137 résultats
New English Original decorative blue cloth bdg. In special publisher's box. 4to. (29 x 23 cm). Edition in English. [xii], 178 p., 88 b/w plates. The beauties of the Bosphorus: Illustrated in a series of views of Constantinople and its environs, from original drawings by W. H. Bartlett. Reprint of the 1836 edition. 1000 copies were printed.
New New English Original bdg. Dust wrapper. Oblong folio. (23 x 33 cm). In English and Turkish. 207 p., B / w and color ills. The Bosphorus steamers of the Sirket-i Hayriye. = Sirket-i Hayriye'nin Bogaziçi vapurlari. The Bosphorus has always been a subject that occupied an extraordinary place both in the Turkish and in the World literatures. With its natural...
New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
New Turkish Original bdg. HC. 4to. (29 x 24 cm). In Turkish. 173 p., fully color ills., 1 folded map in end-pocket. Yeryüzü suretleri: M. Sinan Genim Koleksiyonundan. [Antique Maps of Istanbul Exhibition catalogue]. 12-27 Nisan 2019. Curated by Erkan Doganay. Ancient Istanbul / Constantinople maps from the Collection of M. Sinan Genim. Includes 78 items such as rare plans, maps, panoramic photographs, engravings of Istanbul and districts from the 15th century to 19th century. Mostly they are printed in Europe, but also in the Ottoman Empire as well. Folded map in end-pocket is "Carte de la Mer de Marmara du Canal des Dardanelles et de celui de Constantinople" par Kauffer. Size: 45 x 86 cm.
Fine English Paperback. 4to. (25 x 23 cm). In English. 122 p., color and b/w ills. The conservation of the Dolmabahçe Palace Clock Tower from the study project to the work site school. 6 copies in OCLC. OCLC no.: 896872444.
New English Paperback. 4to. (30 x 21 cm). Text in English and Turkish. 40 reprint engraving plates (sizes: 28x20 cm) and 3 panoramic engravings in special pockets (sizes: -oblong- 27,5x58 cm). Üsküdar in engravings.= Gravürlerde Üsküdar. "Most of Western voyagers and artists produced their engravings in Istanbul. Between Istanbul engravings those of Üsküdar have a special place. Üsküdar was the break point for tthe Eastern voyagers going to the west and westerns voyagers going to Jerusalem or Asia. It was a place to see its own beauties witth the possibility to see the other side also and it became a zone for the engraving masters. We prepared a very beautiful exhibition following this art and history. During five hundred years since the beginning of the engraving until our days, we prepared some documents of engraving which brought to us the daily life of Üsküdar in ancient times and we collected them by the title of Üsküdar. [.]".
166pp. + 1p. de thèses, 24cm., Thèse de doctorat présentée à la Faculté de droit de l'Université de Lausanne, br.orig. avec 2 petites étiquettes, cachet au verso de la p.d.t., le texte est frais et en bon état, J111956
As New As New English Original bdg. Dust wrapper. Mint. 4to (32 x 23 cm). In Turkish. 2 volumes set: [6], 378 p.; 247 p. Color and b/w ills. Istanbul ve Bogaziçi. Bizans ve Osmanli medeniyetlerinin ölümsüz mirasi. Edit by Murat A. Karavelioglu, Enfel Dogan, Yahya Baskan, Ismail Mangaltepe, Ismail Karaca. 2 volumes set. ISTANBUL - Constantinople Byzantium Ottoman culture The Bosphorus Urban history Memoirs Architecture.
In-8 p. (mm. 220x135), brossura muta coeva (con manc.), pp. LXIV,334. Offriamo il solo vol. di testo. Alc. lievi fioriture, altrimenti testo ben conservato.
New English Paperback. Pbo. In special box. Demy 8vo. (22 x 15 cm). In English. 4 volumes set: (231 p.; 120 p.; 207 p.; 167 p.), color and b/w ills., + 2 folding maps). Architectural guide to Istanbul. Vol. 1: Historic Peninsula. Vol. 2: Galata. Vol. 3: Bosphorus & The Asian Side. Vol. 4: Modern & Contemporary. [and] Map: Historical Peninsula & Bosphorus. (4 volumes set and map). The Architectural Guide to Istanbul, prepared as a set of five volume (5th is a big Map of Historic Peninsula & Bosphorus), was considered an effective method to learn Istanbul. All architectural entities, organizations, structures, big and small buildings embracing history and geography, hard realities as well as the most fantastic myths of Istanbul have been analyzed and explored to create a new type of guidebook, different from any already in print. The Architectural Guide to Istanbul, Volume 1, Historic Peninsula contains information about structures with historical and architectural features built before the 1930s and situated within the old city walls, in Eyup-Silahtaraga, Bakirkoy and Yesilkoy as well as informative texts written by specialists of the period and region. The Architectural Guide of Istanbul, Volume 2, Galata contains information about structures with historical and architectural features built before the 1930s and situated in Karakoy, Galata, Pera, Taksim, Tophane, Findikli, Dolapdere, Kasimpasa, Haskoy, Sutluce, Kurtulus, Sisli, Nisantasi, Tesvikiye, Macka, Besiktas-Yildiz, Mecidiyekoy and Ayazaga-Maslak as well as informative texts written by specialists of the period and region. The Architectural Guide of Istanbul, Volume 3, Bosphorus and The Asian Side contains information about structures on the east and west coast of the Bosphorus starting from Pasalimani and Ortakoy and going up to Anadolu and Rumeli Feneri, Uskudar, Kadikoy, the area from Fenerbahce to Bostanci, Buyukada, Heybeliada, Burgazada and Kinaliada as well as informative texts written by specialists of the period and region. The Architectural Guide of Istanbul, Volume 4, Modern and Contemporary contains information about structures with historical and architectural features built after 1930s and situated in the Historic Peninsula, Galata-Pera, Taksim, Sisli, Mecidiyekoy, Levent, Maslak, Bosphorus, Kadikoy, Princes' Islands, Bakirkoy-Yesilkoy, Merter, Ikitelli regions and peripheris like Kurtkoy as well as informative texts written by specialits of the period and region. The books also has 1:10000 city plans with the selected structures marked, black-and-white, documentary and up-to-date photographs, drawings and short explanatory texts of the relevant works of architecture.
Very Good French Original sepia-toned photograph printed in a period photograph paper. 19x25 cm. Descriptive text in French. Chipped and tear on margins. Iranian was born in 1890 in Constantinople, Istanbul. It is known that he established his studio in 1891 in Pera district of Constantinople - the center of Armenian cultural and political life. In 1895 he enters into partnership with another photographer by the name of Gugasyan. By 1900s the business seems to have wound down as the images marked with his studio signature don't exhibit any over elements of the new century. Of all the major Armenian studios from Istanbul, Iranian's photographs are the rarest, and less than 300 are known to have survived. Iranian's primary subject was the city of Constantinople, its picturesque landscape, architectural heritage, and the many types of artisans and workers that populated its streets. Using the latest photography techniques, which allowed for very rapid exposures, Iranian captured the bustle of the city streets with remarkable clarity. Teeming with life and movement these images have a remarkable immediacy and documentary veracity quite unlike similar views produced by other photographers of the period. The typical approach for many of Iranian's contemporaries such as Sebah & Joalier or Guillame Berggren was to achieve as clear a picture as possible with perfectly balanced compositions and highly visible details - the hallmark of a 'good' commercial photographer. In contrast, Iranian's street views are full of photographic 'ruptures' - blurred figures in movement, surprised glances of people caught unawares - which give his works the viscerality of snapshots. But above all, Iranian was a master at capturing the mood of a place. Catching the Ottoman capital on the brink of rapid transformation, the photographer aimed to record many of its ancient streets and quarters disappear or change the appearance. Thus, like the Parisian street photography of Atget, Iranian's images are 'nostalgic for the present' that is irrevocably slipping into the past. In his studio, the clientele had the choice of a large range of costumes and props through which the modern urbanite could slip into the role of some long-gone ethnic or street type and become a part of history. It is this sense of melancholy that gives Iranian's photographs their subtle emotional power. This is also perhaps the reason why he was ultimately not as successful as a commercial photographer. Modernity had captured the imagination of the people and the wistful romanticism of Iranian's markedly less spectacular images was fast going out of fashion. The small legacy he has left behind is nevertheless of significance in the history of Near-Easter photography. He was one of the rare Ottoman photographers with an individual and subjective approach, which deserves a proper evaluation.
New English Original bdg. HC. In publisher's special slip-case. 4to. (31 x 22 cm). In Turkish. 3 volumes set: (178 p.; 562 p.; 573 p.), color ills. Beykoz kitabeleri. 3 volumes set in special slip-case. Inscriptions of Beykoz district of Istanbul, Constantinople. A very heavy set.
New Turkish Paperback. Pbo. In special box. Demy 8vo. (22 x 15 cm). Edition in Turkish. 5 volumes set: (244 p.; 172 p.; 231 p.; 280 p.), 2 folding maps, color and b/w ills. Istanbul mimarlik rehberi. 4+1 volumes set. Vol. 1: Tarihi yarimada. Vol. 2: Galata. Vol. 3: Bogaziçi ve Asya yakasi. Vol. 4: Modern ve çagdas. + Tarihi Yarimada [+] Bogaziçi haritasi [Bosphorus map]. Architectural guide to Istanbul. Vol. 1: Historic Peninsula. Vol. 2: Galata. Vol. 3: Bosphorus & The Asian Side. Vol. 4: Modern & Contemporary. [and] Map: Historical Peninsula & Bosphorus. (4 volumes set and map).
Very Good German Modern aesthetic full leather bdg. Demy 8vo. (21 x 14 cm). In German. 84 p., 10 numerous b/w plates. Historische Bilder vom Bosporus: Urzeit.; Die Phönikier am Bosporus.; Hannibals Grab. (Bosporus Mitteilungen des Deutschen Ausflugsvereins 'G. Albert'). First Edition. Extremely rare.
New New English Original bdg. Dust wrapper. In publisher's special slip-case. 4to. (34 x 24 cm). In English. 2 volumes set: (335, [1] p.; 359, [1] p.), color ills. Anatolian Istanbul: A historical tour. 2 volumes set. 500 copies were printed.
New New English Original bdg. Dust wrapper. Folio. (32 x 24 cm). In Turkish. 232 p., ills. Naks-i Istanbul: Ortaköy Büyük Mecidiye Camii. "He was only 17 when he ascended the throne. However, Sultan Abdülmecid I, who is recalled as the pioneer of modernization trends, father of education reforms, as a matter of fact one of the architects of the Imperial Edict of Reorganization, by his education and rearing, has gone down in history as the individual who has taken the first step to abolish slavery. Istanbul had acquired its most beautiful silhouette by the palaces, manors and mosques that were built during the reign of Sultan Abdülmecid. And among these building, there is one mosque that is the pearl of the Bosphorus, which is ascribed as Naks-i Istanbul (Imprint of Istanbul). The Ortaköy Büyük Mecidiye Mosque, built on an embankment towards the sea, is a waterfront mosque that is as beautiful as a princess, and poses as the most favorite Ottoman heritage of the past and the present. The "Naks-i Istanbul Ortaköy Büyük Mecidiye Camii", where the comprehensive repair and restoration works conducted by Gürsoy Restoration during 2011-2014 are told, has been published by Gürsoy Group Publications under the editorship of Dr. Ahmet Uçar. This work, where the detailed information is provided also on the life, personality and reign of Sultan Abdülmecid I by names who are specialized in their fields, has assumed a very important place in literature.".
Very Good Turkish Modern cloth bdg. 4to. (30 x 24 cm). In Turkish. 27 p. text; 21 numerous map feuilles in Ottoman script and modern Turkish. 19. asirda Istanbul haritasi. Ekrem Hakki Ayverdi was raised at a time in which Istanbul was undergoing its late Ottoman-early Republican period. Apart from his persona as an engineer-architect, restorer, and architectural historian, he was a collector passionately dedicated to Ottoman art. Undertaking the construction of different public buildings in Istanbul, Bursa and Edirne, as well as the restoration of many architectural works, Ayverdi not only brought together the most select and refined works of Ottoman art, which had begun to lose its prestige amidst the changing values of high culture in the time he lived, but he also paid particular attention to their conservation and preservation. Ayverdi's two seminal corpuses that study Ottoman architecture from its early days until the end of the Mehmed II era, as well as its examples in Roumelia, continue to maintain their place as the most important reference books for those working in this field. This is a detailed research on a 19th century map of Istanbul city.
New New Turkish Original bdg. Dust wrapper. In publisher's special box. Folio. (35 x 24 cm). In Turkish. 2 volumes set: (335, [1] p.; 359, [1] p.), color ills. Istanbul Anadolu yakasinda tarihsel bir gezi. 2 volumes set. 1000 copies were printed.
Bologna, Marsigli e Rocchi, 1854. In 8vo (cm. 22); brossura originale stampata, pp. 42. ... Costantinopoli e il Bosforo. L’antica Bisanzio. La città di Costantino... Tened, Basika, Lemnos, Ingresso dei Dardanelli... La Crimea, Sebastopoli... Axs
Fine English Original bdg. in original dust wrapper. In original and special slip-case. Large 4to. (36 x 26 cm). Color and b/w ills. 224 p. An introduction to the Ottoman architectural heritage in Istanbul. Large format interior and exterior views of Ottoman mosques, Topkapi Palace, and Bosporus villas are accompanied by informative text. Many original architectural line drawings (plans, sections and elevations) by the noted architect Sedad Hakki Eldem are also included.
New English Original bdg. HC. 4to. (33 x 24 cm). In Turkish. 2 volumes set (255 p.; 165 p.), color ills. Bogazin incileri: Yalilar. 2 volumes set. Vol. 1: Asya yakasi Bogaz yalilari. Vol. 2: Avrupa yakasi Bogaz yalilari.
New New English Original bdg. Dust wrapper. In publisher's special slip-case. Oblong 4to. (30 x 32 cm). In Turkish. 347 p., color ills. A luxury and photographic study of Istanbul's yalis (seasides), palaces, kiosks, and kasirs. Istanbul saraylari, kasirlari, köskleri ve yalilari. A very heavy volume in its box.
Very Good Turkish Paperback. Folio. (34 x 24 cm). In Turkish. 2 volumes set: (70 p.; 64 p.). Eldem was a Turkish architect and one of the pioneers of nationalized modern architecture in Turkey. He was born in Istanbul (1908). He graduated from the Academy of Fine Arts (Department of Architecture). Between 1931 and 1932 he traveled to France, England, and Germany with a scholarship from the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts, and continued until retirement in 1978. In 1934 he worked for the National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented the Turkish Republic at the International Union of Architects in Lozan (1948) after Second World War. Also in the same year, Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th-century palaces, and mansions. He was known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of the Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of the Supreme Council of Antiquities and Monument Real Estate (Gayrimenkul Eski Eserler ve Anitlar Yüksek Kurulu) between 1962 and 1978. His thought was about nationalizing Modern Architecture. He basically thought that International Style in architecture should not be applied everywhere. Some things should be changed in the design by considering the national and domestic texture. He has won the international Aga Khan Award for Architecture in 1986 with the project of Zeyrek Social Security Facilities. Sedad Hakki Eldem's architecture has basically 4 main periods. The first of them, between 1928 and 1934, is known for the instability of his work. After that, the second period is popular with modern trials on Ottoman architectural organization. The time frame of this period spans from 1934 until 1952. The third period of his architecture has lost its Ottoman influence, it looks more modernized between 1952 and 1962. The last part of Eldem's Architecture known for his double approach to projects. This final period started in 1962 and lasted until his death in 1988. (Wikipedia).
Very Good Very Good English Original bdg. Dust wrapper. In special slip-case. 4to. (38 x 27 cm). In English. 224 p. Istanbul. Gateway to splendour. An introduction to the Ottoman architectural heritage in Istanbul. Large format interior and exterior views of Ottoman mosques, Topkapi Palace, and Bosporus villas are accompanied by informative text. Many original architectural line drawings (plans, sections and elevations) by the noted architect Sedad Hakki Eldem are also included. 26 by 36 cms., 224 pages (135 color plates, about 40 drawings). A very heavy volume.
Very Good French A fine original chromo-lithograph print from "Souvenirs de Constantinople" by Brindesi, printed in 1845. Framed, but will be sent no frame. 52x49 cm / 39x 44 cm print area. Stains on right bottom margins of the paper. The Ottoman navy, stationed in front of the Tophane Artillery barracks, is preparing to sail under the leadership of Kapudan Pasha's ship "Amiraute". Jean Brindesi was born in 1826 and worked primarily as a watercolour artist. During the Abdulmecid period (1831-1861), he worked on scenes involving soldiers in Istanbul. Two albums of lithographs after his drawings were produced by Lemercier in Paris: Elbicei Atika - Musee des Anciens Costumes Turcs de Constantinople, 1855, and Souvenirs de Constantinople, 1860; these two works are collections of picturesque views of the city of Constantinople. The originals are kept at the Istanbul Topkapi Palace Museum and at the University of Istanbul. (Source: Levantine Heritage).
