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6209309682.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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1998Q-0819870188Pauline Books & Media 1998-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Pauline Books & Media paperback
DADAX1732962502Romans 8:28 Books an Imprint of Redemption Press 2019-02-01. hardcover. New. 6.10x0.70x9.10. Buy with confidence. Excellent Customer Service & Return policy. Romans 8:28 Books, an Imprint of Redemption Press hardcover
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164415325Haarlem: Published by Pieter Soutman 1644. Mixed method engraving and etching. Printed on fine watermarked laid paper. In excellent condition. Image size: 15 1/2 x 10 1/2 inches. A lavish engraving from a series of portraits of Hapsburg royalty published by Pieter Soutman.<br/> <br/> This stunning portrait is from a suite of engravings published by Pieter Claesz Soutman. Executed by some of the most noted seventeenth century engravers the suite is a lavish series of portraits of the Hapsburg dynasty. A prolific engraver and publisher Soutman began his career as a painter in Ruben's studio. In 1628 he returned to Haarlem and founded his own workshop which was responsible for training some of the most celebrated printmakers in Holland. Marguerite of Lorraine born into the prestigious House of Lorraine in Nancy emerged as a figure of strength and resilience. Raised by her aunt Catherine of Lorraine the Abbess of Remiremont after the loss of her mother Marguerite's life was intertwined with political upheavals and clandestine romance. She became the Duchess of Orléans through a secret marriage to Gaston Duke of Orléans the younger brother of King Louis XIII. This union was kept hidden due to France and Lorraine being historical adversaries. Thus Marguerite's relationship was marred by betrayals and political maneuvering as Henri II Duke of Montmorency exposed her elopment leading to the annulment of her marriage to Gaston. It was only on his deathbed that King Louis XIII pardoned Gaston and allowed him to remarry Marguerite. They solemnized their marriage for the third time and were welcomed at the French court where Marguerite took on the title of Madame. As Madame she resided in the Luxembourg Palace and later at the Château de Blois. Although she was received warmly at the French court Marguerite faced personal challenges battling agoraphobia and rarely participating in her courtly duties. After Gaston's death in exile the Dukedom of Orléans passed to his nephew and Marguerite became the Dowager Duchess of Orléans. She continued to reside in the Palais d'Orléans until her passing in 1672 leaving a legacy of resilience in the face of political intrigue and personal struggles.<br/> <br/> Hollstein Dutch and Flemish etchings engravings and woodcuts ca. 1450-1700 Vol XXVII p. 209 no. 12 state i;Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs. Published by Pieter Soutman unknown
2008x-0415761972Routledge 2008. Paperback. New. 1st edition. 246 pages. 9.21x6.14x0.55 inches. Routledge paperback
2008x-0415448204Routledge 2008. Hardcover. New. 1st edition. 240 pages. 9.96x7.05x0.87 inches. Routledge hardcover
DADAX0415761972Routledge 2014-08-15. 1. paperback. New. 6.14x0.55x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
2008SONG0415448204Routledge 2008-08-21. 1. hardcover. Used: Good. 7.25x1.00x10.00. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
2008DADAX0415448204Routledge 2008-08-21. 1. hardcover. New. 7.25x1.00x10.00. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
1804503991.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
170861149Paris Cellier 1708. 8vo. In a contemporary Cambridge-style mirror binding with four raised bands and richly gilt spine. Traces from old paper-label to upper part of spine. Wormholes and scratches to boards. Internally with wormtract in outer margin occassionally touching text otherwise a nice copy. 24 472 8 pp. <br/><br/><em>Later edition first published in 1703 of Vallement’s popular work on agriculture and gardening containing descriptions on the cultivation and propagation methods of wheat flowers and fruit plants on garden care and pruning for ornamental purposes. Vallemont 1649-1721 was a historian numismatist theologian and physician with a passion for gardening as well. </em> hardcover
1707V73745London: D. Brown A. Roper & Fran. Coggan First English edition 1707. Hardcover. Good. Allegorical frontispiece 12 copperplates one of which in facsimile on old paper. Frontispiece attributed to Michael van der Gucht 1660-1725 Flemish engraver working in England. Octavo panelled calf blindtooled tips worn neatly rebackacked I matching leather. Frontis titlepage 14 352pp some misnumbered but collated complete. Text foxed & browned but paper still quite crisp stable & tight. The plates printed on different paper and are all unfoxed and aside from slight marginal browning are whiter than the text. Translated by William Fleetwood from Curiositez de la Nature et de l'Art sur la Ve ge tation but author's & translator's names do not appear. This English version pre-dates the French first edition as given in British Library catalogue and the chapter order does not correspond with the French. D. Brown, A. Roper & Fran. Coggan First English edition hardcover
169220068Paris 1692. Engraved headpiece and engraved vignette. Contemporary mottled calf hinges repaired spine and label gilt edges sprinkled red. Ownership inscription “Marelle fils ainé.†In excellent condition. First edition of this important and occult-leaning treatise on magnetism. In October 1690 a powerful storm damaged the cross-topped steeple of the Cathedral de Notre Dame in Chartres such that it had to be demolished and rebuilt. When it was taken down the iron cross was observed to be coated in rust making it a strong magnet that attracted the lightning of the storm essentially conducting Franklin’s kite and key experiment 60 years earlier. <br /> This phenomenon sparked pun intended Vallemont’s interest in magnets and their properties; this book focuses on the Chartres incident but also what it means in magnetic theory. He describes the magnetic field of the earth compass technology magnetic fluid under a microscope and experiments in attempting to magnetize objects. Towards the end of the text he applies magnetic theory to occult practice: using magnets to transmute metals perform necromancy and find the Philosopher’s Stone.<br /> Mottelay Bibliographical History of Electricity and Magnetism 144; Wheeler Gift 205. unknown
171521850Paris 1715. Small 8vo ca. 16 x 10 cm. Nicolas Caillou and Jean Musier Contemporary gold-tooled mottled brown calf with the title lettered in gold on the spine gold-tooled board edges marbled edges marbled endpapers. With an engraved frontispiece an engraved headpiece a woodcut headpiece and two decorated woodcut initials. 8 223 4 5 blank pp. First edition of the first biography and catalogue of the work of the Lorraine artist Sebastien Le Clerc 1637-1714. Le Clerc was a draftsman engraver and military engineer born in Metz. He published numerous books on geometry and perspective as well as on architecture. He had a great eye for composition and is still considered one of France's best engravers because of it. He initially worked as an engineer but his artistic talents were soon recognised by Charles le Brun 1619-1690 a painter who worked directly for King Louis XIV and painted several murals in Versailles. Le Brun advised him to abandon his engineering work and devote himself exclusively to engraving and drawing which he did very successfully. He was sought after by publishers and his engravings were already collected in his own time. The present work was published shortly after his death. The portrait of Le Clerc especially made for this work is often lacking but has here been added as a frontispiece at a later date.The edges and corners of the boards are scuffed the boards are slightly scratched the joints are somewhat weakened but the structural integrity of the binding is still intact. The frontispiece is likely taken from another work and has been mounted on the blank page before the title page the work is slightly browned throughout but otherwise internally clean a contemporary correction with annotation in the margin on page 18. Overall in good condition.l Catalogue du Fonds Lorrain Nancy 4339; Colon 17957; Quérard X p. 27; WorldCat 1044587864; cf. not in Cicognara. ABE CAT Art History hardcover
