Bosphore

242 résultats

Trier parTitre Z - A

Pertinence Auteur A - Z Auteur Z - A Titre A - Z Titre Z - A Prix croissant Prix décroissant Libraire A - Z Libraire Z - A

Par page25

25 50 100

Filtres

Text by HILMI TÜRKMEN.MareMagnum

Üsküdar in engravings.= Gravürlerde Üsküdar.

Edited by NICHOLAS TROMANS, R. BARIS KIBRIS, GÖKÇE GÜNGÖR.MareMagnum

The lure of the East: British orientalist painting.= Dogu'nun cazibesi: Britanya oryantalist resmi. [Exhibition catalogue].

New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 360 p., color ills. The lure of the East: British orientalist painting.= Dogu'nun cazibesi: Britanya oryantalist resmi. [Exhibition catalogue]. This exhibition focused on the paintings made by British artists of the 'Orient', primarily during the nineteenth century. In this context the term 'Orient', to Western Europeans, meant those parts of the eastern Mediterranean world which could be accessed relatively easily such as Egypt, Palestine and Turkey, particularly after the development of steamboat and rail travel in the 1830s. In these places, predominantly Muslim and at least nominally under the control of the Ottoman Empire, British artists, such as David Roberts, David Wilkie, William Holman Hunt, John Frederick Lewis and Frederic Leighton, sought to develop imagery which captured what they believed to be characteristic of the people, cities and landscapes of the region. In the 1970s the Palestinian-American academic Edward Said published his treatise on Orientalism, initiating a global debate over Western representations of the Middle East. For many, such representations now appeared to be a sequence of fictions, serving the West's desire for superiority and control over the East. The argument for and against Said's Orientalism has continued for thirty years. Its resonance for an exhibition such as this one, however, is as strong as ever given that, by the 1920s (the end of the period covered by this exhibition), Britain was in direct control of much of the newly abolished Ottoman Empire, including Egypt, Palestine and Iraq. As Said argued, these images cannot be viewed in isolation from their wider political and cultural context. Keeping the debates around Orientalism in mind, "The Lure of the East" focuses on the range of pictorial options open to British artists, within five major themes: portraits, genre, religious and domestic subjects and landscape. British painters came to the Middle East from a culture steeped in technical and compositional artistic traditions. Such traditions were not easily unlearned, despite the apparent difference of the people and places the artists encountered on their travels. Given this, British Orientalist painters found many challenges in attempting to represent the Middle East, but they also found inspiration and, more importantly, the freedom to rework, reinvent and even discard those conventions that defined picture-making in Britain.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR44,51 €

Bosphore

Üsküdar in engravings.= Gravürlerde Üsküdar.

Siècle

Langage

Ajouté

Sujets

Catalogues

Üsküdar in engravings.= Gravürlerde Üsküdar.

Yeryüzü suretleri: M. Sinan Genim Koleksiyonundan. [Antique Maps of Istanbul Exhibition catalogue]. 12-27 Nisan 2019. Curated by Erkan Doganay.

Waterfront residences and mansions of Istanbul.= Istanbul'un yalilari ve köskleri.

VUE GENERALE DU BOSPHORE, DE ROUMELI-HISSARI A LA MER NOIRE (PRISE D’ASIE). Dessiné d’après nature par J. Schranz. Lith. par L. Sabatier et Schranz.

Voyage des Indes orientales mêlé de plusieurs histoires curieuses.

Voyage dans l'Empire Othoman, l'Égypte et la Perse, fait par ordre du Gouvernement, pendant les six premières années de la République .

VOYAGE A L'EMBOUCHURE DE LA MER-NOIRE, OU ESSAI SUR LE BOSPHORE ET LA PARTIE DU DELTA DE THRACE COMPRENANT LE SYSTEME DES EAUX QUI ABREUUENT CONSTANTINOPLE. Précédé de considérations générales sur la géographie physique; avec un Atlas composé d'une carte nouvelle du Bosphore...

Vapurlarda yasatilanlar.

Vanished urban visions: Wooden palaces of the Ottomans. Translated by Adair Mill.

Und über Tatavla fällt Schnee. Aus dem Türkischen von Helga Dagyeli-Bohne und Jorgos Valasiadis.

Umgang mit Völkern; Türken; Umgang mit Türken

ULYSSE n° 87 - Novembre-décembre 2002

Türkei für Anfänger - Ein Führer durch Harems und Paläste durch Friedhöfe und Speisekarten durch Teestuben und Moscheen diesseits und jenseits vom Bosporus

Twixt Pera and Therapia: The Constantinople diaries of Lady Layard.

The Turkish straits and the great powers: From the Montreux Convention to the early Cold War, 1936-1947.

The Palace Lady's Summerhouse: And other inside stories from a vanishing Turkey.

The lure of the East: British orientalist painting.= Dogu'nun cazibesi: Britanya oryantalist resmi. [Exhibition catalogue].

The Khedives and the Çubuklu Summer Palace. Translated into English: Adair Mill.

The jewel on the Bosphorus: Dolmabahce Palace.= Bogaziçindeki mücevher: Dolmabahçe Sarayi.

The conservation of the Dolmabahçe Palace Clock Tower from the study project to the work site school.

The caique. [HC / ENGLISH EDITION].

The Bosphorus. Photos by Anthony E. Baker.

Siècle

Langage

Ajouté

Sujets

Catalogues

Siècle

Langage

Ajouté

Sujets

Catalogues