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2338Gütersloh: Bertelsmann, o. A. 350 Seiten , 22 cm, Leinen
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242 résultats
Very Good English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. Working space: Yildiz Technical University Faculty of Art and Design 2006-2007 Student Projects Exhibition.= Isleyen mekan: Yildiz Teknik Üniversitesi Sanat ve Tasarim Fakültesi 2006-2007 Ögrenci Projeleri Sergisi. [Exhibition catalogue]. Prep. by Zerrin Iren Boynudelik, Orton Akinci, Zeynep Ögel, Begüm Akkoyunlu. Since its inauguration, Pera Museum has been instrumental in promoting young artists and institutions of art education by opening its exhibition floors during the summer months. Comprised of Yildiz University Faculty of Art and Design student projects for the 2006-2007 academic year, the Working Space exhibition and the accompanying catalogue, took us through a field of experience in which students tried to comprehend life through possibilities in art, and introduced the viewer to young art and the problems of art education.
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. Working space: Yildiz Technical University Faculty of Art and Design 2006-2007 Student Projects Exhibition.= Isleyen mekan: Yildiz Teknik Üniversitesi Sanat ve Tasarim Fakültesi 2006-2007 Ögrenci Projeleri Sergisi. [Exhibition catalogue]. Prep. by Zerrin Iren Boynudelik, Orton Akinci, Zeynep Ögel, Begüm Akkoyunlu. Since its inauguration, Pera Museum has been instrumental in promoting young artists and institutions of art education by opening its exhibition floors during the summer months. Comprised of Yildiz University Faculty of Art and Design student projects for the 2006-2007 academic year, the Working Space exhibition and the accompanying catalogue, took us through a field of experience in which students tried to comprehend life through possibilities in art, and introduced the viewer to young art and the problems of art education.
2338Gütersloh: Bertelsmann, o. A. 350 Seiten , 22 cm, Leinen
38067Paris. Plon. 1879. In-12. Demi-Chagrin rouge. 4 nerfs au dos. Titre et fleurons dorés. 326 p. Bon état. Couverture usagée.
Very Good English Paperback. Pbo. 4to. (32 x 22 cm). In Turkish. [ix], 166 p., b/w ills. Old and contemporary piers of Marmara Region. Marmara iskeleleri dokümani.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Ancient Greek, Latin, and Turkish. 206, [6] p., b/w ills. Anaplous Vosporou.= Per Bosporum navigatio.= Deniz yoluyla bogaz. Translated by Erendiz Özbayoglu.
166pp. + 1p. de thèses, 24cm., Thèse de doctorat présentée à la Faculté de droit de l'Université de Lausanne, br.orig. avec 2 petites étiquettes, cachet au verso de la p.d.t., le texte est frais et en bon état, J111956
1938J111956Lausanne, Imp. Held 1938 166pp. + 1p. de thèses, 24cm., Thèse de doctorat présentée à la Faculté de droit de l'Université de Lausanne, br.orig. avec 2 petites étiquettes, cachet au verso de la p.d.t., le texte est frais et en bon état, J111956
New English Original bdg. HC. Large 4to. (33 x 28 cm). In English. 120 p. Color and b/w ills. "The subject of this book is the understanding of the aesthetic message conveyed by the great wooden palaces.The great wooden Turkish dwellings that form the subject of this book have completely vanished, only their history and their memory remain,the visual memories consisting for the most part of engravings in the books and sketches in travel notes. The wooden palaces are presented in this book, not in the form of a sketch to be found in travel books, but rather as architectural drawings in a 1/100 scale, the reconstruction are interpretations, engravings and desseins of European artists.".
New English Original bdg. HC. Oblong 4to. (28 x 33 cm). In Turkish. 120 p., color and b/w ills. Kaybolan kent hayalleri: Osmanli saraylari. ARCHITIECTURE History of art Istanbul Constantinople The Bosphorus Palace Kiosk Yali Turkish architecture.
New English Paperback. Pbo. In special box. Demy 8vo. (22 x 15 cm). In English. 4 volumes set: (231 p.; 120 p.; 207 p.; 167 p.), color and b/w ills., + 2 folding maps). Architectural guide to Istanbul. Vol. 1: Historic Peninsula. Vol. 2: Galata. Vol. 3: Bosphorus & The Asian Side. Vol. 4: Modern & Contemporary. [and] Map: Historical Peninsula & Bosphorus. (4 volumes set and map). The Architectural Guide to Istanbul, prepared as a set of five volume (5th is a big Map of Historic Peninsula & Bosphorus), was considered an effective method to learn Istanbul. All architectural entities, organizations, structures, big and small buildings embracing history and geography, hard realities as well as the most fantastic myths of Istanbul have been analyzed and explored to create a new type of guidebook, different from any already in print. The Architectural Guide to Istanbul, Volume 1, Historic Peninsula contains information about structures with historical and architectural features built before the 1930s and situated within the old city walls, in Eyup-Silahtaraga, Bakirkoy and Yesilkoy as well as informative texts written by specialists of the period and region. The Architectural Guide of Istanbul, Volume 2, Galata contains information about structures with historical and architectural features built before the 1930s and situated in Karakoy, Galata, Pera, Taksim, Tophane, Findikli, Dolapdere, Kasimpasa, Haskoy, Sutluce, Kurtulus, Sisli, Nisantasi, Tesvikiye, Macka, Besiktas-Yildiz, Mecidiyekoy and Ayazaga-Maslak as well as informative texts written by specialists of the period and region. The Architectural Guide of Istanbul, Volume 3, Bosphorus and The Asian Side contains information about structures on the east and west coast of the Bosphorus starting from Pasalimani and Ortakoy and going up to Anadolu and Rumeli Feneri, Uskudar, Kadikoy, the area from Fenerbahce to Bostanci, Buyukada, Heybeliada, Burgazada and Kinaliada as well as informative texts written by specialists of the period and region. The Architectural Guide of Istanbul, Volume 4, Modern and Contemporary contains information about structures with historical and architectural features built after 1930s and situated in the Historic Peninsula, Galata-Pera, Taksim, Sisli, Mecidiyekoy, Levent, Maslak, Bosphorus, Kadikoy, Princes' Islands, Bakirkoy-Yesilkoy, Merter, Ikitelli regions and peripheris like Kurtkoy as well as informative texts written by specialits of the period and region. The books also has 1:10000 city plans with the selected structures marked, black-and-white, documentary and up-to-date photographs, drawings and short explanatory texts of the relevant works of architecture.
New Turkish Paperback. Pbo. In special box. Demy 8vo. (22 x 15 cm). Edition in Turkish. 5 volumes set: (244 p.; 172 p.; 231 p.; 280 p.), 2 folding maps, color and b/w ills. Istanbul mimarlik rehberi. 4+1 volumes set. Vol. 1: Tarihi yarimada. Vol. 2: Galata. Vol. 3: Bogaziçi ve Asya yakasi. Vol. 4: Modern ve çagdas. + Tarihi Yarimada [+] Bogaziçi haritasi [Bosphorus map]. Architectural guide to Istanbul. Vol. 1: Historic Peninsula. Vol. 2: Galata. Vol. 3: Bosphorus & The Asian Side. Vol. 4: Modern & Contemporary. [and] Map: Historical Peninsula & Bosphorus. (4 volumes set and map).
New New English Original bdg. Dust wrapper. Folio. (32 x 24 cm). In Turkish. 232 p., ills. Naks-i Istanbul: Ortaköy Büyük Mecidiye Camii. "He was only 17 when he ascended the throne. However, Sultan Abdülmecid I, who is recalled as the pioneer of modernization trends, father of education reforms, as a matter of fact one of the architects of the Imperial Edict of Reorganization, by his education and rearing, has gone down in history as the individual who has taken the first step to abolish slavery. Istanbul had acquired its most beautiful silhouette by the palaces, manors and mosques that were built during the reign of Sultan Abdülmecid. And among these building, there is one mosque that is the pearl of the Bosphorus, which is ascribed as Naks-i Istanbul (Imprint of Istanbul). The Ortaköy Büyük Mecidiye Mosque, built on an embankment towards the sea, is a waterfront mosque that is as beautiful as a princess, and poses as the most favorite Ottoman heritage of the past and the present. The "Naks-i Istanbul Ortaköy Büyük Mecidiye Camii", where the comprehensive repair and restoration works conducted by Gürsoy Restoration during 2011-2014 are told, has been published by Gürsoy Group Publications under the editorship of Dr. Ahmet Uçar. This work, where the detailed information is provided also on the life, personality and reign of Sultan Abdülmecid I by names who are specialized in their fields, has assumed a very important place in literature.".
New English Paperback. 4to. (27 x 20 cm). In English and Turkish. 238 p., color and b/w ills. Annual of Istanbul Studies.= Istanbul Arastirmalari Yilligi 6 / 2017.
New English Paperback. 4to. (32 x 23 cm). In Judeo-Espagnol (Ladino). 559 p., b/w ills. En tierras ajenas yo me vo murir. Tekstos kontemporanos en Djudeo-Espaniol. Leyenda de una Lingua-Haketia-Kuentos-Memorias-Meliselda-Oki Oki.
Fine Turkish Original cloth bdg. In its publisher's special box. Folio. (34 x 24 cm). In Turkish. 2 volumes set: (1213 p.), ills. Geçmisten günümüze Bogaziçi. 2 volumes set. A comprehensive study on the Bosphorus.
New New English Original bdg. Dust wrapper. Oblong 4to: (24 x 33 cm). In English, Turkish, and Arabic. 192 p. Beykoz through gravures, postcards and photographs.= Gravür, kartpostal ve fotograflarda Beykoz.
New English Paperback. Small 4to. (25 x 21 cm). In French and Turkish. 267, [3] p., color and b/w ills. Entre trois mers: Cartographie Ottomane et Française des Dardanelles et du Bosphore.= Üç denizin arasinda: Osmanli ve Fransiz Bogaz haritalari. [Exhibition catalogue]. Curated by Pascal Lebouteiller. Articles by Jean-Louis Bacque-Grammont, Faruk Bilici, A. M. Celâl Sengör, George Tolias, Catherine Hofmann, Emmanuelle Vagnon et alli. Between three seas: Ottoman and French Cartography from the Dardanelles to the Bosphorus (17th - 19th centuries). The exhibition, "Between Three Seas: Ottoman and French Cartography from then Dardanelles to the Bosphorus (17th ¿ 19th Centuries)" is a collaboration between Arkas Art Center and French Institute for Anatolian Studies. Included in the exhibition are maps of the Dardanelles and the Bosphorus that are lent by the French National Library and French National Archives for the first time and important maps borrowed from archives and collections in Turkey. The exhibition sheds light on the close relationship between the Ottoman and French states over centuries through showing transportation routes by sea, military and armed force settlements, surrounding rural and agricultural areas, geographic and cultural boundaries. The maps of Turkish and French origin offer a comparative perspective on the Bosphorus and the Dardanelles as well as on Ottoman and French cartography. The exhibition also includes pilot charts, military maps, sketches, calculations, drafts and scribbles that reveal the production process of the maps.
Fine English Paperback. Small 4to. (25 x 21 cm). In French and Turkish. 267, [3] p., color and b/w ills. Entre trois mers: Cartographie Ottomane et Française des Dardanelles et du Bosphore.= Üç denizin arasinda: Osmanli ve Fransiz Bogaz haritalari. [Exhibition catalogue]. Curated by Pascal Lebouteiller. Articles by Jean-Louis Bacque-Grammont, Faruk Bilici, A. M. Celâl Sengör, George Tolias, Catherine Hofmann, Emmanuelle Vagnon et alli. Between three seas: Ottoman and French Cartography from the Dardanelles to the Bosphorus (17th - 19th centuries). The exhibition, "Between Three Seas: Ottoman and French Cartography from then Dardanelles to the Bosphorus (17th ¿ 19th Centuries)" is a collaboration between Arkas Art Center and French Institute for Anatolian Studies. Included in the exhibition are maps of the Dardanelles and the Bosphorus that are lent by the French National Library and French National Archives for the first time and important maps borrowed from archives and collections in Turkey. The exhibition sheds light on the close relationship between the Ottoman and French states over centuries through showing transportation routes by sea, military and armed force settlements, surrounding rural and agricultural areas, geographic and cultural boundaries. The maps of Turkish and French origin offer a comparative perspective on the Bosphorus and the Dardanelles as well as on Ottoman and French cartography. The exhibition also includes pilot charts, military maps, sketches, calculations, drafts and scribbles that reveal the production process of the maps.
New English Original bdg. In publisher's special box. Folio. (33 x 29 cm). In English. 2 volumes set: (240 p., 5 unnumbered folded plates on pages; Second volume is a hard-case including two reprint panoramas and one reprint map: First panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu; size 28x336 cm; Second panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu again which is indicating Palace from a different angle; size 28x196 cm; and one map: 'Carta ufwer Orienten Med de Darom kring Grantzande Lander... (Turkey and its around map printed originally in early 18th century), descriptive text surrounding the map, size 65x85 cm. Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes. [BOXED]. Cornelius Loos was one of the young military officers who followed Karl XII to the Ottoman Empire in 1709. From the royal headquarters in what is at present the republic of Moldova, Loos was sent to Istanbul on the King's orders in 1710. From there his journey was pursued by boat over the Mediterranean to Egypt and he returned by land through Jerusalem, Damascus, Aleppo, Konya and Izmir. Loos' mission was to make drawings of the "rarities and monuments" that he would encounter on his journey. Out of the drawings that have survived until today, one is from Palmyra, two from Rhodes and Bodrum and around forty aquarelle tush drawings from Istanbul. It is possible that part of the original drawings were destroyed in the "Skirmish at Bender" in 1713, while other works, due to various reasons, disappeared on their way to Sweden. The conserved drawings are kept at the Swedish National Museum and were exhibited there in 1985. (See catalogue titled "Cornelius Loos. Teckningar från en expedition till Främre Orienten 1719-1711", Stockholm, Nationalmuseum, 1985). The drawings represent a unique record of the urban landscape and the monuments in Istanbul in the early 18th century. The collection includes three great panoramas of the city seen from the Topkapi palace to the upper part of the Golden Horn. To the Loos paintings can be added the great Mecca painting brought to Sweden by Mikael Eneman and kept in the Uppsala University Library, and a small group of oil paintings brought back by Loos' travel companion Conrad Sparre, which are also kept in the art collection of Uppsala University. In addition there are travel accounts and correspondence from these journeys. (From the 'SRII's official site, Karin Adahl's project). "In January 1710 the Swedish king Charles XII, in exile in the Ottoman Empire, sent three of his officers on a journey from the royal camp near Bender in Moldova to travel to Constantinople and from there along the Eastern Mediterranean to Egypt. Their mission was 'to view the there existing rarities and monuments, to draw and to measure'. Cornelius Loos, one of the young officers, returned to his king in 1711 with more than 250 drawings. Only forty-nine, kept under the king's bed, survived a skirmish in the camp in 1713, the so called 'kalabalik' at Bender. King Charles had a vision to publish an encyclopaedic work about the Near East, a dream that was lost in the fire in the camp. The drawings were brought to Sweden when the king returned from the Ottoman Empire in 1714. He died in battle in Norway in 1718. Loos' drawings are unique documents of Constanttinople in the early 18th century, with large scale, detailed panoramas, important prospects of the interior of the Hagia Sophia and views from the Ottoman city. A big map is accompanied by minor drawings from the Black Sea, the Eastern Mediterranean and Egypt, as well as a spectacular set of water-colours of head dresses from the Ottoman world. The Loos collection of drawings is today kept in the National Museum in Stockholm.". Texts by Göran Baarnhielm, Ulla Ehrensvard, Nurhan Atasoy, Günsel Renda, Bo Lundstörm
New New English Original bdg. Dust wrapper. In publisher's special slip-case. 4to. (30 x 24 cm). In Turkish. 401, [17] p., color and b/w ills. Büyük Mecidiye Camii ve Ortaköy. A comprehensive study on Great Mecidiye Mosque and Ortaköy district of Istanbul, Constantinople published for restoration of 'Büyük Mecidiye Mosque'.
New Turkish Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 460 p., ills. Byzantion'dan Constantinopolis'e Istanbul kusatmalari. Istanbul Research Institute presents a collection of papers in its new book. Although it does not discuss each siege that the city has encountered throughout its history of nearly two millennia, Byzantion'dan Constantinopolis'e Istanbul Kusatmalari presents a full view -panopticon- of the ones that sources bring to the forefront. It is a collection of works selected from current literature that takes into consideration the diversity of ancient sources, epigraphical documents, and numismatic finds which have gained more prominence in Ancient and Medieval studies. The book contains research essays written in Turkish and English which not only focus on the forces that have besieged Istanbul (ever since its foundation, the city has been sieged first by its closest neighbors, the Thracians, and later the Hellenes, the Macedonians, Hellenistic kingdoms, the Romans, the Avars, the Sassanids, the Arabs, the Bulgars, the Rus, the Crusaders, and the Ottomans), but also draw attention to political rivalries, sieges triggered by conflicts that resulted in civil wars, and the capital's defense elements.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 360 p., color ills. The lure of the East: British orientalist painting.= Dogu'nun cazibesi: Britanya oryantalist resmi. [Exhibition catalogue]. This exhibition focused on the paintings made by British artists of the 'Orient', primarily during the nineteenth century. In this context the term 'Orient', to Western Europeans, meant those parts of the eastern Mediterranean world which could be accessed relatively easily such as Egypt, Palestine and Turkey, particularly after the development of steamboat and rail travel in the 1830s. In these places, predominantly Muslim and at least nominally under the control of the Ottoman Empire, British artists, such as David Roberts, David Wilkie, William Holman Hunt, John Frederick Lewis and Frederic Leighton, sought to develop imagery which captured what they believed to be characteristic of the people, cities and landscapes of the region. In the 1970s the Palestinian-American academic Edward Said published his treatise on Orientalism, initiating a global debate over Western representations of the Middle East. For many, such representations now appeared to be a sequence of fictions, serving the West's desire for superiority and control over the East. The argument for and against Said's Orientalism has continued for thirty years. Its resonance for an exhibition such as this one, however, is as strong as ever given that, by the 1920s (the end of the period covered by this exhibition), Britain was in direct control of much of the newly abolished Ottoman Empire, including Egypt, Palestine and Iraq. As Said argued, these images cannot be viewed in isolation from their wider political and cultural context. Keeping the debates around Orientalism in mind, "The Lure of the East" focuses on the range of pictorial options open to British artists, within five major themes: portraits, genre, religious and domestic subjects and landscape. British painters came to the Middle East from a culture steeped in technical and compositional artistic traditions. Such traditions were not easily unlearned, despite the apparent difference of the people and places the artists encountered on their travels. Given this, British Orientalist painters found many challenges in attempting to represent the Middle East, but they also found inspiration and, more importantly, the freedom to rework, reinvent and even discard those conventions that defined picture-making in Britain.
New English Original bdg. HC. Oblong large folio. (31 x 45 cm). In English and Turkish. [198] p., color maps, 4 maps in end-pocket. Istanbul PTT Museum Collections map catalog.= Istanbul PTT Müzesi Koleksiyonlari harita katalogu. Prep. by Kenan Bozgeyik, Selahattin Ekinci, Makbule Akyol. 3000 copies were printed. Contents: Catalogue of maps, sketchs and graphics.; Maps: Ottoman era: Turkish (Old script), Foreign languuage.; Turkish Republic era: Postal maps, road maps, maps of medical department, maps of civilian administration.; Plans and schemas.; Statistical maps.; Graphics.; Military maps: Anatolia, Rumelia, Outside of Turkey.; Additional.; Today PTT [Turkish Post Office].
New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In Turkish. 528 p., b/w ills. Osmanli belgelerinde Beykoz. Beykoz (Beicos) based on the Ottoman archival documents. A very heavy volume.