40 résultats
18822110502150903343Okura Shirobe version 1882. Soft Cover. Fine. Number of books: 3 Okura Shirobe version paperback
18592091202133206168Not Available 1859. Soft Cover. Fine. Volume: 1 Not Available paperback
18882092902138300158Kumajiro Fukuda: Edition 1888. Soft Cover. Fine. Size: 72x48.5cm Kumajiro Fukuda: Edition paperback
18552111902160200833Not Available 1855. Soft Cover. Fine. Number of pages: 86 pages Size: 22.5 cm x 15.5 cm 86 pages Number of books: 1 book Not Available paperback
18302110502150906851Hoeidoban 1830. Soft Cover. Fine. Number of books: 1 Hoeidoban paperback
1890B6305Japan. c.1890. A very good example of this beautifully designed book. . Binding: period soft paper wrapper. Notes: The Fifty-Three Stations of the TÅkaidÅ is a series of ukiyo-e woodcut prints created by Utagawa Hiroshige after his travel along the TÅkaidÅ. The TÅkaidÅ road linking the shÅgun's capital Edo to the imperial one KyÅto was the main travel and transport artery of old Japan. It is also the most important of the "Five Roads" GokaidÅ—the five major roads of Japan created or developed during the Edo period to further strengthen the control of the central shogunate administration over the whole country. The Fifty-Three Stations of the TÅkaidÅ was such a popular subject that it led Hiroshige to create some 30 different series of woodcut prints on it all very different one from the other by their size Åban or chuban their designs or even their number some series include just a few prints.<br><br>Utagawa Hiroshige 1797 – 1858 was a Japanese ukiyo-e artist considered the last great master of that tradition. In terms of style Hiroshige is especially noted for using unusual vantage points seasonal allusions and striking colors. In particular he worked extensively within the realm of meisho-e pictures of famous places. During the Edo period tourism was also booming leading to increased popular interest in travel. Travel guides abounded and towns appeared along routes such as the TÅkaidÅ a road that connected Edo with Kyoto.<br><br> Size: Oblong quarto Illustration: Illustrated title and 56 full page landscape woodcut prints. Category: Book Asia Far East unknown
1850552891850. Broadside. Color woodblock print oban tate-e format. Measuring 14 1/4x 9 1/2" and mounted to white cardboard backing with plastic mounting tabs at the corners. Protected in plastic sleeve. This work is No. 1 from the acclaimed series "One Hundred Famous Views of Edo". Aratame seal in the top margin of the print. Print is very clean vibrant and sharp. 8 small holes along the very right edge of the print resulting in minor loss of the image. unknown
1877186040Tokyo: Okura Magobee 10 August 1877. Vivid scenes of industry from across Japan A striking set of prints produced at the time of the First National Industrial Exhibition 1877 an event designed to promote Japanese local craftmanship and encourage a growing export industry. This example shows tatami mat production in Bingo Hiroshima indigo farming in Awa Tokushima camphor logging in Hyuga Miyazaki and whaling in Iki Nagasaki. The First National Industrial Exhibition was held from 21 August to 30 November 1877 with a total of 16172 exhibitors showing 84353 items. "In anticipation of the event the government clearly stated its interest in encouraging the growth of export industries and requested that every prefecture in Japan participate in the exhibition suggesting that the domestic fairs were intended to provide a survey of the products and industries of the entire country and to offer a venue for assessing which of those products might be suitable for export" Lavenberg. At the same time Utagawa Hiroshige III 1842-1894 released approximately 120 prints showing local industries across Japan. He was known for his representations of Meiji period society and was one of the most popular artists of his age. Only 118 of the Dai nihon bussan zue prints survive representing 58 provinces. These were sold as individual sheets that could be bound into books with each book containing a different number and configuration of prints. The 30 prints in this example cover 14 provinces stretching from Hokkaido in the north to Hyuga in the south. The construction of the books mean that splits are often found along the central joints such as in the copy held by the British Museum 197307230.116. Octavo concertina-style. With 30 double-page colour woodblock prints; text in Japanese. Original patterned paper boards decorated with scenes of Japanese cranes red printed paper label on front board. Housed in grey archival box. Contemporary price sticker on one print. Boards a little creased and abraded prints bright with some light foxing in margins some split along central fold as usual: a very good example. "Dai Nippon Bussan Zue Products of Greater Japan 1877" The Lavenberg Collection of Japanese Prints 2018. hardcover
18632110502150903062Keijiro Fujiokaya and others version 1863. Soft Cover. Fine. Number of books: 2 Keijiro Fujiokaya and others version paperback
18442110502150906542Yamamoto-ya-ban 1844. Soft Cover. Fine. Number of books: 1 Yamamoto-ya-ban paperback
1857552841857. Framed. Color woodblock print oban tate-e format. 14.5 x 9.5" in a wooden frame with a white mat. No. 73 from the series "One Hundred Famous Views of Edo unknown
18812092902141600250Not Available 1881. Soft Cover. Fine. Size: 35.5x24cm each Number of books: 3 series Not Available paperback
18872092902144201297Not Available 1887. Soft Cover. Fine. The book is in fine condition. Not Available paperback
18321342430Japan: Hoeido 1832. A color woodblock print from the series The Fifty-Three Stations of the Tokaido of the landscape at Chiryu-juku overlooking a field with resting horses at either dusk or dawn; black writing at upper right and left corners with red artist's seals; very good condition. Framed and matted; not examined out of frame; hand-written label at back of frame "No. 90 By Hiroshige." Dimensions in frame: width 19 1/4 inches x height 15 1/4 inches; dimensions by sight: width 8 1/4 x height 5 inches. Located at Dupont store. 1342430. Arts & Antiques. Hoeido unknown books
1845448631845. Loose leaf. vg. Color woodblock print. Oban tate-e format. 14.5 x 9.5". This print represents Kameyama the 49th station of the Tokaido taken from the series known as "Fifty-three Pairings for the Tokaido Road" or 53 Parallels for the Tokaido Road. This set paired historical characters associated with the Tokaido to a respective station and was composed of work from Hiroshige Kunisada and Kuniyoshi. In this print by Hiroshige a woman dreams of three characters from the kabuki play Reigen Kameyamahoko The Kameyama Revenge. Text in Japanese. unknown
18802092902138101185Koichi Yamamoto 1880. Soft Cover. Fine. Number of books: 3 large sheets Koichi Yamamoto paperback
184918899AB1849. Tokyo Iseya Heikichi 1849. 18 : 125 cm. 20 woodblock printed leaves ink and colour on paper. Original boards japanese binding. Rare work by Utagawa Hiroshige the woodcuts show different flowers fish etc. and one view of Mount Fuji. - Binding wrinkled title-label missing inside the first three leaves with stains. hardcover
18712110502150909080Kansendo version 1871. Soft Cover. Fine. Number of books: 1 Kansendo version paperback
18882110502150908602Heitaro Kato version 1888. Soft Cover. Fine. Number of books: 3 Heitaro Kato version paperback
1866313867Edo: Kinrindo Seishichi. 金鱗堂清七 1866. Five prints joined together mounted on a later scroll total 48x14 inches. Numerous ownership seals moderate spotting throughout penultimate print has a rectangular stain at the center. A map-scroll depicting famous sites across the breadth of Japan. Kinrindo Seishichi. 金鱗堂清七 unknown
1833448681833. First edition HÅeidÅ edition aka “Great Tokaidoâ€. Oblong oban yoko-e format. Color woodblock print. 10x15â€. Loose in plastic sleeve. 48th station of the Tokaido. From the first edition of “The Fifty-three Stations of the Tokaido Road†series by Utagawa Hiroshige. unknown
18802111902160200129Mizuno Keijiro 1880. Soft Cover. Fine. Size: 25.4cmx37cm Number of books: 2 points 1 sheet Mizuno Keijiro paperback
18614973Tokyo: Fuji-kei 1861. A full-colour woodblock print on lightweight paper hinge-mounted with tape on cream-coloured card. The print measures 34.5cm x 23.5 cm and is housed in a cream and red folder with a window on the front cover. A sheet of acetate is loosely inserted in the folder to protect the artwork. Light foxing or possibly glue marks on the top edge of the print very light wear on the upper part of the right-hand edge; otherwise a near-fine print with strong colour. HÅsen Temple at Nakano Nakano HÅsen-ji is one 49 woodblock prints in Hiroshige II's series Views of Famous Places in Edo Edo meishÅ zue. It was created by the artist and engraved by Horikane HorichÅ.</p> <p>The print depicts a three-tiered pagoda standing amid tall majestic trees. Several figures can be seen wandering through the grounds of this serene forest setting.</p> <p>Utagawa Hiroshige II 1826-1869 was the most successful pupil of master woodblock artist Hiroshige I so much so that for many years the work of the pupil was confused with that of the master. In the period this print was executed Hiroshige II specialised in landscapes based on the later works of Hiroshige I and created a number of series featuring pleasing views and images of nature.</p> <p>The print includes the aratame seal of the Censor Tsutaya Kichizo. Fuji-kei unknown
1833448661833. First edition HÅeidÅ edition aka “Great Tokaidoâ€. Oblong oban yoko-e format. Color woodblock print. 10x15â€. Loose in plastic sleeve.23rd station of the Tokaido. From the first edition of “The Fifty-three Stations of the Tokaido Road†series by Utagawa Hiroshige. unknown
183455363Edo 1834. Hoeido edition. A matted printed in a cloth and wooden frame. Ukiyo-e woodblock print. Oban Yoko-e. Approx 13 3/4 x 8 3/4" visible inside the mat. Print no. 10 from Hiroshige's acclaimed series The Fifty-Three Stations of the TÅkaidÅ. In possibly it's first state. This image depicts the 9th station of the Tokaido crossing the Sakawa River at the town of Odawara. Absent the presence of a bridge the image shows travelers being carried across the river by porters in the traditional manner. Hanging wire printed material and description attached to the back of the frame. Light stains to the print with a vertical folding crease visible. unknown