9 052 résultats
1993ARIsuPAR53Paris: 1993. 1993. 4to. unpaginated. French text. profusely illus. in colour & b/w. includes a loosely inserted folded 1991 Morimura exhibition poster 67 x 59 cm from Luhring Augustine Gallery in New York. wrs. corners bumped. Edition Limited to 100 copies signed by Morimura. Signed by Authors. Soft cover. Fine. [Paris: 1993]. Paperback
1982ARIBPARI41Paris: 1982. 1982. 8vo. pp. 287. French text. profusely illus. in b/w some colour. biblio. index. wrs. lightly scuffed spine sunned. Exhibition Catalogue. Soft cover. Very Good. Paris: [1982]. Paperback
a23059Paris 1871. French newspaper published in support of the Paris Commune issue for May 10 1871. Single folio sheet printed on both sides. Several references to Gambon Delescluze Arnaud. Reports of arrests military reports etc. Near Fine. unknown
196827067<p>Philadelphia::: Chilton 1968. First Printing of the First US Edition. A Near Fine copy in a Near Fine unclipped dust jacket with a closed edge tear to the heel of the spine. This collection of tributes features contributions by more than 50 of her friends and admirers. Nancy Cunard was a writer heiress and political activist. She was born into the British upper class but strongly rejected her family's values devoting much of her life to fighting racism and fascism. In 1920 she moved to Paris where she became involved with literary Modernism Surrealists and Dada. Much of her published poetry dates from this period.She became a muse to some of the 20th century's most distinguished writers and artists in England and Paris including Wyndham Lewis Aldous Huxley Tristan Tzara Ezra Pound and Louis Aragon who were among her lovers Ernest Hemingway James Joyce Constantin Brancusi Langston Hughes Man Ray and William Carlos Williams. In 1928 she founded the Hours Press to support experimental poetry and provide a higher-paying market for young writers; her inherited wealth allowed her to take financial risks that other publishers could not. Hours Press became known for its beautiful book designs and high-quality production. She died in France in 1965.</p> Chilton,, hardcover
2001ARri(PAR35Paris: Le Moniteur 2001. 2001. 4to. pp. 247 9. profusely illus. in colour & b/w. map illus. text is in French & English. wrs. Architecture Paris Olympic Games. [Paris]: Le Moniteur, [2001]. unknown
185077573Uten sted. Hildburghausen. Uten år. Ca 1850. Folio. Hvert blad : 36 cm X 45 cm. Verlag vom Bibliographischen Institut. Tysk. <br/><br/><em>Fra Meyers Grosser Zeitungs-Atlas. </em> unknown
11028Woodcut royal coat-of-arms to title & two woodcut head-pieces. 40 pp. 12mo 160 x 96 mm. late 19th-cent. green morocco-backed marbled boards spine gilt. Paris: J. T. Herissant 1763.<br /> <br> <br> A scarce mid-18th century livret for the Paris Salon from the library of museum curator comte L. Clément de Ris 1820-82 with his dated ownership inscriptions “1864†to the first blank leaf and the title-page. These ephemeral publications were distributed at the Salons and have become exceedingly scarce on the market. The first Salon livret was produced in 1673–only three copies of this inaugural booklet are known.<br /> <br> <br> The catalogue has 208 entries of paintings sculptures engravings and one tapestry contributed by ca. 76 artists including C. & L. M. Vanloo Boucher Nattier Vien Chardin Millet Vernet Mme. Vien Casanova Greuze Adam Fessard Lempereur Moitte etc. etc. It is notable to see a woman included Marie Thérèse Vien 1735-1805 née Reboul; some of the paintings shown at this Salon were acquired by empress Catherine II.<br /> <br> <br> A fine copy formerly in the library of an important art historian.<br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
11030Woodcut coat-of-arms & woodcut headpiece. 56 pp. & one leaf of ms. Early 19th-cent. marbled semi-stiff wrappers 149 x 95 mm. leather lettering-piece on spine. Paris: veuve Herissant 1781.<br /> <br> <br> Scarce livret for the 1781 Paris Salon with a manuscript addendum detailing eight more works that were displayed. Ca. 87 artists exhibited at least 318 paintings sculptures engravings drawings etc. Artists such as Doyen Brenet Taraval Vernet Renou Casanova Guerin Robert Huet Vallayer-Coster Wailly Pérignon Suvée Callet Parrocel Pajou Berruer Houdon Boizot Julien Cochin etc. participated in this year’s Salon. In fine condition.<br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
11031Woodcut royal coat-of-arms to title. 59 pp. 12mo 164 x 98 mm. 20th-cent. green morocco-backed marbled boards by Blanchetière spine ornately gilt t.e.g. Paris: l’Imprimerie des Bâtimens du Roi & de l’Académie Royale de Peinture 1787.<br /> <br> <br> Scarce livret produced for the 1787 Salon in Paris. Ca. 115 artists exhibited 327 paintings drawings sculptures engravings etc. The exhibition presented the work of Brenet Suvée Vernet Weyler Callet Vigée-Lebrun pp. 19-20 Labille-Guiard pp. 21-22 David Wertmuller Peyron Perrin Hall Bilcoq Pajou Bridan Boizot Houdon Comte de Parois Porporati Venon Monot etc. A finely bound copy of this rarity livrets of the Paris Salon are now rare on the market.<br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
11032Woodcut royal coat-of-arms to title. 60 pp. 12mo 172 x 103 mm. 20th-cent. half-green morocco over marbled boards by Blanchetière spine ornately gilt t.e.g with cont. decorative wrappers bound-in. Paris: l’Imprimerie des Bâtimens du Roi & de l’Académie Royale de Peinture 1789.<br /> <br> <br> Scarce 18th-century Salon livret; WorldCat records only three examples in North America. Ca. 117 artists participated and presented a total of 335 works. The artists present for this year’s Salon included Rameau Vallayer-Coster pp. 13-14 Vigée-Lebrun pp. 19-20 Labille Guiard David Houdon Moitte Saint-Aubin etc. An exquisitely bound copy in fine condition.<br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
1103496 pp. 12mo 157 x 93 mm. 19th-cent. green sheep maroquiné-backed marbled boards spine gilt. Paris: veuve Hérissant 1795.<br /> <br> <br> An uncommon Salon livret from the Revolutionary period; WorldCat records only two examples in North America the National Gallery of Art Library also has one. This copy was once part of the library of comte L. Clément de Ris 1820-82 a prominent museum curator who amassed one of the finest collections of art exhibition catalogues. With entries for paintings numbered 1-535; Sculpture 1001-1089; Architecture 2001-2063; and Gravure 3001-3048. Fine copy with distinguished provenance. Small marginal tear to pp. 83-84. <br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
110402 p.l. 100 pp. 12mo 160 x 98 mm. 19th cent. patterned cloth leather lettering-piece on spine cont. paste-paper wrappers bound-in. Paris: L’Imprimerie des Sciences et Arts An VI i.e. 1798.<br /> <br> <br> Scarce Revolutionary-era Salon livret; WorldCat locates just three examples in North American libraries. Some sources date this Salon as taking place in 1797 as does the text of the lettering-piece on our volume. In very good condition; foxing throughout.<br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
11090Woodcut royal coat-of-arms to title. 46 2 pp. 12mo 157 x 98 mm. 19th-cent. blue morocco-backed marbled boards spine gilt. Paris: Herissant pere 1769.<br /> <br> <br> Scarce Salon livret from the library of prominent museum curator comte L. Clément de Ris 1820-82. Ca. 92 artists exhibited 259 paintings drawings sculptures engravings etc. We note the participation of Boucher Vien Lagrenée Vanloo Chardin De la Tour Vernet Baudoin Leprince Robert Amand Lépicié Huet Greuze Hall Le Bas Tardieu Wille etc. etc. A two-page Arret from 1714 regarding the counterfeiting of artists’ prints is bound-in at the end. In excellent condition with notable provenance. de Ris amassed one of the greatest collections of art exhibition catalogues and he has added the year he acquired this volume — “1859†— alongside his ownership inscription to the recto of the first blank leaf.<br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
6798PARIS TO THE NETHERLANDS. D. 3 pg. c. 1790s-1800s. Paris France. A list of directions from Paris to Netherlands. The translated French text reads Indication of the best Routes and Inns from Paris to Brussels. From Paris to Chantilly: Stay at La Poste. From Chantilly to Amiens: Stay at Petit Fresinoix and not at Pollet. From Amiens to Lille: At La Poste on the Square. From Lille to Brussels: At the Prince de Galles & the Htel des Flandres. One can go via Ghent to see the beautiful Church but it is a detour. From Brussels to Antwerp: At Le Laboureur at Looss. From Antwerp to Breda: At the Prince Cardinal. From Breda to Rotterdam: At the Zwijnshoofd and the Marchal de Turenne. From Rotterdam to The Hague: Passing through Delft you must go see the tombs of the Princes of Orange Grotius and Admiral Tromp in the Great Church. In The Hague: The hall of the first chamber of the legislative body and the audience hall then the General Lottery Hall with the Flags are worth visiting. A walk in Scheveningen by the seaside and another toward the House of the Princes in the Woods to see the beautiful tapestries etc. From The Hague to Amsterdam: Stay at the Doele on the shrimp market Garnalenmarkt at Mrs. Oosterlings. The town hall the Felix Meritis the workhouse and the National Theater are worth seeing. From Amsterdam to Haarlem: Go there on a Sunday dine in one of the inns in the Woods then see the beautiful house of Mr. Hope and several country estates nearby in the villages of Santpoort Velsen & Beverwijk. Enthusiasts sometimes go to see the gardens and greenhouses of some famous florist. From Amsterdam a trip to Utrecht: This is best done in the "Roeff" covered cabin of a boat to see the singular beauty of the canal and the countryside from Nieuwersluis to Utrecht. Two hours before Utrecht in the village of Maarssen you will find the beautiful estate of Mr. Nepveu called Elsenburg. Lodging in Utrecht at the Chteau dAnvers at Oblets. The Dome Cathedral Tower the botanical garden and the anatomy room of the Academy have a reputation for being curious. Then two leagues from Utrecht in the village of Zeist there is a Moravian settlement. Taverns recommended Pons Croix-Dore. Peronne Verd Gallant the other side of the town. Arras Le Griffon not good but the best! Lille at Fiquets grand Place where Ld. Malmesbury lived get the front room as you see by the windows that respectable women have been there. Courtray Lion dor charming country. Ghent Buys grand Place bad but best see the old cathedral not far from the Tavern. Brussels by all means go to Mr. Follie Hotel de Galles the park an excellent house & an intelligent & trustworthy polite landlord. Buy a Guide de Bruxelles. Antwerp or Anvers Grand Laboureur. Breda Prince Cardinal. Rotterdam Marechal Turenne bad but best. Hague Marechal Turenne Schlopser Leyden Golden Lion. Robert will show you the town. Haarlem Golden Fleece see the Church & hear the Organ see Hopes House near the wood & the wood & see Taylors museum the superb electrical machine. Amsterdam The Arms of Amsterdam observe the Rhine lose itself near Katwick on Zee Saa Brock cross the river some Sunday & take two hours to see the Stadthouse The Foreign ministers at the Hague are Ct. de Lowenhielm Sweden Chevalier dAnduaga Spain Count Lutenum son of the Genl. Denmark Baron Hugel Wurtemberg Baron Bielfeld unaccredited charge for Prussia Mr. Bossert Hesse Cassel & Hanse towns Mr. Galdi Cisalpine Mr. Semonville France. Swedish Secretary of Legation Chevalier Reuterswerd. These directions show significant tourist spots and landmarks of the time. The mention of Mr. Hopes House refers to Villa Welgelegen in Haarlem built by the wealthy banker Henry Hope. The superb electrical machine in Haarlem refers to the massive electrostatic generator at the Teylers Museum which is still there today. Page 3 offers honest reviews of the places it discusses making it a dependable travel guide. This document is in good condition. unknown
1896211412Paris: Champion 1896. hardcover. very good. Volume I only. 1895-1896. Illustrations throughout the text and 4 folding maps at the rear. Tall 8vo 1/2 crimson morocco marbled boards. Paris: H. Champion & A. Fontemoing 1896. First Edition. Very good .<br/> <br/> Champion unknown
175928993Paris: Chez Moreau Hochereau l'ainé 1759. Cancelled state of leaf L1. 1 vols. 8vo. Contemporary sprinkled calf red morocco label. Some rubbing of extremities short cracks along upper joint light spotting hole in last page affecting a few letters else very good with a manuscript ex-libris on title-page. Cancelled state of leaf L1. 1 vols. 8vo. Chez Moreau, Hochereau l'ainé unknown
187829001Paris: A. Quantin 1878. One of 330 copies. Some illustrations each with introduction by L'Abbé Valentin Dufour. 4 vols. 8vo. Recent red morocco gilt backed blue cloth by G. Gauché. Some light discoloration but generally very good. One of 330 copies. Some illustrations each with introduction by L'Abbé Valentin Dufour. 4 vols. 8vo. A. Quantin unknown
1840ARRI(PAR22cParis: c1840. 1840. oblong 8vo. 20 coloured lithographed plates only incl. title; plates not bound in numerical order the latest number being 27. original blind & gilt-stamped cloth cloth faded spine crudely repaired some foxing. Hardcover. [cParis: c1840]. Hardcover
1935120166Paris: Editions L'Indispensable c.1935. Very Good. small octavo. hardback in decorated cloth 142 40pp. maps Inc. 40 double-page arrondissement maps. Large folding map 72 x 52 at rear. Signs of use o/w VG copy of a nice period piece Editions L'Indispensable hardcover
195047503n.p. c.1950. 8vo 401 11 pp. Owner's name and address to front blank. Original gilt titled cloth rubbed rebacked. [n.p. unknown
175929000Paris: Chez Moreau Hochereau l'ainé 1759. With uncancelled state of leaf L1. 1 vols. 8vo. Contemporary stained sheep red morocco label spine gilt. Rubbed head and tail of spine chipped some soiling and light browning else very good with an 1811 ex-libris on the title. With uncancelled state of leaf L1. 1 vols. 8vo. Chez Moreau, Hochereau l'ainé unknown
186929206Paris: Chez Auguste Aubry 1869. One of 329 copies. Frontispiece. 1 vols. 8vo. Brown morocco-backed marbled boards. Some rubbing of binding corners knocked some light marginal discoloration else very good. One of 329 copies. Frontispiece. 1 vols. 8vo. <br/><br/> Chez Auguste Aubry hardcover
001053Paris: Maison Logerot J Gaultier Sr. VG hard cover 16X11CM booklet with 62X84CM folding map of Paris. Hardcover. "Quai des Gds Augustins 55 Paris" imprinted on upper right. "Imp sur Zinc. Procede monrocg 3 rue Sugar Paris" on lower right . Red cloth. Gilt lettering embossed on front. Front & back boards edge ruled in black with black floral motif in corners. With a 36p booklet of place names street names etc. Bright & clean in & out. Map unfolds 6 times horizontally & 3 times vertically with most fold line corners tearing. This will not tolerate much unfolding & folding. Ideally it should be linen backed and probably left opened up. . Maison Logerot J Gaultier Sr hardcover
183130756Paris: A Barbier Imprimeur 1831. Folding lithographic frontispieces with double illustrations some creasing and short marginal tears half titles. 192; 191pp. 1 vols. Sm. 12mo. Two volumes bound in one. Contemporary dark green morocco-backed marbled boards. Rubbed short cracks at top of spine some browning and spotting else very good. Folding lithographic frontispieces with double illustrations some creasing and short marginal tears half titles. 192; 191pp. 1 vols. Sm. 12mo. Marin is best known for his "Histoire de la vie et des ouvrages de M. de Chateaubriand" 1832. <br/><br/> A Barbier, Imprimeur hardcover
181729207Paris: Chez l'Auteur 1817. Second edition. Large folding engraved map some short tears along gutter small hole along fold else very good. 1 vols. 8vo. Contemporary sheep-backed marbled boards. Boards rubbed some staining and starting of joints rubbing of spine some light spotting of text else very good. Second edition. Large folding engraved map some short tears along gutter small hole along fold else very good. 1 vols. 8vo. Chez l'Auteur unknown