469 résultats
1331431832.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019797266.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0332601897.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366220837.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1930221561930. This Photo Album captures a series of trips across California Mexico Dominican Republic Cuba Panama and other U.S. and North American travel documents the coastal and cross-border tourist experience of an American social group during the 1930s through the early 1950s.The album records a continuous itinerary of domestic and international travel with dated captions such as "July 19 1938 / On Board S/S Dixie from New Orleans La" situating the group within organized steamship routes linking the United States to Caribbean destinations.<br /> Oblong photograph album measuring approximately 11.5 x 15.25 inches containing 218 silver gelatin photographs mounted on black pages with images ranging from approximately 2.25 x 2.75 inches to 4.5 x 5.5 inches. Photographs are captioned on album pages and occasionally on versos identifying locations and dates. California scenes include Los Angeles Hollywood Olvera Street Pasadena gardens San Diego Balboa Park Mission Beach La Jolla Catalina Island and the Hotel del Coronado with recurring images of beaches coastal views small boats and leisure activities such as bathing and sightseeing. Additional images depict San Francisco landmarks including Alcatraz Island and Muir Woods. Travel beyond the United States includes Tijuana Mexico; Havana Cuba; Santo Domingo Dominican Republic; and Panama City with scenes of street activity ruins courtyards and waterfronts. A sequence from Catalina Island emphasizes seaside recreation while Caribbean and Central American images show plazas tropical vegetation and urban environments including Afro-Caribbean individuals in public spaces. Additional photographs document travel to New Orleans Utah Salt Lake City Nova Scotia and a location labeled "Indian Island."<br /> This album documents patterns of American tourism during the mid-twentieth century when organized travel by rail and steamship enabled access to domestic resorts and international destinations across the Americas. The combination of coastal California imagery with Caribbean and Latin American scenes reflects a broader گردش of leisure travel that emphasized climate landscape and cultural difference within reachable distance of the United States. The presence of consistent captions and chronological markers provides a structured record of travel routes and destinations contributing to research on tourism history visual culture and cross-border movement in the pre-jet era. Light wear to album and photographs with minor handling marks; overall very good condition. A substantial visual record of American travel practices and geographic mobility across the Americas in the mid-twentieth century. unknown
1924184851924. Photograph album 1920s-1930s documenting travel across the American Southwest and Cuba with images capturing landscapes infrastructure and communities during a period of regional development and increased mobility. Early photographs depict desert environments with saguaro cacti and yucca followed by rural farms mission-style buildings and roadside scenes including a family traveling by wagon in Texarkana. One image records the recently constructed Coolidge Dam in Arizona completed between 1924 and 1928 situating the album within contemporary efforts at water management and agricultural expansion in the Southwest. Additional photographs show individuals in domestic and rural settings including an African American man seated outside his home before transitioning to scenes of coastal and subtropical environments. The final portion of the album documents Cuba including street life harbor views with ships and fishing vessels and architectural landmarks such as Morro Castle reflecting the circulation of American travelers in the Caribbean during the interwar period.<br /> <br /> Photograph album containing 69 black and white silver gelatin photographs most measuring approximately 5.75 x 3 inches with one larger earlier portrait at the beginning measuring approximately 9.5 x 6 inches. The images are mounted in a cloth-covered board album with gilt lettering reading "Photographs" secured by a cord binding and measuring approximately 10 x 8.25 inches. The photographs are uncaptioned and arranged sequentially suggesting a travel-based compilation spanning multiple regions including Arizona Texas the Gulf South and Havana Cuba.<br /> <br /> 69 photographs mounted in original album; images clear and well-preserved. Light wear to album consistent with age; overall very good condition. A cohesive visual record of travel and regional life across the American Southwest and Cuba during the early twentieth century. unknown
1938Q988Made by hand 1938-1940. Very good. Cord bound hardcover scrap book 14.5 x 12.5 inches. With ephemera from two trips: the first to Europe Ireland Scotland and France in August 1938 sailing from Boston to Cobh County Cork Ireland aboard the S. S. California ship operated by Anchor Line. 7 leaves of ephemera from Dublin Edinburgh Paris and Reims. Used on both sides the first 5 leaves are split at the gutter because of the fragility of the paper but remain loosely inserted. The second trip chronicled is to Cuba in September-October 1940 with Clyde-Mallory Lines sailing from Miami to Havana aboard the "Shawnee" first class. Ephemera from the trips include luggage tags hotel bills postcards telegrams theater tickets programs menus etc. There's also a guide to Esperanto etc and two unusual but beautiful crepe paper items possibly hats. The original owner's surname has been redacted throughout but was a First-Class traveler from Massachusetts. Nice collection. Shipping for this item will be charged at-cost. <br/><br/> Made by hand hardcover
1890List3666New York: Jos. W. Stern & Co 1890. Folio sheet music illustrated pictorial cover printed in orange. 5 pp. including cover. Approximately 13 ½ x 10 ½ inches. Covers detached loss to front cover contents complete fair to good. A decorative late nineteenth-century dance publication for “Trocha†described on the cover as “A Cuban Dance†composed by the African American composer and bandleader W. H. Tyers. The elaborate pictorial cover incorporates stylized tropical foliage and island scenery rendered in a bold single-color design typical for the period’s fascination with exoticized musical forms. <br /> <br /> William H. Tyers 1870–1924 was an African American composer arranger and bandleader active in New York during the ragtime era. Born in Petersburg Virginia to Henry Tyers and Jane “Jennie†Jones both formerly enslaved he spent part of his youth in Richmond before his family relocated to New York City where he began studying piano. His early teachers recognized an aptitude for composition as well as performance and by the mid-1880s he was writing dance pieces including polkas and waltzes. Around the age of twenty Tyers secured employment as a music librarian and arranger with a touring concert company a position that brought him to Europe where he studied orchestration and arranging with Professor Gaspari in Hamburg.<br /> <br /> Returning to New York Tyers became active in the city’s rapidly expanding popular music trade working as an arranger and composer for publishers including F. A. Mills and Jos. W. Stern & Co. In 1896 he published “Sambo†a syncopated march sometimes considered to be one of the first instrumental rags.1 “Trocha†also released in the 1980s brought Tyers prominence for his ability to write Latin-style rhythms. It was re-issued in 1913 as a tango and its success led Tyers to work as an arranger with Joseph W. Stern in 1897.<br /> <br /> Tyers’ compositions blended contemporary American dance music with Caribbean and Latin themes a style reflected in pieces such as Trocha and later in his well-known ragtime composition Panama 1911 which remained a staple of early jazz and dance orchestras. OCLC finds two copies with different entries at the Cleveland Public Library and the British Museum Reference Collections. <br /> <br /> 1 “William Tyers Music Arranger†African American Registry https://aaregistry.org/story/william-tyers-born/ accessed March 10 2026. Jos. W. Stern & Co unknown
1928249718Havana 1928. 1 page. 8vo. Minor soiling else fine. 1 page. 8vo. Reading in part: "We are charmed with Cuba. Our Eyes rest with delight upon the beauty of Cuba.We cherish the thought that Cuba in her liberty and indepedndence is the vindication of the idealism of the people of the United States." <br/><br/> unknown
188893403Madrid: Manuel Hernandez 1888. First Edition. pamphlet. 27 pages. 8vo original printed wrappers. Madrid: Manuel Hernandez 1888.<br/> <br/> Manuel Hernandez unknown
86083hardcover. 202pp. 8vo modern cloth; orig. wrs. bound in unopened. Madrid: Aurelio Alaria 1881. First Edn.<br/> <br/> unknown
200977690Santa Fe: Radius Books 2009. First edition. 4to. 143 pp. Tiny bump to one lower corner else fine in wrappers in near fine printed cardstock slipcase with a few small spots to the unprinted side. SIGNED by the Webbs on the half-title page. Santa Fe: Radius Books unknown
194059321Havana Cuba: Cuban Tourist Commission ca. 1940. 8vo. 12 pp unpaginated. folds out leporello accordion-style format printed in red blue & black photo illustrations & map on recto large map of Cuba’s Central Highway on verso slight shelfwear NF. First edition of this scarce travel brochure touting the advantages of U.S. tourists to bring their own cars and travel over the Carretera Central which ran the entire length of the Island from Pinar del Rio to Santiago de Cuba over 700 miles. The highway construction launched in may 1927 and when finished proved very popular as a means to see the island. Tourists could bring their own cars from Tampa Miami or Key West on a ferryboat and travel through Cuba. No copies in Worldcat. Cuban Tourist Commission, unknown
193250120Santiago de Cuba 1932. A unique album of 19 leaves of heavy black stock 7 x 5 1/2 inches with 67 mounted b&w silver photographs of varying sizes 1 3/4 x 2 1/2 inches - 3 1/2 x 5 7/8 inches all captioned in white ink. The album is titled and decorated in gilt on the upper cover "PHOTOGRAPHS: SOUVENIR OF SANTIAGO CUBA and tied with a cloth lace. Very good. An earthquake of 6.7 magnitude struck the city of Santiago de Cuba at dawn on 3 February 1932. Over half the buildings were destroyed or damaged and reports of the deaths range to 1500. These photographs show the destruction to the commercial and residential buildings and the Cathedral and the tents set up as temporary shelters. A few of the photographs were made by local commercial photographers just after the quake and the remainder within days. All captions in Spanish. unknown
200488456Buffalo NY: White Pine Press 2004. First Edition. First Printing. Small quarto 25.5cm; original glossy pictorial card wrappers; 910-1155pp; illus.; with parallel text in English and in Spanish. Inscribed by Morejon on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez and his wife: "Para Maddie y Roberto y los nenes que ya no lo son / Su negra / Nancy Morejon / 10/10/10." Hint of sunning to spine tiny crease to upper right corner of front wrapper; Near Fine. <br /> <br /> Collection of verse by the noted Afro-Cuban poet written between the summers of 1986-87 pairing her poems prose poems and vignettes with photos by Milton Rogovin. A nice inscription connecting two prominent Caribbean literary figures. 88456. White Pine Press unknown
1915224781915. Polk George Washington Jr. Havana and rural Cuba photo archive 1915 documents Cuba through the viewpoint of an American military traveler during the Platt Amendment era when U.S. power shaped Cuban sovereignty port security naval access and commercial movement. The photographs record ships in Havana Harbor coastal fortifications rural dwellings Cuban farmers agricultural landscapes and colonial plazas providing insight into how U.S. military personnel visually encountered Cuba just before American entry into World War I. The Platt Amendment gave the United States broad authority to intervene in Cuban affairs and required Cuba to lease land for naval stations remaining central to U.S.-Cuba relations until its repeal in 1934; this archive therefore places vernacular travel photography within a larger framework of military oversight and commercial access. <br /> <br /> Polk George Washington Jr. Havana Cuba vernacular photo collection. Havana Cuba: unpublished December 1915. Twenty-eight silver gelatin photographs pasted to album pages with some loose or partially detached ranging from approximately 2 x 2½ inches to 4½ x 3½ inches many with handwritten ink annotations dated December 22 to 29 1915. The images include vessels anchored in Havana Harbor harbor views from on board ship Morro Castle and other coastal fortification views colonial civic plazas local laborers and civilians thatched rural huts or bohíos sugarcane fields and agricultural scenes captioned "Orange Trees & Coconut Palms Near Havana." One photograph is captioned "Cuban Farmer & Son Near Havana Dec 22 1915" giving the archive direct documentary value for rural family life and American observation of Cuban agricultural communities. Other captions identify boats as "U.S.C. 5th Protectors off Havana" and refer to the United Fruit Company steamer Abangarez on the Havana-Colon route; the Abangarez was a United Fruit Company passenger and cargo vessel completed in 1909 and later brought under United States registry during World War I.<br /> <br /> The photographs combine military commercial and rural subjects in a compact record of U.S.-Cuban contact. Polk's annotations and the repeated Potchernick-Birdsong Co. Kodak Place San Antonio Texas stamps on versos indicate that the images were developed in the United States after the trip or sent home for processing preserving the path by which overseas military travel became a personal photographic record. Polk's later military service is supported by burial and veterans' records identifying George Washington Polk Jr. as born May 13 1889 died July 27 1976 and buried at Fort Rosecrans National Cemetery; the supplied description identifies him as later a Colonel in the U.S. Army Air Corps and instructor in the early U.S. Air Force. Most photographs lightly pasted along one edge to scrapbook leaves with some detached or partially affixed; a few corner creases otherwise sharp images with strong contrast good to very good overall. Focused 1915 Cuba archive linking Havana Harbor rural Cuban labor vernacular architecture United Fruit maritime movement and American military observation during the U.S. protectorate period. unknown
18560006868New York: D. Appleton 1856. First edition. Hardcover. fine. 12mo xii 412 pages original light brown embossed cloth. <br/><br/>These observations are related in a series of 61 letters. These were originally composed in Spanish then translated into English by Joseito. "I have thereby been enabled to impart entirely new data and reliable information instead of merely copying from books already known. . I applied myself to natives who besides an intimate knowledge of affairs in general possessed a sound judgment and an investigating disposition. It has beeen indeed a very happy incident to have found them. . That part of my work which treats on judicial matters and the secrets of the management of the tribunals will especially attract the attention of my readers. - Introductory Letter." Sabin 17816; Treiles BIBLIO. CUBANA vo. 4 p.17. D. Appleton hardcover
197232549Moscow: ИздательÑтво ЦК ВЛКСМ ÐœÐ¾Ð»Ð¾Ð´Ð°Ñ Ð³Ð²Ð°Ñ€Ð´Ð¸Ñ 1972. First Edition. Octavo. Cloth-backed pictorial paper-covered boards; 348 3pp; portraits plates. Slight external rubbing and shelfwear; corners nudged; still a solid Very Good copy. Apparently the first full-length Soviet biography of the Argentinian revolutionary martyr and hero of the Cuban Revolution well-illustrated with photographic portraits and plates. <br /> <br /> According to Costa Rican investigative journalist Marjorie Ross "Lavretsky" was a pseudonym for Soviet master-spy Iosif Grigulevich who got his start as a hired hit-man against Trotskyist and Anarchist factions in the Spanish Civil War. She pegs him as the never-identied "third man" in the assassination of Leon Trotsky; and during the Cold War posing as an international coffee expert Grigulevich reputedly penetrated the highest levels of government and culture in Costa Rica Chile and Mexico during which time he was also the Kremlin's "handler" for Chilean poet Pablo Neruda and Mexican painter José Siqueiros see Marjorie Ross El secreto encanto de la KGB/ The Secret Charm of the KGB: Las cinco vidas de Iosif Grigulievich/ The Five Lives of Iosif Grigulevich. San José: 2006. <br /> <br /> Apparently an uncommon work at least in Western institutions; OCLC locates just one copy British Library; KVK and European Library Meta Catalog find three more Nat. Lib. Lithuania; BNF; Staatsbibliothek Berlin. ИздательÑтво ЦК ВЛКСМ ÐœÐ¾Ð»Ð¾Ð´Ð°Ñ Ð³Ð²Ð°Ñ€Ð´Ð¸Ñ unknown
1911179415Tokyo.: 楠山正雄. Kusuyama Masao. Meiji 44 1911. Colour folding map 40 x 55cm inset maps showing the Philippines Alaska and Hawaii very good copy. This map was a supplement of October 1911 issue of a monthly magazine Shin Nippon 新日本 which was published between 1911 and 1918. The main map covers the contiguous United States with inset maps of the world showing the American territories of Alaska Hawaii and the Philippines. Curiously Cuba has been marked as an American territory having been directly occupied from 1906 to 1909 though at the time still beholden to the 1903 Cuban-American Treaty of Relations. . 楠山正雄. [Kusuyama Masao]. unknown