51 résultats
18560006868New York: D. Appleton 1856. First edition. Hardcover. fine. 12mo xii 412 pages original light brown embossed cloth. <br/><br/>These observations are related in a series of 61 letters. These were originally composed in Spanish then translated into English by Joseito. "I have thereby been enabled to impart entirely new data and reliable information instead of merely copying from books already known. . I applied myself to natives who besides an intimate knowledge of affairs in general possessed a sound judgment and an investigating disposition. It has beeen indeed a very happy incident to have found them. . That part of my work which treats on judicial matters and the secrets of the management of the tribunals will especially attract the attention of my readers. - Introductory Letter." Sabin 17816; Treiles BIBLIO. CUBANA vo. 4 p.17. D. Appleton hardcover
1851200111AG1851. London & New York J & F. Tallis 1851. Original steel engraving / Vintage map. Drawn and engraved by John Rapkin. Partly hand-coloured. Illustrations by H. Warren and Engraved by J. Rogers. Plate Size: 25 cm x 35 cm. Sheet Size: 27 cm x 37.4 cm. Vintage 19th century map in very good condition. A beautiful map of the West Indies: from the Bahamas in the North near the southern tip of Florida down to Barbados and Trinidad of the coast of Colombia. Cuba Jamaica Hispaniola San Domingo and Haiti Porto Rico the Virgin Islands and the myriad of smaller islands throughout the Caribbean Sea are also included. The Mosquito Coast in modern Nicaragua Guatemala and the Panama isthmus can also be seen. Relief depicted with hachuring. The major towns and cities across this region such as Havana Kingston and Port Royal Port Republican Port-au-Prince and Cartagena are also shown. A depiction of native peasants and a medallion complete this pleasant map. John Tallis 7 November 1817 3 June 1876 was an English cartographic publisher. His company John Tallis and Company published views maps and atlases in London from roughly 1838 to 1851. Tallis set up as a publisher with Frederick Tallis in Cripplegate in 1842; the business moved to Smithfield in 1846 and was dissolved in 1849. From 1851 to 1854 Tallis operated as John Tallis and Company. He started The illustrated news of the world and national portrait gallery of eminent personages in 1858 selling it for £1370 in 1861; it folded in 1863. Wikipedia The most important project John Tallis undertook was the 'Illustrated Atlas' from 1851. The original map we offer here was part of this exceptional Atlas and all the maps it contained are still today considered as the last reminder of an era of lavish map production. Tallis worked the project together with John Rapkin 1815-1876 and it was Rapkin's style and talent that we have to thank for when we marvel at these maps today. What makes these maps so special is the detail of engraved vignettes that surround the map and often show indigenous scenes people in their environment and even more so historical buildings or historical views of towns and cities architecture and landscape. The project of 'The Illustrated Atlas' was designed to be finished just in time for the anxiously awaited "Great Exhibition of the Works of Industry of All Nations" or The Great Exhibition sometimes referred to as the Crystal Palace Exhibition in reference to the temporary structure in which it was held was an international exhibition that took place in Hyde Park London from 1 May to 11 October 1851. It was the first in a series of World's Fairs exhibitions of culture and industry that became popular in the 19th century and it was a much anticipated event. The Great Exhibition was organized by Henry Cole and Prince Albert husband of the reigning monarch Queen Victoria. It was attended by numerous notable figures of the time including Charles Darwin Samuel Colt members of the Orléanist Royal Family and the writers Charlotte Brontë Charles Dickens Lewis Carroll George Eliot and Alfred Tennyson. Music for the opening was under the direction of Sir George Thomas Smart and the continuous music from the exhibited organs for the Queen's procession was "under the superintendence of William Sterndale Bennett". Wikipedia unknown
180911691Chaumerot Paris 1809 1 vol. In-8 de 3 ff.n.ch. 407 pp.; demi-basane racinée de l'époque, dos lisse orné, pièce de titre.
1813PHO-844Paris, F. Schoëll, Libraire, 1813. In-8 (20,5 x 13,5 cm),XXVI-411 pp.,3ff-480pp-4ff (table et errata), illustré de 3 cartes déplantes et 5 tableaux dépliants .Reliure de l'époque demi-basane havane, dos lisse orné, manque au dos ,un plat détaché ,charnières faibles, cachets répétés, déchirure au pli à 1 carte. Édition très rare.
1813PHO-1916Paris, F. Schoëll, Libraire, 1813. In-8 (20,5 x 13,5 cm), XXVI-411 pp.,3ff-480pp-4ff (table et errata), illustré de 3 cartes dépliantes et 6 tableaux dépliants, demi-maroquin moderne à long grain bleu nuit, dos lisse, auteur, titre et tomaison dorés, filet et roulette dorés, fers à froid rousseurs.
181014534Arthus Bertrand Paris 1810 2 vol. 2 vol. in-8 de 2 ff.n.ch. XLVII 315 pp. 1 f.n.ch. (errata) et 2 ff.n.ch. 324 pp. 1 f.n.ch. (errata), demi veau vert empire moderne, dos lisse richement orné, pièces de titre et de tomaison, tranches jaunes.
188314974Plon, Nourrit Paris 1883 1 vol. In-12 de 2 ff.n.ch. 349 pp., demi-chagrin de l'époque, dos à nerfs.
1890List3666New York: Jos. W. Stern & Co 1890. Folio sheet music illustrated pictorial cover printed in orange. 5 pp. including cover. Approximately 13 ½ x 10 ½ inches. Covers detached loss to front cover contents complete fair to good. A decorative late nineteenth-century dance publication for “Trocha†described on the cover as “A Cuban Dance†composed by the African American composer and bandleader W. H. Tyers. The elaborate pictorial cover incorporates stylized tropical foliage and island scenery rendered in a bold single-color design typical for the period’s fascination with exoticized musical forms. <br /> <br /> William H. Tyers 1870–1924 was an African American composer arranger and bandleader active in New York during the ragtime era. Born in Petersburg Virginia to Henry Tyers and Jane “Jennie†Jones both formerly enslaved he spent part of his youth in Richmond before his family relocated to New York City where he began studying piano. His early teachers recognized an aptitude for composition as well as performance and by the mid-1880s he was writing dance pieces including polkas and waltzes. Around the age of twenty Tyers secured employment as a music librarian and arranger with a touring concert company a position that brought him to Europe where he studied orchestration and arranging with Professor Gaspari in Hamburg.<br /> <br /> Returning to New York Tyers became active in the city’s rapidly expanding popular music trade working as an arranger and composer for publishers including F. A. Mills and Jos. W. Stern & Co. In 1896 he published “Sambo†a syncopated march sometimes considered to be one of the first instrumental rags.1 “Trocha†also released in the 1980s brought Tyers prominence for his ability to write Latin-style rhythms. It was re-issued in 1913 as a tango and its success led Tyers to work as an arranger with Joseph W. Stern in 1897.<br /> <br /> Tyers’ compositions blended contemporary American dance music with Caribbean and Latin themes a style reflected in pieces such as Trocha and later in his well-known ragtime composition Panama 1911 which remained a staple of early jazz and dance orchestras. OCLC finds two copies with different entries at the Cleveland Public Library and the British Museum Reference Collections. <br /> <br /> 1 “William Tyers Music Arranger†African American Registry https://aaregistry.org/story/william-tyers-born/ accessed March 10 2026. Jos. W. Stern & Co unknown
189326050Paris Victor Retaux et Fils 1893 In-8 451 pp, quelques illustrations in et hors texte, exemplaire non coupé, fils du brochage sectionnés , rousseurs sur la couverture
1893R119893Paris, Victor Retaux 1893 [iv] + 451pp. avec illustrations dans le texte + 2 planches dépliantes (dont une carte), dédicacé par l'auteur, reliure cart. solide moderne, dos en toile bleue avec titre doré, 24cm., bon état, poids: 1.2 kg., R119893
1860WRCAM48522Antigua but actually Philadelphia: R.B. Eldridge & Co. 1860. Lithographic sheet map 20 1/2 x 26 1/2 inches. Backed with contemporary blue paper. Light foxing and toning. A few small tears in margins. Very good. An unusual lithographic edition of Norie's 1827 revision of this handsome chart lithographed by Wagner & McGuigan in Philadelphia. A statement in the cartouche reads: "Presented by R.B. Eldridge Antigua to Captain Andrew Tyler." The captain's name is accomplished in manuscript. R.B. Eldridge is not listed in Tooley's DICTIONARY OF MAPMAKERS and appears to be unrelated to publisher of charts George Eldridge. It seems most likely that he was rather an Antigua merchant who commissioned a reprint of the chart for complimentary distribution to sea captains. A handsome piece. R.B. Eldridge & Co. unknown books
188821740London, Longmans, Green, and Co., 1888. 8to. With illustrations engraved on wood by G. Pearson after drawings by the author. VIII, 328 p. Paperboard with cover illustration. Binding rubbed and bumped. Hinge a bit loose. 3 stamps of a library on the preliminaries.
182728809ABFrankfurt a.M., Heinrich Wilmans, 1827. Kl.-8°. (4) 236 S. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 1. Jg. 4. Bändchen. (bestossen und angestaubt, Umschlagdeckel mit Fehlstelle und kleinem Bibliothekskleber).
182728809AB1. Jg. 4. Bändchen. Frankfurt a.M., Heinrich Wilmans, 1827. Kl.-8°. (4) 236 S. Orig.-Broschur (bestossen und angestaubt, Umschlagdeckel mit Fehlstelle und kleinem Bibliothekskleber).
181814917Gide fils Paris 1818 2 vol. 2 vol. in-8 de VIII 406 pp. et 2 ff.n.ch. 390 pp., plein bradel papier ancien, dos lisse, pièces de titre.
182918501829 Imprimerie Royale, Paris, 1829. In-8 demi-veau. xii, 608 pages. Traduit de l'Espagnol. Supplément sur les "Courants de l'Océan Atlantique"
1890231711890. Stereoview archive of the post-emancipation Caribbean showing how the islands were marketed to western viewers through plantation labor export agriculture civic spectacle and catastrophe. As a group these photos function not only as an ethnographic travel archive but as evidence of the visual economy that followed slavery. The British West Indies moved through emancipation in 1834 to 1838 the French Caribbean in 1848 Puerto Rico in 1873 and Cuba in 1886 yet plantation production remained central to regional life well into the early twentieth century. These stereoviews preserve a colonial way of seeing in which Black and Afro-Caribbean labor rural discipline and extractive agriculture remained the background condition of "tropical" beauty and commercial modernity. Cuba's sugar economy in particular expanded through the nineteenth century and slavery was not abolished there until 1886 while Weyler's later reconcentration policy during the Cuban War of Independence violently reorganized rural life. Martinique after 1848 likewise shifted into new labor regimes including imported workers from India and China.<br /> <br /> Archive of 11 stereoview cards late 1890s to early 1900s depicting Cuba Jamaica Martinique Puerto Rico and the Dominican Republic. Most black and white with a few colorized. Each measure 3.5" x 7". All with captions on the margins. "Reconcentrado Farming Scene Province of Havana Cuba" links agricultural production to the brutal displacements of Spain's reconcentration campaign; "Cutting sugar cane Montego Bay Jamaica W.I." records cane labor in a colony where emancipation had not ended plantation dependency; and "Harvesting Coconuts Porto Rico" likewise frames Caribbean land through export work rather than local life. Other views extend that economic framing through cacao and coffee scenes while the paired Havana cards shift into urban leisure and public display including "Beautiful Central Park Havana Cuba" and "Holiday in Havana Cuba" the latter with both Cuban and American flags visible a telling image of the new imperial order after 1898. The disaster views from Martinique and the Lesser Antilles show how stereoview publishers also turned Caribbean destruction into consumable spectacle. the Morne Rouge card is accompanied on the reverse by the grim printed text "Dead bodies which were to be seen in Morne Rouge." while the wider context is the 1902 eruptions of Mount Pelée in Martinique and La Soufrière on Saint Vincent two catastrophes that killed roughly 30000 and 1600 people respectively and devastated local communities and agriculture.<br /> <br /> Some corner wear light toning scattered surface and edge wear. Overall very good condition. This collection gives direct visual representation of Caribbean history Atlantic slavery and emancipation plantation labor and U.S. imperial expansion in the circum-Caribbean preserving the transition from slavery to post-abolition labor. unknown
181915556Pillet ainé Paris 1819 2 vol. 2 tomes en un vol. in-8 de XV 416 pp. et 2 ff.n.ch. 350 pp. 1 f.n.ch. (errata), demi-veau de l'époque, dos lisse orné, tranches marbrées (coiffes restaurées).
185313173Firmin Didot frères Paris 1853 2 vol. 2 vol. grand in-8 de VI 660 pp. et VI 613 pp. 1 f.n.ch. (errata); demi-basane de l'époque, dos lisse fileté.
1898List2965United States and Caribbean 1898. Approximately twenty-nine pieces: logbook of eighty-four double-sided pages measuring 13 x 20 inches; eight letters seventeen documents and forms and three pieces of miscellany. Much wear and significant damage to logbook including water damage mildew and tearing; log book overall fair to good minus. Other materials good to very good. Overall good. William Higgins 1791–1872 was a farmer sea captain and owner of and investor in ships from Bowdoinham Maine. According to the Maine Maritime Museum which holds his family papers Higgins’ ships traded mainly in lumber which they took from Wilmington North Carolina to the Caribbean.<br /> <br /> Offered here is a logbook recording the travels of several of Higgins’ ships particularly the brigs Mary Jane and Llewellyn alongside related documents and personal letters. The logbook dating between 1832 and 1836 extensively documents the course wind data and weather remarks for travels of the ships between east coast US port cities and various locations in the Caribbean including Barbados St. Thomas and Martinique. The logbook also contains a copy of astronomer and mathematician Elijah Burritt’s illustration “A Plan of the Solar System Exhibiting its Relative Magnitudes and Distances†engraved by W. G Evans and printed in 1835 by F.J. Huntington.<br /> <br /> The letters and documents date from 1830 to 1867 and are also mostly business-related including an insurance document for the brig William Parrington a roll of sailors enlisted to work on a six-month journey between the Caribbean and the US in 1845 a bill of sale for ¼ stake in the brig Mary Jane and receipts and logs for items including various liquors sugar molasses casks and so on. One letter from a young man in Wilmington requests advice on how to start his own business in the style of Higgins’; other letters concern family matters. One interesting undated document is a writ addressed to the Marshal of the District of Maine concerning a lawsuit filed against Higgins and Rufus Carr master of the William Parrington by Zachrisson Nelson Co. The suit alleged that Carr acting as an agent for the ship’s owners that is Higgins had agreed to an affreightment involving shipping from Jamaica to Spain to New York but had then “wholly neglected and refused to do soâ€.<br /> <br /> Of interest to scholars of maritime history and trade in the mid-19th century. unknown
18290005575Boston: Bowles and Dearborn 1829. First edition. Hardcover. Good. Octavo xv 256pp. original quarter linen & boards untrimmed 250mm x 145mm chipped paper label on spine shaken inked name on free endpaper needs some resewing. <br/><br/>Rev. Abbot went to Cuba to restore his fragile health. This eloquent Harvard graduate then traversed a thousand miles on horseback through Sumidero and Lemonal Matanzas a week in Havana etc. "The pictures he has given are of things which were immediately before him as exact in circumstances and as true to the life as his pencil could pourtray; and the statement of facts is correct according to his convictions - Preface." Sabin 14; Palau 519; Shaw & Shoemaker 37345. Abbot died on his return trip before reaching his Massachusetts home. Bowles and Dearborn hardcover
1892118742Couverture souple. Numéro complet. 8 pages. 30 x 45 cm.
1853604771853. London: Printed by W. Clowes and Sons 1853. London: Printed by W. Clowes and Sons 1853. The First Compilation of the Laws of St. Lucia Saint Lucia. Laws at Present in Force in the Island of St. Lucia. London: Printed by W. Clowes and Sons 1853. vi 388 pp. Octavo 9-1/2" x 6". Contemporary calf with early rebacking red and black lettering pieces and small paper location label to spine upper lettering piece and endpapers renewed. Moderate rubbing to extremities some scuffing and edgewear to boards gilt red and black lettering pieces light toning to text internally clean. Ex-library. Old shelf label at head of spine small embossed stamps to boards inkstamps to title page. A solid copy of a scarce title. $450. With index and side-notes. Saint Lucia was discovered by Columbus in 1502. The first group of colonists from England were massacred by the Caribs but the French succeeded in colonizing the island in 1642. It passed between France and Great Britain a number of times and became a British possession in 1803. It became independent and joined the Commonwealth in 1979. As one would suspect traces of French law remain in the island's legal system. OCLC locates 9 copies in North America. Sweet & Maxwell A Legal Bibliography of the British Commonwealth 7:341. unknown books
1853604771853. London: Printed by W. Clowes and Sons 1853. London: Printed by W. Clowes and Sons 1853. The First Compilation of the Laws of St. Lucia Saint Lucia. Laws at Present in Force in the Island of St. Lucia. London: Printed by W. Clowes and Sons 1853. vi 388 pp. Octavo 9-1/2" x 6". Contemporary calf with early rebacking red and black lettering pieces and small paper location label to spine upper lettering piece and endpapers renewed. Moderate rubbing to extremities some scuffing and edgewear to boards gilt red and black lettering pieces light toning to text internally clean. Ex-library. Old shelf label at head of spine small embossed stamps to boards inkstamp Bibliothek des Reichsgerichts to title page. A solid copy of a scarce title. $450. With index and side-notes. Saint Lucia was discovered by Columbus in 1502. The first group of colonists from England were massacred by the Caribs but the French succeeded in colonizing the island in 1642. It passed between France and Great Britain a number of times and became a British possession in 1803. It became independent and joined the Commonwealth in 1979. As one would suspect traces of French law remain in the island's legal system. The Reichsgerichtsbibliothek Imperial Court of Justice Library was at its peak Germany's largest and most important law library with 170000 works in its collection before the outbreak of the First World War. OCLC locates 9 copies in North America. Sweet & Maxwell A Legal Bibliography of the British Commonwealth 7:341. unknown
187623335Paris Plon 1876 In-12 ouvrage orné de 10 gravures d'après photo, débroché, dos cassé, à relier 326 pp, mérite une reliure au vu du peu d'ouvrages ancien qui existent sur ce pays