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Un volume in quarto (23x29 cm) di (2)-25 pagine; in lingua francese. Redatto dal prefetto Rambuteau. Timbri di biblioteca al titolo con tampone Volume Réformé (cioè eliminato). Legatura in tutta pelle verde oliva, dorso ornato con mancanze, cerniere fendute, margini usurati.
Gutes Exemplar; der farb. illustr. Einband etwas berieben. - Mehrsprachig. - INHALT : Allgemeine Hinweise ----- Zeichenerklarung Stadtbiiros ----- Flugplane ----- Langstrecken ----- U.S.A.-Kanada-Mexiko ----- U.S. A. -Karaiben-Antillen-Guyana ----- Europa-Antillen-Guyana ----- Argentine-Bresil-Chili-Uruguay Chile-Kolumbien-Equateur-Peru-Venezuela ----- Lima-Papeete-Tokyo Australien-Pacifik-Weltrundflugstrecke ----- Ferner Osten Naher Oster Israel ----- Mittel und Sudafrika Westalrika Ostrafrika-Madagaskar ----- Europa ----- Grossbritannien-lrland ----- Portugal - Kanarien Ins ----- Spanien ----- Italian ----- Griechenland-Türkei ----- Belgien-Niederlande-Luxemburg ----- Schweiz ----- Deutschland-Oesterreich ----- Jugoslawien ----- Polen-U.d.S.S.R. ----- Bulgarien-Ungarn-Rumanien ----- Tschechoslowakei ----- Skandinavien-Finnland j Frankreich ----- Nordafrika ----- Tunesien-Libyen ----- Algerien ----- Marokko ----- Lokale Flugnetze ----- Karaiben-Antillen-Guyana West und Mittelalrika Madagaskar ----- Lokale Flugnetze Ferner Osten ----- Air Vietnam Air Cambodge Royal Air Lao Air Djibouti Air Guadeloupe ----- Frachtdienste.
P., Bachelier, 1852. In-16 broché, couverture rose imprimée, 630 pages suivies de 54 pages de catalogue. Une biographie de BAILLY occupe les pages de 243 à 611. Bon état.
Paris, Société des Amis de la Bibliothèque Forney, 1985. Un volume broché de format in 8° de 140 pp.; nombreuses illustrations. Bon état.
Two works in one volume. pp. (3), 272. Foxed. 12 mo. BOUND WITH: Cordemoy, Abbe Louis Geraud de (1651-1722). TRAITE DE L'INFAILLIBILITE DE L'EGLISE. Francois Barrois, Paris (Nevers): 1713. pp. (24), 273 (5). Foxed. Contemporary French polished calf binding, spine in compartments, tooled in gold with morocco label lettered in gold. Chipped at extremities, but still attractive. Early ownership of the Carmelites of Orleans. Two important works in theology and doctrine, written at a time of great controversy. Especially interesting is Duguet's commentary on the Hexaemeron. His observations and reflections are principally moral, and the work is generally devoted to descriptions of the marvels of creation. Written at the request of Rollin, it is divided into six parts, one for each day. Very scarce. See 033AFR1. **PRICE JUST REDUCED! FR3
pp. (v), 370, (4). Apparently lacking the half-title, and two plates which are found in some copies. 12 mo. 170 mm. Original French full leather binding; somewhat worn. An interesting collection that contains: reflections on the origin of the nations, drawn from analysis of their language; evidence of a universal deluge (Noah's Flood); and comments on - natural history; medicine; chemistry; geography; etc. Scarce. FR1
In 12° (13,8x7,5 cm); (2), XII, 329, (5) pp. Legatura coeva in piena pelle con filettatura a secco ai piatti e titolo e fregi in oro al dorso (piccole mancanze di pelle agli angoli dei piatti e qualche leggera storfinatura), Finalini e testatine ornate. Prima edizione di questo raro lavoro del grande storico ed archeologo francese Jeacques Antoine Dulaure. Prima di iniziare la sua carriera letteraria, Dulaure si dedicò prima all'architettura e poi alla topografia. I suoi primi scritti furono opere di storia locale nei quali l’autore analizzava la storia di diversi monumenti di Parigi. In seguito pubblicò diverse opere che tradivano il suo odio per gli abusi, l'ingiustizia e le false dottrine dell’Ancien Régime. Sotto forma di guide di Parigi riusciva a criticare la monarchia ed il sistema monarchico. Allo scoppio della Rivoluzione Francese abbracciò con entusiasmo lo spirito rivoluzionario e occupò diverse cariche pubbliche. Dopo la restaurazione finì in disgrazia e si mantenne solo grazie al suo talento di scrittore. L’opera qui presentata è una raccolta di curiosità parigine attraverso le quali, nel suo stile, l’autore pone l’accento sul morente regime monarchico criticandone gli eccessi passati e presenti. Opera non comune e all’interno in buone condizioni di conservazione.
Ouvrage posthume du docteur Stearne, traduit de l'Anglois oar un Observateur. Ma non è di Stearne; l' autore Rutledge usa una parodia dello stile di Stearne. Un volume in 12° di XVI-287 pagine. Legatura i mezza pelle coeva molto MALANDATA con dorso praticamente mancante (consigliabile una nuova legatura). --- Jean-Jacques (James) Rutlidge, irlandese, giornalista, autore tra l'altro di un pamphlet contro Necker, divenne poi durante la Rivoluzione un fervente hebertista. "La Quinzaine anglaise à Paris, ou l'art de s'y ruiner en peu de temps se veut l'histoire d'un jeune et riche lord anglais venu s'initier aux charmes de la vie parisienne et que de subtils aigrefins mèneront rapidement à la ruine et à la prison pour dettes. L'auteur nous conduit à la fois dans le beau monde faisandé de l'époque, dans les salons des grandes cocottes et dans l'atelier de J.-B. Greuze, le peintre de la vertu. Paris est vu et dénoncé comme le lieu du paraître et de la perversion. Mais Rutlidge est aussi un témoin attentif, des salles de jeu comme des premières courses de chevaux. L'histoire de Milord est celle d'une chute que précipitent sa candeur et sa vanité, sa curiosité mêlée de gêne et son érotisme d'adolescent qui s'éveille à l'amour, qu'il ne découvre que tarifé. Rutlidge a voulu écrire une oeuvre morale à l'intention des visiteurs anglais. Il a écrit aussi ce qui ressemble plutôt à l'ébauche d'un roman balzacien" (dalla presentazione dell'edizione moderna Champion) -- Quinzaine .. is an amusing satirical work by James (or Jean Jacques) Rutledge which was published without attribution to him, first printing in 1776. DNB's article on Rutledge says: "this sketch, which depicts the rapidity with which a 'plunger' may be reduced to destitution by the harpies of Paris, and purports to be a posthumous work by Sterne, to whose works it bears no sort of resemblance, was translatedf as the Englishman's Fortnight in Paris, by An Observer, Dublin, 1771."
in-8°, 149 pages, illustrations h.t. n&b, broche, couverture illustree (GRUAU). Excellent etat. [NV-10] Histoire de la mode parisienne.
Firenze, Museo di Santa Maria Novella (Vallecchi), 11 aprile - 10 luglio 1980, in-8, brossura editoriale, pp. 70, (2). Con numerose illustrazioni in b.n. nel testo e 37 tavole fuori testo.
n.p., ill. hors texte N&B, agr., couverture illustree en couleurs (PEYNET). Photographies de (e.a.) : Seeberger, Bovis, Roubier, Doisneau, Tres bel exemplaire. [NV-12]
408p. + Frontis. Slightly foxed. 12mo. Original full blue cloth binding, embossed and decorated in blind and gold. Slightly faded. Hardbound. Includes: Incidents along the Way; Scenery; Characters and Costume; Social life; Views of the principal monuments, churches, palaces, gardens, galleries, paintings, museums, libraries; Life on shipboard; Revolution in Paris; Professional view of public and private schools; etc. A very good copy of the First Edition. TRAVEL/3
1st Edition. Original Boards. 12mo. [xix], 85 pages. 18cm. In Hebrew with French Title Page. Title translates in English as, The Biography of Adolphe Crémieux, French Senator and President of the Alliance Israelite Universelle. Adolphe Crémieux (1796 1880) was a French-Jewish lawyer and statesman and staunch defender of the human rights of the Jews of France From 1834 until his death, Crémieux served as vice-president of the Consistoire Central des Israélites de France (Central Consistory of the Jews of France) , the administrative agency for all French Jews. On 24 February 1848 he was chosen by the Republicans as a member of the provisional government, and as minister of justice he secured the decrees abolishing the death penalty for political offenses, and making the office of judge immovable. That same year he was instrumental in declaring an end to slavery in all French Colonies, for which some have called him the French Abraham Lincoln. When the conflict between the Republicans and Socialists broke out, he resigned office but continued to sit in the constituent assembly. At first he supported Louis Napoleon, but when he discovered the prince's imperial ambitions he broke with him Crémieux did much to better the condition of the Jews. In 1827, he advocated the repeal of the More judaico, legislation stigmatizing the Jews left over from pre-revolutionary France While in the government of the national defence, he secured full citizenship for the Jews in French-ruled Algeria, through the Crémieux Decree The decree allowed for native Jews to become French citizens while Muslim Arabs and Berbers were excluded and remained under the second-class indigenous status outlined in the Code de l'Indigénat... (Wikipedia, 2016) SUBJECT(S) : Biography, Jews, France. OCLC lists 13 copies worldwide; Jewish institutional bookplate, Some edgewear as expected, Good Condition. (MX-37-1)
1st Edition. Original Boards. 12mo. [xix], 85 pages. 18cm. In Hebrew with French Title Page. Title translates in English as, The Biography of Adolphe Crémieux, French Senator and President of the Alliance Israelite Universelle. Adolphe Crémieux (1796 1880) was a French-Jewish lawyer and statesman and staunch defender of the human rights of the Jews of France From 1834 until his death, Crémieux served as vice-president of the Consistoire Central des Israélites de France (Central Consistory of the Jews of France) , the administrative agency for all French Jews. On 24 February 1848 he was chosen by the Republicans as a member of the provisional government, and as minister of justice he secured the decrees abolishing the death penalty for political offenses, and making the office of judge immovable. That same year he was instrumental in declaring an end to slavery in all French Colonies, for which some have called him the French Abraham Lincoln. When the conflict between the Republicans and Socialists broke out, he resigned office but continued to sit in the constituent assembly. At first he supported Louis Napoleon, but when he discovered the prince's imperial ambitions he broke with him Crémieux did much to better the condition of the Jews. In 1827, he advocated the repeal of the More judaico, legislation stigmatizing the Jews left over from pre-revolutionary France While in the government of the national defence, he secured full citizenship for the Jews in French-ruled Algeria, through the Crémieux Decree The decree allowed for native Jews to become French citizens while Muslim Arabs and Berbers were excluded and remained under the second-class indigenous status outlined in the Code de l'Indigénat... (Wikipedia, 2016) SUBJECT(S) : Biography, Jews, France. OCLC lists 13 copies worldwide; Jewish institutional bookplate, Some edgewear as expected, Good Condition. (MX-37-1)
In 8o, catalogo ripiegato, ottimo (9470/ COLORI - FILI - MULHOUSE - PARIS - BELFORT)
Cartoncino (cm 10, 5 x 13,5) d'invito alla mostra alla Libraire Paul Morihien di Parigi del 1951.
4 volumes dans une Reliure 1/2 basane havane - mors fragilisés - Dos lisse orné - Plats & gardes marbrés LONDRES, 1789 - Complet du Grand plan dépliant de la Bastille - VIII-199 pages - Edition Originale PARIS, chez tous les Marchands de Nouveautés, 1822 - 56 pages LONDRES, de l'Imp. de Edw. Cox - 1783 - 68 pages - Réfutation - Edition Originale PARIS, 1789, chez Lefevre -137 pages, dont page 137 manuscrite - Edition Originale -Bon exemplaire - Ex-libris armorié "docteur M. Vimont" avec la devise "Urbi et Orbi Salus" et ex-libris cachet"Cabinet de Mr Albin" Edition originale. Deux vers de Voltaire en épigraphe "Dans cet affreux château, palais de la vengeance, on renferme souvent le crime et l'innocence". "On trouve d'abord une description très circonstanciée du bâtiment de la Bastille, tant de l'intérieur que de l'extérieur; un compte-rendu détaillé du régime de cette prison, de la composition de l'Etat-major et plusieurs anecdotes sur quelques prisonniers célèbres ( ) On a joint la suite des ‘Révolutions de Paris’ depuis le 12 juillet jusqu'au 8 août inclusivement, journal qui avait paru en feuilles détachées, ‘où l'on a recueilli le plus de faits, le plus de circonstances, et où j'ai remarqué en générale assez d'exactitude et de bonne foi’ " (Grimm & Diderot, 'Correspondance littéraire', V, 210). En fin, un texte signé Mauclerc ('Le langage des murs ou les cachots de la Bastille dévoilant leurs secrets', p. 131 à 137 p.) contient le relevé exact des noms et inscriptions sur les murs des cachots de la Bastille. (Tourneux, I, 1148 et III, 12316).
P, Berggruen, 1984. Format in-12 oblong, environ 50 pp. avec 20 numéros au catalogue et une illustration par numéro. Cette plaquette est la 79° de la collection Berggruen.
P, Berggruen, 1983. Format in-12 oblong, environ 50 pp. avec 45 numéros au catalogue et une illustration par numéro. Cette plaquette est la 75° de la collection Berggruen.
Paris, Laboratoires Chantereau, n° 51, s.d. Plaquette in-8 (17,5 x 22 cm), brochée, couverture illustrée en sépia, non paginée. (16 pp). Un portrait en première page, une planche en couleurs contrecollée et illustrations en noir dans et hors-texte. (reproductions de tableaux) et publicités du laboratoire.
1er "fascicule", complet pour "Paris et le département de la Seine", de cette "Géographie pittoresque et monumentale de la France gravée et imprimée par GILLOT" publiée sous la direction du géographe Charles BROSSARD: historique et géographie physique du département; divisions et organisation administratives, cultes, armée (dont liste des forts), justice, instruction publique, agriculture, industrie, commerce, monuments; nombreuses photos, dont 28 planches couleurs (monuments, mais aussi vues animées de voitures à chevaux, marchés, tannerie sur la Bièvre, haleurs du Canal Saint-Martin...); carte in fine. Ouvrage non daté (dernière date dans le texte: 1897). Exemplaire en reliure percaline éditeur signée ENGEL. Français
Paris, Laboratoires Chantereau, n° 33, s.d. Plaquette in-8 (17,5 x 22 cm), brochée, couverture illustrée en sépia, non paginée. (16 pp). Un portrait en première page, une planche en couleurs contrecollée et illustrations en noir dans et hors-texte. (reproductions de tableaux) et publicités du laboratoire.