metaphysics at the university of Padova; among his many works is a commentary on the "Summa Theologica" of St. Thomas Aquinas (cf. Wetzer/Welte I, 1440). - Formerly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. ICCU BVEE\045772. Not in STC.
Engraved map on two sheets (75 x 79 cm), with hand-coloured cartouche and coloured in outline. “The first really modern map of Arabia” (Tibbetts). An extremely detailed two-sheet map showing the Middle East, Arabia and India. The map extends from Turkey and Arabia to India, Tibet and the Gobi Desert in the east. Alai, General maps E.126; Al-Qasimi 169; Tibbetts 281.
1320 x 865 mm. Scale 1:145,925. Nautical chart of the North Coast of Panama. Engraved chart, including tidal information, compass roses, soundings, seabed notations, currents, sandbanks, shoals, lighthouses and beacons picked out in yellow and red, inland elevations, detailing and buildings. First published in 1938, revised in 1948. Signs of contemporary use. Folded.
8vo. Portrait frontispiece, engraved title-page, (4), 434 pp. With 1 engr. medaillon (averse and reverse) in the text. Contemporary red half calf with label to gilt spine. Edges in gilt. Fourth edition; the second one in 24 languages. Prayers "for all the hours of the day" by the Armenian Patriarch Nerses IV. (1102-1173). - Clean copy with stamped exlibris on t. p. Brunet IV, 859. Nersessian 510. OCLC 799387339.
With a lithographed portrait of the author, 5 lithographed facsimiles of the author's autograph manuscripts and 4 of the letterpress pages printed in gold. Extra-illustrated with 3 lithographed and 4 engraved Royal Folio illustration plates (including 2 portraits of the Ottoman Sultan Abdulmejid I). With: (2) Vernay, Charles. Poésies Turques et Persanes (cent quarante et une pièces) ... Paris, Albert Franck (below frame: lithographed by [Mathieu] Masson), "1858-1859" [= AH 1275]. With a letterpress wrapper-title in French, printed in gold, a lithographed Turkish and Persian wrapper-title (dated "1275" and "1858") and text in Turkish and Persian, lithographed from the autograph manuscript in Arabic script, all printed in gold, and a lithographed portrait of the author (the same as in ad 1). (3) Vernay, Charles. Nouvelles poésies Persanes et Turques ... Paris, Albert Frank, July 1860 (colophon: lithographed by [Mathieu] Masson, r. de Valois 48, Paris). A large 4to bifolium, with a lithographic facsimile of a 4-page autograph manuscript in Arabic script, printed on blue paper. (4-18) Vernay, Charles. [Miscellaneous publications in various formats, some letterpress, others lithographed facsimiles of the author's autograph manuscripts in French, Turkish and Persian, and including a 1-leaf autograph manuscript in Persian]. Paris, Firmin Didot frères and others, 1851-1858. 18 publications in 1 volume. Royal Folio (49.5 × 34.5 cm) with a few items in smaller formats. Contemporary diced, richly gold-tooled calf, each board with a double frame of rolls and stamps, a crescent moon and star inside each corner of the inner frame, blind-tooled turn-ins, green silk brocade endleaves. Unrecorded royal folio issues of two major editions of oriental poetry, bound together and with extensive supplementary material added, probably for presentation to the Ottoman Sultan Abdulmejid I: the first and only edition of the collected oriental poetry (195 pieces) of the French child prodigy orientalist, linguist and poet Charles Vernay; and the earlier lithographic edition of his 141 Turkish and Persian poems. In the former work, the Turkish and Persian poems are rendered both in the Arabic script and in French translation. It also includes a few poems in Italian and German. Even the 8vo issues of these two editions are very rare. The present Royal folio issues of the two main works were clearly never offered for sale. - Charles Vernay (1842-1866?) began publishing his writing at age nine and most of the present publications note the age at which he wrote them, ranging from 9 to 16. When Vernay was in Istanbul in 1861, he wrote a new dedication for the 1860 Poésies nationales et religieuses, addressed to the Ottoman Sultan Abdulmejid I, though Vernay had it printed in Paris. It explicitly notes that he is presenting a copy of "mon volume de Poésies Françaises, Italiennes, Turques et Persanes" to the Sultan. This suggests that the present copy of the two works together, with that dedication and many other additions, is the copy he planned to present. Since the dedication is dated 14 March 1861 and the supplementary Dixième chant mystique (also printed by Lainé and Havard) 20 April 1861 (only 2 months before Sultan's death), it is possible the Sultan died before Vernay had an opportunity to present the book to him. In addition to the extensive additional material inserted in the Poésies nationales et religieuses, and the supplement to the Poésies Turques et Persanes, the present copy has about 15 miscellaneous publications by Vernay bound between the two main works, some letterpress, some lithographic facsimiles of his autograph manuscripts in French, Turkish and Persian, and including a 1-page autograph manuscript in Persian. Some occasional foxing and an occasional marginal tear. The ink in the 5 lithographic facsimiles of very large Arabic script has eaten a few holes in the paper, and it and a few other lithographed leaves have offset onto the facing pages. But the book remains in good condition. The binding is worn at the hinges, shows some superficial damage on the front board near the fore-edge, and the first free endleaves at front and back have been creased and at the front its silk has been torn and repaired, but the binding also remains good and with the tooling clear. Ad 1: cf. Hage Chahine 4995 (8vo issue); WorldCat (7 copies of the 8vo issue); ad 2: cf. Browne, Hand-list ... Turkish (Gibb coll., Cambridge UL), (1906), 169; Hage Chahine 4994 (8vo issue); WorldCat (4 or 5 copies of the 8vo issue); ad 3: not found recorded; none of the 3 in Aboussouan coll.; Atabey; Blackmer; Diba, Persian bibliography; Lambrecht; Coll. Lazard; for Charles Vernay and his poetry, see also: Syed Tanvir Wasti, "On Charles Vernay and his 'Divan'", Middle Eastern studies LI (2015), pp. 789-803.
Colour lithographed postcard, 130 x 90 mm. A very rare Ottoman postcard depicting a map of Yemen, including the Ottoman-dominated northern and western parts of the country (Sana'a, Taiz, and Al Hodeidah), as well as the British-dominated southern regions (Aden). The card was part of a series made by Ibrahim Hilmi, one of the premier Istanbul cartographers of the era. - Ibrahim Hilmi Cigiracan (1876-1963) was one of the most important publishers and cartographers of the late Ottoman Empire. Born in Tulcea (now in Romania), he founded his first printing shop in Istanbul in 1896, under the name "Kitaphane-i Islami" (Islamic Library), largely producing religious books. Subsequently, Hilmi became interested in military affairs, geography and history, and changed the name of his press to "Kitaphane-i Islam ve Askeri" (Islamic and Military Library). He published about 200 military books, and his atlases (especially his "Pocket Atlas") were among the most popular cartographic items throughout the empire. During WWI, Hilmi gained the affection of the public for his charitable programme of sending free books to poor children in Anatolia. - Hilmi's enterprise thrived until Atatürk's Republican regime nationalized the publishing of law and school books in the 1920s, undercutting the most lucrative part of his business. However, Hilmi left an enduring legacy, having published over a thousand books on a wide variety of topics over three decades. - Very good, overall clean and crisp, just some very light even toning and slight stains to verso.
Colour lithographed postcard, 130 x 90 mm. This very rare Ottoman postcard features a map of the Northern Arabian Gulf, including what is today Qatar, Bahrain, the Saudi Arabian Gulf Coast (including Dhahran), Kuwait, Southern Iraq (including Basra), as well as south-western Iran. Interestingly, it shows the Arab Gulf States as being part of the Ottoman Empire, when in reality they were already British Protectorates. The card was part of a series made by Ibrahim Hilmi, one of the premier Istanbul cartographers of the era. - Ibrahim Hilmi Cigiracan (1876-1963) was one of the most important publishers and cartographers of the late Ottoman Empire. Born in Tulcea (now in Romania), he founded his first printing shop in Istanbul in 1896, under the name "Kitaphane-i Islami" (Islamic Library), largely producing religious books. Subsequently, Hilmi became interested in military affairs, geography and history, and changed the name of his press to "Kitaphane-i Islam ve Askeri" (Islamic and Military Library). He published about 200 military books, and his atlases (especially his "Pocket Atlas") were among the most popular cartographic items throughout the empire. During WWI, Hilmi gained the affection of the public for his charitable programme of sending free books to poor children in Anatolia. - Hilmi's enterprise thrived until Atatürk's Republican regime nationalized the publishing of law and school books in the 1920s, undercutting the most lucrative part of his business. However, Hilmi left an enduring legacy, having published over a thousand books on a wide variety of topics over three decades. - Very good, overall clean and crisp, just some very light even toning to verso.
Colour lithographed postcard, 130 x 90 mm. A very rare Ottoman postcard featuring one of the earliest printed maps to focus on the Asir region, then nominally part of Ottoman Yemen, but today a part of Saudi Arabia. The card was part of a series made by Ibrahim Hilmi, one of the premier Istanbul cartographers of the era. - Ibrahim Hilmi Cigiracan (1876-1963) was one of the most important publishers and cartographers of the late Ottoman Empire. Born in Tulcea (now in Romania), he founded his first printing shop in Istanbul in 1896, under the name "Kitaphane-i Islami" (Islamic Library), largely producing religious books. Subsequently, Hilmi became interested in military affairs, geography and history, and changed the name of his press to "Kitaphane-i Islam ve Askeri" (Islamic and Military Library). He published about 200 military books, and his atlases (especially his "Pocket Atlas") were among the most popular cartographic items throughout the empire. During WWI, Hilmi gained the affection of the public for his charitable programme of sending free books to poor children in Anatolia. - Hilmi's enterprise thrived until Atatürk's Republican regime nationalized the publishing of law and school books in the 1920s, undercutting the most lucrative part of his business. However, Hilmi left an enduring legacy, having published over a thousand books on a wide variety of topics over three decades. - Very good, overall clean and crisp, just some very light even toning and slight stains to verso.
Standard issue, 515 x 700 mm. Scale 1:4,850. Nautical chart of Port Ibrahim at the entrance of the Suez Canal, prepared by the British Admiralty. It details the north and south harbour basins and the railway station in between, as well as marina buildings including the coast guard station, a quarantine building, a telegraph office, a mosque, and the naval school. The chart includes the Canal Company's premises, showing their southern basin, workshops and offices. Further, it features notes on fairways being dredged in the 1930s and shows the sandbank of Kad el Marakeb south of the port. - The British Admiralty has produced nautical charts since 1795 under the auspices of the United Kingdom Hydrographic Office (HO). Its main task was to provide the Royal Navy with navigational products and service, but since 1821 it has also sold charts to the public. The present chart was composed after surveys carried out by the Suez Canal Company from 1899 to 1930; it was first published in 1901 and saw several corrections up to 1936. - Captioned in print and in a former collector's hand on verso. Small brownstain and small marginal tear near lower right corner.
Watercolour over pencil. 780 x 525 mm. Signed and dated by the artist. Matted.
Large folio (60 x 42 cm). Letterpress title with engraved vignette, list of subscribers, winners of the St. Leger 1776-1814, 14 hand-coloured aquatint plates by T. Sutherland and R. G. Reeve after Herring, each with letterpress description of riders and winners of other races and the St Leger stakes for each year. Bound in recent half burgundy morocco with contemporary drab boards with large printed label on upper cover. "Extremely rare" (Tooley). Second edition of Herring's finest work, the outcome of his fascination with horse racing and the St. Leger in particular. "In the writer's estimation, the first series of the St. Leger winners contains the very best of Herring prints [...] they were engraved by Sutherland, a more competent aquatinter and colourist than his successors who handled these race-horses" (Siltzer). Herring spent the first 18 years of his life in London, where his father, an American, was a fringe-maker in Newgate Street. Having married against his father's wishes, he went to Doncaster, where he arrived during the races in September 1814, and saw the Duke of Hamilton's horse, William, win the St. Leger. The sight inspired him to attempt the art of animal-painting, in which he subsequently excelled. He painted Filho da Puta, the winner of the St. Leger in 1815, and for the following thirty-two years painted each winner in succession. "Herring's series of Portraits [...] were painted annually and quickly reproduced in large showy aquatints, the horses made literally glossy by the application of varnish to the paper" (Diana Donald, Picturing Animals in Britain 1750-1850, New Haven, CT [2007], p. 215). This is the second edition of this series of wonderful racehorse portraits. It was first published as a suite of 10 plates in 1824 by Sheardown and Son of Doncaster; S. and J. Fuller of London purchased these in 1827 and continued to publish, periodically, the St. Leger winner series up to 1845. The earlier plates were all re-captioned with Fuller's imprint. Plates watermarked 1825-28; the first plate in the present work, "Filho da Puta", is on paper watermarked 1827. - Very slight offsetting to text. Extremities rubbed; otherwise a superb example of this rare work. Siltzer 139-146. Mellon Horsemanship, 128.
Oblong folio (310 x 370 mm). 30 engraved sheets, with 30 (of 34) portraits of thoroughbred race-horses (lacking nos. 10, 15, 31 and 34). Old half calf with marbled covers. A spectacular, exceedingly rare album illustrating the starting point of horse racing in England, when native mares were crossbred with imported oriental stallions. W. S. Sparrow notes, in 1922, "rare, no doubt, because so many copies have been broken up in order that the prints might be sold one by one". The integral engraved text surrounding the image of horse and jockey provides the history and breeding of the subjects of the portraits. The first three horses depicted in this charming album are direct descendants of the three foundation stallions of the modern Thoroughbred breed, namely the Godolphin Arabian (Bajazet, plate 2), the Darley Arabian (Childers, plate 3), and the Byerly Turk (Old Partner, plate 1). All of the other 23 race horses described here trace back to these three stallions just imported into England from the Middle East, as well. According to Pickerell, "all 500,000 of the world's thoroughbred racehorses are descended from 28 ancestors, born in the 18th century", of which, according to Peter Willett, about 50% have Arabian bloodlines, with the remainder evenly divided between Turkoman and Barb breeding. - James Seymour is recognized as one of the earliest English sporting artists. He was the son of a wealthy goldsmith and diamond merchant who supplied the plate for racing trophies. Seymour was passionate about racing and, in addition to drawing and painting them, he is believed to have owned racehorses himself; he was considered one of the most eminent horse painters of his age, and this important and rare album of charming engravings offers a true sampling of his work. - With armorial bookplate with cipher of George Simon Harcourt, Earl Harcourt (1736-1809) on front pastedown. Some early ms. annotations at beginning, some tears and repairs extending into text, first plate laid down. Sparrow, p. 77. Cf. Lane British Racing Prints Seymour 2, nos. 1-7, 11-18, 20-24, 26, 28-33. Mellon Sporting and Animal Prints Seymour 13, nos. 1-7, 11-18, 20-24, 26, 28-33. Cf. Siltzer British Sporting Prints, 389.