[OCEANIE] GUIART (Jean).Livre Rare Book
1 677 résultats
22066Ed. Gallimard, 1963. Fort volume in-4 reliure toile éditeur, jaquette illustrée. Coll. " L'Univers des formes " dirigée par A. Malraux. Texte de J. Guiart accompagné de plus de 430 photos en noir et en couleurs d'oeuvres de l'art océanien sous toutes ses formes.Imprimé en héliogravure. E.O.
29057Stuttgart. Linden-Museum, 2001. In-4 br. Tous les textes sont en allemand. Très beau catalogue richement illustré en couleurs et en noir & blanc, consacré à l'art océanien. E.O.
31401P., Société des Missions Evangéliques, 1961, in 8° broché, 159pp. ; non coupé ; photographies hors-texte ; couverture illustrée.
193375024Paris, Alpina, coll. « Les Grandes Escales » 1933 In-8 22 x 16,5 cm. Broché, couverture beige rempliée, titre en noir sur le dos et le premier plat illustré d’une vignette en couleurs, 152 pp., nombreuses reproductions photographiques en sépia, 4 planches en couleurs hors texte, table des matières, 1 carte de l’Océanie in fine. Bon exemplaire.
200802106Luzern, Geographisch kulturelle gesellschaft im kunstreis AG, vers 1970 ; grand in-4, 332 pp., cartonnage d'éditeur avec jaquette. Ozeanien, autralien, neuguinea, bismackarchipel, neukaledonien, neu hebriden, neuseeland, samoainseln, fidschiinseln, tongainseln, pitcairn, nauru, gilbert-und elliceinseln, marianen, karolinen, marshallinseln, franzosisch-polynesien, chilenische inseln, - arktis, antarktis, weltmeere erde und weltall.
42171Sans lieu ni nom (Issoudun, Imp. Laboureur), 1931, plaquette in 8° brochée, 32 pages ; illustrations.
200402897Paris, Sélection du Reade's Digest, 1995 ; in-4, 192 pp., br.
200510629Berlin Darmstadt Wien, Deutsche Buch Gemeinschaft, 1958 ; in-8, 350 pp., cartonnage de l'éditeur. Coiffe légèrement abîmée Nombreuses photos.
2006LFA-126716682N° 9 - Juillet-Août 2006 : une revue de 96 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
1372897Paris: Editions de "L'illustration", 1930 fascicule in-4 de 16 pages, illustrations. Agrafé, couv. lég. défr. Collection Cinéma de la Petite Illustration.
561374P., Jeanmaire, [1877]. Grand in-8, reliure de l'époque demi-basane rouge, dos lisse, pièce de titre basane noire, filets et roulettes dorés, [4] ff., 363-XXIV pp., 200 illustrations gravées sur bois dans le texte. Edition originale.
584332Paris, Jeanmaire, [1877]. Grand in-8, demi-basane verte, dos lisse à filets et titre dorés, [4] ff., 363-XXIV pp., 200 illustrations gravées sur bois in et h.-t. Edition originale.
10892P., Ancienne Librairie Martinon, F. Jeanmaire, successeur, s.d. (1877 d'après la BnF), 1 vol. in-4 (278 x 180) relié 1/2 basane marron d'époque, dos lisse orné de 6 rangées de triples filets dorés, roulette dorée aux fleurs en queue, de XXIV pp. (faux-titre, frontispice, titre, vue de New York, table des gravures) - 363 pp. Bel exemplaire.
- s.d. (1907), sujet : 12,4x18,9cm, planche : 18,5x26,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 18,5 x 26,9 cm | one sheet Woodcut drawn and engraved by George-Daniel de Monfreid, in black on onion skin paper. Original proof, likely unique. Handwritten Annotation by the artist ("state 5") in bottom margin, in pencil. Original print run of a woodcut in black inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. Only two other original color proofs (the second one is preserved at the Musée Maurice Denis in Saint-Germain-en-Laye), are known to date. [FRENCH VERSION FOLLOWS] Bois dessiné et gravé par Georges-Daniel de Monfreid, en noir et blanc sur papier pelure. Épreuve probablement unique. Annotation manuscrite de l'artiste ("éta
- s.d. (1907), sujet : 12,4x18,9cm, planche : 15,1x20,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed in color by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 15,1 x 20,9 cm | one sheet Original color proof of a woodcut inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. Only one other original color proof and one print run, in black and white (see below), are known to date. Printed in two tones, green and brown, on old Japan and enhanced with gilt painting by the artist. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. The artist had likely printed one for himself and offered the other to Segalen who dreamed of owning etching of the one he called his "Boss" and to whom he would dedicate his collection of poems, Peintures. [FRENCH VERSION FOLLOWS] Epreuve originale en couleur d'un bois inspiré de l'uvre de Gauguin et grav
201221805New York, Gallery book, 1990 ; in-4, 125 pp., cartonnage de l'éditeur. Très bon état, avec jaquette.
1971LFA-126728747Revue mensuelle de 72 pages, format 140 x 210 mm, illustrée, brochée, Impr. de Sceaux, bon état
1964LFA-126728728Revue mensuelle de 72 pages, format 140 x 210 mm, illustrée, brochée, Impr. de Sceaux, bon état
189Rouen, Mégard, 1880 ; in-8, 244pp.Percaline rouge d'éditeur, plats et dos ornés noir et or. Coiffes légèrement frottées, petite tâche au dos. Tranches dorées. Rousseurs éparses. Bon état.
LBW-8107Tissu tapa en fibre naturelle peint à la main (41,5 x 139 cm).
1956378521956 Lausanne, Payot (Collection "Le monde et ses habitants"), 1956, in 8° carré, 87 pages sur papier fort ; illustrations ; pleine reliure de léditeur.
in 8° grande, bross. edit. ill., piccola abrasione in cop., leggere fioriture, dorso muto - prima edizione - riccamente illustrato in b.n. nel testo
bross. edit. ill. con bandelle - prima edizione - trad. a cura di Leila Karami e Laura Zaccagno
confanetto edit. figurato contenente un volume in tela edit. con titoli al dorso e sovrac. ill. e il DVD «Vincenzo Cerami legge Le mille e una notte Un DVD con musiche originali di Aidan Zammit» - trad. di Roberta Denaro e Mario Casari
Mm 220x295 "Auction in New York, Friday 14 November 2008" - Volume nella sua brossura originale, 247 pagine profusamente illustrate a colori nel testo redatto in lingua inglese - english text. Libro-catalogo in condizioni pari al nuovo; spedizione in 24 ore dalla conferma dell'ordine.
