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19013191Havana 1901. About very good. Broadside 12.5 x 9 inches. Light wear and soiling. Backed with tissue. Broadside outlining the celebrations planned for the adoption of the Cuban Constitution of 1901 following the eviction of both Spain and the United States from the country. Four days of celebrations were planned for May 19 20 21 and 22. Events including the singing of the National Anthem orchestral concerts fireworks dancing and other diversions. We find no record of this broadside in OCLC. An ephemeral piece commemorating Cuban independence. unknown
193250120Santiago de Cuba 1932. A unique album of 19 leaves of heavy black stock 7 x 5 1/2 inches with 67 mounted b&w silver photographs of varying sizes 1 3/4 x 2 1/2 inches - 3 1/2 x 5 7/8 inches all captioned in white ink. The album is titled and decorated in gilt on the upper cover "PHOTOGRAPHS: SOUVENIR OF SANTIAGO CUBA and tied with a cloth lace. Very good. An earthquake of 6.7 magnitude struck the city of Santiago de Cuba at dawn on 3 February 1932. Over half the buildings were destroyed or damaged and reports of the deaths range to 1500. These photographs show the destruction to the commercial and residential buildings and the Cathedral and the tents set up as temporary shelters. A few of the photographs were made by local commercial photographers just after the quake and the remainder within days. All captions in Spanish. <br/><br/> hardcover books
1910WRCAM55308Havana: American Photo Co. 1910. Panoramic photograph image 7 1/4 x 47 1/4 inches on sheet 10 x 49 inches. Printed caption title below image. Publisher and date written in negative at lower right corner; in the lower left corner is written: "#5 2d Regiment U.S. Atlantic Fleet Deer Point Camp Guantanamo Bay Feb. 13 1910. 'Minnesota' 'New Hampshire' 'Mississippi' 'Idaho.'" "Printed in Germany" printed below image at lower left. Some light soiling minor fading to right side of photo some rumpling from previous rolling. Very good. An impressive view of sailors and marines from the United States' Atlantic Fleet assembled on the parade grounds of Deer Point Camp Guantanamo Bay. Well over five hundred officers seamen and marines are in formation with encampments on both sides of the grounds. In the background looking out into the harbor nineteen ships are visible in the water including the four listed on the photo: MINNESOTA NEW HAMPSHIRE MISSISSIPPI and IDAHO. One camp building with a wide veranda is behind and to the left of the sailors. <br> <br> U.S. forces with their Cuban allies first occupied Guantanamo Bay in 1898 during the Spanish American War creating a forward- operating base in their effort to wrest Spanish control of the island. In 1903 the U.S. leased forty-five square miles of land and water at Guantanamo Bay from the newly- independent Cuban government and built the Deer Point Camp to support naval operations in the Caribbean. The American facilities at Guantanamo Bay are in use to this day. The American Photo Company advertised itself as "the best equipped commercial photographers in Cuba." It established a commercial network in Havana that distributed images of Cuba on a worldwide scale. <br> <br> This photo is rare. We found no records of it at auction and no copies in OCLC however the Naval History and Heritage Command lists a copy in their collections. "US Naval Station Guantanamo Bay Cuba" UA 571.45 copy of this image Washington Navy Yard D.C.: Naval History and Heritage Command Naval Heritage Foundation accessed online. American Photo Co. unknown books
19036457V.p. 1903. 36 postcards all completed in manuscript generally very good or better with some wear and rounded corners. <br /> <br /> A fascinating assemblage of cards written by Pre-Castro intellectuals to a Maria de Serra though a few are written to other women. It is difficult to pin down de Serra though we do know she was highly educated and very well-known and connected. It makes sense to us that she is perhaps the Maria de Serra mentioned by William Wells Brown in his important work The Rising Son or the Antecedents and advancement of the Colored Race 1874. On pg 260 Brown writes:<br /> <br /> "The free blacks in Cuba form an important element in her population and these people are found in all the professions and trades. .one of the best young ladies' academies at present existing at Havana is personally conducted by an accomplished negro woman Maria de Serra to whom many a lady of high rank owes her social and intellectual accomplishments."<br /> <br /> Further research may be fruitful in retrieving more information on this Maria de Serra.<br /> <br /> It goes without saying that the sentiments and signatures are the most appealing part of this collection. Many of the cards appear to contain original verse and all are quite legible and well preserved. Equally as lovely are the cards themselves many being of exceptional beauty as they were all chosen by artists and intellectuals. All in all a remarkable set worthy of further research. The correspondents are as follows:<br /> <br /> <br /> Diego Vicente Tejera; one of the most famous turn-of-the-century Cuban poets but also known as a short story writer orator and political activists.<br /> <p><br /> Nestor Cargonell; famous poet and writer. His son went on to become a Hollywood star.</p> <br /> <p>Conde Kostia pseudonym of Aniceto Valdivia; writer journalist poet critic lecturer dramatist founder of newspapers and Cuban diplomat.</p> <br /> <p>Rafael Maria Merchain; very influential poet and philosopher</p> <br /> <p>Enrique Fontanills; very prominent Cuban journalist.</p> <br /> <p>Florimel: great Cuban journalist writer and poet who died early in life.</p> <br /> <p>Manuel Raul Blanco Belmonte; Cuban poet.</p> <br /> <p>Ramon Meza; One of the most important Cuban writers of his time. Many of his books are considered classics and remain in print.</p> <br /> <p>Aurelio Cancio; Cuban journalist who founded "La Discusion" newspaper.</p> <br /> <p>Manuel Serafin Pichardo; one of the most popular Cuban poet of the 1900s.</p> <br /> <p>Frederico Mendes Cobos; a Cuban politician who became a a senator in 1902.</p> <br /> <p>Juan Maria Alberti: influential Cuban politician.</p> <br /> <p>Manuel Marquez Sterling; fine writer and politician.</p> <br /> <p>Jose Manuel Govin; journalist and director of the popular newspaper "El Munto"</p> <br /> <p>Cesar Cancio; Very popular Cuban poet born in St Spiritus.</p> <br /> <p>Pablo Bonachea; great Cuban journalist and director of "La Discussion" newspaper for one year.</p> <br /> <p>Jose Ernesto Trian; Cuban writer with political connections. Was ambassador to Venezuela.</p> <br /> <p>Manuel Tierso; Romantic Cuban poet</p> <br /> <p>Alvaro de la Iglesia. revered Cuban writer who penned the great "Cuban Traditions"</p> <br /> <p>Frederico Ledesma Balsunde: journalist and editor at "El Lucero."</p> <br /> <p>Fabio Fiallo; a leading Dominican writer poet and politician. He died in Cuba.</p> <br /> <p>Dulce Maria Borrero de Lujan; the most important Cuban woman writer and poet of her time.</p> <br /> <p>Frederico Hermida; author of any Cuban novels in the 1900s.</p> <br /> <p>Mariana Comas; Cuban essayist</p> <br /> <p>Joaquin Lopez Sena; renown Cuban poet and a politician from the 1900s to the 1920s.</p> <br /> <p>Eliseo Giberga; a very powerful and influential Cuban politician of the early 1900s.</p> <br /> <p>Manuek Coronado; an important Cuban journalist.</p> <br /> <p>Antonio San Miguel; Cuban writer and journalist.</p> <br /> <p>Pablo Santi Rois; Poet and respected journalist.</p> <br /> <p>Armando Celorio; One of the finest Cuban poets.</p> <br /> <p>Jose Maria Carbonell; famous Cuban poet and writer.</p> <br /> <p>Marcos Trazivark; famous Cuban writer and Musician.</p> <br /> <p>Esteban Joven; Cuban writer poet and essayist.</p> <br /> <p>Narciso de Puso; famous poet well entrenched in Cuban high society.</p> <br /> <p>Eduardo Mencis Capote; Cuban journalist popular among the elite.</p> <br /> <p>Lorenzo Frau Marsal; respected Cuban journalist</p> <br /> . unknown
197488452Havana: Casa de las Americas 1974. First Edition. First Impression one of 18000 copies. Narrow octavo 22.75cm; original pictorial card wrappers; 67-4293pp; illus.; text is entirely in Spanish. Inscribed by Guillen on the title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Márquez / con el fraternal cariño de Nicolas / La Habana Feb. 74." Signed directly beneath by an unknown figure and below that by Afro-Cuban poet and journalist Marcelino Arozarena 1912-1996. The opposing page is inscribed for Márquez in verse with a small drawing by an undetermined poet signed "David Feb.74." The verso of the half-title page is warmly inscribed by Cuban poet and critic Nancy Morejón who has written the foreword to this volume: "Para mi queridísimo Roberto Marquez / la admiracion y el cariño immenso de Nancy / La Habana / 19 de feb. de 1974." Directly beneath this is another warm year of publication inscription by an underemined individual. This volume has been extensively marked-up by Márquez whose contribution "Introducción a Guillén" appears on pp.127-138. Some wear to extremities a few nicks and tears to spine ends with some creases to wrappers; Very Good. <br /> <br /> A key volume of critical texts on Guillén 1902-1989 the national poet of Cuba by many of his contemporaries like Mirta Aguirre Angel Augier Roberto Fernández Retamar Nancy Morejón Alejo Carpentier Pablo Neruda Ciro Alegría and others. This copy bears a number of contemporary inscriptions to Márquez a Guillén scholar who has written extensively on his work and has translated several of the poet's works faithfully from Spanish into English. 88452. Casa de las Americas unknown
1908ZB573260Habana: Rambla y Bouza printers last two volumes with libreria 1908-1919. 40 volumes all issued; text browning especially at margins needs rebinding. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Habana: Rambla y Bouza, printers last two volumes with libreria unknown
1930RF 565<p><b><i>17 original photos from La Habana.</i></b><br /></p><p>8vo. 17 photographs from Havana. Photographs are 17.5 cm x 12.5 cm.</p><p>Each photograph bears an ink handwritten description across the top: Prado & Morro Castle; Havana Skyline; Prado & Capitol; Residential Palace; El Morro no inscription; Race Track Havana; Prado from the Capitol; Prado from the Capitol another view Maine Monument; Capitol Grounds; Tropical Beer Garden; Main Monument & National Hotel Havana; Race Track another view; National Theatre and Capitol. Set of photographs of Havana from the 1920s 1930s. The inscriptions on each photograph are in English. Unidentified photographer. Interesting Cuban photographici conography. O02G000074 RF 565 X99X001603</p>
1940442581940. Very good with some foxing soiling to the edges and some fading at the corners. 1 sheet. 9 1/4 inches by 50 inches. Mounted to card stock. Built in 1939 to resemble an old Spanish fortress and now part of a UNESCO World Heritage site the Police headquarters and the Radio Patrol had just been outfitted with the latest two-way FM radio system when this image was taken. This new communication technology only adopted by its first police department the Connecticut State Police that same year was invented by an American radio engineer Fred Link 1905-1998 who appears as the white clad figure at the center of this panorama of the fortress fronted by dozens of police cars and officers. Signed by six important Cuban officials including President Federico Laredo Brú 1875-1946 and police chief Bernardo Garcia who has warmly inscribed it Garcia would be ousted by Batista who became president in October less than a year later. Dated Havana 18 June 1940. The picture had hung in Link's office See Dan Bishop "Fred M. Link Goodwill Ambassador" in Proceedings of the Radio Club of America 72:3 Fall 1998 pages 8-13. Original frame available. unknown books
195534840Havana Cuba: The Tropicana circa 1955. 4 volumes. Original Printing. Original velour cover illustrated by hand using the technique of collage in yellow green blue pink and black and illustrated throughout with photographs designs and decorations the three brochures also in colour. Large 4to 28 x 23 cm Original velour with collage decorations to the cover the brochures of paper over board all coloured. 24 pages with numerous illustrations and 2 hand-made excerpts that allow a view of the following page. The large format brochure also includes: 1. 'Our Night at Tropicana. Havana's Fabulous Night Club & Casino' illustrated folder to insert a photograph here without photo. 2. The same with an original photograph of a party hand-dated 'Marzo 1962' and inscribed 'Boda de Cora y Vicente' with the names of the guests. The envelope is rubbed a bit. 3. The same in a different design with a photograph showing a lady in an evening dress. Her companion has been cropped from the photograph. Two additional postcards are provided here one showing the poolo of the Cabana Sun Club the other shows Calle Obispo in Havana in an older photograph. A fine copy of the 'This is Tropicana' cover and contents the brochures with a bit of age or evidence of use. VERY SCARCE. A beautiful collection from one of the most famous nightclubs of the 1950's. In 1950 Martin Fox bought Villa Mina and commissioned architect Max E. Borges to carry out the spectacular renovation with parabolic concrete arches and glass walls to roof the stage. On March 15 1952 the new Arcos de Cristal cabaret building was opened. Artists who performed at the Tropicana included star such as Nat King Cole and Josephine Baker and visitors included Edith Piaf Ernest Hemingway Jimmy Durante and Marlon Brando. Shortly after the revolution in 1959 the Tropicana like other casinos and nightclubs was nationalized. The Tropicana unknown
19316190Havana 1931. Very good. 150pp. Stiff black cloth covers printed paper label on front board. Front cover vertically creased light wear to boards; remnants of glassine stuck to covers. Contemporary inscription on front flyleaf. Internally clean. In a custom clamshell box. First edition of the first Cuban cook book published in English. Blanche Zacharie de Baralt 1865-1950 was born in New York; she married Luis Alejandro Baralt y Peoli in 1886 and the couple moved to his native Cuba in 1900. She earned a PhD in philosophy from the University of Havana in 1902 and went on to translate the poetry of Tagore and to write a book on Jose Marti. She also published this volume which was clearly geared toward the tourist market with the introduction emphasizing the idea of taking home the tastes of one's holiday abroad. Each chapter heading has an illustration and these were drawn by Federico Edelmann and Conrad W. Massaguer the one above the section for beans appears to show a cowboy riding along in a cloud of gas. Notably this work contains several important Cuban cocktails including the first appearance of the mojito referred to here as a Rum Cocktail or Cuban Mojo. Rare in the true first edition. unknown
19085578Havana: Moises V. Codina 1908. Good plus. Seven broadsides each approximately 22 x 7.25 inches plus one double bill measuring about 22 x 15 inches. One broadside printed in red and black. Previously folded. Scattered shallow tears from edges not affecting text with some tape repairs on blank versos. A group of eight playbills spanning eight consecutive days in July 1908 that advertise performances and events at the Gran Teatro Payret in Havana. The theater was built by its namesake Jaoquin Payret in 1877 on a corner across from the Villanueva Railway Station now the Capitolio Nacional de la Habana and initially focused on opera and high-class performing arts to compete directly with other established theaters in the Cuban capital. The building had five floors and a capacity of 2300 but the upper balconies collapsed in 1882 after which the theater changed hands and began to showcase more varied popular offerings.<br /> <br /> These playbills publicize an array of performers including the ballet dancer Millas; a cabaret artist Eline Oreo; a magician and telepath Sidney Richards; Troupe Montrose a group of acrobats an Italian dance troupe Les Casettas; two clowns named Pito and Chocolate; and many others. Notably the programming also includes a heavy rotation of short and feature films such as La Electricidad Liquida 1907; El Inagarrables Pick Pocket 1908; Victima de la Ciencia 1907; En Chine: Voyage sur le Canal Impérial 1908; and Venganza del Dervich 1907. The playbill for Thursday July 16 with its headline and date in red proclaims the debut of Trouppe Merodia a seven-person group of acrobats and cyclists as well as the Cuban premiere of a film titled La Caza de Oso The Bear Hunt.<br /> <br /> The theater was closed by hurricane damage in 1926 but reopened as a cinema in 1935 and in the following years became known as the "Cathedral of Spanish Cinema." The building again fell into disuse and disrepair in the decades following the Cuban Revolution but was restored in 2008. A very interesting group that gives a great sense of day-to-day operations at one of Cuba's most important and historic theaters. Moises V. Codina unknown
1906List3021La Habana Province Republic of Cuba 1906. Twenty-two photographs measuring 7 ¼ x 9 ½ inches mounted on heavy cardstock measuring 10 x 12 inches. Photos numbered and dated on negative. In album embossed with “Havana Central Railroad Co./ Progress Photographs/ GUANAJAYâ€. Photos with fine contrast and some wear; mounts with minor damage slightly warped with some detached from binding. Overall excellent. Havana Central Railroad Company was an American company formed in April 1905. It opened two electric tram lines—Havana to Guanajay in 1906 and Havana to Güines in 1907—before it was bought by the English company United Railways following the Panic of 1907. Offered here is a photo album showing the construction of the Guanajay line. The photographs show laborers assisted by horse-drawn carts digging culverts laying tracks and erecting bridges and buildings.<br /> <br /> This project came on the heels of the successful efforts of the Cuba Company another railroad company to make the emerging Cuban Republic amenable to American business.They did so first by using ‘revocable permits’ which could ostensibly be revoked by the new government when it was formed to circumvent the Foraker Amendment prohibiting concessions to American companies by the US’s military government; and second by using their close relationships to several members of the Cuban Constitutional Convention to include a law allowing irrevocable permits.1 These along with the Platt Amendment and Governor Leonard Wood’s General Railway Law led to what would amount to domination by US interests in Cuba particularly but not exclusively in the railroad industry.2<br /> <br /> Of interest to scholars of the early Republic of Cuba especially the history of US businesses in the country.<br /> <br /> 1 Juan C. Santamarina “The Cuba Company and the Expansion of American Business in Cuba 1898–1915†The Business History Review 74 no. 1 Spring 2000: 41–83.<br /> 2 Louis A. Pérez Jr. “Insurrection Intervention and the Transformation of Land Tenure Systems in Cuba 1895–1902†Hispanic American Historical Review 65 no. 2 1985: 229–254. unknown
19153017<p>Portafolio azucarero de la industria azucarera de cuba 1912-1914 primera edicion libreria e imprenta la moderna poesia 1915 esta obra ha sido realizada siendo presidente de la republica de cuba dr mario garcia menocal y secretario de agriculturacomercio y trabajo el general emilio nunez caratulas originalesrestauradasgran libro ilustrado 424 pgs mas graficos libro con peso de 13 librascon 16 cm de largo por 12.5 cm de anchoes una obra super rarade colecciondonde se describen todos los centrales azucareros de cubacon fotos y sus caracteristicas publicada en el ano 1915 por la libreria e imprenta la moderna poesiaes una de las rarezas de la bibliografia cubana</p> Libreria e imprenta la moderna poesia hardcover
19624785Various locations in Cuba Europe and the United States 1962. Very good. 113 leaves of scrapbook cardstock illustrated with 388 photographs chiefly silver gelatin photographs several colored or in color in mounting corners. Most captioned in Spanish. Square folio. Contemporary brown cloth spring-loaded spine front cover stamped "CUBA." Joints split but holding well moderate rubbing and dust-soiling. Light foxing handful of images lacking some images slightly browned or with mild edge wear. An extensively-annotated vernacular family photograph album centering on the German-Cuban Coyula-Moeller family picturing their lives family members travels and more in Cuba the United States Germany and other locations in Europe mainly during the 1920s and '30s. The album was likely compiled by Gerardo Coyula y Moeller who was born in the early-1920s and attended Aloisiuskolleg in Bad Godesberg in the late-1930s. The album includes numerous pictures of Coyula y Moeller as a toddler young man and teenager traveling with his mother and various family members attending school and more with numerous photographs featuring the family and their environs in Cuba and Germany. The caption to a family photograph indicates that the Coyula family were shareholders in the German Club "Club Aleman" in Havana from 1939 to 1960. Other family members identified through the profuse captions include Aunt Merci Aunt Hortensia Uncle Gustavo Estela grandfather Enrique Moeller grandmother Rosa Gelpi and others.<br /> <br /> The album also contains several photographs relating to the Nazi Party in Germany before the war as well as two photographs with captions poignantly noting one young man who would die in a concentration camp in Germany. One of the latter examples pictures a young man named Gerd Wolf with the Spanish caption translated as "Rabbi Fidellis eating bananas - He was with the Resistance and died in the Dachau concentration camp." The Coyula y Moeller family were apparently shareholders in a German casino in Cuba. Notably an antecedent of the family was apparently friends with a German individual who is documented as later helping usher Hitler into power and the album records two additional Nazi individuals who "visited grandfather's house" and "fled to Brazil" to escape the consequences of their war crimes. Yet another family photograph shows a group of adults posed in a garden with the caption reading: "Nuestro amigo: Resulto ser Himmler" "Our friend: turned out to be Himmler". Indeed the image shows the man third from right is clearly Heinrich Himmler.<br /> <br /> In addition to pictures of the family at home in Cuba the album captures them in various locations in Germany mainly Bonn Hamburg and the aforementioned Bad Godesberg. The family also traveled to New York in the United States and Southampton England among other places with several photographs documenting their travels in each location. The album is also replete with identified photographs of a legion of family friends and acquaintances providing ample opportunity for deeper research into the connections within the family but also to the family's larger community. According to a previous owner the album came out of the noted Weber family in Cuba. An exceptional and well-preserved collection presenting the lives of this noted German-Cuban family. unknown
