AnonimoMareMagnum
541 résultats
4 voll. tela edit. con impressioni oro ai piatti e dorsi illustrati in rosso e oro, manca cofanetto, minima rottura al dorso di un vol., lievi bruniture alla tela
legatura muta in mezza tela con angoli, piatti marmorizzati, lievi erosioni alla tela, bruniture
- Extrait de la Revue des deux mondes, s.l. (Paris) (1885), 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
Carta geografica raffigurante le Nuove Ebridi e la Nuova Caledonia. Macchia lungo la piega centrale editoriale. Incisione originale in coloritura coeva inserita nel III volume, in prima edizione, dell’opera "Nuovo Atlante Geografico Universale delineato sulle ultime osservazioni", edita a Roma nel 1792. Successivamente vennero pubblicati il secondo volume nel 1797 ed in fine il terzo nel 1801. L’opera fu commissionata al Cassini dalla Calcografia Camerale di Roma.
Broch?. 298 pages. Couverture d?fra?chie.
Broch?. 319 pages. Rousseurs. Cachet. Traces de scotch ? la couverture.
ISBN : 2709811162. Sélection du Reader's Digest. 1999. In-4 Carré. Relié. Très bon état. Couv. fraîche. Dos impeccable. Intérieur frais. 159 pages. 'Regards sur le monde'.
- Librairie Nouvelle, paris 1860, 11,5x18cm, relié. - Nouvelle édition. Reliure en demi cartonnage aubergine, dos lisse légérement passé orné de filets à froid et comportant trois petits accrocs, plat de papier marbré, garde et contreplats de papier à la cuve, reliure de l'époque. Rares rousseurs, tampon de colportage sur la page de titre. [ENGLISH DESCRIPTION ON DEMAND]
PARIS, La Maison du Livre Moderne, S.d. (Paris, 1911) -Fascicules N°2 à 19 - Broché - In-folio oblong - Recueil de 16 Photographies NB PP, accompagnées d'un commentaire, représentant des vues, paysages ou monuments du monde entier - Soit 288 photographies -Très propre. Peuvent-être vendu à l'unité au prix de 20 €
In-16 (mm. 175 x 102), 2 opere in 1 vol., mz. pelle coeva, filetti oro al dorso (piccoli spacchi e abras.). "Le Robinson..", pp. VIII,280, con 2 frontesp.: uno con bella vignetta inc. in rame e uno figurato inc. su legno; illustrato da 3 tavv. f.t., inc. su rame. Unito a: MAZURE A. - "Le portefeuille du jeune amateur" de la nature et de l'histoire et de l'art; ou description méthodique des sites et des monuments les plus remarquables dans les cinq parties du monde: "Amerique et Oceanie". Paris, Lehuby, 1839, pp. (4),336, frontespizio figur. inc. su legno, con 3 tavv. f.t., inc. su rame, che raffigur. vedute di New York, Messico e di un'isola dell'Oceania. Lievi arross. nella prima opera, altrim. ben conservato.
In 8, pp. 198, bross. ed con sovravv. ill col. numerose ill. col.Naturali bruniture agli orli e alla sovracc. buon es.Luogo di pubblicazione MilanoEditore PoligonoAnno pubblicazione 1945Materia/Argomento Folklore , Oceania , Leggende
- Félix Alcan, Paris 1901, 14x22cm, reliure de l'éditeur. - First edition. Publisher's Bradel binding over blue-grey paper boards slightly faded with black fleuron. Internally good. [FRENCH VERSION FOLLOWS] Edition originale. Reliure de l'éditeur à la bradel en pleine percaline bleu-gris, dos lisse légèrement passé orné d'un fleuron noir. Agréable état intérieur.
trad. di Isabella Rich Canino n. 136 in 16°, tela edit., manca sovrac.
Milano, 1910, estratto con copertina posticcia muta, pp. 651/653 con ill. (Tonga, Samoa, Figi) - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
- Extrait de la Revue des deux mondes, s.l. (Paris) 1864, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
in quarta di cop.: Exposé des thèses et positions de la RDVN et du GRP du Sud Viet Nam; Les documents essentiels sur la question - in 16°, opuscolo graffettato di 48 pp., cop. edit. con titoli, bruniture in cop. - volume in lingua francese
- Extrait de la Revue des deux mondes, s.l. (Paris) 1861, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
in 16°, bross. edit. ill., timbro d'appartenenza, dorso muto - volume in lingua francese
5 vol. in-4 br.,, texte dactylographié et reprographié, s.n., 1977, LI-1709 pp. et 18 ff. avec très nombreuses photos (tirages argentiques) contrecollées Rare exemplaire de cet impressionnant travail, thèse d'état du professeur Christian Huetz de Lemps (1938-2017). Brillant élève (mention très bien au baccalauréat, lauréat au concours général de philosophie...), une bourse d'étude lui offrit l'opportunité de cette étude. Un ouvrage monumental et proposant une documentation iconographique unique et exceptionnelle par sa richesse et son originalité iconographique, qui est devenu un témoignage historique remarquable sur Hawaï dans les années 1970. Bon exemplaire (qq. frott. d'usage). Français
- s.d. (1907), sujet : 12,4x18,9cm, planche : 15,1x20,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed in color by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 15,1 x 20,9 cm | one sheet Original color proof of a woodcut inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. Only one other original color proof and one print run, in black and white (see below), are known to date. Printed in two tones, green and brown, on old Japan and enhanced with gilt painting by the artist. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. The artist had likely printed one for himself and offered the other to Segalen who dreamed of owning etching of the one he called his "Boss" and to whom he would dedicate his collection of poems, Peintures. [FRENCH VERSION FOLLOWS] Epreuve originale en couleur d'un bois inspiré de l'uvre de Gauguin et grav
- s.d. (1907), sujet : 12,4x18,9cm, planche : 18,5x26,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 18,5 x 26,9 cm | one sheet Woodcut drawn and engraved by George-Daniel de Monfreid, in black on onion skin paper. Original proof, likely unique. Handwritten Annotation by the artist ("state 5") in bottom margin, in pencil. Original print run of a woodcut in black inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. Only two other original color proofs (the second one is preserved at the Musée Maurice Denis in Saint-Germain-en-Laye), are known to date. [FRENCH VERSION FOLLOWS] Bois dessiné et gravé par Georges-Daniel de Monfreid, en noir et blanc sur papier pelure. Épreuve probablement unique. Annotation manuscrite de l'artiste ("éta
Zürich, Atlantis Verlag AG & Mulhouse Braun, 1970, 225pp.+ 150 ills., couv.toile avec jaquette (qqs.déchirures), intérieur en bel état
Hachette. 1969. In-4 Carré. Relié. Etat d'usage. Couv. convenable. Dos abîmé. Intérieur frais. 186 pages. Photo en couleur lanc en frontispice. Illustré de nombreuses photos en couleur et en noir et blanc, dans et hors texte. Texte sur 2 colonnes. Photographies de l'auteur. Préface de Paul-Emile VICTOR.
In 8,pp.504. Con 4 carte geografiche a colori. Qualche brunitura. Br. ed. ill. con danni al d. Indice: Premiere partie - L'archpel indien - Seconde partie - Les iles du pacifique Troisieme partie - L'Australie. Appendice
4°, mz. pelle coeva con angoli, tit. e fregi in oro al d. (spellature e lievi mende d’uso), pp. (IV) - 284, con illustrazioni n.t. Es. parzialmente allentato, ma buono. Ediz. su carta patinata.
