658 résultats
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A light spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Light spot or two.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Fine Turkish Original pictorial wrappers. Oblong large 8vo. (13 x 25 cm). In Turkish. [22] p., many b/w plates. Not recorded in any platform and library, extremely rare propaganda pamphlet prepared for 60's Turkey by the UAR, The United Arab Republic. On the frontispiece, the leader of the UAR, Egyptian President Gamal Abdel Nasser's iconic words with his portrait by Moheeb. The pamphlet includes the UAR's vision usually and its social and economic policies, projects, Suez Canal, Al-Wady al-Gadid, industry, navigation, mining, oil and its industry, agriculture and agricultural reforms, livestock, culture and education, medicine, water, tourism, etc. Extremely rare.
London, printed for the author by W. Bowyer, 1743 - 1745. Tre volumi, rilegati in due, in folio. Mezza pelle dell'epoca con titolo ai dorsi (usure e spellature). pp. (2), vi, (8), 310; xi(i), 268; vii(1), 308. Esemplare mancante di tutte le tavole f.t. Internamente ottimo esemplare.
In-8 p. (211x128), pieno vitellino coevo, decorazione con titolo oro su tassello al dorso, pp. VIII,520. Viaggi di: Francis Drake, Richard Reynolds. Con lievi fioriture, peraltro ben conservato (slightly foxed, otherwise good condition).
Broché. 400 pages. 21x30cm. Rousseurs.
1 46,5x57 cm., ampi margini, confini ben segnati a colori, in inglese, carta ben realiuzzata e ben conservata.
pp. xxiii, 360 + Frontis. Numerous woodcuts and folding plans. Margin loss in Index. XLib. 12mo. Original full publisher's brown cloth, boards decorated in blind with designs of flowers and publisher's device. Extremities worn and slightly chipped. Remains of library numbers on spine. Hardbound. Sir Austen Henry Layard (1817-1894) was one of the leading British archaeologists of the nineteenth century. He was not a professional archeologist, and he wore many hats in his public career - diplomat, politician, art connoisseur, and a man of letters. He entered the London legal profession in 1836 under the sponsorship of his wealthy uncle, Benjamin Austen. He remained there until 1839 when he set off, with his traveling companion Edward Mitford, on his first expedition to Nineveh and the region of Mesopotamia at Mosul. Over the next decade the British Museum unloaded hundreds of tons of sculpture and artifacts from Layard's excavations. His books won acclaim for their mix of high adventure and archeology embroiled in an intoxicating stew of compelling characters and sudden crises. He made the Assyrians accessible to common people and brought alive a shadowy Biblical civilization. HOLY LAND BOX 1
No marks or inscriptions. A very clean very tight copy with bright unmarked red cloth boards, slightly dusty top of page edges and no bumping to corners. Dust jacket not price clipped or marked or torn with slight sunning to spine and front fore-edge and minor foxing/rubbing to upper edge. 184pp. An account of a journey with the author and accompanied by Wilfred Thesiger around Iraq and Syria in 1957. Illustrated.
New English Paperback. Pbo. 4to. (28 x 18 cm). In English. 48 p.Türk din musikisi. A road map for the education of Syrians In Turkey. The reflections of the humanitarian crisis in Syria since 2011 have been experienced all over the world in different ways. In this sense, Turkey¿s experience has gathered a lot of attention as well. Thanks to its open door policy, Turkey has become the country hosting the highest number of refugees in the world and has created a living space for millions of Syrians. According to official figures, Turkey hosts 2,724,927 Syrians and thus takes the burden of the humanitarian crisis on its shoulders. Each Syrian is important for Turkey, as is their adaptation to Turkish public life. The most crucial elements of orientation towards public life are education and employment. With respect to employment, Turkey has taken considerable steps. In addition to this, the education of Syrian children requires a road map so as not to create lost generations for the future of Turkey and Syria. The NGOs in Turkey have taken great responsibility for the education of Syrians and play an important role in offering advice for the Ministry of National Education¿s (MEB) road map. However, only one in three Syrian children is schooled ¿ this is evidence that the NGO-based short-term solutions are not enough and long-term public policymaking is required. From the first years of the crisis in Syria, the SETA Foundation has been supporting the policymaking process especially in terms of educating Syrians, aiding their legal status and their adaptation to public life. The SETA Foundation is especially sensitive on the issue of Syrians¿ education and in this study aims to contribute to developing a road map on Syrians¿ education and to work against the creation of lost generations.
175 [i] pp.avec 36 figures dans le texte + 48 planches hors-texte, br.orig. qqs.traces d'usage), 25cm., bon état, rare, dans la série "Mélanges de l'Université Saint-Joseph, Beyrouth (Liban)" Tome 17 fasc.1, X77310
120 pages, not illustrated. eng
In-8 gr., mz. pergam. mod. con ang., titolo ms. al dorso, pp. VII,316. Contiene: “Le mythe d’Adonis - Adonis en Syrie, à Chypre - Le bucher de Melcarth, de Sandon - Sardanapale et Hercule - La religion volcanique..”, con tre Appendici e poderose Note. Volume della collana “Annales du Musée Guimet, Bibliothèque d'études, tome 29 - Le cycle du rameau d'or”. Firma di appartenenza al frontespizio, altrimenti ben conservato.
xvi + 250pp. + 14 bl/w illustrations out of text, 23cm., publisher's hardcover, dustwrapper, very good, X101205
Milano, 1937, stralcio con copertina posticcia muta, pp. 323/329 con illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
xvi + 304pp., 24cm., publisher's hardcover, dustwrapper (used and with some tears), good condition, X100014
Very Good Turkish, Ottoman (1500-1928) Modern full leather bdg. in Ottoman style made as saved original cover. Demy 8vo. (21 x 15 cm). In Ottoman script. 336 p. Ex-library stamp of 'Istikbâl Kütabhanesi' from Ottoman period. Slightly foxing on pages. Rubbed on margins. Otherwise a very good copy. Hegira: 1325 = Roumi: 1326 = Gregorian: 1910. Ahmet Serif was a supporter of the Union and Progress (Ittihad ve Terakki) Firstly this travel notes are serialized in Tanin newspaper. This book includes all travel notes of him. Those involves his observations on the Anatolian cities and districts in 1909-13. He puts also special emphasis on the relations of Turks and Armenians in his notes. TBTK 2426.; Özege 773. First Edition.
Faint bumping to top of spine. Scholar's name to inner cover. (P. S. Derow). Light browning to wraps. Creasing along edges of wraps with a couple of tiny tears. ; Contents: Seleucid kingdom after Apamea; Accession of Antiochus IV; Relations of Antiochus IV with the Greek world; The first invasion of Egypt; Second Invasion of Egypt and the Roman Intervention; Administration; King and the Cities; Seleucid Policy in Judaea; Antiochus IV in the East. ; Classica Et Mediaevalia, Dissertationes VIII; 229 pages
In 4, pp. (7). Br. ed. Note sull'architettura mussulmana in Siria e in Palestina.