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Broch?. 172 pages.
IN HEBREW. 235x160 mm. 444 pages. Hardcover. Spine edges slightly bumped. Front whitepage edges rubbed and slightly torn. Else in good condition.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall very good condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A four-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Milano, 1935, stralcio con copertina posticcia muta, pp. 791/817 con numerose fotografie e tavole fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
IN HEBREW. 160X240 mm. 8+319 pages. Hardcover with dust jacket. In good condition.
In Hebrew. 155X240 mm. 8+319 pages. Hardcover with dust jacket. Dust jacket slightly worn at edges, little sticker in corner. Ex Library - stamp an the first page. Else in good condition.
104 p.; 21 cm. Brossura editoriale. Buono
Lille - Bruges, Societe de Saint Augustin, [fine dell'800], in-8, cartonatura editoriale con il dorso in tela, pp. 92, [4]. Con illustrazioni xilografiche intercalate n.t. Evidenti tracce d'umidità alla tela del dorso. Legatura allentata.
215pp., 20cm., geïll.omslag
Rapporto di ricerca su conflitti dimenticati, guerre infinite, terrorismo internazionale.
240pp.+ frontispice, br.orig. (dos restauré), 23cm., nouvelle édition
New New Turkish Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). In Turkish. [xxxii], 640 p., b/w ills. Hâtirat, 1876-1958. Memoirs of an Army Officer and Turkish diplomat in Paris during Vichy time. Behiç Erkin was a Turkish career officer, first director (1920-1926) of the Turkish State Railways, nationalized under his auspices, statesman and diplomat of the Turkish Republic, who helped save almost 20,000 ethnic Jews in France during World War II. He was Minister of Public Works, 1926-1928, and deputy for three terms; and an ambassador. He served as Turkey's ambassador to Budapest between 1928-1939, and to Paris and Vichy between August 1939-August 1943. As Turkish ambassador in France under the German Occupation after June 1940, Erkin used the power of his office and nation's neutrality to save Jews who could document a Turkish connection, however slight, from the Holocaust. Other Turkish diplomats in France and elsewhere, were also active in this rescue effort. The consulate staff under Necdet Kent in Marseille was particularly involved.
New Turkish Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Turkish. [xxxii], 640 p., b/w ills. Hâtirat, 1876-1958. Memoirs of an Army Officer and Turkish diplomat in Paris during Vichy time. Behiç Erkin was a Turkish career officer, first director (1920-1926) of the Turkish State Railways, nationalized under his auspices, statesman and diplomat of the Turkish Republic, who helped save almost 20,000 ethnic Jews in France during World War II. He was Minister of Public Works, 1926-1928, and deputy for three terms; and an ambassador. He served as Turkey's ambassador to Budapest between 1928-1939, and to Paris and Vichy between August 1939-August 1943. As Turkish ambassador in France under the German Occupation after June 1940, Erkin used the power of his office and nation's neutrality to save Jews who could document a Turkish connection, however slight, from the Holocaust. Other Turkish diplomats in France and elsewhere, were also active in this rescue effort. The consulate staff under Necdet Kent in Marseille was particularly involved. Second Edition.
Paper wrappers; small 8vo. 39 pages. Illustrated with plates. OCLC lists eleven copies worldwide. Top right corner bumped; very good condition. ( W-62)
Softcover in-8°, 46 pp., illustrations., broche, couv. illustree. Bel exemplaire, non coupe [MI-1]
La différence, 2006, 300 pp., broché, couverture un peu défraîchie, état correct.
A travel classic of the Near East, facsimile of the edition published by Heinemann 1907 with a new introduction by Sarah Graham-Brown. 347p. illus map. Book
In 16°; pp. 238 con16 tavv. e illustraz. in b/n fuori testo; cartonato editoriale con sovraccoperta illustrata.<BR>Sovracc. con tracce d'uso e dorso un po' scolorito; per il resto buono.<BR>Colana Le Piccole Storie Illustrate diretta da Sabatino Moscati.
La Domenica del Corriere del 10/2/1907
Copertina illustrata a colori in fascicolo originale completo de "La Domenica del Corriere" del 14/08/1938
Copertina illustrata a colori in fascicolo originale completo de "La Domenica del Corriere" del 23/10/1938
La tavola di copertina, a colori, e quella opposta ma non descritta, de "La Domenica del Corriere", n. 44, del 23/10/1938