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110p., illus. Hardcover Very good condition
377 p., [4] leaves of plates Hardcover Very good condition
Mm 140x220 Collana "Problemi e ricerche di storia antica". Brossura originale con sovracoperta, 511 pagine con disegni nel testo. Indice dei luoghi in chiusura. Ottima copia; spedizione in 24 ore dalla conferma dell'ordine.
Madrid: Imprenta de A. Ruiz de Castroviejo, 1883. 8vo.; VII pp., 352 pp. Encuadernación de época en piel.
ill., ril. "Wall" raccoglie le fotografie panoramiche scattate tra il 2008 e il 2012 da Josef Koudelka a Gerusalemme, Hebron, Ramallah, Betlemme e in vari insediamenti israeliani lungo la strada della barriera che separa Israele dalla Palestina. Mentre gli israeliani chiamano il muro "recinzione di sicurezza", i palestinesi lo chiamano "muro dell'apartheid", e gruppi come Human Rights Watch usano il termine "barriera di separazione". Il muro del progetto di Koudelka è metaforicamente una spaccatura umana nel paesaggio naturale. All'interno del volume la cronologia, il glossario e le didascalie contestualizzano le immagini, e descrivono la difficile relazione tra il genere umano e la natura, e tra culture strettamente connesse.
RARE monograph on the Amzalak family, tracing each generation of this influential family and outlining the general frameworks of the middle eastern entrepreneur class, the Sephardi elite and political developments in the Ottoman empire and Palestine. 240x170mm. 202 pages. Hardcover with dust jacket. Gilt lettering on spine. Jacket edges slightly wrinkled. Cover corners slightly bumped. Spine edges bumped. [SUMMARY]: This extremely rare family biography, of interest to any serious scholar of the social processes in 19th-century Palestine and the Middle East, and Sephardi entrepreneurial class, is in good condition.
London, The Religious Tract Society, s.a. (siglo XIX), 22'5 x 16'5 cm., tela original gastada, 208 págs. con grabados intercalados, algunos a toda página.
Modena, Tip. Pontificia ed Arcivescovile, 1881, in-16, legatura di poco successiva in mezza tela con angoli, pp. XVI, 296. Asportato il margine superiore del frontespizio. Manca l'occhietto.
Paris, Librairie Briday, 1883, 31,5 x 25,5 cm., holandesa piel algo gastada, 2 hojas + VI + 60 págs. + 1 hoja + XCIII láminas + 1 hoja.
Firenze, Tipografia di Salvatore Landi, 1900, in-16, bella legatura coeva in mezza pergamena con punte, dorso liscio con titolo e una ricca decorazione fitomorfa in oro, piatti in carta marmorizzata, sguardie in carta decorata, tagli rossi, pp. 366, [2]. Prima edizione. Bell'esemplare.
8vo., Second Edition, with a coloured frontispiece, 4 coloured plates, 42 plates in monochrome, 29 illustrations in the text and 3 folding maps on japon; original blue cloth, arms blocked in gilt on upper board, gilt back, a near fine copy in unclipped dustwrapper, the latter chafed at head and tail of backstrip. A PRESENTATION COMPANY FROM THE COURT OF ASSISTANTS OF THE HAC TO THE LIBRARY OF THE CITY OF LONDON TERRITORIAL AND AUXILIARY FORCES ASSOCIATION. Second edition of the original history of 1926, updated to include the regiment's service in WWII. White, p.198.
Mm 230x290 This book was published in conjunction with the exhibition : Blue and White in Color - the 100th Anniversary of the First Zionist Congress, Beth Hatefutsoth, November 1996 - October 1997. Brossura originale con copertina illustrata, 135 pp. con numerose figure a colori nel testo in lingua inglese - english text. Libro in perfette condizioni, spedizione in 24 ore dalla conferma dell'ordine.
Madrid, Nerea, 1996. 4to.; 316 pp. Ilustraciones. Cubiertas originales. Inédito hasta su publicación el Diario de Ballobar es un extraordinario documento sobre la situación en Palestina durante el periodo de la Primera Guerra Mundial, ya que al retirar los países europeos y Estados Unidos sus legaciones en Jerusalem el cónsul español acabó velando por los intereses en la zona de todos los enemigos de Alemania hasta la toma de Jerusalem por los británicos en 1917.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall very good condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A four-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
PARIS, Albin Michel - 1970 - In-8 Reliure,imitation cuir rouge, dos orné et titre dorés, Sous emboîtage - -Sur papier Bible supérieur - 1372 pages - llustrations originales pleines pages en couleurs- Très propre.
Un volume (17 cm) di (4)-333 pagine, con una carta geografica ripiegata in fine. In lingua francese. Troisième edition. Legatura coeva in mezza pelle verde, dorso liscio con titolo dorato, piatti con carta marmorizzata. Qualche fioritura sparsa, peraltro ottime condizioni.
Crown octavo. Pp. 304. Index. Hardcover, bound in the original publisher's red full cloth; old small stamp inside cover. In a very good condition. ~ First edition. Aims to cover the complete history of Palestine, from before the Exodus until the return of the Jews and the Zionist Movement. With chapters on history mostly, but geography, the people, flora and fauna, manners, customs, and religious life are also covered. Scarce.
grand in-4° 173 pages, nombreuses photographies n/b et couleurs hors texte, reliure toile de l'editeur, jaquette illustree. Tres bel exemplaire. [VU-3]
Paris Sanard et Derangeon 1895, grand In-8 relié demi basane bordeaux à coins, couverture conservéedos à nerfs. 272 pages. illustrations de Mlle MAILLOT d'aprés les dessins de l'auteur. Reliure un peu frottée. Bon exemplaire néanmoins.
Pubblicazione (24 cm) di 71 pagine + 9 tavole e foto fuori testo + 3 cartine ripiegate ft. Brossura editoriale, mancanza al dorso, in basso, e foro al retro. Raro. Notevoli le fotografie d'epoca.
352pp.+ enkele buitentekstills., 23cm., orig.omslag, enkele stempeltjes en roestplekjes, rug licht hersteld, grotendeels onopengesneden, goede staat, zeldzaam, R77611
In 8°, broch. edit., pp 160 e num. ill. fot. f.t. Ediz. orig. di grande interesse, oggi più che mai.
Traduit de l'italien sur la deuxième édition par l'abbé H. Dorangeon, 2 vol. in-12 reliés demi-basane noire, P. Lethielleux, Paris, s.d. (1898), XIV-536 pp. ; 769 pp., avec cartes dépliantes Complet. Etat satisfaisant (rel. lég. frottée, accrocs sans manque aux cartes dépliantes, plan n° II détaché, ancien cachet bibliothèque du séminaire de Sherbrooke, bon état par ailleurs). Version française de l'ouvrage italien La Palestina d'oggi : studiata e descritta nei suoi santuari e nelle sue località bibliche e storiche (1896). Français
