66 résultats
1670038291Circa 1670-1674: Giovanni. Battista Hacque/ Hacque Johann Baptist 1670. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Engraved By Meyssens For A Collection Of Portraits. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Count Ernst Adalbert Von Harrach 4 November 1598 - 25 October 1667 Was An Austrian Catholic Cardinal Who Was Appointed Archbishop Of Prague And Prince-Bishop Of Trento. His Name In Czech Is Arnost Vojtech Hrabe Z Harrachu. Adalbert Von Harrach Was Born 1598 In Vienna Austria The Son Of Count Karl Von Harrach And Maria Elisabeth Von Schrattenbach. He Was Educated By Nikolaus Walther And Was Later Thanks To His Family's Connection To Italian Aristocratic Families Including The Borghese And Barberini Admitted To The Collegio Teutonico In 1616. In 1621 He Was Ordained A Priest At Age 22 And Became Privy Chamberlain To Pope Gregory Xv. In 1622 At Only 24 Years Of Age Adalbert Von Harrach Was Elected Archbishop Of Prague With Dispensation For Not Having Yet Reached The Canonical Age. He Was Consecrated And Ordained In 1623 In The Sistine Chapel By Cardinal Marcantonio Gozzadini. In 1626 He Was Elevated To Cardinal By Pope Urban Viii And In 1632 He Was Appointed Cardinal-Priest Of Santa Maria Degli Angeli E Dei Martiri Where He Served For 12 Years. He Was Appointed Cardinal-Priest Of Santa Prassede In 1644 And Participated In The Papal Conclave Of 1644 Which Elected Pope Innocent X. Adalbert Von Harrach Participated In The Papal Conclave Of 1655 Which Elected Pope Alexander Vii And In 1663 He Was Elected Bishop Of Trento With Permission To Retain Both Bishoprics The Other Being Prague Which He Had Retained. Upon Being Elevated To Cardinal In 1626 He Was Made Primate Of The Kingdom Of Bohemia And Crowned Eleonora Gonzaga Wife Of Emperor Ferdinand Ii Of Austria The Following Year In 1627. He Became Privy Counsellor To Emperor Ferdinand Iii In 1637 And Crowned The Emperor's First Wife Empress Marie-Anne. He Was Named Grand Master Of The Order Of The Cross With The Red Star In Bohemia Silesia And Poland And Chancellor Of The University Of Prague. Adalbert Von Harrach Was Arrested At His Palace When The Swedish Took Over A Section Of Prague In The Precursor Conflict To The Battle Of Prague And Lost A Significant Part Of His Wealth. He Was Eventually Released After Intercession By Cardinal Jules Mazarin Before Queen Christina Of Sweden With 15000 Écus And A Letter Written By Him Promising Not To Take Revenge For Adalbert Von Harrach's Losses. The Face And Reverse Of A Medal Struck For Adalbert Von Harrach In 1629 He Visited Rome Rarely; So Much So That When He Did In 1643 Pope Urban Viii Is Said To Have Considered It A Bad Omen As The Cardinal Would Only Otherwise Have Visited Had The Pope Died Requiring A Papal Conclave. As It Turned Out The Pope Wasn't Far From Being Correct And Died The Following Year. He Became A Representative Of The New Pope And The Church To A Number Of Royal Courts. On Behalf Of The Pope He Also Crowned Ferdinand Iv King Of The Romans 1646; Leopold And Eleonora Gonzaga Junior Third Wife Of Ferdinand Ii As King And Queen Of Bohemia 1655; And Leopold I Holy Roman Emperor 1656. He Also Blessed The Marriage Of King Philip Iv Of Spain With Mariana Of Austria Daughter Of Emperor Ferdinand Iii 1648 And Accompanied The New Queen In The Name Of The Emperor To The Frontier With Italy. Although He Opposed The Merger Of The Charles-Ferdinand University He Participated In The Ceremonial Formalities Bringing The Two Academies Together In 1654. Adalbert Von Harrach Participated In The Papal Conclave Of 1667 Which Elected Pope Clement Ix And Upon The Election Of The New Pope He Was Appointed Cardinal-Priest Of San Lorenzo In Lucina. <br/> <br/> Giovanni. Battista Hacque/ Hacque, Johann Baptist unknown
1670038285Circa 1670-1674: Giovanni. Battista Hacque/ Hacque Johann Baptist 1670. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Unsigned Engraved By Meyssens For A Collection Of Portraits. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. In 1514 The Habsburg Emperor Maximilian I Stuck In The War Of The League Of Cambrai Against Venice And Highly Indebted Sold Hollenburg To Lord Siegmund Of Dietrichstein Elevating Him To The Rank Of A Freiherr Baron. The House Of Dietrichstein Had The Castle Rebuilt In A Renaissance Style Finished In 1588. The Dietrichsteins Held The Castle Until The Extinction Of The Branch In 1861 It Was Acquired By The Wittgenstein Family In 1913. <br/> <br/> Giovanni. Battista Hacque/ Hacque, Johann Baptist unknown
1670038289Circa 1670-1674: Giovanni. Battista Hacque/ Hacque Johann Baptist 1670. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Unsigned Engraved By Meyssens For A Collection Of Portraits. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Silvestro Valiero Or Valier Venice 28 March 1630 - Venice 7 July 1700 Was The 109Th Doge Of Venice Reigning From His Election On 25 February 1694 Until His Death Six Years Later. The Morean War Between The Republic Of Venice And The Ottoman Empire Which Had Been Ongoing Since 1684 Came To An End During Valiero's Reign As Doge In January 1699. He Was The Son Of Bertuccio Valiero Who Had Served As Doge From 1656 To 1658. Venice's War With The Ottoman Empire - The Morean War - Was Only One Part Of The Ottoman Empire's Struggle Against The Holy League Of 1684. On 11 September 1697 Ottoman Forces Were Defeated By Troops Of The Holy Roman Empire And The Kingdom Of Hungary At The Battle Of Zenta. This Decisive Battle Led To The Ottoman Empire's Determination To End The Great Turkish War And Peace Negotiations Began At Sremski Karlovci. These Negotiations Eventually Produced The Treaty Of Karlowitz Signed On 26 January 1699 And Ending The Great Turkish War Including The Morean War. Under The Treaty Venice Received The Morea Aegina Lefkada And Zakynthos Zante. Most Venetians Felt They Gained Far Too Little Territory To Compensate For The Huge Loss Of Life And Expense Of The Wars With The Ottoman Empire. The Republic Was Exhausted By The Long War And Facing Economic Distress But Little Changed For Valiero And He Continued Hosting Banquets Receptions And Parties At Which He Entertained Persons Of Rank. <br/> <br/> Giovanni. Battista Hacque/ Hacque, Johann Baptist unknown
1670038275Circa 1670-1674: Giovanni. Battista Hacque/ Hacque Johann Baptist 1670. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Unsigned Engraved By Franck For A Collection Of Portraits. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Francesco Morosini 26 February 1619 - 16 January 1694 Was The Doge Of Venice From 1688 To 1694 At The Height Of The Great Turkish War. He Was A Member Of A Famous Noble Venetian Family The Morosini Family Which Produced Several Doges And Generals. In 1685 At The Outbreak Of The Morean War Morosini Took Command Of A Fleet Against The Ottomans. Over The Next Several Years He Captured The Morea With The Help Of Otto Wilhelm Königsmarck As Well As Lefkada And Parts Of Western Greece. He Also Briefly Captured Athens But Was Unable To Hold It And Attempted A Failed Siege Of The Former Venetian Fortress Of Negroponte. His Fame Reached Such Heights That He Was Given The Victory Title Peloponnesiacus And Was The First Venetian Citizen To Have A Bronze Bust Placed During His Own Lifetime In The Great Hall. During The Siege Of Athens In 1687 The Parthenon Was Used As A Powder Magazine By The Ottomans When On September 26 1687 Morosini's Cannon Scored A Direct Hit On The Edifice. An Attaché Of The Swedish Field Commander General Otto Wilhelm Königsmarck Wrote Later: "How It Dismayed His Excellency To Destroy The Beautiful Temple Which Had Existed Three Thousand Years!". By Contrast Morosini Who Was The Commander In Chief Of The Operation Described It In His Report To The Venetian Government As A "Fortunate Shot". When He Conquered The Acropolis In Early 1688 Morosini Tried To Loot Athena's And Poseidon's Horses And Chariots From The West Pediment Of The Parthenon But The Sculptures Fell On The Ground And Smashed. This Was The First Documented Attempt To Remove Sculptures From The Pediments. Morosini Also Looted From The Port Of Piraeus The Famous Piraeus Lion Which Is On Display At The Venetian Arsenal. In The Summer Of 1688 Morosini Now Having Been Proclaimed Doge Of Venice Attacked Negropont But Was Unable To Capture It And Was Forced To Return To Venice When Plague Broke Out Among His Troops. He Embarked On A Final Campaign In 1693 But Was Again Unsuccessful In Taking Negropont And Returned To Venice After Sacking Some Minor Coastal Towns. After His Death In 1694 A Large Marble Arch Was Placed In His Honor At The Doge's Palace. <br/> <br/> Giovanni. Battista Hacque/ Hacque, Johann Baptist unknown
162430920Lugduni [Lyon], sumptibus Petri Ravaud, 1624. Un vol. au format gd in-12 (173 X 113 mm) de 8 ff. n.fol., 470 pp., 47 ff. n.fol. et 1 f. bl. Reliure de l'époque de plein veau glacé fauve, triple filet doré encadrant les plats, lesquels s'ornent d'un important semis de lys dorés, larges armes vicomtales dorées au centre, dos lisse orné d'un triple filet d'encadrement doré, filets verticaux en pointillés dorés, semis de lys dorés, titre doré, tranches dorées.
1637GR139Genevae, I. Crispini, 1637, in-24o, intod.+472+index. Plein veau cont., dos restaure.
1621GR0480Genevae, S. Crispini 1621, H. Vvolfii recognita, in-16 court de tete, fji+844+42 p., texte grec et latin, rel. 1/2 basane XVIIe a coins.
1657LBW-2753[Amsterdam, 1657-1658]. 377 x 487 mm.
1667LBW-6493[Paris, Jollain, 1667]. 132 x 180 mm.
1667LBW-6492[Paris, Jollain, 1667). 125 x 185 mm.
1683315187Leiden, Hacke, 1683. 33 Bl., 656 S., 61 Bl. Mit Titelkupfer. Grüner Leder d. 19. Jahrhunderts mit marmorierten Vorsätzen (stark berieben, Ecken bestoßen, Innengelenke angeplatzt). [3 Warenabbildungen]
1698465598Leiden, Hack, 1698. 7 Bl., 644 S., 21 Bl. Mit gestochenem Titel. Pergament d. Zeit mit handschriftlichem Rückentitel (fleckig, vorderes Innengelenk gebrochen). [2 Warenabbildungen]
1657PHO-1458A Troyes, par Nicolas Oudot, et se vendent à Paris: Chez François Clousier, 1657. in-4; [6ff. (sur 7: feuillet de dédicace en fac-simile), dont titre, portrait légendé de La Boullaye, préface], 558p., [5ff. Table, fautes, privilège du 12 février 1657]; 33 illustrations sur bois dans le texte dont 16 à pleine page. Reliure d'époque en basane brune, dos à nerfs avec titre , coupes , coiffes et coins usés , frottements. un coin déchiré au titre sans atteinte au texte. Mouillure angulaire au premier portrait P. 73 déchirée avec manque de papier ,sans atteinte au texte. P. 165: manque en coin avec perte de qq mots; PP. 173 et 175: déchirures sans perte de texte; P. 234: manque de papier en pied avec perte de quelques mots; taches d'encre pp. 264 ; pp. 460 à 485: petites galeries de vers marginales en pied. Ex-libris manuscrit Dominium Antonium Biguet. Seconde édition
165027239Paris Mathieu Guillemot 1650 Une gravure sur cuivre au burin en noir sur papier vergé, ligné, gravée d'après les originaux de l'édition de NICOLAY de 1568, Format à la cuvette : 27,3 centimètres de haut par 17,3 centimètres de large. Format total : 32,8 centimètres de haut par 21,3 centimètres de large, tirée de "L'histoire de la décadence de l'empire grec et établissement de celuy des Turcs" de Laonikos Chalcocondyle, par Thomas Artus d'Embry, d'après Nicolas de Nicolay, légère tache brune claire en haut de la gravure et léger manque de papier en marge en bas à gauche ne touchant à aucun moment la gravure, 1650 Paris, Mathieu Guillemot Editeur,
165027240Paris Mathieu Guillemot 1650 Une gravure sur cuivre au burin en noir sur papier vergé, ligné, gravée d'après les originaux de l'édition de NICOLAY de 1568, Format à la cuvette : 27,3 centimètres de haut par 17,3 centimètres de large. Format total : 32,8 centimètres de haut par 21,3 centimètres de large, tirée de "L'histoire de la décadence de l'empire grec et établissement de celuy des Turcs" de Laonikos Chalcocondyle, par Thomas Artus d'Embry, d'après Nicolas de Nicolay, léger manque de papier en marge en bas à gauche ne touchant à aucun moment la gravure, 1650 Paris, Mathieu Guillemot Editeur,
165027252Paris Mathieu Guillemot 1650 Une gravure sur cuivre au burin en noir sur papier vergé, ligné, gravée d'après les originaux de l'édition de NICOLAY de 1568, Format à la cuvette : 27,3 centimètres de haut par 17,3 centimètres de large. Format total : 32,8 centimètres de haut par 21,3 centimètres de large, tirée de "L'histoire de la décadence de l'empire grec et établissement de celuy des Turcs" de Laonikos Chalcocondyle, par Thomas Artus d'Embry, d'après Nicolas de Nicolay, trés légère mouillure claire (vraiment trés légère) en haut de la gravure en marge, mais n'atteignant à aucun moment la gravure, 1650 Paris, Mathieu Guillemot Editeur,
165027259Paris Mathieu Guillemot 1650 Une gravure sur cuivre au burin en noir sur papier vergé, ligné, gravée d'après les originaux de l'édition de NICOLAY de 1568, Format à la cuvette : 27,3 centimètres de haut par 17,3 centimètres de large. Format total : 32,8 centimètres de haut par 21,3 centimètres de large, tirée de "L'histoire de la décadence de l'empire grec et établissement de celuy des Turcs" de Laonikos Chalcocondyle, par Thomas Artus d'Embry, d'après Nicolas de Nicolay, tache brune légère en haut de la gravure et trés légère mouillure claire (vraiment trés légère) en haut de la gravure en marge, mais n'atteignant à aucun moment la gravure, 1650 Paris, Mathieu Guillemot Editeur,
166537261665 1665 Charles de Sercy, Paris, 1665. Edition originale. Suivi de la traduction du Mariage de Belphégor de Machiavel et de l'abrégé de la vie de Thésée.Un volume in-12 plein veau brun, dos à nerfs orné de fleurons, frontispice, page de titre, [7ff.], 164 pages, [2ff.], 62 pages, [1f.]. Plats et coiffes restaurés. Bel exemplaire.
162121576Augustoriti Pictonum [Poitiers], Antonii Mesnerii, 1621. Un vol. au format gd in-12 (173 x 113 mm) de 21 pp., 1 f. n.fol., 483 pp. et 2 ff. n.fol., sous couverture d'attente XIXème de plein papier marbré.
16139591613 Jean Richer, Paris, s.d. [1613]. Un volume in-4 plein veau d'époque, dos à nerfs orné de fers dorés, titre doré, double filet en encadrement sur les plats, titre gravé dans un encadrement composé de huit vignettes, 6ff., 576 feuillets, 10 ff. de table. Un trou de ver sur les derniers feuillets, mors fendus et petit manque à la coiffe inférieure, coins émoussés, néanmoins bon exemplaire, intérieur frais.
1658456481Leiden, Hack, 1658. 11 Bl., 614 S., 73 Bl. Mit Kupfertitel u. 1 gefalteten Kupferkarte. Halbleder des frühen 19. Jahrhunderts (etwas berieben u. verblaßt, Rückdeckel mit Siegelwachsresten). [3 Warenabbildungen]
1694380352London, Dring & Harper, 1694. 15 Bl., 491 S., 28 nn. Bl. Mit gestochenem Titel u. 2 Textholzschnitten. Pergament d. Zeit (verstaubt, Rückenschild). [4 Warenabbildungen]
1683GITj822(Paris chez Denys Thierry 1683). Petit in-8 paginé 109 à 209. Cartonnage bradel du XIXe siècle de papier ocellé rouge, jaune, bleu, pièce de titre grenat en long sur le dos "Manesson-Mallet Balkans, Turquie d'Europe". Orné de 49 planches à pleine page numérotées XLV à XCIV composées de 1 portrait, 1 plan, 4 de costumes, 10 vues et 33 cartes, toutes colorées à l'époque. Manques de papier en tête et en queue du dos du cartonnage, occasionnant la fragilité du mors du 1er plat, intérieur complet pour les sujets traités et de la plus grande fraîcheur. CHAPITRES IX ET X EXTRAITS DU TOME III DE L'EDITION ORIGINALE PARUE EN 1683 *chapitre IX Turquie d'Europe paginé 109 à 167, intitulé de l'Illyrie et de la Grèce selon les Anciens, de la Turquie d'Europe (Septentrionale et Méridionale) *Chapitre X paginé 168 à 209 intitulé des Isles de l'archipel qui sont vers l'Europe (Iles de la Mer Egée, Cyclades et Ioniennes). Toutes planches (appelées ici figures) sont très habilement aquarellées avec de belles teintes vives. Celles qui intéressent directement la Turquie représentent: Portrait du Sultan Mehmet IV, Costume du Grand Turc, Costume traditionnel d'un Turc et d'une Turque, Costume d'un Spahis et de 2 Janissaires (sur une seule planche), Plan de Constantinople, vues de Constantinople, Château des 7 Tours, du Sérail (avant et arrière), Cathédrale-Mosquée Sainte Sophie (2 vues), 4 cartes (Turquie d'Europe Septentrionale, Turquie d'Europe Méridionale). La Grèce est représentée par des cartes (Grèce en général, Grèce en particulier, cartes des Cyclades et des îles Ioniennes de la Mer Egée), 2 vues de Candie (Crète), ville et labyrinthe. Les autres planches ont pour sujet: l'Illyrie; Dace et Thrace; Pannonie et Illyrie; Rhetie et Vindelécie; Moldavie et Transilvanie; Hongrie; Macédoine; Thessalie et Epire; 1 costume traditionnel Hongrois; une vue de Waradin, une de Bude, une de Presbourg, Sestos, Abydos et le Détroit de Gallipoli. 6 cartes sont reproduites 2 fois avec une numérotation différente: XLVI et XLVII (Dace et Thrace), LI et LII (Macédoine, Thessalie, Epire), LXII et LXIII (Turquie Méridionale), LXXVIII et LXXIX (Schiro et Nègrepont), LXXX et LXXXI (Andro et Tiré), LXXXIX et XC (île de Candie). CE FRAGMENT COMPLET POUR LES SUJETS TRAITES PERMET D'APPR2CIER LA FINESSE ET LA BEAUTE DES FIGURES DE L'OUVRAGE DE MANESSON-MALLET.
1700441548Bassani, Remondini, um 1700. Kl.-8vo. 239 S. Pergament d. Zeit (etwas fleckig, Rücken mit alten Bibliotheksmarken). [2 Warenabbildungen]
16190036661619 Lugduni Batavorum [Leyde], ex officinâ Elzeviriana [Isaac Elzevier], 1619. Trois ouvrages reliés en un volume petit in-quarto (153 X 210) veau havane foncé, double encadrement de filet doré sur les plats, dos cinq nerfs, caissons de double encadrement de filet doré avec fleuron central, dentelle dorée en queue et tête, titre doré (reliure de l'époque). (3) ff. blancs, 341 pages (dont titre), (1) page d'achevé d'imprimer, (1) f. blanc ; (8) ff. (dont titre), 104 pages ; (4) ff. (dont titre), 48 pages, (3) ff. blancs. Restauration à la coiffe supérieure, trace de frottement sur les nerfs.