3 008 résultats
Folio (ca. 240 x 368 mm). (6), XXI, (1), 97, (1) pp. Latin and French parallel title-pages printed in red and black (with half-title on recto of Latin title). With 2 engraved title vignettes, 3 engraved headpieces and 70 numbered engraved plates. Contemporary full calf with giltstamped spine and spine label. All edges red. Pastedowns marbled. First edition. - A prominent work on engraved gems by the German numismatist and collector of antiques, Stosch (1691-1757), giving detailed descriptions of 70 pieces in European collections, followed by splendid reproductions by the French engraver Bernard Picart (1673-1733). In Latin and French parallel text with wide margins. - Late 18th century engraved armorial bookplate of the naturalist and Swedish civil servant Mathias Benzelstierna (1713-91), who studied with Carl Linné and became a member of the Royal Swedish Academy of Sciences in 1786. - Binding slightly rubbed. A clean, well preserved copy. Lewine 516. Cicognara 3016. Brunet V, 552 ("rather sought-after"). Graesse VI, 504. Ebert 21801. Blackmer 1613. Cohen/de Ricci 959. Hoefer XLIV, 510. Vinet 1616. Sander 1553. Querard, La France litteraire IX, 273.
Folio (500 x 350 mm). IV, 42 pp. With 19 aquatints by Edward Orme after sketches by Spilsbury in original hand colour. Contemporary half cloth with red boards and printed label to upper cover. Second edition of English naval surgeon Francis Spilsbury’s account of his travels in Palestine and Syria during the Napoleonic campaigns there, with 19 finely hand-coloured folio aquatint views. Spilsbury was surgeon on board HMS Tigre during the campaigns of 1799 and 1800. The Tigre brought Sir William Sidney Smith to defend Acre against Napoleon’s siege, and led a naval force in support of Turkish armies which finally relieved Acre, and his text gives some account of the military campaigns and the Turkish dignitaries. In his reminiscences Napoleon accused Smith of making him miss his destiny, as Smith’s timely appearance thwarted Napoleon’s drive to invade Syria and forced him to retreat to Egypt. The views are mostly connected with the coastal towns of modern Lebanon and Israel, though several are from Spilsbury’s travels inland to meet the Grand Vizier in charge of the Turkish army, Jezzar Pacha, and other dignitaries. First published in folio in 1803, with a mezzotint portrait of Sir William Sidney Smith that was not included in this second edition; a third followed in 1823. - Some staining to covers; aquatints are perfectly preserved. Tooley 464. Cf. Atabey 1168f. Blackmer 1585. Abbey, Travel 381. Colas 2788. Weber II, 835. Aboussouan 852.
65 photos. 170 x 240 mm to 106 x 60 mm. No captions or others identifying marks on the photos or in the album. Several photographs removed. Black oblong album. Later twine tie. Egyptian motif on covers (camel, pyramid, palm trees). 4to. With a menu for the 1944 Christmas Dinner of the 111 Maintenance Unit of the Royal Air Force. Several photos show military personnel, probably from this unit, including one photo of what appears to be a whole unit standing at attention in front of one-story military buildings. There are also a number of photos of Egyptians. There is a photo of the top portion of the front page of the August 1945 issue of the "Egyptian Mail" which reported the Japanese Surrender to end World War II.
Albumen prints: 3 cabinet cards (ca. 14 x 10 cm) and 3 cartes-de-visite (ca. 9 x 5 cm, including 1 repeat), all mounted on cardboard, two with Geiser's studio imprint. A collection of rare portraits by the Algiers-based photographer Jean Geiser (1848-1923) showing Algerian women in traditional dress, both veiled and with uncovered faces. - Occasional light staining, but well preserved.
Oblong 4to (333 x 230) mm. Photo album with 12 baryte paper prints (125 x 110 mm) and 1 press photo (225 x 191 mm), the latter captioned, stamped and dated. Blue full percaline with gilt cover ornaments. Cord binding. A fine ensemble of photographs documenting the historic state visit to Iraq by King Saud of Saudi Arabia in May 1957, apparently photographed and assembled by a member of the Iraqi entourage closely involved throughout the visit. King Faisal II of Iraq and his Prime Minister Nuri As-Said met with King Saud to discuss the Pan-Arab movement led by Gamal Abdel Nasser, involving anti-monarchist efforts in Jordan. Eventually, talks in Baghdad were wound up "with a pledge to coordinate resistance to communism and a warning that no Arab state should meddle in the affairs of its neighbors" (caption of the press photograph). - The collection includes previously unseen pictures of the monarchs' arrival by car and carriage respectively, their mutual exchange of greetings, and the state dinner, as well as the subsequent talks held in the palace garden. - Not traced in the Keystone or Hulton/Getty press photo archives. In excellent condition.
A group of 71 photographs of A Century of Progress, held in Chicago in 1933-34. They are by Kaufmann-Fabry, Official Photographers of the fair, and are so marked. The "Century of Progress International Exposition", also known as the Chicago World's Fair, was held from 1933 to 1934. The fair buildings were multi-coloured and generally had a "Moderne" design to them in contrast to the neoclassical themes used at the 1893 fair. One of the more famous aspects of the fair were the performances of fan dancer Sally Rand. Other popular exhibits were the various auto manufacturers, the Midway (filled with nightclubs such as the Old Morocco, where future stars Judy Garland, The Cook Family Singers, and The Andrews Sisters performed), and a recreation of important scenes from Chicago's history. The fair also contained exhibits that would seem shocking to modern audiences, including now-offensive portrayals of African Americans, a "Midget City" complete with "sixty Liliputians", and an exhibition of incubators containing real babies.
Oblong folio (340 x 250 mm). 48 albumen photographs mounted on card, each approximately 225 x 280 mm. Contemporary olive wooden boards decorated with the cross of Jerusalem; red calf spine. A thorough collection of Bonfils studio photography of Palestine and surroundings. - Félix Bonfils (1831-85) was a French-born photographer who had come to the Levant with General d'Hautpoul in 1860 and remained active in the East. Based in Beirut, Bonfils produced thousands of photographs depicting Palestine, Egypt, Syria, Greece and other parts of the Ottoman Empire. In the early days of Western tourism to the Middle East, his works soon became popular as souvenirs. - The photographs largely depict views in and around Jerusalem as well as six portrait and group shots showing traditional fashions. Included are scenes of Jaffa, the exterior and interior of the Church of the Holy Sepulchre, the "Mosque of Omar" (Dome of the Rock, Qubbat as-Sakhra) and the Al-Aqsa (Qibli) Mosque, scenes of the Jordan and the Dead Sea, among others. The handsome olive binding, with its carved cross and decorative inlay, underlines the value of Bonfils photographs as fine mementos of trips to the Holy Land in the late 19th century, during a rise in tourism European tourism and interest in the Levant. - Light exterior wear; well preserved.
Original silver gelatin photograph (820 x 139 mm), signed in dark blue ink. A handsome photographic portrait of Isa bin Salman Al Khalifa, who was the first Emir of Bahrain, ruling for 38 years. - A few light creases to bottom left corner. Stamp of State of Bahrain, Ministry of Information and ms. caption in pencil to reverse. With an official State of Bahrain, Ministry of Information envelope, dated 1973.
Black-and-white photograph, 235 x 175 mm. On cardboard backing. An early photograph of the Hajj showing pilgrims around the Kaaba in Makkah. - Some fading and staining.
Black-and-white photograph, 130 x 180 mm. On cardboard backing. An early photograph of the Hajj showing pilgrims around the Kaaba in Makkah. - Some fading, browning and staining.
Original silver-gelatin photograph (90 x 143 mm). Ms. pencil caption to verso "AVM Brook-Popham and Ibn Saud". A historically significant photograph of Abdulaziz bin Abdul Rahman Al Saud (1875-1953) at the Khabari Wadha meeting, where he discussed the surrender of rebel Ikhwan leaders with British officials. All original photographs of Abdulaziz are rare, especially those of him before the unification of the Kingdom of Saudi Arabia. - The Khabari Wadha meeting signalled the end of the Ikhwan revolt, a rebellion against the authority of the Al Saud which started in 1927. It was held approximately 150 miles south of Kuwait, where Faisal al-Duwaish and other Ikhwan leaders had sought refuge after suffering a string of military defeats. Over several days, Abdulaziz and British officials (responsible for political affairs in Kuwait and the Gulf) debated what to do with the rebels, finally settling on handing them over to Abdulaziz "on the condition that their lives should be spared and that the property which they looted from the people of Kuwait and Iraq should be returned" (Wahba, Arabian Days, p. 143). Abdulaziz was greatly relieved at the result, as it fatally weakened the Ikhwan and removed the main obstacle to unifying his Kingdom. Sheikh Hafiz Wahba recalls him saying "From today we live a new life" (ibid., p. 145). - The photograph shows Abdulaziz seated centrally at the front, with Sir Hugh Biscoe (British Resident, Persian Gulf) to his right and Charles Burnett (Air Vice-Marshal, RAF) to his left. Stood behind him, among other officials, are the important figures of H. R. P. Dickson (British Consul, Kuwait) and Sheikh Hafiz Wahba (diplomat and advisor to Abdulaziz). The caption on the verso suggests Robert Brooke-Popham is also present, but we cannot locate him. - For fuller descriptions of the Khabari Wadha meeting see Dickson's "Kuwait and her Neighbours" (London, 1956, pp. 318 ff.) and Hafiz Wahba's "Arabian Days" (London, 1964). The latter book also includes the present photograph (plate facing p. 113), described as "A meeting in the desert between the late King Ibn Saud and the British political agents in the Persian Gulf with the author standing behind the King (January 1930)". - A good strong image, with only a little fading toward the edges of the photograph. Reproduced in: V. Dickson, 40 Years in Kuwait, plate 5 (opposite p. 96).
An archive of 807 loose photographs, 541 in colour (including several duplicates, some printed in a different format), including 65 photos depicting falcons (3 duplicates, 36 in colour) and 14 photographs of camels (1 in colour). A large collection of 807 photographs, providing a unique view into the private life of Sheikh Zayed bin Sultan Al Nahyan (1918-2004), ruler of Abu Dhabi and founding father of the United Arab Emirates. The photographs depict Sheikh Zayed and his family, including Sheikh Khalifa bin Zayed Al Nahyan (b. 1948), relatives and friends partaking in various leisure activities. Also included are some photographs of children, probably including Sheikh Zayed's sons, possibly Sheikh Mohammed bin Zayed Al Nahyan (b. 1961). The pictures date from a significant period in the history of Abu Dhabi, the years leading up to the foundation of the United Arab Emirates in 1971, and from the earliest years of the new federation. - A group of pictures is possibly taken in Pakistan, many depicting a large manor where a party arrives by helicopter. Sheikh Zayed enjoyed visiting the country to go horse riding and hunting with his falcons. Many photographs depict casual dinner parties, gatherings, and meetings in the open air. Other photographs show a large party setting off on horseback, falcons, camel races, cars, etc. - Some photos slightly curled along the edges, some slightly discoloured. Overall in very good condition.
An archive of 183 photographs: 133 loose b/w photos (ca. 30 x 25 cm), 30 smaller photos (ca. 5 x 6 cm) numbered and mounted together on a single sheet of paper, and 20 photos in the album. Original black half morocco, with green cloth sides with title and emblem of Pakistan's United Bank Limited on upper board. Includes numerous rolls of original medium format negatives. A trove of unpublished photographs depicting two official visits to Pakistan by HH Sheikh Zayed bin Sultan Al Nahyan. The earlier one, in 1967, is documented by a separate photo album containing images of the visit to Lahore, the second largest city of Pakistan, between 16 and 28 November 1967. (Almost 20 years later, in 1986, Sheikh Zayed would donate a hospital to the city, now the "Shaikh Zayed Medical Complex", which is one of the premier medical institutions in the country.) The album opens with a picture of HH Sheikh Zayed arriving in his car; later pictures show him being honoured and presented with an album very similar to the present one, and in the company of officials representing Pakistan's UBL bank (United Bank Limited). - The 30 small photographs show an audience with Sheikh Zayed as well as a banquet in his honour, attended by various Pakistani dignitaries including Agha Hasan Abedi (1922-95), the illustrious founder of UBL. These photos, apparently clipped from a set of medium format contact prints, are mounted on a sheet of coated black photographic paper. - The largest set in size and number shows the state visit that took place on 20-22 January 1970 at the invitation of President Yahya Khan (1917-80). It provides extensive documentation of how the large Abu Dhabi delegation is formally received by Yahya Khan, who served as president of Pakistan between March 1969 and December 1971. Many show HH Sheikh Zayed shaking hands with and speaking to President Yahya; others show the airport reception, formal dinners, speeches, but also informal conversations, members of the delegation handling falcons, and numerous high-ranking Abu Dhabi retainers. Among the persons depicted is again Agha Hasan Abedi, but there are also several pictures of Butti Bin Bishr, secretary to Sheikh Zayed, and of Ahmed Bin Khalifa Al Suwaidi, the first Minister of Foreign Affairs of the UAE and the Personal Representative of Sheikh Zayed. - President Yahya Khan had been "one of the very first international leaders to reach out to Sheikh Zayed after the UAE had been founded and had, prior to this, in July 1970, been instrumental in creating an agreement to provide technical assistance to the then Trucial States. With the December 1971 union agreement approaching, Pakistan was quick to forge even closer ties, and Khan had been one of the first foreign leaders to offer his congratulations and reiterate his country's support when the UAE was born. Full diplomatic ties were then quickly established, and Pakistan became one of the first to extend recognition to the new country [...] All his life Sheikh Zayed had held a personal affinity for Pakistan. He had hunted there extensively, came to know the people, its culture and lands, and enjoyed close ties with leaders" (Wilson). - Binding of the album slightly rubbed. Some of the loose photographs slightly scuffed along the edges, occasional nicks or slight tears, but on the whole in excellent state of preservation. The majority of the photographs are entirely unmarked, save for the odd Arabic inscription or stamp on the reverse. A fine, unpublished set, entirely unknown and without counterparts in the UAEhistory, Keystone or Hulton/Getty press photo archives. From the estate of Azhar Abbas Hashmi (1940-2016), Pakistani financial manager and eminent literary patron with close ties to Karachi University. Long with UBL, Hashmi would serve as the bank's vice-president before founding several important cultural organisations and becoming known as a man of letters in his own right. It was because of Hashmi’s close connections to the Gulf states that Abu Dhabi provided funds to build the Karachi University’s faculty of Islamic studies, along with Sheikh Zayed Islamic Centre and Jamiya Masjid Ibrahi. Cf. Graeme H. Wilson: Zayed - Man Who Built a Nation (Dubai 2013), pp. 111f.
An album of 25 albumen prints (vintage), measurements usually c. 200 x 270 mm, one a double-page spread, many captioned in English. Bound in contemporary giltstamped auburn full calf (378 x 280 mm; spine rebacked). All edges gilt. Photographic record of a journey begun in Australia and taken, via Aden, through the Suez canal and to the Mediterranean (and then on to England). While the first image shows the steamship R.M.S. Ormuz in the port of Sydney, three images (including a double-page spread) show the port of Aden in Yemen, the famous water tanks, and a native of the Southern Arabian region in a studio portrait. The majority of the album is dedicated to Egypt, showing Arabs on their camels, the Khedive's Ismailia Palace, the Suez Canal, Port Said, and members the local population, as well as the famous pyramids. The last few photographs show the final leg of the journey: Naples, and ultimately Gibraltar. Among the studios identified in the photographs are those of Hippolyte Arnoux and the Zangaki brothers, based at Port Said. A slightly later inscription on the flyleaf identifies this album as that of Edith Elkington: "Aunt Edith's voyage home to England about 1889". - Some foxing and waterstaining, but prints largely clean.
126 prints mounted in album, two to a page. Ca. 17 x 12 cms each. 4to. Showing horses, riders and the audience at a Polo tournament at an unidentified, though apparently German, track. In the background, the names of several players (of Anglo-Saxon, German and even Hungarian background) are visible on the boards marked "Blau" and "Weiss": W. Sommerhoff, H. V. Scott, Capt. T. Melvill, Gildemeister, G. Heye, Graf A. Sigray, etc. - First quire detached, occasional slight fading, but well preserved altogether.
Oblong folio (255 x 203 mm). Photograph album containing 223 photographs (from 47 x 65 to 178 x 240 mm) mounted on 18 leaves, with 23 loosely inserted photographs, mostly with handwritten annotations in blue ink to versos. Contemporary metal-ring leatherette binding. With a quantity of relevant ephemera. Interesting collection of photographs by a participant in the closing stages of British rule in Palestine. Assembled by Lance Sergeant Ernest Bennet serving in 3rd Battalion of the Grenadier Guards in Palestine, the photographs depict British servicemen on military exercise (Exercise "Bustard"), with Arab inhabitants, riots in Jaffa, military convoys, and troops on patrol. Significant photographs include the British soldiers with a captured Irgun flag and ships docking at Haifa with Jewish Displaced Persons. Bennett often identifies himself with an ink manuscript cross on the photographs. - Extremities of binding lightly rubbed. Includes a small collection of personal papers such as correspondence and payslips.
40 photographs (29 in colour and 11 black-and-white). Various sizes (300 x 207 mm to 125 x 125 mm). Stored in large, six-leaf self-adhesive tan leather album (oblong folio, 43 x 34 cm). Includes 51 original colour slides. A privately assembled photo album showing the ruling family of Dubai during a state visit to Pakistan, apparently in the early 1970s. Pakistan was the first country to accord formal recognition to the United Arab Emirates after the state's emergence in 1971. - Nearly half of the images show HH Sheikh Rashid bin Saeed Al Maktoum (1912-90), the father of the modern Emirate of Dubai, in conversation, at dinners, and relaxing in the garden. Other photos show his sons, the crown prince and later ruler HH Sheikh Maktoum bin Rashid Al Maktoum (1943-2006), the present ruler HH Sheikh Mohammed bin Rashid Al Maktoum, and HH Sheikh Ahmed bin Rashid Al Maktoum. The collection was assembled by Azhar Abbas Hashmi, a high-ranking officer of the Pakistani UBL bank (United Bank Limited), founded in 1959 by Agha Hasan Abedi (1922-95), who is seen in seven photographs with HH Sheikh Rashid as well as with his two older sons. While several pictures show the members of the royal family in negotiations with the Karachi banking officials, there are also fascinating images of a falconry tour to the Pakistani countryside (including a fine portrait of HH Sheikh Ahmed with a falcon perched on his arm). The more than fifty original colour slides show other scenes of the same visit; only four of the images are among the prints included in the album. - Some occasional creases and even the odd tear, but in general finely preserved. Three photos printed by Karachi's "Eveready Studio", some inscribed in ballpoint with identification on the reverse ("Mr. S. L. Anwar, HH, Mr. Masood Naqvi, Mr. Iqbal Khateeb / Mr. Hashmi showing the prospect drawings"), one in Arabic, another with ownership stamp: "Azhar Abbas Hashmi, Vice President Gulf Operations, International Division, UBL, HO, Karachi". An unpublished set, entirely unknown and without counterparts in the online Keystone or Hulton/Getty press photo archives, from the estate of Azhar Abbas Hashmi (1940-2016), Pakistani financial manager and eminent literary patron with close ties to Karachi University. Long with UBL, Hashmi would serve as the bank's vice-president before founding several important cultural organisations and becoming known as a man of letters in his own right. It was because of Hashmi’s close connections to the Gulf states that Abu Dhabi provided funds to build the Karachi University’s faculty of Islamic studies, along with Sheikh Zayed Islamic Centre and Jamiya Masjid Ibrahi.
4to (295 x 235 mm). 50 photographs of Egypt (albumen prints and cyanotypes), and approximately 40 albumen prints of Switzerland. Impressively presented series of original photographs taken at various important sites and cities in Egypt, including Giza, Thebes, Karnak, Luxor, Abydos, Esna etc. The photographs show archaeological sites like the temple of Seti I at Abydos, the precinct of Ahmen-Rah near Luxor, the avenue of Sphinxes at Karnak, the Ramesseum and the Colossi at Thebes, the temple of Khnum at Esna, the Sphinx and pyramids of Giza and many more. Other photographs show the local population, doing a wide variety of activities, such as catching crocodiles on the nile, a Luxor barber shaving the head of a sailor, or a Bedouin camp in the Libyan Desert. - The Istanbul-based Sebah studio catered to the Western European interest in the exotic "Orient" and the growing numbers of tourists visiting the Muslim world who wished to take home images of the city, ancient ruins in the surrounding area, portraits, and local people in traditional costumes. "Sebah rose to prominence because of his well-organized compositions, careful lighting, effective posing, attractive models, great attention to detail, and for the excellent print quality" (Gary Saretzky, Photo history). Jean Sebah (1876-1947) took over the studio from his father Pascal after his death and signed his productions "J. P. Sebah" on the negative, putting his initial in front of his father's. - Some spotting and fading.
Large folio (ca 35 x 47 cm). An album of 87 albumen photographs, mostly ca 36 x 26 cm to 26 x 20 cm, of which 17 show Egyptian locations. Mounted on cardboard leaves, bound in heavy, relief-stamped full calf. White moirée endpapers. All edges gilt. Among the Egyptian images (mostly unsigned, but several by Pascal Sébah and another by Antoine Beato) are a plan of the Suez Canal (with several inset images), Pompey's Column, the obelisk now known as "Cleopatra's Needle" (in New York City's Central Park), the Heliopolis Obelisk, the ruins of the ancient town of Hermonthis (Armant), the Sphinx, the Great Pyramid, a palm grove near Giza, groups of Arab men and women, street scenes, a panoramic view of Cairo, the Mosque of Muhammad Ali, etc. Loosely inserted are a large (19 x 28 cm) portrait of an Arab warrior in Bedouin costume and a composite photo of eight portraits of Arab men and women in various types of local costume, with a handwritten note by the owner: "Bought at Port Said July 1876". The remainder of the photos of this fine souvenir album shows views and sights in Naples, Pompeii, Capri, Salerno, Rome, Venice, Genoa, Florence, and Pisa. - Binding rubbed and bumped, but a well-preserved set.
Large folio (470 x 350 mm). A total of 52 albumen prints (36 from Egypt, signed Zangaki brothers, all 215 x 275 mm, and 16 from Australia, mostly signed Hitch & Co., 150 x 200 mm), all mounted on cardboard, each with handwritten identifying captions in French, German, and English. Dark brown morocco binding gilt on upper cover with golden corner fleurons and gilt title "Februar - April 1895" (signed in lower left corner: "C. Keuth, relieur, Anvers"). Moirée endpapers. All edges gilt. A charming and sumptuously bound album commemorating a journey through Egypt in the spring of 1895. The photos include four views of Suez and the Canal, numerous impressive scenes of Cairo, its streets and palaces, with panoramic views, the Mosques of Muhammad Ali and of Sultan Hassan, the Citadel, the Tombs of the Caliphs, the Tombs of the Mamelukes, the road to the pyramids (with locals posing), the Sphinx and an ascent of the Great Pyramid, the statue of Ramses II at Saqqara and the Pyramid of Djoser, the Obelisk at Heliopolis, Pompay's Columns at Alexandria, etc. - The additional photos of Australia, dated February 1895, all show views from the Blue Mountains in New South Wales, including landscapes of the "Three Sisters", Nellie's Glen, Bride's Veil, and Negalong Gate, and interiors of the Jenolan Caves. - Some occasional fading, but generally in very good condition. The brothers Georgios and Constantinos Zangaki, originally hailing from Greece, set up their first studio in Port Said around 1870, and a second one in Cairo around 1895. After the inauguration of the Suez Canal in 1869, which opened Europe to Egypt and Eastern Asia, Egypt became a desirable destination for Western tourists. The brothers produced attractive images of Egypt for the growing market of European tourists, drawing on a familiar genre of orientalist scenes.
4to. (25) ff., (7) blank ff. With 100 black and white photographs of various sizes (between ca. 75 x 105 and 90 x 145 mm), 96 of which mounted, 4 loosely inserted. A few captioned in ink on the photograph or on verso. With original hand-drawn map of Palestine in ink, crayon and ballpoint on graph paper loosely inserted. Contemporary giltstamped half cloth with a mounted reproduced drawing to lower board, showing an elegantly dressed group of people. Private photo album composed by a British engineer stationed in El Qantara, Egypt, possibly a member of the Royal Engineers, who constructed a new railway from Qantara to Romani and eastward through the Sinai to El Arish and Rafa on the border of the Ottoman Empire in January 1916. During World War I, Kantara, as it was referred to by the Allied troops, was the site of Headquarters No. 3 Section, Canal Defences and Headquarters Eastern Force during the latter stages of the Defence of the Suez Canal Campaign and the Sinai Campaign of 1916. The massive distribution warehouse and hospital centre supported and supplied all British, Australian and New Zealand operations in the Sinai from 1916 until final demobilization in 1919. - Taken on trips to Palestine between 1916 and 1922, half of the photographs focus on railroad motifs, exhibiting railway bridges, including the bridge crossing the Suez Canal in El Qantara, train stations, and tracks under construction, as well as rather spectacular accidents with locomotives and waggons fallen over in the desert. One picture depicts a decorated train of British soldiers bearing the sign "Demob special goodbye" leaving after the Armistice. The other half mainly shows views of Jerusalem, including close-ups of landmarks such as the Tombs of the Kings and the interior of Ascension Church, as well as steam ships in the Suez Canal and a "Turkish Gun". Although not identified by name, the engineer can be seen posing in several photographs, sometimes wearing a British uniform. The manuscript map shows the railway line from Qantara to major cities including Jerusalem, Tel Aviv, Haifa, and Nazareth, at one point crossing into Syria and reaching Beirut. - Hinges broken; extremities slightly rubbed; crack on spine measuring ca. 5 cm. A few photos as well as the map with small marginal tears and creases. Bookplate of the British businessman and railroad enthusiast William Hepburn McAlpine (1936-2018), and stamp of ownership of Arthur Lord-Castle, who was associated with the Narrow Gauge Railway Society in 1956, to front pastedown. A unique survival.
Oblong 4to (ca. 215 x 167 mm). 103 original photographs (ca. 40 x 58 to 53 x 78 mm), mounted under grey paper mattes with rectangular, oval, and circular windows on 24 cardboard pages. Captioned in English. Bound in contemporary blindstamped full cloth with giltstamped cover title "Photographs". Private photo album composed by a British soldier or engineer active during the Mesopotamian Campaign of the First World War. It contains not only pictures of landmarks like the Baghdad railway station, the British Residency, the Abu Hanifa Mosque in Baghdad, and the Whiteley Bridge in Basra, as well as street and river scenes, but also shows the military aircraft of the Entente (frequently after a crash), as well as portraits of pilots and the collector's comrades, including two lieutenants resting on a blanket in a meadow. Other motifs include more sinister themes such as the gallows on the Baghdad market square, but also a group of smiling soldiers bathing in the Gulf of Aden, the shorelines of Kut al Amarah and Kurnah, the Arabian Gulf, and the Red Sea. - With round green pagination labels. Album produced by W. Johnson & Sons in London. Binding slightly rubbed. Occasional traces of glue; a few marginal tears; the paper pasted on the cardboard loosened in places.
Small oblong folio album. 21 original silver-gelatin photographs. Various formats, most captioned on the mount. Contemporary blue cloth with wrap-around clasp, ms. title "Saudi Arabia 1955" to spine in white ink. An interesting album of photographs taken by a British or American engineer working on a construction project in Saudi Arabia. Though the project and specific location are not named, it was probably based somewhere in the Eastern Province on the Gulf coast. It was there that Saudi Arabian oil was first discovered and, as a result, the province became the focus of the growing oil industry. Thus is it quite likely the photographer's project was part of the infrastructure supporting the industry's rapid expansion. - The images show the building site, the completed buildings, the surrounding coastal area, a traditional house, old ceramic vessels and local people. Several photographs capture the photographer's family at work and play, exploring the beaches, going shopping ("Sue wasn't happy") and riding donkeys and camels. - A few photos stained at corners.
4to. 77 original photographs, comprising 48 colour and 29 black-and-white photos. Ca. 85 x 110 mm. With one Aramco press photograph. Captioned in English. Contemporary half calf with giltstamped spine in a full calf case with metal clasp. Private photo album of the petroleum engineer and Aramco employee Herschel Edmund Zirger (1926-2015). After joining Aramco in 1955, Zirger was involved in the construction of the ADMP-2 platform - a gigantic off-shore oil rig showcased here in impressive photographs which make up the bulk of the collection. Built in the fall of 1965 and spring of 1966 in Vicksburg, it was towed down the Mississippi river, across the Atlantic and through the Suez Canal, to arrive in Saudi Arabia in September 1966. The set includes spectacular images of the rig being launched into the river, passing under the Natchez-Vidalia Bridge, the largest bridge on the Mississippi, and travelling past New Orleans. A pioneering project, the ADMP-2 platform was constructed "to operate in 200-ft water depths compared to the 77-ft maximum of the earlier rig [ADMP-1]. The design of the No. 2 also anticipates Aramco moving out into deeper Gulf waters" (World Petroleum). - Another set of images displays the arduous transport of an oil rig derrick through the desert near Abqaiq. Zirger is seen posing in front of enormous trucks and following the convoi. Sadly, the endeavour ended in a severe accident: after weeks of hard work, the derrick was destroyed in a desert storm. - Finally, several images depict an oil platform in the Arabian Sea, including detailed views of a drill head. - Nearly every picture is captioned in white ink in Zirger's handwriting. Zirger's label of ownership to front cover. - In 1971 Zirger established a Saudi-Registered Limited Liability Partnership which provided consulting services and consultants to Aramco for the supervision, inspection and maintenance of oil wells, water wells and drilling operations. - Full calf case slightly rubbed. An extraordinary collection.
Oblong 4to (280 x 204 mm). 112 vintage black-and-white photographs (ca. 13 x 18 cm), frequently captioned in German in white ink, on 56 black paper leaves (plus two blank leaves at the end). Contemporary green card boards, block-bound with string. A fine album of excellent original travel photographs, assembled by a party of young men from Germany, Austria and Hungary travelling through Northern Africa in the late 1920s or very early 1930s. A total of 36 photos show scenes from Libya: the cave dwellings in the jebels, the Arab and especially Jewish population, a Bedouin tent, Italian officers in Aziziya, but also a group portrait of the travellers leaning on their motorcar. A few pictures show the European tourists laughingly taunting the local children with cigarettes for which they let the youngsters grapple. The strong focus on the fairly large Jewish community (then constituting nearly 4% of the Libyan population, as compared to less than 0.8% in Germany) is poignant before the background of the increasingly virulent antisemitism in the visitors' central European homeland, apparently revealing a particular fascination with the "otherness" of the Jews who are here shown and described as a people living as they supposedly did in Biblical times. - Via Malta (6 photos, some depicting warships in the harbour) the party sailed on to Tunis, where no fewer than 32 photographs cover the port, the Al-Zaytuna Mosque, Spahis and French officers on horseback, and a wealth of street scenes: the old town with its souks, Bab Souika square, gypsies, veiled women, water salesmen, men in coffee houses, and a Christian butchery. The remainder of the album shows scenes from the return journey through Italy: Cagliari and Sardinia (6), Civitavecchia (3), Livorno (5), Genoa (1), and Milan (23, including many from the Cimitero Monumentale and some showing off then-modern architecture). - A well-preserved ensemble of amateur travel photographs from a region more frequently captured in military photography but rarely visited at the time by affluent European tourists with high-quality cameras.