[Paris in the 20s] McAuliffe, MaryBiblio.com
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201627975Lanham:: Rowman & Littlefield 2016. First Printing of the First US Edition. A Fine tight unread copy in a Fine bright unclipped dust jacket. Mary McAuliffe traces a decade that saw seismic change on almost every front from art and architecture to music literature fashion entertainment transportation and most notably behavior. The epicenter of all this creativity as well as of the era’s good times was Montparnasse where impoverished artists and writers found colleagues and cafés and tourists discovered the Paris of their dreams. Major figures on the Paris scene—such as Gertrude Stein Jean Cocteau Picasso Stravinsky Diaghilev and Proust—continued to hold sway while others now came to prominence—including Ernest Hemingway Coco Chanel Cole Porter and Josephine Baker as well as André Citroën Le Corbusier Man Ray Sylvia Beach James Joyce and the irrepressible Kiki of Montparnasse. Les Années folles also saw an undercurrent of despair as well as the rise of ruthless organizations of the extreme right aimed at annihilating whatever threatened tradition and order—a struggle that would escalate in the years ahead. Rowman & Littlefield, unknown
198628712Austin:: University of Texas 1986. First Printing of the First Edition. A Fine copy in a Near Fine dust jacket with touch of rubbing to the extremities. This important study investigates a little-known aspect of 20th-century literary history. Benstock describes the lives and work of approximately two dozen English and American women who lived in Paris during its heyday as a literary center. Though many of these women made significant contributions both to Parisian expatriate culture and to modern literature they have long been overshadowed by the reputations of their male relatives and colleagues. By examining the lives and work of such diverse figures as Gertrude Stein and Caresse Crosby Edith Wharton and Djuna Barnes Benstock attempts to establish what it was like to be both a woman and a writer in literary Paris at the time. University of Texas, unknown
198623170Austin:: University of Texas 1986. First Printing of the First Edition. A Fine copy in a Near Fine dust jacket with touch of rubbing to the extremities and a small nick to the rear flap. This important study investigates a little-known aspect of 20th-century literary history. Benstock describes the lives and work of approximately two dozen English and American women who lived in Paris during its heyday as a literary center. Though many of these women made significant contributions both to Parisian expatriate culture and to modern literature they have long been overshadowed by the reputations of their male relatives and colleagues. By examining the lives and work of such diverse figures as Gertrude Stein and Caresse Crosby Edith Wharton and Djuna Barnes Benstock attempts to establish what it was like to be both a woman and a writer in literary Paris at the time. >From the Library Journal. University of Texas, unknown
200828100<p>Berkeley:: Counterpoint 2008. First Printing of the First US Edition. A Fine tight unread copy in a Fine unclipped dust jacket. From the fifteenth century through the twentieth poets novelists and playwrights famed for both their work and their lives were shaped by Paris. From the natives such as Moliere Genet and Anais Nin to expats like Henry Miller Samuel Beckett and Gertrude Stein author David Burke follows hundreds of writers through Paris's labyrinthine streets inviting readers on his grand tour. Unique in scope and approach Writers in Paris crosses from the Right bank to the Left and on to the Ille de la Cite as it explores the alleyways and haunts frequented by the world's most storied writers. Burke focuses not only on their writing but on their passions ecstasies obsessions and betrayals. Equally appealing to Francophiles and serious readers this engaging book includes maps and more than one hundred evocative photographs.</p> Counterpoint, hardcover
190057674Paris & Arromanches France: n.p. 1900-1901. Oblong thick 8vo. 9 x 6.5 x 2 in. 50 leaves unnumbered. w/ 50 mounted albumen photos on thick card stock hinges at gutter margin sized 3 x 4.25 in. the Exposition photos w/ negative numbers below but no captions Normandy photos captioned. Contemporary green pebbled cloth post-binder nickel-plated screwposts minor shelfwear light scuffing still VG exemplar. The Paris Exposition Universelle of 1900 introduced marvels which would transform the 20th Century the Modern Age featuring diesel engines talking films escalators the first magnetic audio recorder called the telegraphone and the massive Ferris wheel spread over 543 acres featuring 83000 exhibitors. The compiler has included photos of the Porte Monumental the Pavilion of Nations the Palace of Decorative Arts Palace of Costumes & Textiles The Cambodian Pavilion the Cambodian pagoda the Chinese Pavilion the Palace of Electricity and many others. The images all retain a strong contrast and unlike many of the commercial images produced at the time often show wandering patrons or crowds or a focus on many of the exceptional Art Nouveau architectural details which ornamented the Exposition. The remainder of the album focuses on a September 1901 summer holiday trip to the beaches of Arromanches with scenes of fishing boats pulled up on the sand views of the headland birds-eye photo of the commune and town views. Arromanches would 43 later serve as the site of the Mulberry artificial harbor installations and the Normandy D-Day landings. See: Arthur Chandler The Paris Exposition Universelle of 1900 Expanded & Revised from World’s Fair Magazine Vol. VIII No. 3 1987 2021. n.p., hardcover
122791Paris 1968. . Album 270 x 210 mm 10¾ x 8¼ in; 49 silver gelatin photographs with locations in ink on verso map in pen and ink; brown textured covers with title in ink on upper side black plastic spine bar.<br /> The night of May 10-11 1968 known as The Night of the Barricades was marked by fierce clashes between student protesters and police in the area around the Sorbonne. After police blocked protesters from reaching the ORTF Office de Radiodiffusion Télévision Française students began tearing up cobblestones and building barricades. Around 2am on May 11 police launched a charge and a violent confrontation continued until dawn. Nearly 500 students were arrested and hundreds more were hospitalised including 250 police officers. Far from quelling support the clashes deepened public sympathy for the students. What had started as a university-led movement for educational reform soon spread to engulf all of France.<br /><br />The photographs in this album show the aftermath of the night's events with the hand drawn map showing the areas around the Sorbonne centred on rue Gay Lussac with symbols showing the location of the barricades and burnt-out cars.<br /> [Paris], [1968]. unknown
1987AARch[PA44Milan & Paris: Electa Moniteur 1987. 1987. 4to. pp. 191 1. many illus. some colour. Text in English & French. wrs. [Milan & Paris]: Electa Moniteur, [1987]. unknown
1985AARym[PA79Paris: 1985. 1985. 4to. pp. 159 1. profusely illus. some colour some full & double-page. biblio. wrs. extremities slightly worn. Exhib. Cat. presentation copy short inscription by Mason. Signed by Authors. [Paris: 1985]. unknown
1982AARal[PA71Paris: 1982. 1982. 4to. pp. 171 1. profusely illus. some colour. wrs. Exhib. Cat. [Paris: 1982]. unknown
69-7090Paris France: Unknown French Photo Studio Ca. 1950s. Print of B&W Photograph. 9 x 14 cm. Very Good. Original Signature inked in blue pen. En Francais. Provenance: Thérèse Bénard Tours France. Paris, France: [Unknown French Photo Studio], [Ca. 1950s] unknown
197626004<p>New York:: Pantheon 1976. First Printing of the First US Edition. A Fine copy in a Near Fine dust jacket with just a touch of edge wear. The Secret Paris of the '30s is one of the most evocative photographic memoirs ever published. For years it was known that Brassai had taken a series of 'secret photographs' which could not be published because of their daring nature. Alone or in the company of friends he discovered the forbidden Paris of the 1930s - its brothels whores pimps and opium dens - the sordid yet bewitching bas-monde where high society mingled with the underworld. Brassai's photographs reveal a milieu previously known only through books such as the novels of Henry Miller a frequent companion on his nocturnal rambles: the seamy grimy yet infinitely exciting reality that tourists still think of when they seek 'Paris by night'. These fascinating images are accompanied by Brassai's own text in which he describes the extraordinary conditions under which he took his photographs.</p> Pantheon, hardcover
1995AARan[PA21np: Actes Sud 1995. 1995. 4to. pp. 206 1 leaf. profusely illus. mostly colour. wrs. Exhib. Cat. np: Actes Sud, [1995]. unknown
B285185-1Paris/New York Boussod Valadon & Cie. 1893. 102pp. 100 plates photogravures and etchings and one water color facsimile. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. T.e.g. Orig. dec. wraps. bound in. Paris/New York (Boussod, Valadon & Cie.), 1893. paperback
B285188-1Paris/New York Boussod Valadon & Cie. 1894. 102pp. 100 plates photogravures and etchings 1 water color facsimile. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. T.e.g. Orig. dec. wraps. bound in. Paris/New York (Boussod, Valadon & Cie.), 1894. paperback
B285192-1Paris/New York Boussod Valadon & Cie. 1896. 103 1pp. 100 plates photogravures and etchings 1 water color facsimile. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. T.e.g. Orig. dec. wraps. bound in. Paris/New York (Boussod, Valadon & Cie.), 1896. paperback
B285193-1Paris/New York Goupil & Cie./ Jean Boussod Manzi Joyant & Cie. 1897. 102pp. 100 plates photogravures and etchings 1 water color facsimile. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. T.e.g. Orig. dec. wraps. bound in. Outer hinges of upper rear spine partly split. Paris/New York (Goupil & Cie./ Jean Boussod, Manzi, Joyant & Cie.), 1897. paperback
B285181-1Paris/Boston Goupil & Cie. Boussod Valadon & Cie. Successors/ Estes & Lauriat 1890. 104pp. 100 photogravure plates printed by Goupil & Cie. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. Uncut.T.e.g. Paris/Boston (Goupil & Cie. [Boussod, Valadon & Cie., Successors]/ Estes & Lauriat), 1890. hardcover
B285173-1Paris/Boston Goupil & Cie. Boussod Valadon & Cie. Successors/ Estes & Lauriat 1889. 102pp. 100 photogravure plates printed by Goupil & Cie. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. T.e.g. Orig. dec. wraps. bound in. Paris/Boston (Goupil & Cie. [Boussod, Valadon & Cie., Successors]/ Estes & Lauriat), 1889. paperback
18801013Paris: Librairie d'Art Ludovic Baschet. 1880. Limited edition one of 10 copies printed on Japon paper this being number 9. Quarto. Handsomely bound by Ramage of London in full brown morocco with gilt fleur-de-lis devices to the corners of the boards and spine compartments and with titles in gilt to the upper board and spine. Gilt dentelles. All edges gilt. Marbled endpapers. Illustrated with 34 fine photogravure plates proof impressions produced by Goupil & Cie 64 further full-page plates and 50 in-text drawings. A very good copy the binding square and firm with a little rubbing to the spine and joints rubbing to the corners a few light scuffs to the boards and a touch of cracking to the front hinge. The contents with scattered foxing to the endpapers are otherwise clean and crisp throughout. The plates remain fresh and bright. One of a very small limitation of this extensively illustrated guide to the Paris Salon exhibition of 1880 printed on Japon paper and with wonderfully sharp proof impressions of the photogravure plates. Paris: Librairie d'Art, Ludovic Baschet. hardcover
B285170-1Paris Ludovic Baschet Éditeur 1888. 114pp. 104 plates 100 photogravure 4 etchings. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. Uncut. T.e.g. Paris (Ludovic Baschet, Éditeur), 1888. hardcover
B285158-1Paris Ludovic Baschet Éditeur 1886. 106pp. 100 photogravure plates printed by Goupil & Cie. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. Uncut. T.e.g. Paris (Ludovic Baschet, Éditeur), 1886. hardcover
B285167-1Paris Ludovic Baschet Éditeur 1887. 104pp. 100 photogravure plates printed by Goupil & Cie. Sm. folio. Marbled boards 3/4 morocco gilt. Spine banded and gilt in compartments. Uncut. T.e.g. Paris (Ludovic Baschet, Éditeur), 1887. hardcover
1672HCHB08RSGIM2Paris 1672. 4to. François Muguet Contemporary calf gold-tooled spine. With a few woodcut headpieces. 56 26 111 1 blank 4 20 56 22 2 blank 115 1 blank 43 1 blank 10 2 blank 16 4 16 pp. Collection of laws privileges and jurisprudence relating to the Faculty of Medicine of the University of Paris up to 1672. Most concern the publication of certain books the relationship of the Faculty with several guilds and the rules concerning the autopsy of corpses.The book opens with the university reform of 1600 which added many classical authors to the curriculum. For the Faculty of Medicine this meant the official establishment of Galen as the primary authority on botanical medicines. Interest in the work of Galen was highly stimulated by new translations from the Greek that had appeared in the 16th century and by 1600 the Paris Faculty was heavily mired in the doctrines of Galen which would remain so up until the 18th century.With a few contemporary annotations and corrections. Paper somewhat browned and with a few spots. A small corner of p. 11 of the index is cut out. Pp. 17-44 of the final part appear to be missing but this seems to be the case in every edition of this text we have located. Binding worn at the extremities with the head and foot of the spine damaged and a crack in the back hinge. A good copy.l Krivatsy 12063. unknown
1847452736Philadelphia: Lea and Blanchard 1847. Hardcover. Very Good. Later American edition. Illustrations by George Cruikshank. 12mo. Red cloth stamped in blind and gilt. Contemporary neat gift inscription moderate edgewear on the boards a sound very good copy. Lea and Blanchard hardcover
1831276London: Henry Colburn and Richard Bentley 1831. New edition second edition. About very good in publisher's grayish boards with paper spine labels with some spotting and staining particularly to vol. II tear to the foot of vol. I spine boards & spines rubbed particularly to head & foot contents clean. Cruikshank George ill. Intended for children and originally composed for the author's family this three-volume work about science was first published in 1827. Originally published anonymously in later editions authorship was credited to Paris. Dedicated to the writer Maria Edgeworth it aims "to blend amusement with instruction" which Paris states Edgeworth has "satisfactorily demonstrated" in her own novels. Topics covered in volume 1 include momentum geometry elasticity and rotatory motion demonstrated using a yo-yo a jack-in-the-box and a slingshot among other toys and games. A fascinating work in science education the work seeks to prove "how profitably and agreeably the machinery of fiction may be worked for the dissemination of truth." Additionally this work is a part of the Cruikshank canon as he contributed several woodcuts.<br /> <br /> 8vo. 3 vols. Cohn 599 for first the edition. Henry Colburn and Richard Bentley unknown
