6 706 résultats
2013190645the author 2013. First edition. Slipcased. New. unpaginated photos boards 28 x 22cm clamshell box. Fine art production featuring the work of French-Mexican artist Lorena Velázquez. Velázquez' work revolves around three axes of interest: the admiration and respect that the artist feels for trees silent and perennial witnesses of the human being's footprint on Earth; the city where her poetic gaze reveals situations that go unnoticed under the constant hustle and bustle; and the human being since the deep empathy that each person generates is manifested in her portraits taken spontaneously or in study. Limited edition of 20 2 special editions. [the author] unknown
170767156Paris: Prosper Marchand 1707. Fine. Prosper Marchand Paris 1707 10 x 17 cm relié First edition containing 5 folding plates. Contemporary binding in full speckled brown sheep spine with five raised bands decorated with gilt compartments and fleurons as well as a red morocco title-label board edges ruled with gilt all edges red. Head-cap absent tail-cap partially missing bands rubbed upper joint of front board cracked for 2.5cm corners bumped. The two largest plates show tears without loss. Long manuscript note from the 19th century on front pastedown extending onto a small part of first endpaper. Bookplate from a La Rochelle library also 19th century on title page. First publication concerning the moving sphere of Pigeon and Delure who here sign the dedication to Louis XIV. The king acquired the first armillary sphere of their manufacture the previous year; it is one of the first to be based on Copernicus's heliocentric system. Prosper Marchand hardcover
9873Paris A. Méricant 1910. 1 vol. 125 x 195 mm de 287 p. Maroquin bordeaux dos à nerfs titre doré contreplats ornés d'un large encadrement de filets et arabesques dorés double filet doré sur les coupes tranches dorées sur témoins couvertures et dos conservés reliure signée d'Yseux succ. de Thierry-Simier. . Édition originale. Couverture illustrée par Rapeno. Un des 6 premiers exemplaires sur japon justifié et signé par l’éditeur n° 4. . Paris, A. Méricant, 1910. 1 vol. (125 x 195 mm) de 287 p. Maroquin bordeaux, dos à nerfs, titre doré, contreplats ornés d'un unknown
K80157Mirrored image in respect to the drawing in the Liber Veritatis London British Museum inv. 19571214.11. Harbour scene; in foreground figures on shore boats moored alongside including rowing boat with figures at centre and beyond at left buildings including the Arch of Titus. Inscribed on the top of the arch: TITVS.The related painting in the Hermitage was made for Charles Beaumanoir Bishop of Le Mans who is recorded in Rome in 1635 and it is therefore likely that this etching dates from then rather than 1634 which is a date found written probably after the artist's death on some proofs see Michael Kitson review of Lino Mannocci The Etchings of Claude Lorrain ""Print Quarterly"" 7 1990 p. 461.The signature is not there yet. Rather fresh impression.NL Havenscène; op de voorgrond figuren op de wal langszij afgemeerde boten waaronder een roeiboot met figuren in het midden en linksachter gebouwen waaronder de Boog van Titus. Antieke prent naar Claude Lorrain. Etching on laid paper with some margins; total: 130 x 197 mm; some smudges on the margins otherwise in fair condition. State II/7 or 8 Mannocci 1988 nr. 15. unknown
1979009172University Park and London: Pennsylvania State University Press. First edition thus. Hard cover in dust jacket. Published University Park and London: Pennsylvania State University Press 1979 first printing. 8vo. xii348pp. illustrated with maps and reproductions appendix notes bibliography and index. Brick cloth with gilt spine titles. Some fox spotting along top edge of page block else fine - crisp bright unmarked in near fine dust jacket with light fray/tears at the top edge. Scarce and difficult to find in near fine condition. . Fine. Hard. 1st. 1979. Pennsylvania State University Press unknown
166865186A Paris: Chez Edme Martinet Sébastien Mabre-Cramoisy 1668. Fine. Chez Edme Martin et Sébastien Mabre-Cramoisy A Paris 1668 19 x 25.80 cm relié First edition uncommon. A title vignette with the arms of the Duke of Guise Henri II de Lorraine 1614-1664. These memoirs were published by the Duke's secretary sieur de Saint-Yon who allegedly asked Philippe Goibeau to write them. It should be noted however that Augustin Calmet Bibl. lorraine 594 does not doubt that these memoirs are from the duke's hand. Fine printing in large characters. Contemporary full brown speckled and glazed sheep binding. Richly decorated spine with raised bands. Brown morocco title label. Narrow split to joints at head. Last compartment narrowly split on upper joint. Missing one third of the title label. 3 corners slightly bumped. Pale gilt crayon letters have been added where those of the title label are missing namely ME before MOIRE and the G of Guise. Slight trace of pale dampstain from p.122 in upper margin on several leaves then appearing erratically; this dampstain becomes yellow from p. 744 to the end and is more pronounced. 18th-century armorial bookplate: S.R.I. comes de Wiser eer Dinand Andreas. ""These Memoirs deal with the Naples expedition where the Duke of Guise tries to have the claims of the house of Lorraine on the kingdom of the Two Sicilies accepted and where his attempt ends with captivity among the Spanish"" Sources de l'histoire de France 785. Here is what abbé Gallois says about it in the Journal des Savants in 1668: ""It must be admitted that there is in these Memoirs something indefinable which cannot be expressed and which is not ordinarily found in histories whether this comes from M. de Guise's particular genius or by birth or perhaps from the fact that those who have themselves performed great exploits have a particular advantage in writing about them"". Chez Edme Martinet Sébastien Mabre-Cramoisy hardcover
18162Paris Ollendorff 1902. 1 vol. 120 x 190 mm de 1 f. faux-titre titre 264 p. 1 et 1 f. Broché boîte signée de Julie Nadot. EÌdition originale. Un des 10 premiers exemplaires sur hollande n° 8. . Dans ce recueil de contes « fin de siècle » Lorrain détourne le merveilleux en contes cruels : derrière forêts enchantées et châteaux somptueux princesses et princes d'une beauté surnaturelle se révèlent narcissiques lâches égoïstes. Le livre répond au désenchantement moderne industrialisation rationalisme hiérarchie sociale par une échappatoire paradoxale : la magie promise n'affranchit rien le merveilleux se corrode à l'acide décadent et l'étrangeté devient clé de lecture d'un univers où l'auteur dénonçant la société castratrice en reproduit sciemment les formes. Publié quatre ans avant sa mort Princesses d'ivoire et d'ivresse demeure l'un des grands textes du décadentisme tardif où le conte de fées se retourne en miroir impitoyable des songes fin-de-siècle. Très bel exemplaire dans une merveilleuse boîte de Julie Nadot reprenant la flamboyante couverture du volume. Paris, Ollendorff, 1902. 1 vol. (120 x 190 mm) de 1 f., [faux-titre], [titre], 264 p., [1] et 1 f. Broché, boîte signée de Ju unknown
K80005The herd returning in stormy weather; in a landscape with fortified castle in the background and antique temple in ruins on the left a man leading a herd of cows and goats.Signed and dated at bottom left: Claudius Gellee fecit Romae 1651.On the mount is the title in French: Le troupeau en marche par un temps orageux.NL Een herder drijft zijn kudde van koeien schapen en geiten door een landschap met een ruïne. Regen valt uit donkere wolken. Antieke prent gemaakt door oude meester Claude Lorrain. Landschapsprent. Etching on laid paper trimmed within plate mark; total: 161 x 219 mm; state II/3; some smudges due to handling on the four corners otherwise in very good condition. Mounted on cardboard passepartout. Robert-Doumesnil 18 Mannocci 40. unknown
189771130Paris: Mercure de France 1897. Fine. Mercure de France Paris 1897 9.50 x 15 cm broché First edition printed on laid paper. Boards slightly soiled a crease mark at foot of front board. Precious signed autograph inscription by Jean Lorrain: ""A Charles Maurras homme lumineux ces contes gris de souris et de mystère"" ""To Charles Maurras luminous man these gray mouse and mystery tales"" Mercure de France hardcover
189559170Paris: Dentu 1895. Fine. Dentu Paris 1895 12 x 18.50 cm relié Edition on current paper. Binding in . Precious autograph signed Jean Lorrain Jules Bois: "". this book that will entertain and speak about the Sabbath Sabbath His friend Jean Lorrain."" Dentu unknown
190355925Paris: Paul Ollendorff 1903. Fine. Paul Ollendorff Paris 1903 11.50 x 18.50 cm relié first edition on the current paper. Binding to bradel in . autograph dedication of the author autograph signed and dated by Jean Lorrain to mesdeames Hébrard: ""To Mrs. John the shadows Madame de Boisse Gardarens poisons Their friend Jean Lorrain. The words for the month of writing the autograph of Jean Lorrain was trimmed by the bookbinder. Paul Ollendorff unknown
188269809Paris: Alphonse Lemerre 1882. Fine. Alphonse Lemerre Paris 1882 12.50 x 19 cm relié first edition. Bradel binding in half red morocco smooth back decorated with triple golden cartridges golden date at the tail slight rubbing without gravity on the back golden thread on the marbled paper boards combs and combs of combed paper covers and back preserved binding signed Yseux. Book illustrated with a frontispiece by Sandro Boticelli. Pleasant copy despite a trace of ex-libris which was lifted off at the head of a guard. Autograph dedication from Jean Lorrain to Monsieur Montet dated April 1883. Alphonse Lemerre hardcover
189555067Paris: Paul Ollendorff 1895. Fine. Paul Ollendorff Paris 1895 11.50 x 19.50 cm relié first edition. Binding to bradel half gray calico flat spine decorated with a golden floral pattern date and dual gold tail thread as part of blue shagreen marbled paper boards contemporary binding. Signed autograph Jean Lorrain Madame Alphonse Daudet. printed stamp of Madame Daudet library head of a guard. Paul Ollendorff hardcover
1986mon0003335302Rock Foundation 1986. Hardcover. Good. . 4-volume set volum1 books 1-4 only. Ex-library copies with usual markings. Housed in slipcase. Shows minor wear. Rock Foundation hardcover
aauphy990045Non Basic Stock Line. Paperback. NEW. 9x6x0. Non Basic Stock Line paperback
1925LD5782Paris: Collection des Arts Les Editions G. Cres & Cie 1925. Hardcover. Fine. Original morocco and leather endpapers in folder and slipcase; 4to; with 84 in-text illustrations in pochoir by Dignimont. Number 291 from a limited edition of 350 copies on Rives paper. First published in 1904. Very fine illustrations remain exceptionally fresh. <br/><br/> Collection des Arts, Les Editions G. Cres & Cie hardcover
188843711Paris: C. Dalou 1888. Fine. C. Dalou Paris 1888 12 x 19 cm relié First edition on ordinary paper. Bradel binding in half chocolate cloth smooth spine decorated with gilt floral motif double gilt fillet at foot dark green shagreen title label marbled paper boards bookplate pasted on endpaper leaving a shadow opposite original wrappers preserved contemporary binding. Autograph inscription signed by Jean Lorrain to his friend Fernand Le Grand a prominent figure of Fécamp society on the half-title page which bears a printed bibliophile stamp and some foxing. Provenance: from the library of Fernand Le Grand with his bookplate. Rare. C. Dalou hardcover
190045581Paris: Fayard frères 1900. Fine. Fayard frères Paris 1900 12 x 19 cm broché First edition a unique copy printed on pink paper tirage de tête along with a pale green paper. A rare and good copy. Fayard frères unknown
16415Paris Charpentier 1891. 1 vol. 120 x 185 mm de 290 p. 1 et 1 f. Broché. . Édition originale. Envoi signé : « à ma bonne mère à ma garde-malade à qui je dois tout même de survivre avec tout mon cœur Jean Lorrain novembre 1891 ». Publié dix ans après Le Sang des dieux Sonyeuse consacre la renommée de Lorrain : un récit liminaire presque romanesque 76 p. qui donne son titre au volume et une série de nouvelles en diptyque — « Soirs de province » Dans un boudoir La Chambre close Romance d’automne ! Love’s labour lost puis « Soirs de Paris » L’Inconnue L’Égrégore Le Ménage Nauretale L’Amant des poitrinaires Conte d’une nuit d’hiver Dans l’espace Oraison funèbre Guide moral Conty — où s’affirment la manière décadente et le sens du climat entre grisaille provinciale et rues désertes. Cet exemplaire offert à Pauline Duval - l'un des quatre recensés - éclaire le cœur de la biographie : en 1880 le jeune Paul Duval gagne Paris 45 rue d’Auteuil à la condition paternelle de prendre un nom de plume — « Jean Lorrain » — ; en 1891 l’année même de Sonyeuse sa mère vient vivre auprès de lui présence discrète et vénérée par le cercle d’Auteuil. Uzanne la dit « adorable mère impassible indulgente le sourire aux lèvres avec le charme et la distinction d'une grande dame du siècle de la poudre et de la philosophie aimable était attentionnée et aux petits soins pour les amis . invités par son cher grand gamin » Jean Lorrain l'artiste l'ami Les Amis d'Edouard n°14 1913 p. 48 et 49. Après la mort de l’écrivain en 1906 elle adoptera le nom Duval-Lorrain réconciliant le fils et l’homme de lettres. Une belle correspondance entre Jean Lorrain et sa mère sera publiée par Georges Normandy en 1925 qui rassemble leurs nombreux échanges entre 1864 et 1906. Paris, Charpentier, 1891. 1 vol. (120 x 185 mm) de 290 p., [1] et 1 f. Broché. unknown
189642600Paris: Jules Tallandier 1896. Fine. Jules Tallandier Paris s. d. 1896 25 x 32.50 cm relié First edition one of 50 numbered copies on Japan paper deluxe issue. Bradel binding in full cardboard covered with decorative patterned paper smooth spine chocolate morocco title label top edge gilt modern pastiche binding signed by T. Boichot. Work illustrated with original color compositions in text and hors-texte by André Cahard. Handsome and rare copy. Jules Tallandier unknown
1707GT292London: Printed for D. Brown. A. Roper and Fran. Coggan 1707. 1st English Edition . Hardback. Vg. 8vo. xvi 352 p. frontis an illus. half-title and 11 leaves of plates. FULL TITLE READS Curiosities of nature and art in husbandry and gardening : containing several new experiments in the improvement of land trees fruits &c. : and also nice and useful observations relating to the vegetation and propagation of plants : with choice secrets to make plants flowers and fruits larger more beautiful and to ripen earlier than usual : with several copper cuts. Note this copy predates the French first edition and the author and translators names do not appear Printed for D. Brown at the Black Swan without Temple-Bar; A. Roper at the Black Boy over aginst St. Dunstan's Church in Fleetstreet; and Fran. Coggan in the Inner-Temple Lane. This copy collates with the copy in the Kew Collection namely 11 plates bound-in plus the engraved frontis half-title. Bound in early half nineteenth century half calf with marbled boards including extra blank pages at the front and rear for notes. A short split to the front joint but a nice binding nevertheless. 9pp of hand-written notes in ink include on the first part of the extra leaves by an unknown hand from that period. The original printed text block and plates are tight and sound but with foxing to some pages. PLEASE EMAIL FOR PHOTOS. <br/> <br/> Printed for D. Brown.. A. Roper and Fran. Coggan hardcover
1959140945078New York: Random House 1959. First Edition. Near Fine/Near Fine. First edition first printing. Original tan half cloth with paper-covered boards and mounted photo of actor Sidney Poitier. Near Fine with slight lean to binding light wear to corners and spine ends foxing to several preliminary leaves at the edges. In a Near Fine unclipped dust jacket with light edge wear with a short tear to the bottom edge of the rear panel and shallow chipping to spine ends toning to spine and browning to the blindside light foxing to flaps. Random House unknown
189387914Paris: S. n. 1893. Fine. S. n. Paris 30 Septembre 1893 10 x 19.50 cm trois pages et demie sur un bifeuillet une enveloppe Autograph letter signed by Jean Lorrain 47 lines written in black ink on a double sheet addressed to the café-concert singer Yvette Guilbert. Fold marks inherent to the envelope enclosure envelope included. Jean Lorrain is recovering with difficulty and very slowly from his operation: ""Not yet healed! All the misfortunes all the complications all the relapses. Operated on June 30th fifty-eight days of filth anguish and suffering and two dressings per day."" and feels aged by this harsh physical ordeal: ""Vous me retrouverez avec des cheveux blancs et plus mince que vô."" His convalescence will take him outside Paris: ""Je pars demain pour Plombières et j'y resterai un mois. Je n'assisterai donc pas à vos débuts de septembre."" and he worries about his author's rights for ""Fleur de berge"" a song for which he wrote the lyrics and which Yvette Guilbert performs and for which she composed the music: ""Fleur de Berge a été chantée plus de mille fois par tous et partout et je n'ai jamais jamais touché un sou ! Avouez que c'est peu je voudrais pourtant qu'elle me rapporte de quoi vous envoyer une fleur. Est-ce que pour Morphinée et celles que je compte vous faire ce sera toujours peau de balle comme ça."" The writer completely foreign to and lost in these legal intricacies asks the singer for advice: ""Vous devez être très au courant vous. Ecrivez-moi un peu comment on fait comment vous faites. Consultez au besoin votre imprimeur éditeur."" Fine autograph letter from a dandy writer confronted with the mysteries of material and pecuniary considerations. S. n. unknown
189842713Paris: Fasquelle 1898. Fine. Fasquelle Paris 1898 10.50 x 16.50 cm relié First edition on ordinary paper only 20 Japan deluxe copies were printed. Bradel binding in brown half-cloth smooth spine decorated with gilt floral motif gilt date and double fillet at foot olive shagreen title-label marbled paper boards original wrappers preserved contemporary binding signed in blind by Pierson. Precious signed autograph inscription from Jean Lorrain to Henri Lavedan. Work illustrated by Heidbrinck. One endpaper partially shaded slight superficial abrasions at foot of boards without significance handsome copy. Fasquelle hardcover
189761930Paris: Mercure de France 1897. Fine. Mercure de France Paris 1897 9 x 15.50 cm relié First edition. Binding in half green morocco with long grain back with five nerves golden monogram tail slight traces of friction on the joints marbled paper plates guards and contreplats of handmade paper gilded head Contemporary binding. Nice copy. Precious autograph dedication signed by Jean Lorrain to the great tragedian Rachel: ""To Rachel Boyer who says my lines so well a year ago."" Mercure de France unknown